Limits and Renewals
| dc.contributor | Oxford Text Archive |
| dc.contributor.author | Kipling, Rudyard, 1865-1936 |
| dc.date.accessioned | 2018-06-14 |
| dc.date.accessioned | 2019-07-04T10:35:31Z |
| dc.date.available | 2019-07-04T10:35:31Z |
| dc.date.created | 1932 |
| dc.identifier | ota:3284 |
| dc.identifier.citation | http://purl.ox.ac.uk/ota/3284 |
| dc.identifier.uri | http://hdl.handle.net/20.500.12024/3284 |
| dc.description.abstract | Resource deposited with the Oxford Text Archive. |
| dc.format.medium | Digital bitstream |
| dc.format.mimetype | text/xml |
| dc.language | English |
| dc.language.iso | eng |
| dc.publisher | University of Oxford |
| dc.relation.ispartof | Oxford Text Archive Core Collection |
| dc.relation.hasversion | http://ebooks.adelaide.edu.au/k/kipling/rudyard/limits/ |
| dc.rights | Distributed by the University of Oxford under a Creative Commons Attribution-ShareAlike 3.0 Unported License |
| dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/ |
| dc.rights.label | PUB |
| dc.title | Limits and Renewals |
| dc.type | Text |
| has.files | yes |
| branding | Oxford Text Archive |
| files.size | 2981659 |
| files.count | 5 |
| otaterms.date.range | 1900-1999 |
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Dayspring Mishandled
C’est moi, c’est moi, c’est moi!
Je suis la Mandragore!
La file des beaux jours qui s’éveille à l’aurore —
Et qui chante pour toi!
C. NODIER.
IN the days beyond compare and before the Judgments, a genius called Graydon foresaw that the advance of education and the standard of living would submerge all mind-marks in one mudrush of standardised reading-matter, and so created the Fictional Supply Syndicate to meet the demand.
Since a few days’ work for him brought them more money than a week’s elsewhere, he drew many young men — some now eminent — into his employ. He bade them keep their eyes on the Sixpenny Dream Book, the Army and Navy Stores Catalogue (this for backgrounds and furniture as they changed), and The Hearthstone Friend, a weekly publication which specialised unrivalledly in the domestic emotions. Yet, even so, youth would not be denied, and some of the collaborated love-talk in ‘Passion Hath Peril,’ and ‘Ena’s Lost Lovers,’ and the account of the mu . . .
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