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Barrack-Room Ballads

 
dc.contributor Oxford Text Archive
dc.contributor.author Kipling, Rudyard, 1865-1936
dc.date.accessioned 2018-06-14
dc.date.accessioned 2019-07-04T10:34:44Z
dc.date.available 2019-07-04T10:34:44Z
dc.date.created 1892
dc.identifier ota:3264
dc.identifier.citation http://purl.ox.ac.uk/ota/3264
dc.identifier.uri http://hdl.handle.net/20.500.12024/3264
dc.description.abstract Resource deposited with the Oxford Text Archive.
dc.format.medium Digital bitstream
dc.format.mimetype text/xml
dc.language English
dc.language.iso eng
dc.publisher University of Oxford
dc.relation.ispartof Oxford Text Archive Core Collection
dc.relation.hasversion http://ebooks.adelaide.edu.au/k/kipling/rudyard/barrack/
dc.rights Distributed by the University of Oxford under a Creative Commons Attribution-ShareAlike 3.0 Unported License
dc.rights.uri http://creativecommons.org/licenses/by-sa/3.0/
dc.rights.label PUB
dc.title Barrack-Room Ballads
dc.type Text
has.files yes
branding Oxford Text Archive
files.size 869617
files.count 5
otaterms.date.range 1800-1899

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Dedication  To T. A.    I have made for you a song,    And it may be right or wrong,  But only you can tell me if it’s true;    I have tried for to explain    Both your pleasure and your pain,  And, Thomas, here’s my best respects to you!    O there’ll surely come a day    When they’ll give you all your pay,  And treat you as a Christian ought to do;    So, until that day comes round,    Heaven keep you safe and sound,  And, Thomas, here’s my best respects to you! R. K. Danny Deever “What are the bugles blowin’ for?” said Files-on-Parade. “To turn you out, to turn you out”, the Colour–Sergeant said. “What makes you look so white, so white?” said Files-on-Parade. “I’m dreadin’ what I’ve got to watch”, the Colour–Sergeant said.   For they’re hangin’ Danny Deever, you can hear the Dead March play,   The regiment’s in ’ollow square — they’re hangin’ him today;   They’ve taken of his buttons off an’ cut his stripes away,   An’ they’re hangin’ Danny Deever in the mornin’. “What makes the rea . . .
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