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A pair of blue eyes

 
dc.contributor Oxford Text Archive
dc.contributor.author Hardy, Thomas, 1840-1928
dc.date.accessioned 2018-06-14
dc.date.accessioned 2019-07-04T10:32:17Z
dc.date.available 2019-07-04T10:32:17Z
dc.date.created 1873
dc.identifier ota:3114
dc.identifier.citation http://purl.ox.ac.uk/ota/3114
dc.identifier.uri http://hdl.handle.net/20.500.12024/3114
dc.description.abstract First edition published in 1873.
dc.format.medium Digital bitstream
dc.format.mimetype text/xml
dc.language English
dc.language.iso eng
dc.publisher University of Oxford
dc.relation.ispartof Oxford Text Archive Core Collection
dc.relation.replaces http://purl.ox.ac.uk/ota/2167
dc.rights Distributed by the University of Oxford under a Creative Commons Attribution-ShareAlike 3.0 Unported License
dc.rights.uri http://creativecommons.org/licenses/by-sa/3.0/
dc.rights.label PUB
dc.subject.lcsh Novels -- Great Britain -- 19th century
dc.title A pair of blue eyes
dc.type Text
has.files yes
branding Oxford Text Archive
files.size 4410019
files.count 5
otaterms.date.range 1800-1899

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A Pair of Blue Eyes by Thomas Hardy 'A violet in the youth of primy nature, Forward, not permanent, sweet not lasting, The perfume and suppliance of a minute; No more.' PREFACE The following chapters were written at a time when the craze for indiscriminate church-restoration had just reached the remotest nooks of western England, where the wild and tragic features of the coast had long combined in perfect harmony with the crude Gothic Art of the ecclesiastical buildings scattered along it, throwing into extraordinary discord all architectural attempts at newness there. To restore the grey carcases of a mediaevalism whose spirit had fled, seemed a not less incongruous act than to set about renovating the adjoining crags themselves. Hence it happened that an imaginary history of three human hearts, whose emotions were not without correspondence with these material circumstances, found in the ordinary incidents of such church-renovations a fitting frame for its presentation. The shore and . . .
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