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Nostromo

 
dc.contributor Oxford Text Archive
dc.contributor.author Conrad, Joseph, 1857-1924
dc.date.accessioned 2018-06-14
dc.date.accessioned 2019-07-04T10:31:40Z
dc.date.available 2019-07-04T10:31:40Z
dc.date.created 1904
dc.identifier ota:3077
dc.identifier.citation http://purl.ox.ac.uk/ota/3077
dc.identifier.uri http://hdl.handle.net/20.500.12024/3077
dc.description.abstract Resource deposited with the Oxford Text Archive.
dc.format.medium Digital bitstream
dc.format.mimetype text/xml
dc.language English
dc.language.iso eng
dc.publisher University of Oxford
dc.relation.ispartof Oxford Text Archive Core Collection
dc.relation.replaces http://purl.ox.ac.uk/ota/2123
dc.rights Distributed by the University of Oxford under a Creative Commons Attribution-ShareAlike 3.0 Unported License
dc.rights.uri http://creativecommons.org/licenses/by-sa/3.0/
dc.rights.label PUB
dc.title Nostromo
dc.type Text
has.files yes
branding Oxford Text Archive
files.size 5242855
files.count 5
otaterms.date.range 1900-1999

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Nostromo by Joseph Conrad AUTHOR'S NOTE Nostromo is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the Typhoon volume of short stories. I don't mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible. What, however, did cause me some concern was that after finishing the last story of the Typhoon volume it seemed somehow that there was nothing more in the world to write about. This so strangely negative but disturbing mood lasted some little time; and then, as with many of my longer stories, the first hint for Nostromo came to me in the shape of a vagrant anecdote completely destitute of valuable det . . .
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