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Exiles / James Joyce

 
dc.contributor Wilson, David Chathill
dc.contributor.author Joyce, James, 1882-1941
dc.coverage.placeName Harmondsworth
dc.date.accessioned 2018-07-27
dc.date.accessioned 2019-07-04T09:56:54Z
dc.date.available 2019-07-04T09:56:54Z
dc.date.created 1973
dc.date.issued 1992
dc.identifier ota:1719
dc.identifier.citation http://purl.ox.ac.uk/ota/1719
dc.identifier.uri http://hdl.handle.net/20.500.12024/1719
dc.description.abstract Resource deposited with the Oxford Text Archive.
dc.format.extent Text data (4 file : ca. 150 KB)
dc.format.medium Digital bitstream
dc.language English
dc.language.iso eng
dc.publisher University of Oxford
dc.relation.ispartof Oxford Text Archive Core Collection
dc.rights Distributed by the University of Oxford under a Creative Commons Attribution-ShareAlike 3.0 Unported License
dc.rights.uri http://creativecommons.org/licenses/by-sa/3.0/
dc.rights.label PUB
dc.subject.lcsh Irish drama -- 20th century
dc.subject.other Plays
dc.title Exiles / James Joyce
dc.type Text
has.files yes
branding Oxford Text Archive
files.size 155665
files.count 3
otaterms.date.range 1900-1999

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RICHARD ROWAN, *a writer* BERTHA ARCHIE, *their son, aged eight years* ROBERT HAND, *journalist* BEATRICE JUSTICE, *his cousin, music teacher* BRIGID, *an old servant of the Rowan family* A FISHWOMAN At Merrion and Ranelagh, suburbs of Dublin Summer of the year 1912 FIRST ACT *The drawingroom in Richard Rowan's house at Merrion, a suburb of Dublin. On the right, forward, a fireplace, before which stands a low screen. Over the mantelpiece a giltframed glass. Further back in the right wall, folding doors leading to the parlour and kitchen. In the wall at the back to the right a small door leading to a study. Left of this a sideboard. On the wall above the sideboard a framed crayon drawing of a young man. More to the left double doors with glass panels leading o . . .
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EXILES As with *APOTAAAYM* and *Dubliners*, the edition I have used is *The Essential James Joyce*, the 1973 Penguin reprint of Jonathan Cape's edition of 1948. Apart from unimportant corrections, the main 'errors' are as follows: Act 1. 'BRIGID (*points to the easychair*): Sit down and I' tell the Master ....'. I don't think this is a characteristic Brigid locution. I have written 'I'll'. 'BEATRICE: We are first cousins. Is it not strange that we were often together.'. Either a questionmark is missing, or 'Is it' should be 'It is'. I have chosen the latter. Act 2. 'BERTHA (*quietly*): You mean because others have been there?'. Surely 'here' rather than 'there'. 'BERTHA (*sits down helplessly*): But this is cruel to you, Robert.'. I have read this as 'of you'. Act 3. 'RICHARD (*calmly*): I thank you for kind article about me.'. I have put 'your' between 'for' and 'kind'. It's fortunate that Joyce's reputation does not rest on *Exiles . . .
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