Match mee in London
dc.contributor | Unknown, |
dc.contributor.author | Dekker, Thomas |
dc.coverage.placeName | Cambridge |
dc.date.accessioned | 2018-07-27 |
dc.date.accessioned | 2019-07-04T09:55:17Z |
dc.date.available | 2019-07-04T09:55:17Z |
dc.date.created | 1631 |
dc.date.issued | 1993-06-10 |
dc.identifier | ota:1545 |
dc.identifier.citation | http://purl.ox.ac.uk/ota/1545 |
dc.identifier.uri | http://hdl.handle.net/20.500.12024/1545 |
dc.description.abstract | SGML-tagged version of Text 39 |
dc.format.extent | Text data A unspecified offline |
dc.format.medium | Digital bitstream |
dc.language | English |
dc.language.iso | eng |
dc.publisher | University of Oxford |
dc.relation.ispartof | Oxford Text Archive Core Collection |
dc.rights | Creative Commons - Attribution 3.0 Unported (CC BY 3.0) |
dc.rights.uri | http://creativecommons.org/licenses/by/3.0/ |
dc.rights.label | PUB |
dc.title | Match mee in London |
dc.type | Text |
has.files | yes |
branding | Oxford Text Archive |
files.size | 154418 |
files.count | 2 |
otaterms.date.range | 1600-1699 |
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<Text id=DekMMLo>
<Author>Dekker, Thomas</Author>
<Title>Match Mee in London</Title>
<Edition>The Dramatic Works of Thomas Dekker. Fredson Bowers, ed. Cambridge: The University Press, 1958</Edition>
<Date>1623</Date>
<body>
<loc><locdoc>DekMMLo1.1</locdoc>
<div0 type=act n=1><div1 type=scene n=1>
<l> <i>Enter</i> Malevento.</l>
<l> <i>Male</i>. Tormiella Daughter -- nor in this roome -- Peace:</l>
<l> The dawne of Midnight, and the Drunkards noone,</l>
<l> No honest soules vp now, but Vintners, Midwiues,</l>
<l> The nodding Watch, and pitious Constable,</l>
<l> Ha; <i>Bilbo</i>!</l>
<l> My street doore open! <i>Bilbo,</i> Puskeena, <i>Bilbo.</i></l>
<l> Bawds, Panders, to a young Whore.</l>
<l> " ' <i>Enter</i> Bilbo.</l>
<l> <i>Bilbo.</i> Theeues, Theeues, Theeues, where are they Master?</l>
<l> <i>Male</i>. Where are they <i>Bilbo?</i> What Theefe seest thou?</l>
<l> <i>Bilbo.</i> That ilfauor'd Theefe in your Candle sir, none else not I.</l>
<l> <i>Male.</i> Why di . . .