Richard III / William Shakespeare
dc.contributor | Hankey, Julie Oxford |
dc.contributor.author | Shakespeare, William, 1564-1616 |
dc.coverage.placeName | London ; Totawa [NJ] |
dc.date.accessioned | 2018-07-27 |
dc.date.accessioned | 2019-07-04T09:53:30Z |
dc.date.available | 2019-07-04T09:53:30Z |
dc.date.created | 1593 |
dc.date.issued | 1989-05-04 |
dc.identifier | ota:1306 |
dc.identifier.citation | http://purl.ox.ac.uk/ota/1306 |
dc.identifier.uri | http://hdl.handle.net/20.500.12024/1306 |
dc.description.abstract | Publication based on this text: Shakespeare, William, 1564-1616. -- Richard III. -- Julie Hankey, ed. -- 2nd ed, rev. and reset. -- Bristol : Bristol Classical Press, 1988. -- (Plays in performance). -- ISBN 1853990019 |
dc.format.extent | Text data (1 file : ca. 604 KB) |
dc.format.medium | Digital bitstream |
dc.language | English |
dc.language.iso | eng |
dc.publisher | University of Oxford |
dc.relation.ispartof | Oxford Text Archive Core Collection |
dc.rights | Distributed by the University of Oxford under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/3.0/ |
dc.rights.label | PUB |
dc.subject.lcsh | English drama -- Early modern and Elizabethan, 1500-1600 |
dc.subject.other | Plays |
dc.title | Richard III / William Shakespeare |
dc.type | Text |
has.files | yes |
branding | Oxford Text Archive |
files.size | 623027 |
files.count | 2 |
otaterms.date.range | 1500-1599 |
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<1CONTENTS>1
Preface by Jeremy Treglown v
A Selective Chronological Table of Performances of
<2Richard III>2 in English 1
Abbreviations 5
Introduction 9
Richard III 85
Appendix: Richard's Seven New Soliloquies in Cibber's Version 251
Glossary 255
<1PREFACE>1
It ought to go without saying that production is part of the creative
process of making a play. Throughout the history of the English theatre,
actors and directors have been important in deciding not only how the
playwright's text is performed -- what the settings and costumes look like,
where characters stand and how they move, what business is introduce . . .