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Makers of the harpsichord and clavichord 1440-1840

 
dc.contributor Mould, Charles
dc.contributor.author Boalch, Donald H.
dc.date.accessioned 2018-07-27
dc.date.accessioned 2019-07-04T09:49:26Z
dc.date.available 2019-07-04T09:49:26Z
dc.date.created 1974
dc.date.issued 1987-01-14
dc.identifier ota:1037
dc.identifier.citation http://purl.ox.ac.uk/ota/1037
dc.identifier.uri http://hdl.handle.net/20.500.12024/1037
dc.description.abstract Resource deposited with the Oxford Text Archive.
dc.format.extent Text data B unspecified
dc.format.medium Digital bitstream
dc.language English
dc.language.iso eng
dc.publisher University of Oxford
dc.relation.ispartof Oxford Text Archive Core Collection
dc.rights Distributed by the University of Oxford under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
dc.rights.uri http://creativecommons.org/licenses/by-nc-sa/3.0/
dc.rights.label PUB
dc.title Makers of the harpsichord and clavichord 1440-1840
dc.type Text
has.files yes
branding Oxford Text Archive
files.size 729282
files.count 2
otaterms.date.range 1900-1999

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<2A, C.>2 <1See:>1 ASTON, Cawton. <2A, D.>2 <1See:>1 D, A: <2A, F.>2 Messrs. Hubbard & Dowd, of Boston, Mass., had (1950) a harpsichord bearing upon the top and bottom keys the inscription: <1FA 1677>1. The instrument is Italian in style, of cypress in a red painted case. Compass C/E-C, 4 octaves with short octave; 2 X 8' stops in movable slides. <2A, I.>2 A clavichord in the Kunsthistorisches Museum, Vienna, bears the initials <1IA>1 on the nameboard. These refer presumably not to the maker but to a previous owner Ignaz Assmayer (1790-1862), Hofkapellmeister, who was a friend of Schubert's. It had belonged earlier to two other Hofkapellmeister: Josef Eybler (1765-1846) and Adalbert Gyrowetz (1763-1850). Presented by the violin maker Gabriel Lembo%ck in 1873. (Ges. d. Musikfreunde nr. 4.) [<1Luith>1, p. 8.] <2A, T.>2 The lowest key on an anonymous spinet which belonged to Raymond Russell bears the initials <1T.A.>1 <2ADAM, Abel,>2 of Turin. Maker of virginals and harpsi- chords . . .
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