The connoisseur’s guide to the movies / James Monaco
dc.contributor | Monaco, James, 1943- Baseline Inc. New York |
dc.contributor.author | Monaco, James, 1943- |
dc.coverage.placeName | New York ; Oxford |
dc.date.accessioned | 2018-07-27 |
dc.date.accessioned | 2019-07-04T09:49:02Z |
dc.date.available | 2019-07-04T09:49:02Z |
dc.date.created | 1985 |
dc.date.issued | 1986-01-08 |
dc.identifier | ota:0705 |
dc.identifier.citation | http://purl.ox.ac.uk/ota/0705 |
dc.identifier.uri | http://hdl.handle.net/20.500.12024/0705 |
dc.description.abstract | Resource deposited with the Oxford Text Archive. |
dc.format.extent | Text data (1 file : ca. 767 KB) |
dc.format.medium | Digital bitstream |
dc.language | English |
dc.language.iso | eng |
dc.publisher | University of Oxford |
dc.relation.ispartof | Oxford Text Archive Core Collection |
dc.rights | Oxford Text Archive |
dc.rights.uri | https://ota.bodleian.ox.ac.uk/repository/xmlui/page/licence-ota |
dc.rights.label | ACA |
dc.subject.lcsh | Motion pictures -- Reviews |
dc.subject.other | Essays |
dc.title | The connoisseur’s guide to the movies / James Monaco |
dc.type | Text |
has.files | yes |
branding | Oxford Text Archive |
files.size | 789794 |
files.count | 2 |
otaterms.date.range | 1900-1999 |
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<PT18><FT3>THE CONNOISSEUR'S GUIDE TO FILM<QC><SP2><FT1><PT12>
by<QC><SP2>
<PT14>James Monaco<QC><SP3>
<PT10>
Editorial Assistance: Susan Schenker, John Schasny, David Laskin,
Richard White, Jo Imeson<QL><SP2>
<PT12>Facts on File<QC><SP2>
1985<QC><SP4>
<FT3>
For Andrew, Charles, Margaret, Megan, Susan, Kristin and . . .<QL><Sp1>
some good memories for the future.<QL><SP4>
<FT3><PT12>Other Books by James Monaco<QL><SP2>
<FT2><PT10>
The New Wave: Godard, Truffaut, Chabrol, Rohmer, Rivette<QL><SP1>
How to Read a Film<QL><SP1>
Celebrity<QL><SP1>
Media Culture<QL><SP1>
Alain Resnais<QL><SP1>
American Film Now: The Power, the People, the Money, the Movies<QL><SP1>
Who's Who in American Film Now<QL><SP1>
The French Revolutionary Calendar<QL><SP1>
<FT3><PT14>INTRODUCTION<QL><SP2>
<FT1><PT10>
For a long time during the sixties and seventies, when . . .