ELEGIES.

I. ON THE DEATH OF SAMUEL FOOTE, ESQ.

II. ON AGE.

BY THOMAS HOLCROFT, Of the Theatre Royal, Drury-Lane.

LONDON, Printed for J. BEW, in Pater-Noster-Row. M DCC LXXVII.

[Price One Shilling.]

ADVERTISEMENT.

EVERY one who amuses himself with writing Works of Imagination, has a View to either Profit or Fame. Though the Author of the fol­lowing Trifles does not pretend to be above such Mo­tives, yet he hopes his Anxiety is not powerful enough to render him unhappy one Moment, should he be en­tirely disappointed. He is sensible how much Success depends upon Circumstances. A Poem must be read before it can be admired; nay more, it must be read with some Share of that Temper and Spirit in which it was written, or it will appear languid. A good Character, or a bad one, given by those Gentlemen [Page iv]who take upon themselves the Office of Public Cen­sors in literary Matters, will frequently, at least for a Time, determine its Fate. As he is entirely un­known, he is not in any Dread of a partial Sentence. If these Poems are worthless, let them rest in that Oblivion which is the utmost Happiness Unworthiness can know: if the contrary happens to be the Case, he has no doubt but their Merits will be seen and acknowledged by every one whom Heaven has blest with Taste and Judgment sufficient to form the true Critic.

ELEGY I. ON THE Deat …

ELEGY I. ON THE Death of S. FOOTE, Esq.

ELEGY.

I.
AH! what avails the fancied Lore of Man,
Or all the envied Gifts the Gods bestow?
His Wisdom Folly, Length of Time a Span,
His Life is Vanity, his Death is Woe!
II.
Could Wit protect, had Genius power to save,
Did they immortal Life with Fame impart,
Alexis ne'er had known a dreary Grave,
Death ne'er had drench'd an Arrow in his Heart.
III.
Mourn, mourn, ye Spirits, who delight in Mirth;
In yonder Tomb Alexis breathless lies;
The Soul of Wit, that gave your Laughter Birth,
Inhabits, once again, her native Skies.
IV.
How fix'd those Features which so well pourtray'd
The Cobweb Virtues of the canting Saint;
How dull those Eyes that could so well upbraid,
And Mimas' Vice in Mimas' Manner paint.
V.
Weep, ye who bend beneath the savage Rod
Of stern Oppression, spurning human Laws,
Your Champion, cover'd by yon senseless Sod,
Hears not your Griefs, or sure he'd plead your Cause.
VI.
Rejoice, ye Sons of Rapine; Io! your Foe,
Who dragg'd your dark Misdeeds to public Shame,
Your scourge is fled, no longer shall ye know
The Stings of guilty Terrot at his Name.
VII.
Where's now the pliant Muscle big with Whim,
The Eye that fill'd with Laughter ev'ry Face,
The various Voice, the oft-distorted Limb,
And all the mirth-fed Features of Grimace?
VIII.
How ghastly now his Grin! No latent Spark
Of new-found Wit sheds Dimples o'er his Cheek;
No heavy Blockhead dreads himself the Mark
On whom the biting Gibe shall shortly break.
IX.
Where now the Shouts that Theatres have rent,
While Laughter roar'd and begg'd to be reliev'd?
Ah! where the Plaudits every Hand has sent,
When Humour brought forth all that Wit conceiv'd?
X.
Mourn, every MUSE, in Elegiac Song,
In Metre melancholic let if flow;
Adown the doleful Breeze your Griefs prolong
In Wails, and Sighs, and Tears, shrill sad and slow.
XI.
But oh! THALIA, be thy Sorrows loud,
Tho' all-unus'd to Accents so severe;
Ah! shed the Drop most precious o'er his Shroud,
For sure a Son like him deserves a Tear.
XII.
Full well he once was known thy dear Delight;
Thou ne'er deny'd'st whate'er he deign'd to ask,
Thy choicest Pen was his whene'er he'd write,
And his, whene'er he'd act, thy choicest Mask.
XIII.
Ye shagged SATYRS leave the deep Recess,
The dark close Woodland, and the braky Dell;
Quit every pointed Weapon of Redress,
Hear! shriek and hear! your Fav'rite's passing Bell.
XIV.
No more we catch your Meaning from his Eye,
No more he wields the many-barbed Dart,
Or guides your galling Arrows as they fly,
To strike the guilty Sinner thro' the Heart.
XV.
Ye light-wing'd SPRITES, who sport in Fancy's Dome,
With Freaks and Bounds in antic Circles play,
Attend your kindred Genius to his Home,
Proclaim him welcome to the Realms of Day.
XVI.
Ye SYLPHS, who down the Sun-beams love to flit,
And round the Poet's Temples Laurel twine,
Or, jocund, on the dancing Ignis sit,
Or quaff from azure Streams aetherial Wine,
XVII.
Forsake your Sports; and, if you know to weep,
If e'er your silken Lids sustain such Dew,
Here pour your Tears,—behold, in endless Sleep,
The Swain who all your Haunts and Frolics knew!
XVIII.
Ye FAUNS and FAIRIES, wheresoe'er ye rove,
O'er Hill, o'er Dale, or mid the Virgin Throng;
Ye NYMPHS, ye DRYADS, of the Brook, the Grove,
Who sing so sweet in many a witching Song;
XIX.
Come, FANCY'S OFFSPRING, every CHILD of VERSE,
Whatever Clime your printless Feet shall tread;
Assemble ALL,—alternate Griefs rehearse,
In solemn Song funereal Honours shed.
XX.
And as ye pass the Mountain, Mead, or Dell,
Where lavish Nature strews her Gifts profuse,
From Hawthorn's Point, Grub's Beard, or Lilly's Bell,
Collect the Sweets that most delight the Muse.
XXI.
Bring every Spell and Charm, each Fruit and Flower,
Each Herb, each Plant to Poet fragrant found;
With all due Rites erect the Cypress Bower,
And bless the Turf, and consecrate the Ground.
XXII.
Then while coy Phoebe grants her glimm'ring Beam,
And flitting Ghosts entrance the fearful Eye,
On broken Vows while Maids, forsaken, dream,
And start and weep with many a mournful Sigh;
XXIII.
While wanton Rear-Mouse winds her mazy Rout,
And squeaks, to list'ning Glow-Worm, antic Song;
Your Vigils keep—with shrill and sudden Shout
Scare each unhallow'd Foot from forth your Throng.
XXIV.
Enough, fair FANCY, lightly bound away;—
Advance PHILOSOPHY. Lo! TRUTH appears,
Who, with her sober Mien, and moral Lay,
Foretels the sad Events of future Years.
XXV.
Young Ammon *, once admir'd, belov'd, obey'd,
Grasp'd half the Globe, and daft the Hours away;
Crowns gave for Playthings, Slaves of Monarchs made,
Then dropt a little Lump of lifeless Clay.
XXVI.
Now what avails the fair historic Page,
Where all his Acts are blazon'd to the World?
What tho' th'Antipodes once selt his Rage,
And 'gainst the Poles his Thunderbolts were hurl'd?
XXVII.
Had he not better far, in peaceful Lore,
Turn'd o'er the moral Page, and smil'd serene,
Than, thus delighting in the Battle's Roar,
T'have made the shrieking World one tragic Scene?
XXVIII.
Lost is his Valour; lost, to him, his Fame;
He heeds not, hears not, RUMOUR'S fickle Blast;
And all who live to hear and read his Name
Are posting after him with heedless Haste.
XXIX.
With fancied Dignity important grown,
Man acts as tho' his Follies were to last;
Builds, plants, or mounts, perhaps, a thorn-strew'd Throne,
Dies, rots, and gives the Worms a short Repast.
XXX.
What melancholy Scenes salute his Eyes,
Prophetic Lessons of approaching Fate;
Still he pursues each Phantom as it flies,
And loses Happiness in finding State.
XXXI.
Blest be the Sons of Science, Nymph sublime!
She lures her Children to the calm Retreat,
And solves the Problem, and suggests the Rhyme,
And to the dulcet Sound directs the Feet.
XXXII.
She prompts the Song to Love, to Peace, and Joy;
The matchless Music of Content she chants;
Her heav'n-born Beauties ne'er her Lovers cloy,
She knows no Sorrows, for she feels no Wants.
XXXIII.
She philosophic Temp'rance loves to chear,
And bids to shun, like Death, imagin'd Ills;
Their Sweets are bitter thro' the plenteous Year
Who know no Medium to their wayward Wills.
XXXIV.
Blest be Alexis! Science loves the Name;
He well approv'd him of her darling Race;
And be that Wretch accurst who damns his Fame,
Or would his little Follies backward trace!
ELEGY II. ON AGE.ADV …

ELEGY II. ON AGE.

ADVERTISEMENT.

THERE is not any Thing, I believe, which calls forth the melancholy and sympathetic Passions more forcibly than a Sight of those Men who have once been great or famous, and have outlived their For­tune or Faculties. Who can forbear sighing when he beholds a BELISARIUS? Whose Heart is not wrung when he views a SWIFT in his Dotage?—Reflections of this Kind gave Birth to the following Stanzas. They were written upon an old Man in a Coun­try-Village, whose Strength, Activity, and rustic Ac­complishments, were once the frequent Admiration of his Fellow-Swains; and when Age had deprived [Page 18]him of them, and rendered him feeble and decrepid, the Remembrance of his past Exploits was often the Subject of their Exclamations, and the honest Motive of their Pity and Condolence, as well as the frequent Topic of his own Lamentation. The Effect that this Remembrance had upon his Mind cannot, perhaps, be conveyed more feelingly than by informing the Reader that the Sentence which I have chosen for a Motto was common in his Mouth, and generally attended with a Sigh.

ELEGY.

‘There is a Time to be born, and a Time to die.’
I.
I ONCE was young, alack the Day!
And Mirth and Jollity my Theme;
Now fourscore Summers, flown away,
Appear a half-forgotten Dream.
II.
I once could dance, who nimbler seen
When May-Day Garlands deck'd the Pole?
Or, Prize propos'd to glide the Green,
Who sooner reach'd the distant Goal?
III.
How slow and feeble now my Tread!
Those Feet which erst have won the Prize
Are only swift to reach the Bed
Where, undistinguish'd, Merit lies.
IV.
This Arm athletic once could raise
The massy Beam, the pond'rous Stone;
Loud echo'd forth the Village Praise
When I the whirling Quoit have thrown.
V.
Behold it wither'd, now, and weak,
Its brawny Texture quite forgot;
Its languid Pulse, slow winding, seek
The Mansion where to rest and rot!
VI.
When I into the Circle sprung,
What hardy Youth durst e'er engage?
Who but would check his daring Tongue,
If, much provok'd, he saw my Rage?
VII.
Where's now the Terror of my Eye?
What Coward quakes tho' I should frown?
When agile Feats they yearly try,
Who brings to me the festive Crown?
VIII.
My auburn Ringlets, once so gay,
Could win the Sigh, the wishing Glance;
And envied went that Lass away
Who join'd me in the rustic Dance.
IX.
My bald Head, sprinkled o'er with grey,
Wins nothing but predictive Tears,
Reminding Man, from Day to Day,
Th'Effects of much-desired Years.
X.
I once could sing, what Voice so sweet
Could charm an inattentive Ear?
Or move the merry-making Feet,
Or melt the sighing Virgin's Tear?
XI.
Who now delights to hear my Voice?
Who now shall press the cheerly Song?
Who now shall listen? who rejoice?
Or give the Praise they gave me young?
XII.
Alas! what Voice hath drooping Age
To charm the sprightly Ear of Youth?
His Eye delights not in the Sage,
His Heart delights not in the Truth.
FINIS.

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