ASTRAEA, OR, True Love's Myrrour. A PASTORAL. Composed BY LEONARD WILLAN, GENT.
LONDON, Printed by R. White, for Henry Cripps, and Lodowick Lloyd, and are to be sold at their Shop in Popes-Head-Alley. 1651.
TO The Illustrious Princess, MARY Dutches of Richmond and Lennox.
THis figurative Star presented to your view (no sooner formed generally distinguishable to our Horison) becoming suddenly obscured by the Eclipses of those greater Lights, from whom essentially it should have had both Influence and Lustre, hath mov'd concealed many years; till now by the Reflection of your affinitive eminence [Page] in Vertue and Beauty; It hath presumed to assume a Being more communicable. Reject not, Madam, the Access hereof, because transacted to your hand by so despicable an Introducer. It soly is your Property, not only by the advantage of Worth (in civil rights of Honour and Respect) your Present: but by the advantage of Similitude (in rule of Dialect) your proper Attribute. The pretended perfection of Astraea's Vertue and Beauty intitled her to a celestial Figure: the essential Graces whereof in you, shall really translate you to so transcendent a Glory, that those refulgent Lights are thereof but imperfect Shadows. Those Objects of true Love figured in her so happily to encounter as perfect a subject, to receive their Impressions, and mutually communicate the like effects to the forming of one mysterious Union: are visibly exprest in the admired, ravishing, and harmonious agreement [Page] of your Hymeneal Amitie. Astraea is figured to discend from noble Progeny, who to avoid the Military Fury of debording Multitudes (which passing frequently through Gaule, descended like an irresistible Torrent on the Roman Empire) were constrained to betake them to the humble Sanctuary of a Pastorical condition: This Circumstance will meet no trivial Analogie in the Eminence of your Extraction, and Consequence of your present Rural Retreat: So that (with permission) may evidently be concluded, that in reference to your Natural perfections, Civil Transactions, or Accidental Occurrence, Astraea may (in equity) presume to be either your Type, Parallel, or Character. Disdain not, Madam, her Resemblance, in respect of the Humility figured in her condition; since 'tis the perfect'st, and most proper Note of her Nobility: which (where divided) shew the Original of such ostentive [Page] Attributes (with what glorious Titles soever illustrated) had but a reproachful Acquisition. And although your vertues need no other Monument but their own perfection to constitute their Memory eternal: yet since Fortune is the chiefest Agitator in humane Occurrences, whose Power is still exercis'd in opposition of such eminent Faculties, your Counterfeit (in Astraea) may happily outlast your marble Epitaph or Figure: If so, It soly is the Crown and Glory of his Enterprise, whose vanity can aspire to no higher Honour, then to survive the Malice of his Fate in his unworthy Ministry to your Fame, under the Title of
Persons Represented.
- Adamas, a Priest.
- Lindamor, Lover to Galataea, a Noble man.
- Ligdamon, a Noble man, Lover to Sylva.
- Paris, alias Ergaste, supposed son to Adamas, but son to Bellinda.
- Celadon, a Shepherd, Lover to Astraea.
- Sylvander, a Shepherd, Lover to Diana.
- Lycidas, a Shepherd, Lover to Phillis, brother to Celadon.
- Tyrsis, a Shepherd, who laments the loss of Cleon.
- Hylas, a Shepherd, an inconstant Lover.
- Bellinda, Mother to Diana.
- Galataea, Princess of the Country.
- Leonida, one of her Nymphs, Niece to Adamas.
- Sylva, one of Galataea's Nymphs.
- Astraea Shepherdesses.
- Diana Shepherdesses.
- Phillis Shepherdesses.
- Leonice, a Shepherdess, in Love with Tyrsis.
- Stella, a Shepherdess, the last Mistris of Hylas.
The Scene.
THe frontispiece is a wreath of fresh Foliage, much like the enterance into a close Alley, the tops whereof interlac'd, represent the perfect figure of an Arch; at whose intersection is a kind of knot, whereon is enscribed in letters of gold, FOREST: over which two little Cupidons by either hand support a Garland little distant from the same. At either foot hereof is plac'd on little pedistals the figure of a Shepherd and Shepherdess; the one in a pretty posture, merrily playing on a Flute, the other very intentively ordring her scatter'd flowrs in form of a Garland. To which succeeds, in prospective order, close united Trees, which by degrees o [...]retop each other, the former not much exceeding the height of a man, through which the sight is conveyed to a very fair Palace; at foot whereof runneth a winding stream; the Canopy of the whole a Serene Skie.
[Page]THe Scene being a pretty while discovered, appears at far end thereof a Shepherdess, with a little Dog parried in Ribbons of several colours; when sodainly, privately within, are heard sundry voices, one answering the other, till each have sung his part: at the end whereof all joyn their voices; each voice is so ordered as may seem far distant from the Auditors, and a like distant from each other.
SONG.
Or thus in Dialogue by a Treble and a Base. SONG.
Which ended, the Shepherdess avanceth to the Frontispiece of the Scene.
ERRATA.
PAge 4. line 6. read now no time. p. 32. l. 1. r. Fate's. p. 49. l. 5. r. still keeping. p. 53. l. 7. r. How Mistris! p. 91. l. 25. r. her Orb. p. 93. l. 8. r. be Reproach. p. 93. l. 23. r. yet know. p. 99. l. 3. r. on Bounties. p. 100. l. 7. r. doth spring. p. 102. l. 3. r. their Summons. p. 102. l 5. r. not pretend p. 103. l. 17. r. laying waste. p. 111. l. 18. r. did draw
Scene 1. Act. 1.
Whereabouts was't? observ'd you well?
Scene 2. Act 1.
AFter some intermission, three Nymphs appear on the Scene, their heads crown'd with garlands; The sleeves of their garments turn'd up above the elbow, from whence fals a fine transparent lawn plated and frows'd towards the hand; whereto with bracelets of pearl they seem fastned: with gilt Quivers by their sides; And each an ivory bow in her hand; the lower part of the garment turn'd up on their hips; which discovers their gilt buskins to the mid-leg.
Madam, he breaths?
Scene 3. Act 1.
LETTER.
ENquire no longer the actions of my life, in asking me
what I do; know, still I continue in my wonted pain, to love, yet not dare to shew the same. Not love, yet vow the contrary. Dear brother, this is all the exercise, or rather punishment of thy Celadon. Men say two contraries cannot be in one and the same place at one and the same time: Nevertheless, true love, and f [...]ined, are the frequent actions of my life; Wonder not thereat; for I am forced to one by the perfection, to the other, by the command of my Astraea: If this seem strange to thee, remember that [Page 10] Miracles are the ordinary works of Divinitie; And what can we less expect from my Deity!
LETTER.
FAir Astraea, if the Dissimulation which you enjoyn be to kill me, you may more easily effect the same by one word from your mouth; If it be to punish my Presumption, you are too just a Iudge to inflict less punishment then Death. If it be to trie the Power you have over me, why make you not choice of a more sudden Experiment then this, whose length can be but wearisome to you. I cannot believe'tis to conceal our Amity, as you pretend; Since not being able long to live in so much Constraint, my Death will, without doubt, give too sudden and deplorable Testimony thereof: Believe it, fair Astraea, what I have suffered is enough; 'tis now time you suffer me to act the personage of Celadon; having so long, and with so much pain, represented One that of all those in the world is most contrary to him.
Scene 4. Act 1.
As how I pray?
Sorrow attends my wonder!
Th'are welcome Summons; such I would not flie.
Render not fruitless so our Charity.
Scene 1. Act. 2.
Of whence?
[...]air Nymph, wilt please you him to entertain?
[...]our Character's too fair that to refrain.
The Lesser still gives place unto the Great.
Disdainful Swain, so lightly us to treat.
That is not such, which of her is a Part.
VVe have enough to force a milder Heart.
The principal you want that to fulfil.
And what may that be?
All those to which it hath apply'd my Thought.
Or want of Will the same to undertake.
That is but just.
To that we all agree.
Nay fair One y'are ingag'd too far to flie.
'Tis the Nymphs request, you must not deny.
Say what you'd infer.
So just a Sutor cannot be deny'de.
It pretty Musick is, thus to divide.
Say ther what is't?
Let it Astraea be.
This difference by one Judge should be decreed.
Diana, 'tis your second Charge.
Agreed.
What Shepherd's that which Sings?
That Shepherdess you mean.
This last it seems is of another Mind.
He's no Deceiver that declares the same.
He makes hi Glory what we think his Shame.
Were you as I, you need lament but One.
You must make vow t'observe what I decree.
As to the Gods.
We both to It agree.
Fair mistris, are you not dispos'd to sit?
Your honor to the Nymph you do forget.
It is your right:
Gentle Shepherd, y'ave Liberty to speak.
Hylas for'th living;
Phillis for the dead.
As [...]eav'ns Edict!
Scene. 2. Act. 2.
Pray heav'n the Nymph be well; where is she gone?
Be brief;
Do not despair, these clowds I'le quickly clear.
Alas? my own love painteth thus my Fear!
Scene 1. Act 2.
A thousand times adue.
LETTER. To the most lov'd and most fair Shepherdess of the universe, The most unfortunate, and most faithful of her Servants, wisheth that weale, which Fortune him denies.
My extream Affection shall never consent to give the name of Pain or Punishment to what by your Command I suffer: Nor shall ever permit Complaint to come from that mouth was only destin'd for your Praise: But It may permit me to say, that the State wherein I am (which an Other would perhaps, think insupportable) contenteth me; insomuch as I know, you will, and ordain It such. Be not scrupulous to extend yet farther (if possible) your commands; I shall still continue my Obedience, to the end that if my Life hath not been capable to assure my fidelity, my Death may.
Scene. 4. Act. 2.
Fair Shepherdess, how should I know the same?
who is he?
By what judge you him her Servant to be?
You saw none such?
Not any, pass this way.
Good morrow Swaine.
VVhy walkes my Shepheard with so sad a cheare?
As thou wer't innocent! —away, forbear.
VVhat suddain change is this?
As how?
I think she sought it with the same Intent.
And as unjustly you her it assent.
As how?
She for this Favour made to me her suit.
And you, like Fortune, must reject the mute.
The want thereof that doth on thee revert.
How mean you that?
How so?
The coldest Flint oft Fire doth unfold.
[...]ut yet the fire ne're produceth cold.
Ashes, which are, it doth.
'Tis Celadons; how comes it to his hand?
His Mistris that of him may best command.
Servant: whose Letters this? to whom addrest?
If so, this would your own hand-writing be.
What riddle's this?
Could you not, think you, guide us to that place?
My best Endeavours shall that Hope imbrace.
Scene 1. Act. 3.
Not her Sentence,
Those are their own, and they may them require.
So am I hers, to whom I now expire.
But you 'gainst Heav'ns will, can't your self dispose.
Still seeking her Command, would you her see?
Extend not Hope t'impossibility.
I do assent, so I still her obey.
Name the same Words, which her Command'ment bear.
Till commanded 'fore her I not appear.
How can that be?'fore her I must appear.
As Alexis, not Celadon you were.
I submit to yourPrudence.
Scene 2. Act 3.
It seemsimpassible.
Ile force aWay.
And leave yourEnemy here you tobetray.
Not my Mistris, but Enemy 'tis Ifear.
Not of her Love, but of your Treachery.
What doth thisShepherd to thy Thoughts appear?
Alas! my self I beginto suspect.
What's he?
Is not your Hat become her Hood?
You have too long withheld us; Night draws near.
That might well be, if none could read but I.
Confirm me with the sight thereof.
'Tis Celadons hand.
Then 'tis an Argument h' is yet alive.
My dying Sorrow do not again revive.
This rather is a cause of Joy, then Grief.
Which my sad Piety shall undertake.
A Druy'd there is hard by; lets thither make.
Why you have heard them▪
That is but just,
Though unprofitable,
I will dispense with yours: Love is my tye.
Read right Shepherd:
Can it be so?
I'me sure, so I it find.
Then you must make me beleeve I was blind.
Scene 3. Act 3.
WHat Musick's that which so far off we hear?
'Tis better still to further our Intent;
M' approaching ruine!
His Love hath discharg'd that Duty, believe.
Love! to whom?
Rather my Ruine be;
VVill you leave me?
I took you to that end.
And so e're long to me you will pretend.
Suspect not Hylas, Hylas cannot change.
For Hylas, so long Hylas, still will range.
They will not grant what is against our Vow.
What then for all my service do y'allow?
The satisfaction to have loved me.
With that, the voyage not discharg'd will be.
I see you seek Pretences, me to leave.
They are but violencies.
Him give no ear.
It cannot be deny'd.
Then next your Servants name your own subscribe.
What may that be?
Scene 1. Act. 4.
And what will Stella say that you her leave?
'Twil make my fading Love more fresh, more keen.
Where should he be, so long we have not seen?
Sylvander is't you seek?
Him we would find.
Sure you mistake; Sylvander Love doth flie.
Of all Attaints but fair Diana's eye.
Which but for wage [...] is.
M' ancient Mistris, Ile show you for a kiss.
You may oblige me.
Fair companions,
good day.
To you the same.
I have no Faith in this.
I see no ground for this Report.
But will you him condemn before you hear?
As thou me lov'st, me to disswade forbear.
Hers you it gave.
My Mistrisses!
VVhy, doth she think me false?
Else all not true.
Then to my dying Soul, such, Gods, be you.
'Twere double Guilt these chast Tears to refrain.
What bright shadow art thou?
Scene 2. Act 4.
Dear Astraea! how long here thus alone?
No longer then two Kisses I have stoln.
To you wherein can I be Profitable?
That we for ever be Inseparable.
'Tis mine own Wish, which but on you depends.
In our Agreements both must have their Ends.
It is enough, yet one thing more remains.
Then command me; but—
Nothing but Courage.
Which thus I cancel.
Next is your part.
Pray heav'n not too late.
From whence, my dear Compan'ions, pleas'd so well?
Diana was there.
VVhich now is clear.
Sylvander must have Right.
What do you mean?
As for mine own Advantage best might prove.
I thank you dear Companion for your Love.
My Veng'ance never did so far pretend.
Those Ils ar [...] great which cease but with our End.
Unto the Cure at least.
Your Skill on others Help you do repose.
You can't deny what Char'ity doth propose.
I m [...]st submit.
VVe all become therein her Suerty.
Nothing is more clear.
As she with Heav'n Intelligencer were.
Diana's promise must the Rest fulfill.
Wherein? I see no need thereof.
We are ingag'd.
And must not see you fail.
What is requir'd of Both must needs prevail.
It is too much.
For my Worth.
Thus guarded, Heav'n i [...] vain you bend your brows.
Scene 3. Act 4.
Oh excellent! But whence all this? or why?
Here cause is of your Pitty.
Blame rather my Love's too severe Respect.
Respect, to what?
To what I do obey.
I shall.
If you him love, you would him wish to see.
Beyond imaginary Felicity.
Those your Fears cease.
[...] do assent.
Not I.
They both are truly present.
Why do you mock me? sweet Alexis rise.
Such as thou wilt, so thou maist cease to be.
Astraea, Celadon, why thus disagree.
Scene 4. Act 4.
SEE whom we seek?
Nor I.
'Tis very strange.
I flie.
VVith your leave; her to comfort.
Nought fear I worse, then parting from those Eyes.
Scene 1. Act 5.
For such, disguis'd, thou we [...]'t to me made known.
And such I am.
I must not leave you.
Scene 2. Act 5.
Me thy fair Glory thus but to partake.
Good Gods! Diana see.
Let's bear them away.
The eager Beasts approach.
Let's them defend.
Rather secure them avancing our End.
'Tis very strange! from thence we are not far.
Whereof Each one may be Discoverer.
VVould Heav'n I could him see!
Ha! they are unblemish't.
And yet are dead.
Without a Bruise.
Or any Bloud being shed.
Thy just Punishment, but my double wrong.
Too soon I find, what I have sought too long.
Oh my afflicted Soul!
Oh cruel death!
Heav'n hath you charg'd to cease your murm'ring breath.
Scene 3. Act 5.
How shall either be known?
Scene. 4. Act. 5.
Hah!
By what strange Miracle?
And let the Innocent your Grace partake.
Ye both are such, if such I both can make.
To perfect which, let us them haste to see,
To that your eys may present witness be.
My Joy's imperfect.
You must not be withstood.
Why do you thus my dying soul distract.
I will it cure with this welcome Contract.
They are Essential.
A still kind of musick is heard with great Reverence, and once more Cupid appears in white; In either hand a Garland of Myrrh, which he casteth to Celadon and Sylvander, at which he vanisheth.
At which many little Cupidons appear joyning their Voices, and casting Garlands of Myrrh to the whole Troop.
Thus Heav'n and I you joyn.
Myraculous!
'Twere Injury to Love.
Astraea, your Command.
Scene 5. Act 5.
WHat strange Disorder we in each part find!
As if the world were forsook of Mankind.
With one Consent all from themselves are fled.
The wandring flocks do stray without their Guides.
Some Panick Terror thus their Fear derides.
[...]t why us thus your Company berest?
Hah! a lovely spectacle!
A fair Troop!
A smiling Miracle!
First, I restore what I berest by Craft.
These my exchanged Sons have changed Names.
Mysterious Joys!