So when the Mistress cannot hit the Joynt,
Which proves sometimes, you know, a difficult point,
Think on a Cuckold, straight the Gossips cry:
But think on Batt's good Carving-knife, say I;
That still nicks sure, without offence and scandal:
Dull Blades may be beholding to their Handle;
But those Batt makes are all so sharp, they scorn
To be so charmed by his Neighbour's Horn.
When I the Edges of his Ware have seen,
(Seen they could not be, they were all so keen)
When I have found their Temper all so good,
From the long Rapier to the Oyster-spud;
Happy, thrice happy 'tis, I us'd to say,
For all Mankind, who wish for length of day,
That Batt no Cutler is unto the Fates;
His Sheers would cut our Threads off at strange rates:
Snip, —'tis no more; there's work for Batt, and die
We must, to find him Cakes and Elegy.
Well then, put on thy Eyes, and look about thee;
Do what we can, we can do nought without thee:
Let's woo and woo, and gain good will, What then?
It comes to nothing, till thou say Amen.
No Woman can be Church'd, till Batt appear;
A Christening is no Christening, 'less he's there.
Without his help, Moll, Betty, Tom, and Will,
Sweet Babes, God knows had all been Cakebread still.
If any well-disposed Person is sick
Batt's sent to; Collects cheaper are than Physick:
To say the truth on't, Batt, no man can be
With credit hang'd, without thy facultie:
For who without a Psalm doth take a swing,
Dies like a Dog; hang him, he would not sing:
But who turns off in time, 's a proper man,
And, Batt, thy Knife may cut him down agen.
The VISION.
HOld, hold my head! O Jove, thou know'st my pain,
When Vulcan was Man-Midwife to thy Brain,
As Batt the better Workman is to mine;
Batt! thou that mak'st all the whole Parish whine,
Come, tune my Fancy, as thou dost the Psalms,
And with thy Bellows raise Poetick Flames.
No Inkhorn will I dip in but thy mouth,
Where Wooll, black Wooll, fit for sad purpose grow'th:
But lest the doleful Theme should make it dry,
We'll set, that's Mourning too, a black Pot by.
Bright Sol, with Perriwig of curled Carrot,
And a Face laccar'd or'e like his Chariot,
The cheerful Author of all Wit and Light,
But what the Bell-man stalks with in the Night,
Had drove the Stage-Coach to the place of rest,
Drest all his Horses, and himself undrest,
With Nights black Stockin had becapt his head,
And softly crept to Madam Thetis bed:
Where what he did, I think I need not name;
We Mortals, by his influence, do the same.
'Twas then, just then, soft slumber seiz'd mine Eye,
I wink'd, and winking Men most Visions spie I
When to my Fancy (what can't Fancy do?)
Appear'd a Satyr sad, and full of woe:
Batt's Person described.
Bald was his Crown, but bristly was his Beard;
I saw no Horns, but he was over-ear'd.
Grief had so sunk his Eyes, that through each hole
Methought I could look quite through to his Pole.
In his Dark-lanthorn-face, Nose stood for handle,
And a white Tooth supply'd the inch of Candle.
A Cloak upon one shoulder hangs as thin,
But not so black as was the Wearers skin:
To which compar'd, Charcoal and Jet seem wan;
'Twould make deep Mourning for an African.
A piece of dirty stretching Leather fac'd
His breast; an Apron, or his Conscience was't?
He drivell'd Ink, from Nostrils Tar distill'd,
Piss'd Coffee, and with Pitch his Hose full-fill'd.
No Fumes from sooty Hypochondria sent,
Could a more dismal Vision represent.
At first approach, in sweat and fear I laid,
And softly Fee faa fumm thrice over said.
Enchanted so, Devil, what art I cry'd;
Your very humble Servant, he reply'd.
I am the God of Wit in Masquerade,
The grand Improver of the Rhyming Trade;
Mechanick Fancy, a true Greshamite,
One that can sing, file, hammer, and indite.
Or if you would in Modern Language know it,
I am a Philo-pyro-technical Poet.
Surcease to wonder, reaking Mortal, that here
I do appear in Elegiack Tatter.
Grief, grief 'tis brings me unto thee to waite,
Both as chief Mourner for Batt's dearest Mate,
And to complain of this ungrateful Town,
Which lets a Matron of so good Renown,
An Alder-woman of the sacred hill,
Die, without Tribute from each Goose's quill:
One, at whose Grave all Muses ought to meet,
Like Swans, with paper-breasts and inky feet,
And with sweet Ballad crown her godly life,
The common right of every Poets Wife.
Hampton, O Hampton, in the days of yore,
The lawful Pride of all the Southern shore,
With all advantages of Nature grac'd,
Betwixt the Arms of fair Antona plac'd;
Guarded by Forrests both on Land and Sea,
From Storms, and Man, the ruder Enemy,
By Neptune and his Argonauts caress'd
And all that were in Tarpawlin dress'd.
Admir'd for Beauty, but for Riches more;
For nothing can be handsome that is poor.
Fertile in men of Valour and loud Fame,
In Knights and Giants, as thy Gates proclaim,
And gentle Poets, without whom those Wights
Had got but little honour by their fights.
Upon thy Banks fam'd Sternhold did compose
Those two last Staves which
Batt so oft doth nose.
Sternhold born in Hampton.
Batt to thy Altars too sweet Metre brings,
And makes as learned Anthems as he sings.
Here once each Tradesman could both work and write;
As Coblers whistle at it, they'd indite.
Invention was so pregnant, that oft-times
Men would talk Poetry, that could not Rhymes.
Poems were pasted up in every Hall
As thick and thin as Cobwebs on the wall.
Formerly every house had several sacred Rhymes in it.
Here you might view Haman in all his pride,
Us'd like a Rogue, hang'd, and then Dittified.
Or the two Elders, Poets in their time,
Tempting Susanna in Battoick Rhyme.
Each Kitching, Parlor, Chamber, were all drest here
With Sampson, Joseph, Daniel, or Queen Hester.
No Room was thought well furnisht for Converse,
Till hung with Buckram paint and Buckram-verse.
Nay, I have seen a Ballad full of wit,
Tore down to singe a Goose upon the Spit.
Bless'd Town! where did the God's e're grant before,
That men might all be Poets, and not poor?
A happiness ne'r in Parnassus known,
Nor couldst thou, Hampton, call it long thy own:
For Age, who like a Bloud-hound, Glory traces
And destroys Towns as well as handsome Faces,
Hath made thee poor and dull like other places.
Imp'd with swift wings, thy Beauty's fled away,
The very ruines of thy Pride decay.
Thy Gates are mouldred, the Portcullis shew'th,
Like rotten Teeth in an old womans mouth.
Walls, Forts and Towers into their Trenches slide;
The Castle looks like a Nose Frenchisi'd;
As though in vain the Monsieur heretofore
Had made thee shift thy Lodging for a Cure.
The Town burnt twice by the French.
Whither are all thy winged Lovers flown,
The mighty Carracks and great Gallion,
With all that numerous train which did resort
In Marine Coaches to thy crowded Port?
They cease their Courtship now, and only own
Thou hast been once a rich and handsome Town:
But Time hath put a period to those days:
Farewel; when Miss grows old, the Gallant strays.
Nor art thou Bankrupt grown only in Trade,
But oh, thy very Wits too are decay'd.
Whither are now the race of Chimers gone,
Thy Quibble-Squires, and Knights of Helicon?
All the Wit-Jobbers are quite broke, they say,
Here's scarce one left that can at Crambo play.
Nothing of Wit or Poetry remains,
But thread-bare Coats, no Money, and crack'd Brains.
Oh, Heavens, how strange these alterations are?
Shall we want Ballads in a Country Fair?
The merry Fidlers long since left the Town,
There was formerly Musick for the Mayor and Town.
And now of late the Gallows is broke down;
Which by the ancient Charter still did use
To furnish matter for the Tragick Muse.
No wonder then if Poetry decay,
When such Encouragements are ta'n away.
There was a time when not a Dog could die
Within these Walls, without an Elegie.
Batt made an Elegie upon Capt. Narbon's Dog Quand.
A Dog of Note, I mean not every Dog
Bred up to tug the nasty tail of Hog;
But such as
Quand, who liv'd in gentle fashion,
The Dog died of a Clap.
And di'd as Genteels do, of Recreation.
But at
Meggs Grave they now all silence keep,
Batt made an Elegy upon his Wife.
As though they fear'd to wake her from her sleep:
Not all the Market will afford a Verse
To pin upon a Sister-Poets Herse.
Poet by Marriage, so she claims that honour,
As Madam hers, by a Knight's lying on her.
Nay, Batt himself stands mute, as dull and dead,
As Friar Bacon's thrice neglected head.
That Son of Fancy, got in Raptures, he
Whose life and living is all Poetrie,
Who suck'd Prosodia from his Mothers Teat,
Till like a Caterpiller he was all Feet:
A walking Ode, a Hymn of Ekes and Ayes,
Whose Pulse is but the scanning of his days;
He who ne'r speaks nor thinks, but in true time;
Farts Epigrams, and snores 'um too in Rhyme;
He, he stands disinspir'd, and some suppose,
Intends to take his leave of her in Prose.
A tame wild beast of late, knowing he must,
When he grew fat, be damn'd to Pasty-crust,
Chose a more noble fate, and licking in
Poyson, prevented the Cooks Rowling-pin.
Batt made an Elegy upon Capt. Narbon's Buck.
Heroick Act! which noble Batt did scorn
(Hoping to be rewarded with a Horn)
Should unbewail'd in Rhyme Heroick go:
And could not his own Dear oblige him so?
Must Megg, the Wife of Batt, aged Eighty,
Deceas'd November thirteenth, Seventy three,
Be cast, like common Dust into the Pit,
Without one line of Monumental wit?
One Death's head Distich, or Mortality-staff,
With sense enough for Church-yard Epitaph?
No stirrup Verse at Grave before she go?
Batt does not use to part at Tavern so.
Grief here prevailing, struck the Satyr dumb,
Who twisting hard his dropping Nose with Thumb,
Like one that turns a Conduit-cock about,
To let the water gush more freely out;
Methought I wept too then, and sighing said,
Courage, kind Gobling, though the Times are bad,
And Wit's as scarce as Money, yet no doubt
Fame will provoke some worthy Poet out,
Who from her Story will renown his Pen.
He kindly bow'd, and smiling said Amen.
At which I woke, as Men at Sermons use,
And heard
Batt's knocking at the door for Dues.
Batt collects the Parsons Dues.
FINIS.