POEMS ON Several Occasions, Written in imitation of the manner of ANACREON, WITH Other Poems, Letters and Transla­tions.

Cum Thebae, cum Troja foret, cum Caesaris Acta, Ingenium movit Sola Corinna meum. Ovid. Eleg.

LONDON: Printed for R. Parker at the Ʋnicorn, under the Piazza of the Royal Exchange, in Cornhill. 1696.

TO THE Right Honourable THE Lord ASHLEY.

MY LORD,

THere are many Reasons which ought to have kept me from troubling your Lordship with this Address, but I am willing some­times to believe there are Others that will a little excuse my Presumption▪ [Page] I have been long tempted to use the first Opportunity that should offer, to express my particular Veneration for You. I wish, My Lord, I had now been happy in a better occasion, or that you would not take an Opinion of my Respect and Esteem for You, from the meanness of this Present.

Authors of all Ages are generally fond of their own Productions; but the Oldest and Youngest are most In­fected with this Vanity. Yet I am not so partial to this my first Essay, but I know it wants many Perfections to be fit to come before You. If it Di­verts you when you are pleas'd to be free from the Publick Concerns, which so often Employ You, 'tis the utmost of my pretences; I shall be proud of its good Fortune, and have no cause to re­pent I had the Courage to own it.

Your Lordship has sufficiently prov'd that the Gallant Man, and the Man of [Page] Business are not incompatable; No Man ever discover'd so early such a vast Capacity for the Business you have undertaken. And since you consent­ed to be chosen a Member of the House of Commons, None ever appear'd more Sollicitous for the Publick Cood, or knew better how to promote it than your Lordship. You have joyn'd the Vivacity of Youth, with the Wisdom and Temper of Age, and already se­cur'd your Self a Character, which o­thers have been Labouring for whole Ages with less success.

But your Thoughts in affairs of high­est consequence, however weighty in themselves, never sit heavy on you; you are not discompos'd by them, or prevented from a moderate Enjoyment of those Pleasures, which are the Pro­piety of men of your Wit and Quality.

Those who have the Honour to be intimate with You, and are acquaint­ed [Page] with the sweetness of your Dispo­sition, and Your unaffected easiness to Your Private Friends, give us such idea's of You, that to be silent here, would be an injustice to Your Merit; however faulty we make our selves by it to Your Lordship. I can now almost please my self, that I am no better known to You; for certainly my Dis­cretion could not restrain me from con­sulting my own, more than Your Lordships pleasure, in dwelling on this Subject.

The World have so High an Opini­on of Your Worth, that they will ex­cuse me for speaking of You, tho 'tis even in a Dedication; They will only blame me for concluding so soon; but 'tis that only which can give me any hopes of procuring Your Pardon.

Such indeed frequently abuse a Man of Quality, with unseasonable Praises who have servile ends to promote by [Page] it: but my design is purely to express my Zeal for Your Lordship. I have not yet Learn't to Flatter, and it miscarries so often of late, that the Vilest Authors begin to be asham'd of it.

Most of these Poems, which I hum­bly Dedicate to You, were Written by a Person in Love, in those Hours which he devoted to the Contemplation of his Mistress: Your Lordship, who is so well with the Fair Sex, must have been sensible of that Passion, which makes us think not always so justly as we ought, you will then pity the Errors you find here, If you can't excuse them; but I Tremble, my Lord, when I think there is not one inconsiderable enough to escape you. Yet tho I leave Your Lord­ship with these apprehensions of your Justice, I would not wholly dispair of Your Mercy.

I am, My Lord, Your Lordships most Obe­dient and most Humble Servant. J. Oldmixon.

THE Preface.

AFter I have ventur'd to declare, That most of these Poems were Written in Imitation of Anacreon's Manner, I shall be excus'd for keeping the Reader a little while from them; since 'tis ne­cessary I should Explain my meaning to some who may think me too forward. I wish I understood A­nacreon as well as a great many Gentlemen, who perhaps don't Love him better; but I believe I know enough of him, and of the rest of the Ancients, to find he excell'd them all in the Lyrick way of Writ­ing, for the Naivete of his Thoughts, and Ex­pressions, for his Gaiety and good Humour, for his Delicacy and Pleasantry, and for most of the Qualities of an honest Gentleman and a Lover. Of all the Ancients Catullus and Horace were hap­piest [Page] in their Imitation of Anacreon; Catullus Coppied the Delicate Turn of his Thought, the softness, simplicity, and negligence of his Expres­sion; but Monsieur Rapin tells us, he is not always free from Affectation. Horace imitated him in his Gaiety and good Humour; but he is not so Natural, so Sweet and insinuating as Anacreon, who is ever Pleasant, Free and Graceful, and for the Naivete of Thoughts, I believe will never have his Equal. I might say much more of Anacreon, and the com­parison between him, Catullus and Horace; but I will leave it for a fairer Occasion, and acquaint the Reader with what more immediately relates to the Verses I here Publish. I have indeavour'd every where to be Easy and Natural; to say no more than what rises directly from the Subject. I have avoided, as far as I could, the Faults of such as have written of Love before me: They were, some of them, Witty Gentlemen, but they seldom speak warmly of their Mistresses Beauties, or their own Passion; when they pretend to it, they discover a greater value for themselves, and would be rather thought Witty and Learned, than Hearty and Pas­sionate. I must confess, I was never touch'd by any of these Famous Authors. I can scarce read them without Indignation, but I believe their Mistresses were as cold as their Verses, and then I am better sa­tisfi'd. After what Mr. Walsh has Inform'd us of their Mistakes in his judicious Preface to his [Page] Poems, there is little more for me, or any Man to say on that Subject: You will find nothing in this little Volume, but what was the Real Sentiments of my Heart at the time I Writ it, and he that will not give himself a greater Liberty, has no need to fear being thought forc'd, or unnatural, which is the greatest Viee in Verses of Love and Gallantry.

'Tis true, when a Man Industriously avoids Art, he will be in danger of becoming flat and in­sipid. But we must never let it appear too visibly, and when we mingle it in a Poem, we must manage it so, that it may seem all of a Piece. Art must never be too high for Nature, nor Nature too low for Art, Especially in the Affairs of Love, where the Ladies are to be our Judges, who are very nice in such mat­ters, and will frequently be more taken with a Pas­sionate Look or Gesture, than with formal Speeches, or the finest Arguments. As I have imitated Ana­creon in this Naivete of Thought. So I have follow'd him in his regular measure; and I was once almost resolv'd to call the Poems that were writ­ten in imitation of his manner, Odes; The Num­bers being as exactly try'd, and as truly Lyrical as I could make them. But the Numbers are too regular and the Poems were not divided into Stanza's, ac­cording to the Modern Character of an Ode. Tho Anacreon did not set us this Example, neither did Pindar allow himself to be so Licenti [...]us in his Measure, as some who would have us believe [Page] they have Imitated him. As for the Stanza, the An­cients and Moderns have frequently us'd it, and 'tis very beautiful in those who perfectly understand it; yet the sense being to be often clos'd, and a Connexi­on of the whole to be still continued; there are few that can confine themselves to such narrow Limits; but when they strive to be Correct in the Stan­za, their Thoughts appear imperfect and confus'd, and have nothing of that Native freedom which ought every where to shine in Poetry. To avoid these Errors, I have given myself more room, but still observ'd one manner, and kept my Verses to seven or eight Feet, which admits of a softer Ca­dence, and in little things, pleases the Ear better than the English Heroick of Ten Syllables. Be­sides, having study'd to be always Lyrical, the Numbers according to Mr. Dennis (who is one of our best Judges) should not be extended beyond the eighth Syllable. The Heroick Measure is more sounding, and by consequence not so suitable to the Softness of my Subject, which is generally Love, nor to the simplicity of the Thought and Expression, which I hope will no where appear Forc'd or Af­fected.

If I have not succeeded in Englishing the Two Satires out of Boileau, so well as those Gentlemen who have done some others of them, and from whom more is to be expected, I may at least affirm they have not kept closer to the Ori­ginal, [Page] than I have; and perhaps being too ten­der of the Reputation of that great Man, to min­gle my own Thoughts with his, or take the liberties which are allow'd in an Imitation, I was oblig'd in some places, where I strove to be Litteral, to speak too much like Prose; I hope, however, this fault will not be often found, or very much to my dis­advantage.

The Translations out of Catullus, &c. have been often Attempted before, I must own I was not pleas'd with them my self, nor perhaps will the World be more satisfy'd with mine: I think, how­ever, in the Numbers and the Turn, I have been more Faithful to the Originals; yet I don't always keep to 'em too servilely.

After all I can say to insinuate my self into the favour of the Publick, I shall make no de­pendance on my Excuses, though I have many to Offer, which have at least a Colour of Reason; Poetry has not been the business of my Life; I should reckon it amongst my Misfortunes if it had; I only, like Prince Arthur, made it my Diversion, and perhaps, like him, it may be only a Pleasure to the Author. 'Tis too Rich a Study to be a Mans constant Diet, but proper to relish such as are more Grave, and more Profita­ble.

[Page]Mr. Walsh tells us, A Man ought to be out of Love to Correct those Pieces which he Writes in his Amorous Furies; but I have not had the Patience to tarry for that dismal Hour, and I hope 'twill be late before it overtakes me. This will be some excuse for me to the Fair and Young, whose Hearts are in the same Circumstances; and if some Errors may have escap'd me, they will, for their own sakes, forgive such follies which my Passion has made me Guilty of.

There are some who will condemn me for be­ing too familiar in my Love Descriptions, and going beyond the severity of Religion: These are a sort of Persons who will have the Liberty of their Thoughts, in spite of Law or Reason, who having lost their Tast (if ever they had any) for things of this Nature, are disgusted at the Pleasures others Enjoy, and they are wholly inca­pable of. If they were People that could be con­vinc'd by Good Sense, what the Bishop of Ro­chester says on this, in his Life of Cowley, is enough to satisfy them. If Devout or Vertuous Men will Superciliously forbid the Minds of the Young, to Adorn those Subjects, about which they are most conversant, they would put them out of all capacity of performing Greater Matters when they come to them, for [Page] the exercises of all Mens Wits, must be always proper for their Age.

But lest the Ladies, whom I desire chiefly to Please, and fear always to Offend, should be pre­vail d on by these false scruples, to think ill of the following Poems; I assure them here is nothing which has not already been allow'd of by the most Vertuous, as well as the most Charming of their Sex.

THE CONTENTS.

  • TO Flavia. pag. 1
  • The Contest. pag. 3
  • To Cloe. pag. 7
  • On a Perfume taken out of a Young Ladies Bosom. pag. 9
  • The Grove. pag. 11
  • To Corinna. pag. 14
  • [Page]The Picture. pag. 16
  • To Mr. Sergeant, inviting him into the Country. pag. 18
  • The Country Wit. pag. 21
  • To the Bath, and Zelinda in it. pag. 23
  • To Corinna. pag. 25
  • To a Gentleman on his being Jilted. pag. 28
  • To Lucinda on her Recovery from an Indisposition. pag. 31
  • The Respectful Lover. pag. 34
  • The second Ode of Anacreon, Tran­slated out of the Greek pag. 36
  • Written Extempore in a Young Ladies Almanack. pag. 38
  • To Cleora. pag. 39
  • [Page]A Fragment out of Petronius. pag. 42
  • Out of Catullus. pag. 44
  • A Song. pag. 46
  • A Song. pag. 48
  • A Song. pag. 50
  • A Song. pag. 52
  • An Epigram on a pert slovenly Sa­tirist. pag. 55
  • An Epigram of Boileau, imitated. pag. 56
  • Another pag. 57
  • Another. pag. 58
  • The Seventh Satire of Boileau, Eng­lish'd. pag. 59
  • The Second Satire of Boileau, Eng­lish'd. pag. 67
  • To Dr. Turberville of Salisbury. pag. 85

POEMS.

TO FLAVIA.

WHat! Flavia, is your Bounty ceast,
With the poor Blisses I possest;
Possest, but as a Brother shou'd,
By halves you have been always good,
At least to me, when much I fear,
For others nothing is too dear.
Ah! Flavia, I would fain believe,
You are not skilful to deceive;
Such Youth from Artifice is free,
And you are only kind to me;
[Page 2]Tho' did you Love, as you profess,
You'd give me more, or give me less,
If you at first had us'd me ill,
You might with reason do it still;
You wou'd have had a mock excuse,
To torture me, or to refuse.
But when you can so far comply,
The rest 'tis solly to deny,
Unless uncommon ways you use,
And smile on those you would abuse.

THE CONTEST.

HElp me, help me! Gentle Love;
All my wandring thoughts remove;
Fix 'em where they should be true,
They are all Corinna's due,
If a long and awful Reign,
Can in Love a Right obtain.
Or convince me, I am wrong,
Tell me! She has rul'd too long:
Tell me! That she was unkind;
That to Love she ne're inclin'd;
[Page 4]That her Arbitrary sway
Taught me first to disobey,
Oh! instruct me what to say.
I, confounded with my shame,
Dare not own another Flame.
Subjects, when they change a King,
Should some Lawful Reasons bring;
All my Reasons seem too weak,
I am Dumb and cannot speak;
How can I such Beauty wrong,
One so Witty, Gay and Young;
Every Charm, and every Grace,
Dwells in my Corinna's Face:
But my Cloe is as Fair,
Happier in a Charming Air:
So much Beauty, so much youth,
So much Innocence and Truth,
[Page 5]'Tis impossible to see,
And for Loving censure me.
Sure Corinna cannot blame,
Such a hopeful, happy Flame;
When she knows that if I burn,
Tis in hopes of a return.
Love, thy Dictates I persue,
Tell me therefore, what to do;
Shall I with Corinna part,
Shall I throw her from my Heart?
She does still my suit refuse,
Is not that a good excuse?
Oh! if 'tis not, tell me how
Justice can my Change allow?
Thou didst first my Soul Inspire,
Thou dost set my Heart on Fire,
When Corinna I remove,
Witness, all the fault is Love;
[Page 6]Let the Treachery be thine,
And the Frailty only mine.

TO CLOE.

PRethee Cloe, not so fast,
Let's not run and Wed in hast;
We've a thousand things to do,
You must fly, and I persue;
You must frown, and I must sigh;
I intreat, and you deny.
Stay— If I am never crost,
Half the Pleasure will be lost;
[Page 8]Be, or seem to be severe,
Give me reason to Despair;
Fondness will my Wishes cloy,
Make me careless of the Joy.
Lovers may of course complain
Of their trouble and their pain;
But if Pain and Trouble cease,
Love without it will not please.

ON A PERFUME Taken out of a Young Ladie's Bosom.

BEgon! Bold Rival from my Fair,
Thou hast no Plea for Business there;
'Twere needless where the Lilly grows,
To add Perfumes, or to the Rose;
Faint are the Sweets which thou canst give,
To those which in her Bosom Live;
[Page 10]Thence tender Wishes, Amorous Sighs,
Love's Breath, the richest Odours rise.
Not all the Spices of the East,
Nor Indian Grove nor Phaenix Nest,
Send forth an Odour to compare
With what we find to please, us there
Where Nature has been so profuse,
Thy little Arts are of no use.
Thou canst not add a grace to her,
She's all Perfection every where.
Speak sawcy thing, for I will know
How much to her, and me you owe.
Whence comes this sweetness so Divine?
Speak, is it hers, or is it thine?
Ha! Varlet, by the fragrant smell
'Tis her's, all her's, I know it well;
I know you rob'd Olivia's Store,
But hence! For you shall steal no more.
[Page 11]Be gone! She has no room for thee,
Olivia's bosom must be free,
For nothing but for Love and me.

The GROVE.

OH! 'tis sweet, 'tis wondrous sweet,
When I and Amarilis meet,
In a fragrant Shady Grove,
Full of Wishes, full of Love:
Oh! What pretty things we say,
How the Minutes fly away,
When with glances mingling Kisses,
We prepare for softer Blisses;
On some Mossey-bank we lye,
Play and touch, imbrace and dye:
Then from little feuds and jars,
We proceed to Amorous Wars.
[Page 13]Oh! how many Heavens we find,
I am Young and she is Kind.
Kind and Free without design,
Mine at Will, and only mine;
Smiling always, always toying;
Ever fond, yet never cloying;
Could the coldest Hermit see
Half the sweets Enjoy'd by me.
Happy once to see her Eyes,
Press her Lips, and hear her Sighs,
Clasp her Wast, and touch her Skin,
Soon he would forget the Sin,
All his darling hopes of Bliss
In a distant Paradise,
All with ease he would resign
For a minute's taste of mine.

To CORINNA.

FAir Corinna tell me why
You are often heard to sigh,
Why your Eyes are often seen
Kind as Lovers should have been;
Tell me, Madam, what you mean?
Something does your Soul imploy,
Love or Anger, Grief or Joy,
By the Symptoms we discover,
Something even of a Lover.
Love, like Murder, will appear,
Tho' you take the greatest care.
Every motion will reveal
What you strugle te conceal,
[Page 15]Hide it not, for I perceive
When your Breasts begin to heave,
When they rise, and when they fall,
Then I see, and know it all;
They in spite of all your Art,
Tell the Conflicts of your Heart,
Every throb and pant repeat,
Equal time and motion beat,
But for whom your Wishes grow,
That, Oh! that, I cannot know.

The PICTƲRE.

PAinter I have often seen,
What a Flatterer thou hast been,
Take thy Pencil now and shew
What thy Art with Truth can do,
Paint me with the nicest care,
One that's young and wondrous fair,
Paint Corinna's Mein and Air,
On her Eyes imploy thy skill,
Make 'em Kind, but make 'em Kill,
Make 'em soft, and make 'em bright,
Let 'em, like her own, delight,
Draw her Fore-head, then her Nose,
All that's Beautiful suppose,
[Page 17]Made for Love and Lovers blisses,
Cheeks and Lips design'd for kisses,
Lips so red and Teeth so white.
Fancy cannnot do her right.
Such a white and such a red,
Never can be thought or said;
All thy Colours will not do,
Search abroad and seek for new.
See if nature can supply,
Colours of so fine a dye;
Draw her Neck, and then her Brea [...]
Draw—What must not be Exprest.
Charm me with her shape and Skin,
Let her be all o're Divine,
In her Picture let her see;
What she still deny's to me,
Make her smile, and she will own,
Naught so hateful as a frown.

TO Mr. Sergeant Inviting him into the Country.

COme my Thyrsis, come away,
Don't your Joy and mine delay;
But to make 'em both compleat,
Come and taste of my retreat.
'Tis not such as Hermits boast,
When by men or Fortune crost,
To some Cell the Fools repair,
And imagine blessings there.
Make their virtue a pretence,
For ill nature and offence.
[Page 19]Shun the World which in return,
Treats them with neglect and scorn.
Nothing looks in my retreat,
Discontented or unsweet.
True—'tis private, and you know,
Love and Friendship should be so,
Solitude dissolves the mind,
Makes it pleasant, free, and kind;
All our nicest beauties here,
Scorn th' appearance of severe.
Seldom, very seldom known,
To be fierce, or force a frown:
Seldom are untimely coy,
When invited to the joy;
But with wondrous ease comply,
Or with equal Grace deny.
When from my Caresses free,
Love shall force thy thoughts from me;
[Page 20]Happy in such sweet amours,
We will pass our hasty hours.
You with Sylvia, or with Phillis,
Constant I, with Amaryllis,
Court and Kiss 'em all the Day;
All the Ev'ning toy and play,
All the night-hold —None shall know,
What at night we mean to do.
Be it how it will, you'll find
Nature only makes 'em kind,
Oft such pleasures may be known,
You have felt 'em in the Town;
Yet my, my Thyrsis, you'll confess,
Fears and Dangers make 'em less.
Crouds, Diseases, seuds and noise,
Render 'em imperfect joys;
But in shades and silence given,
Every Extasy is Heaven.

THE Country Wit.

A Country Wit who came to Town,
Was wondrous willing to be known,
And that he might not tarry long,
He saw a Play and writ a Song.
But this however not enough,
He went to Will's and borrow'd snuff,
From Dryden's box with many more,
Who beg'd the liberty before;
For you must know amongst the Beaux,
Wit always enters by the Nose,
And passing quickly to the Brain,
Comes tickling down in verse again.
[Page 22]Our Wit thus favour'd writes apace.
You read the Author in his face.
With Sonnet, Elegy and Ode,
He crams a Book and comes abroad.
But Oh! the sate of human things,
In vain he writes, in vain he sings,
The Town uncivilly refuse,
To listen to a Country Muse;
And scarce will condescend to damn,
This mighty Candidate of fame,
Down to his Seat, the Cox-comb goes,
He rail's at Criticks Wits and Beaus.
He swears that non-sence is prefer'd,
That merit never meets reward,
That envy makes the Criticks curse,
His Poems while they publish worse;
That spite of what they think or say,
He'll write or print as well as they.

TO The Bath and Zelinda in it.

OH! could I change my form like Jove,
In show'rs like him, I'de feast my Love,
And mingling with the waters play,
Around Zelinda's breast as they.
Ah! happy waves you may at large,
Sport in the bosom of your Charge,
Survey her Limbs and all her Charms;
And wanton in her Virgin Arms.
Be civil yet and have a care,
You be'nt, too Saucy with my fair,
[Page 24]Your Rival I shall jealous grow,
Nor can one eager touch allow;
You wildly rove, you kiss, embrace
Her body and reflect her face.
You're too Officious, and presume,
To w [...]nd [...] where you should not come.
You croud too thick, you stay too long,
You hurt her with your eager throng;
But warm her into Love and stay,
It shall excuse your bold delay,
Soften her frozen heart and Move,
Zelinda's Soul to think of Love:
Ah! melt her brest, for pitty, do,
That I may be as blest as you.

TO Corinna.

SAY, Corinna, do you find,
Nothing in your bosom kind,
Is it never less severe,
Or d' ye never wish it were.
Yes, I read it in your eyes,
Hear it, know it by your sighs;
Sighs that gently steal their way,
Tell me all that you should say,
[Page 26]Tell me when you seem serene,
You're not always calm within;
But are vext with tumults there,
Such as oft disturb the fair.
Say, Corinna, is it true?
Say, for I'm a Lover too,
And can tell you what to do;
He that's worthy to be blest,
Should be first of Truth possest.
Young and constant he must be,
Fixt like you and Fond like me,
One that all affronts can bear,
Exil's, Jealousies, Despair;
One on whom you may depend,
For a Lover and a Friend,
Plead not now for an excuse,
Man does naught like this produce:
[Page 27]Justice, Madam, bids you see,
All these qualities in me.
Justice tells you I am He.

TO A GENTLEMAN ON HIS Being Jilted.

JIlted! 'Tis strange that you who know,
What women think as well as do,
Should in your guesses be deceiv'd,
But yet 'tis stranger you believ'd.
Have not you often said that none,
About this dam'd intriguing Town,
[Page 29]Could scape your knowledge but you knew,
How matters went and who Kept who;
What Cit, or Worship, or my Lord,
Allow'd for Lodgings, Pins, or board;
What tricks the keeping fools were play'd,
Where, when, by whom and how betray'd,
No int'rest, Sir, could yours destroy.
You still came in and shar'd the Joy.
But when you pleas'd Keep your self,
And throw away a little Pelf,
Your Mistress's were all so true,
They would not touch a man but you:
F—! After this 'tis something hard,
That others should be now prefer'd.
But come, consider 'tis no more
Than Thousands have endur'd before;
[Page 30]Consider this will be the Trade,
While such as sell their Love are paid,
And there are Cullyes to be had.
Whilst women, if they once begin
To wanton, doat upon the sin,
Whilst nature teaches them to cheat,
Or they find pleasure in deceit;
In short, while men and women live,
Tho One will ask, the Other give.

TO LUCINDA, ON HER Recovery from an Indisposition.

HEaven, Lucinda, could not long,
Suffer one so Fair and Young,
Little able to sustain,
All the injury of pain;
To be toucht with a disease,
Which might interrupt her Ease,
[Page 32]Heaven always guards the fair,
Beauty's always heavens care.
Yes, Lucinda is we find,
Still the Same in face and mind.
See her Beauties how they shine,
Perfect all and all divine.
See how each returning grace,
Points her eyes and paints her face;
The Lilly and the rose succeed
The sickly white and Glowing Red,
Ah! but see that cruel Pride,
Which we only wish had dy'd,
Waits at every glance again,
Little mortifi'd by Pain,
Settles in her eyes and shows,
Love and she will still be foes;
[Page 33]Had her Sickness with its smart
Toucht and mollifi'd her Heart,
Then her illness wouid have prov'd
Happy ills for such as Lov'd;
Had it made her undergo
Half the Torments Lovers know,
Pitty would not now at least
Have been a stranger to her Breast;
And pitty when it comes so near,
Tells us Passion is not far,
Unconcern'd at Health or Pain,
Still she flatters her disdain,
Ever fixt to be severe,
Se it Lovers and Despair

THE Respectful Lover.

MY Mistress is I own above
The humble proffer of my Love;
In Justice yet she must confess,
That nothing can disturb her less;
It never durst offend her Ear,
With what she is averse to hear:
But yielding to a just Despair,
'Tis modest still, as she is Fair;
It wishes much, and none that see
Such Beauty are from Wishes free;
[Page 35]It hopes for little, naught requires,
Nor yet discover'd its desires;
It dares not, or it knows not how,
To tell her what she ought to know;
How long I have endur'd the Pain,
To Love, and wish, and not obtain;
To find my Passion is unknown,
Or, what she sees she will not own,
Or what she coldly may regard,
She thinks unworthy a Reward.

THE Secend ODE OF ANACREON. Translated out of the Greek.

NAture for defence affords
Fins to Fish, Wings to Birds,
Hoofs to Horses, Claws to Bears,
Swiftness to the fearful Hares,
To Man, their Master, Wit and Sense,
But what have Women for defence?
[Page 37]Beauty is their shield and Arms,
Women's Weapons [...] their Charms;
Beauties Weapons make us feel
Deeper Wounds than those of Steel,
Beauty kindles warm desires,
Stronger than the fiercest Fires;
Strength and Wit before it fall,
Beauty Triumphs over all.

Written Extempore in a Young Lady's Almanack.

I.
THink, bright Myrtilla, when you see
The constant Changes of the Year,
That nothing is from Ruin free,
And Gayest things must disappear.
II.
Think of your Glories in their Bloom,
The Spring of Sprightely youth improve,
For cruel Age, alas! will come,
And then 'twill be too late to Love.

TO Cleora.

I.
YOU say you never think of Love,
Or know not what it is;
Nor ever had desires to prove
The sweetness of the bliss.
II.
'Tis true, you say't, and we believe,
However strange it seems,
You may not wish, but pray forgive,
If we mistrust your Dreams.
III.
A sleep your prejudice is gone,
And nothing sow'rs the mind,
Your wishes then a pace come on,
And force you to be kind.
IV.
The Angels who your slumbers guard,
Your tender Breast inspire
With Love, and Sing the dear reward
Of every soft desire.
V.
But when you wake 'tis all forgot,
The Vision flies away;
And in the Night what power it got,
It looses in the day.
VI.
Your Kindness is to shades confin'd,
And dies before the Light,
By day Cleora then be kind,
Or be it ever night.

OUT OF PETRONIUS. An Imitation.

FRuition is at best but short,
A silly fulsom fleeting sport,
Which when we've perfectly enjoy'd,
We're quickly weary, quickly cloy'd;
Let's then no more pollute our Breasts,
With fires becoming only Beasts,
Or rush on pleasures, which when known,
We wish it never had been done:
[Page 43]But thus, Oh! thus let's lye and Kiss
Eternity away in bliss,
No trouble here, or pain you'll find,
Nor need you blush for being kind;
These Raptures, Cloe, never cease,
They please us now, and still will please,
They ne're decay as others do,
But thus, Oh! Thus are always new.

OUT OF CATULLUS.

LIsbia let us Live and Love,
All our little time improve;
Mirth and Pleasure crown our daies,
Spite of what the Dotard says,
If the Suns may set, they rise
Bright again, and gild the Skies.
Put our Day depriv'd of Light,
Sleep succeeds, and endless night,
An Hundred, now a Thousand more,
Another hundred warm and close,
Another thousand, press 'em thus;
Give me kisses, I am poor,
[Page 45]When the thousands num'rous grow,
Kiss again that none may know
What you lend, or what I owe,
While I in gross with hast repay,
And kiss Eternity away.

SONG

I.
FYE Coelia! Scorn the little arts
Which meaner Beauties use,
Who think they can't secure our Hearts,
Unless they still refuse,
Are coy and shy, will seem to frown
To raise our Passions higher;
But when the poor deceit is known,
It quickly palls desire.
II.
Come let's not trifle time away,
Or stop you know not why;
Your Blushes, and your Eyes betray
What Death you mean to dye:
Let all your maiden fears be gone,
And Love no more be crost,
Ah! Coelia when the Joys are known,
You'll curse the Minute's lost.

SONG Sung at York-Buildings.

IF Corinna would but hear,
What impatient Love could say,
She would banish idle sear,
And with ease his Laws obey;
She would soon approve the Song,
Like the Voice, and bless the Tongue.
II.
Since to Silence I'm confin'd,
Sighs and Ogles must declare,
What Torments my thoughtful mind,
How I wish, and how despair;
All the motions of my Heart,
Sighs and Ogles must impart.

SONG

I.
WHen with Flavia I am toying,
She with little sports gives o're,
Kissing is not half Enjoying,
Youth and Passion covet more;
Every touch methinks should move her,
And to dearer Joys invite,
When she knows how much I Love her,
And is fond of the delight.
II.
Oh, I see her young and tender,
Feel her Lips with passion warm,
See her ready to surrender,
When her fears dissolve the Charm:
Banish Flavia! all suspicion,
All your sullen doubts destroy,
Trust me, there's no worse condition,
Than to wish and not Enjoy.

SONG

I.
THose arts which common Beauty's move,
Corinna, you despise;
You think there's nothing wise in Love,
Or Eloquent in Sighs.
You laugh at Ogle, Cant, and Song,
And promises abuse,
But say — for I have courted long,
What methods shall I use
II.
We must not praise your Charms and Wit,
Nor talk of Dart and Flame;
But sometimes you can think it fit
To smile at what you blame.
Your Sex's forms, which you disown,
Alas! You can't forbear,
But in a minute smile and frown,
Are tender and severe.
III.
Corinna, let us now be free,
No more your Arts persue,
Unless you suffer me to be
As whimsical as you.
[Page 54]At last the vain dispute desist,
To Love resign the Field;
'Twas custom forc'd you to resist,
And custom bids you yield.

Epigram On a pert, slovenly Satyrist.

PRithee W—s don't write Satire,
Thou know'st nothing of the matter;
If thou would'st be wise and dapper,
Keep clean thy Face and eke thy paper.

Some Epigrams OF BOILEAU's

Imitated.

IN Vain, my foes have try'd a thousand ways
To rob my Verses of their little praise;
But if the Fools would easily prevail,
Let P— own my Works, they cannot [...]ail.

Another.

PIty me, Sergeant, I'm undone,
To morrow comes my Tryal on;
R—r comes out, and you will see
With the same Cannon he will roar,
Which mawl'd poor Shakespear heretofore;
And now comes thundring down on me.
'Tis done! my fatal hour is come,
Not that my Muse can find her doom,
In any thing that he has said;
But yet to Answer him, my friend,
The task would ne're be at an end,
Alas! the Critick must be read.

Another.

AS I walk't by th' Exchange, I heard a brisk Fop
Disputing one day in my Bookseller's Shop,
That Beaumont to Burnet had never reply'd,
And the Case to Dick Parker was lest to be try'd.
Yes, Sirs, it was Printed, I've reason to know,
Cries Dick, let me see, 'twas some 3 years ago;
He added, beyond all dispute to remove it,
He'd bring 'em an hundred fair Copies to prove it.
Nay, quoth I, coming up, 'tis too many, you're out,
I ne're heard the Book went so often about;
You say right, Sir, says he, you may prove it your self,
Look up, there's an hundred and more on my Shelf.

THE Seventh Satire OF BOILEAU, English'd.

NO more, my Muse, since Satire don't prevail,
Let's change our Stile for once, and cease to rail;
'Tis an ill Trade, and we have often found,
Instead of giving, we receive the wound.
Many a poor Poet, by his Rage inflam'd,
Has mist his aim, and seen his Writings damn'd,
[Page 60]And where, perhaps, he thought he rally'd best,
Some surly Rogue has drub'd him for the jest.
A tedious Panegerick coldly wrote,
Is bundl'd up, and may at leisure rot:
It fears no Censures, differing or unjust,
And has no Enemies but moth and dust.
But such malitious Authors are not safe,
Who laugh themselves, and make their Readers Laugh;
Whom when we Read, we blame, yet still read on,
Who think that all is Lawful they have done,
And can't, alas! their merry Fits forego,
Tho' every grin engages them a foe.
A Poem soon offends, if too severe,
For each will think he sees his Image there;
And he who reads it, may applaud your Art,
Yet Curses, Fears, and Hates you form his Heart.
[Page 61]Forget it then, my Muse, and change thy strain,
The Itch of Satire makes thee write in vain;
Go learn to Praise, and search among the Throng
Of Hero's, one deserving of thy Song;
But oh! For what would I thy Spirits raise,
I scarce can blunder out a Rhime for praise;
As soon as I indeavour thus to rise,
My fancy flags, and all my fury dies,
I scratch my Head, I bit my Nails in vain,
For all this mighty Labour of my Brain,
Brings nothing less unnatural abroad,
Than Blackmore's Poem, or than C—'s Ode,
I think I'm rack'd when Praises must be wrote,
My Pen resists me, and my Paper blots;
But when I am to rail my thoughts are fir'd,
Then, only then, I know I am Inspir'd.
As soon as I invoke, Apollo hears,
The God is ready still to grant my Pray'rs:
[Page 62]I think with pleasure, and I write with ease,
My Words, my Numbers, and the Subject please.
Were I to Paint the Raskal of the Town,
My Hand, before I think, writes T—r down.
Were I to mark you out a perfect Sot,
My Pen points presently to M—ot.
I find my Genius with my Wit agrees,
To mawl a trifling Rhimer as I please,
My Verse comes breaking like a Tempest down,
At once you meet with B—y, Banks and Crown;
With Y—n, G—n, P—, Durfey, Brown,
And for one scribling Blockhead I have nam'd,
I find a Thousand more stand ready to be damn'd.
In Triumph then my Fury hastens on,
And I in private joy at what is done;
In vain amidst its course I would engage,
To stop the Impetuous Torrent of my Rage;
[Page 63]In vain, I would at least some persons spare,
My Pen strikes all, and will not one forbear.
When the mad Fit has master'd me, you know
What follows—Fly,—if you would miss the Blow.
Merit, however, I will always prize,
But Fools provoke me, and offend my Eyes:
I follow 'em as a Dog pursues his Prey,
And bark when e're I smell 'em in my way:
I know, to say no more, if Wit is scarce,
To gingle out a Rhime, or tag a Verse:
Or Cobble wretched Prose to numerous Lines:
There, if I have a Genius, there it shines.
Thus tho ev'n Death, with all the Fears he brings,
Were hov'ring o're to seize me in his ghastly Wings;
[Page 64]Tho Heaven secur'd me in a lasting Peace,
With all the City Pomp, or Countrey Ease:
Tho the whole world should think themselves abus'd,
At what my Pen had in its rage produc'd;
Yet merry, melancholly, rich or Poor,
I should not cease to Rhime, but write the more,
Poor Muse, I pity thee, some Fop will say,
Cease your Resentments, and your Heats allay,
The fool you publish in an angry mood,
May quench this thirst of Satire in your Blood:
But why? When Horace and Lucilius shew
What wit in Vertues Quarrel ought to do.
The Vapours of their Choller thus exhal'd,
Their Satire faught for Vertue, and prevail'd
With all the Transports of a Noble Rage,
They baffl'd and unmask'd the Vices of the Age.
[Page 65]Why! When the furious Pen of Juvenal
Ran o're with Floods of Bitterness and Gall,
Insulting freely o're the Roman Crimes,
And lashing all the Follies of the Times,
Yet safely to the Last the Wits did rave,
Not one of them was cudgell'd to his grave,
Why then should I a Coxcomb's anger fear?
Where do's my manner or my name appear?
I don't, like W—, Impudently great,
With Rhimes and Satires every fool I meet,
Or tumble o're my Verses in the Street.
Sometimes indeed, yet what I always dread,
Where Satire pleases, I am forc'd to read,
Where, if they praise the work I often see,
They Laugh a loud at that, and Low at me;
Perhaps I'm pleas'd with what they disapprove,
And will, in short, still follow what I Love;
[Page 66]For when a pleasant Thought is once my own,
I am not easie till I write it down;
When with a sacred Fury I am seiz'd,
I can't resist whoever is displeas'd.
Enough— No more of this— let's breath a while,
My Hand at last grows weary of the Toil,
'Tis time, my Muse, to end so harsh a strain,
Enough—to morrow we'll begin again.

THE Second Satire OF BOILEAU, English'd. Inscrib'd to Mr. —

O Happy Wit! whose rare and fruitful Vein.
In writing still is ignorant of pain,
[Page 68]For whom Apollo opens every store,
Shews you his Mines, and helps you to the Ore,
Who knows so well, in the disputes of Wit,
Where sometimes to Defend, and where to hit;
Teach me, Great Master of your Art, to Rhime,
To spare my Study, and to save my time;
When e're you please, the happy Rhimes attend,
And wait your Summons at the Verses end;
They ne're perplex you, but observe your pace,
And where you want, you find them in their place;
Whilst I, whom Caprice, Vanity and Whim;
Have for my Sins, I fear condemn'd to Rhime,
Rack my poor thoughts in such attempts as these,
And sweat in vain for what you find with ease.
When the fit takes me, oft from Morn to Night
I study hard, but scribble Black for White,
[Page 69]To draw the Picture of a perfect Beau,
The Rhime obliges me to name B—;
To name an Author of the first degree,
Reason's for Dryden, but the Rhime for Lee;
Vext at these difficulties, I give o're,
Sad, weary and confus'd, resolve to write no more;
I curse the Spright, with which I am possest,
And swear to drive the Daemon from my Breast;
In vain I curse Apollo and the Nine,
They quickly tempt me from my late design;
My Fire's rekindle, I retake my Pen,
And spite of all my Curses, write again;
My Oaths forgot, my Paper I resume,
From Verse to Verse attending what will come.
If for a Rhime, my Muse in such a sit,
Would frigid words and Epithites permit,
[Page 80]Or take the next I meet, and tack 'em on,
To piece a Line, 'tis what the rest have done;
To praise a Phillis for a thousand Charms;
The next verse shews the Poet in her Arms;
When Cloris is inform'd how much he Loves,
The Rhime informs you that she cruel proves:
When he would talk of Stars or glittering Skies,
Will he not think of Caelia's sparkling Eyes?
Caelia, Heavens Master-piece, Divinely Fair,
The Rhime makes Caelia still without compare;
With all these shining words by chance com­pos'd,
The Noun and Verb an hundred times transpos'd.
How many Poems could I, piece by piece,
Stitch to my own, and fill a Book with case.
But when I write—
My Judgment trembling at the choice of words,
Not one improper to the sense affords?
[Page 81]It ne're allows that an insipid Phrase,
Should justle in to fill a vacant place,
But Writes, and adds, and razes what is done,
And in four words it seldom passes one.
Curse on the Man, who in a senseless fit,
To Rhimes and Numbers first confin'd his wit,
And giving to his words a narrow bound,
First lost his Reason for an empty sound:
Had I ne're Travell'd in such dangerous ways,
No Pains nor Envy had disturb'd my days;
But o're my Bottle with a Jest and Song,
My pleasant Minutes would have rowl'd along,
Like a Fat Prebend, careless and at Ease,
Content and Lazy, I had liv'd in peace,
Slept well at Night, and loiter'd all the Day.
From Passion ever free, and ever gay;
Then limiting th' Ambition of my mind,
I had not courted Fortune to be kind,
[Page 72]Despising all her Pomp, I should have known,
No state of Life more happy than my own;
Then fond of Rest, and negligent of Fame,
I had ne're gone to Court to get a Name,
But liv'd in private, and in full delight,
If no Malitious Power had made me write.
From the sad hour this frenzy first began,
With its black Vapours to molest my Brain,
That some cross Doemon, Jealous of my Ease;
Flatter'd my Muse, she had the Power to please,
Nail'd to my Works, and adding something new,
Or razing out, or still on the Review,
Still in this wretched Trade I pass my days.
So low, that B —can my Envy raise,
Oh! happy B— thy Prodigious Muse,
Huge Books of Verse can in a year produce.
[Page 73]True-Rude and Dull, to some she gives offence,
And seems Created in despite of sense;
Yet she will find whatever we have said,
Both Sots to Print her Works, and Fools to read.
If thy verse Jingle with a lucky Rhime,
Ne're mind the Thought, but Prosecute the Chime:
Unhappy those who would to Sense confine
Their Verse, and Genius will with Method joyn,
Since Fools have all the pleasure, who dispence
With Art in writing, and despise the Sense,
Who always Fond of what they last brought forth,
Admire their skill, and wonder at their worth;
While Wits sublime their utmost Fancies stretch,
To get those heights at last they cannot reach;
[Page 84]And discontented still at what they write,
Can't please themselves, when others they delight;
What all the World applaud they scarce will own,
And wish for their repose it was undone.
You then, who see the Ills my Muse endures,
Shew me a way to Rhime, or teach me yours,
But least I should in vain your care implore,
Teach me Oh!— how to Rhime no more.

TO Dr. Turberville Of Salisbury.

WHat was but little, or but faintly known,
In former Ages, ripens in our own,
The sacred Art which we did once believe;
Too much for man to ask, or Heaven to give,
The bounteous God at last to you reveals,
Directs your skill, and as you use it, Heals.
Of old, when thick Suffusion veil'd the sight,
'Twas Darkness all, and ever during night;
[Page 76]The wretch despair'd, and sought no more for Aid,
But yeilded to the Horror of the shade;
You quickly now the Solid Clouds dispel,
The fogs disperse, the rising Vapours Quell;
You force, you melt, you drive the mists away,
And shew the Ravish'd Patient, Gladsom Day;
The Sun before with useless Lustre shin'd,
On half the World, for they, Alas! were blind.
Till his full Empire was by you restor'd,
And Man receiv'd the Blessing he Implor'd,
Lookt on the Light, beheld it and Ador'd.
Pretenders, tho they do not understand,
Their Art, by chance, may have a Lucky hand;
Yet if one sees amongst a thousand Blind
They strive to help, we think their fortune kind.
[Page 77]But when you touch, you give a certain cure,
Speedy and Gentle, as the methods sure;
Like Fate you Doom, and where you promise Light,
The Patient rises from the threatned Night;
Or sinks beyond the hopes of human care,
When Heaven and you confine him to Despair.
A common Knowledge weak Distempers cures,
But great are left, for such advice as yours;
And fam'd Physitians for a known disease,
Start at the Wonders you perform with ease,
To you the Blind in every case repair,
The Old, the Young, the Ugly and the Fair;
In all their wants, your Judgments you Display,
The Old grow strong, and the unhandsom Gay;
Their Sight by you defended from the rage
Of sickness, force, of Accident and Age.
[Page 88]Ev'n Beauty is indebted to your aid,
For many of the Conquests it has made;
Those Eyes where Love before in triumph sate,
Remov'd, we thought above the rage of fate,
Wore once the Token of a rude Disease,
And scarce had left the little charm to please;
Hopeless of help, from any other powers,
To you they come, and find relief by yours:
At your command the Vapours disappear,
The Clouds are scatter'd, and the Sight is clear;
Their Eyes shake off the Burthen of the Night,
And break thro all, with the returning Light,
With vast success they reassume their state,
As the Sun rises Brighter than he sate.
New Graces, in those radiant Circles move,
And what before we pity'd, now we Love,
[Page 89]With grateful Souls your Wonders they Pro­claim;
They wish, you were Immortal as your Fame:
But Nature shortly will we fear decline,
And Death succeed to make you more Divine,
Oh! Could our Pray'rs th' Amighty pow'r Engage;
To spare you yet below another Age;
Another still we should be apt to crave,
And scarce consent to yield you to the Grave;
Whilst Darkness spreads, and there are men to save:
For robb'd of you, they must Embrace their Doom,
And Grope for ever in a Starless Gloom.

TO A Young Lady Who Commanded me To write Satire.

YOur Sex, Lucinda, other Theams should choose,
And not impose such hardships on a Muse,
Who ne'r durst venture, yet on nobler flights,
Than those which every common Rhimer writes;
[Page 91]Feilds, flowry Meadows, shady Woods and Groves,
The Nymphs diversions, and the Shepherds Loves.
But now you bid me change an Idle tale,
To stretch my Voice and use my self to Rail.
A thousand wrongs provoke me to the Fight,
And what is more, Lucinda bids me write,
My Coward Muse yet durst not trust her wings,
And only what she can with safety, sings;
She knows that Satire is a dangerous course,
And calls for wit, sublimity and force.
That ev'ry Scribler ought not to engage,
To fall on vice with despicable rage;
For vertue suffers by the vain pretence,
When Fools affect to draw in its defence;
When such as by their Spleen and Choller fir'd,
On every Whim shall think themselves Inspir'd.
[Page 92]Who rob, the Markets, Billingsgate and stews,
Of names, and terms, and Curses which they use,
Or furnish'd by their breeding with enough
Of such base matter and Plebeian stuff,
Publish their senseless Ribaldry for Rage,
And pass the cheat on a believing Age.
Thus we have known a strange uneasy fool,
Come snarling up to Town from Country School,
Fall on the World with Impudence and Noise,
And as much freedom as he Wh [...]pt his Boys;
None in his Brutal passion he [...]uld spare,
Ev n Vertues self his insolence must be [...],
Nor aw'd, [...] [...]mper'd, by a form so bright,
He grow in [...]d and [...] [...]t the [...]ight;
[...]g'd his fury and d [...]vulg'd his shame,
The Mob approv'd it, and the So [...] had Fame.
[Page 93]You know, Lucinda, we by Satire mean,
No course Lampoon uncivil or obscene,
Where a vile Wit shall nauseous railing use,
Or to his passion prostitute his Muse;
A Lib [...]ller might then pretend to sense,
Whose only property is Impudence,
Then common Whores for scolding we should praise.
And Carmen have a Ti [...] to the [...],
No—S [...]ti [...]e will in brighter Colours shine,
Her [...] is Dreadful, but 'tis all Divine,
In her true shape, she always will appear,
Just and Impartial as she is severe;
The Court and State to her Remarks be long,
She will but seldom touch a private wrong,
Unless th' Example should be understood,
Or private Errors threaten publick good.
But where of Late in England can we find,
A Pard of such a vast [...]
[Page 94]Who, scorning Loss of fortune or of blood,
Dares venture boldly for the common good;
Whose Genius, fits him for the great design,
Where strength with Grace and Majesty shall joyn;
One justly raving, and Correctly Mad,
To raise the Good and Mortify the Bad?
Since Dryden will, or must not speak at least,
There are None now, None like to be possest,
No Pens rise up in Injur'd merits cause,
And Mine must never be the first that draws.
Let Love be still the subject of my Song,
For Love's the proper business of the Young,
Ah! suffer me to tread the beaten ways,
Where I find pleasure, if I meet no prais [...].

TWO Letters of Voiture Translated; With other occasional Letters. To Mr. Gourdon at London.

SIR,

I Have had more Leisure than I desir'd, to send you what you demanded of me at parting; and the Winds, instead of carrying away my promise, have given me time to keep it. They have already detain'd me here this eight days. It would certainly have been very tedious if I had not brought those Thoughts with me from London, which will entertain me yet a great while longer. I'll assure you, you have your share of them, and that my best Thoughts are still employ'd about you, or about those Things which I saw by your means.

[Page 96]You may well mistrust that I am not now talk­ing of the Tower or the Lyons, which you were pleas d to shew me. In one person only, you made me see a greater Treasure than I found there; and One who is at the same time more Cruel than even the Lyons or the Leopards. Af­ter all this, you will quickly perceive 'tis the Countess of Carlile, of whom I am speaking. For there is none besides her, of whom I can say so much Good, and so much Ill. What­ever danger there is in remembring her, I have not yet been able to forbear it. And to be sincere, I would not part with the Idea I have of her in my Breast, for all that I have seen of what is most Fair, or most desirable in the World. I must confess she is all over a very Bewitching Lady; and there would not be a person under Heaven so worthy to be Belov'd, if she knew what Love was, or if her Soul were but as Sensible, as it is Reasonable.

We can say nothing of her in the condition we know her, but that she is the most Lovely of all things which are not good, and the most agreeable Poyson that ever Nature made. I fear her Wit so much, that I was once resolv'd not to let you have the Verses I send you; for I know she distinguishes in all things, what is Good and what is ill, and that the Goodness which ought to be in her Will, is wholly con­fin'd to her Judgment. I shall be little con­cern'd [Page 97] if she condemns them; they are not worthy of a better fortune; they were made be­fore I had the Honour to know Her; and I should be sorry if had, till now, prais'd or blam'd any one to Perfection, since I reserve both the one and the other for her.

As to you, Sir, I will not make any Excuse, I pretend you are very much oblidg'd to me, and ought to take it kindly that you have been able to perswade me to send you some bad Verses. I can assure you 'tis the only Copy I ever writ twice over; And if you know how Lazy I am, you will reckon my Obedience in this, no small proof of the Power you have over me, and of the Passion, with whlch I would be,

Sir,
&c.

TO Madam SAINTOT, Sent with an Orlando Furioso.

THis, Madam, is certainly the Noblest Ad­venture of Orlando. For now that he has the Honour to Kiss your Hands, he performs something more for his own Glory, than when he forc'd Scepters from the hands of Kings, and alone, defended the [...]rown of Charles the Great. The Title of Furioso, with which he has past all over the World, ought not to deter you from doing him that Honour. For I am confident, that in approaching you, he will become more Discreet, and as soon as he sees you; will forget [Page 99] his Angelica. At least this I know by Experience, that you have wrought a greater Miracle than this, and with one Word have Cur'd a Folly more dangerous than his. And indeed 'twould be more Improbable than any thing Ariosto has told us of him, if he were not sen­sible of the Advantage you have over that La­dy; and if he did not confess, that she would never have so much need, as in your pre­sence to fly to the Assistance of her In­chanted Ring. All the Famous Knights in the World were not proof against the Charms of that Beauty. She never struck the Eyes of any, but at the same time she wounded an Heart, and Inflam'd with her Love, as many Parts of the World, as the Sun Enlightens; yet that Beauty was but a Picture ill Drawn of the wonderful Things we admire in you.

All the Collours of Poetry cannot Paint you so Fair as we behold you; nor can the Imagina­tion of Poets reach to such a height. The Chambers of Chrystal and the Palaces of Di­amonds, which you will read of here, are far more easy to be imagin'd. And the Enchant­ments of Amadis, which appear to you so In­credible, are hardly more Incredible than your Own. At the first sight, to seize upon Souls the most Resolute, and the least made for Ser­vitude; to Create in them a sort of Love, which is sensible of Reason and Ignorant both of Hope and Desire; to Transport with Plea­sure [Page 100] and Glory, the Minds of those from whom you have Ravish't Repose and Liberty, and to render those perfectly satisfied with you, to whom you never were but Cruel. These are effects more strange and more distant from Probability, than the Hippogrifes and flying Chariots of Ariosto, or any of the most Admi­rable things Romances tell us of. If I shou'd continue this Discourse, I shou'd make a Book larger than this I send you. But this Cavalier, who is not us'd to give place to any Man, is impatient to see me Address you so long, and therefore Advances to Raccount you himself the History of his Amours. 'Tis a Favour which you have often refus'd to me. Yet I suffer him to do it without Jealousy, tho he is so much happier than I, since he has promis'd me, in re­turn, to present you with these Lines, and oblige you to read them before any thing else.

This is an Enterprise which requires a Courage equal to his, to undertake, and yet I am doubt­ful how it will succeed with him; however, me­thinks 'tis but just, that since I give him the Means to Entertain you with his Passion, he shou'd acquaint you with something of Mine, and that amongst so many Fables he should inform you of some Truths. I know you will not always be inclin'd to hear them; tho since [Page 101] you are to be Touch't by none of them, and that my respect is too much a Trifle to move your Resentment, there can be no great Dan­ger in letting you know, that I esteem you alone above all the rest of the World: To com­mand which, I should not be so Proud, as to O­bey you.

I am, Madam, Yours, &c.

TO Mr. WALTER At ROME.

WE admir'd we heard nothing from you in a long time; but by your last we per­ceive you were making a Tour from Rome to Naples, and kept us in suspence during your ab­sence from Rome, that you might make us more happy when you came back, in a Discription of what you saw at Naples. You remember, Sir, how often I envy'd you the Happiness you were going to Enjoy in the prospect of those Delicious Countries, which gave birth to the best Muses of Antiquity. I have since often wish'd my self with you in your Pilgrimage to Virgils Tomb.

[Page 103]But now we can hear of your being at Rome, Naples, Mantua, Verona, &c. without the least Emulation. We could no longer have any sa­tisfaction in treading those paths which were before trod by Catullus, Virgil, and Horace. For a Person of good Quality has assur'd us, the Ancients were a parcel of thoughtless, musty Fellows; that Virgil can hardly pass on him for a good maker of Ditties, and his Georgicks are fit only for Plow-men and Drovers. That Horace must give place to Mr. D—y; but truly Catullus had a pretty merry way with him, tho we have a great many People of Quality who are more Gay, and understand Delicacy, Love and Gallantry much better.

I think you never design'd to go so far as the Morea, or to pay a Visit to Old Athens; and 'tis well you did not give your self that trouble. The Greeks have utterly lost their Reputation; you would not have been respected a whit the more for breathing over the Ashes of Sophocles, Euripides and Menander. Homer's Achillis, is no more to us now, than a Don Bellianis, and The­ocritus is oblidg'd to Veil the Bonnet to some of our Sawneys and Jockeys.

But if this Honourable Critick has been so severe with the Ancients, he is wondrous kind to the Moderns. He has secur'd Prince Arthur's Reputation, and thinks it, at least, sit to be com­par'd with Milton's Paradice Lost. We must [Page 104] confess the Poem stands fair in the Opinion of some honest, well-meaning Gentlemen. But you will never forgive any Man, by what Name or Title soever Dignifi'd or Distinguish'd, who shall draw such Paralels between Dr. B— and Mr. Milton.

The Dr. is not the only Poet who is hap­py in the good Graces of this Nice Gentleman; he has taken on him to Praise Mr. C— who, he says, has Matter enough about him to make ten Virgils; and to shew you he is no Niggard, he throws you in a Theocritus, into the bar­gain: You have often agreed with me, that Mr. C— has a great deal of Merit, and you know we were very glad the Town treated it so civilly at its first appearance, especially in an Age, when People seem to have lost their Relish in Poetry: But you will not consent to every thing, the Person of Honour has said on this Subject. Neither, I suppose, will Mr. C— be oblidg'd to one who shall Print his Panegy­rick with a Libel on Virgil.

Thus in a moment the Moderns have got the start of the Ancients: You have Travell'd to a fine purpose; most of the Advantages you pro­posed to your self by it, are destroy'd, since what can be more Ungrateful to us now, than the Names of those Great Men, who made a Figure in the Days of Augustus? But for your comfort, there are some of us that get secretly [Page 105] a corner and Read over Virgil and Horace, with the same pleasure and admiration, which like an innocent Man, you may think they still de­serve. We will with joy hear you Discourse of the little Remains you saw of them, and if you could bring us the least Relick of them, we would find out some place private enough to Adore it, inspite of the ill treatment they meet with.

After I have said so much of these late Cri­ticisms, and of the affairs of Wit and Learning, you may expect a little News from the Theatre; you hear the Town gives Incouragement to two Stages, and there is the oddest Emulation amongst 'em that can be Imagin'd. For instead of striving who shall get the best Plays, they are both Industri­ous to secure the worst; The Old House had for a while in this the Advantage of the New; for they got Mr— amongst them; but the New scorn'd to be out done by such Youngsters, and engag'd Mr—, tho' perhaps you don't think Mr. D— is less intollerable than the other Play Wright. However, for true substan­tial Dulness in Tragedy, the New House has indisputably the better of 'em; no Man must in this, pretend to Rival Mr. B— who has at last convinc'd us he is capable of writing a Play more Insipid than any of his former. Thus between the two Houses we are every week presented with a New Monster; I think [Page 106] they ought to hang out the Picture of it, that we may see how we like it before we Enter; 'tis what others, in the same case, make a Con­science of.

The Old House about two Months ago, made amends for the fatigues of a whole Winter; they gave us Oroonoko, a Tragedy, written by Mr. Sou­thern, with as much purity and force, as any we have yet had from that Great Man. I cant say 'tis Regular enough, but had it been more Correct, we should not easily have known which of Mr. Otways Plays to prefer before it. The New House, to shew they can be as Com­plaisant sometimes, as the Old, presented us lately with a tolerable good Comedy, call'd, Lovers Luck, written by a Gentleman in the Army: I saw it once, and tho I dare not vindicate it, I think 'tis the best of the kind we have had since you left us.

You tell me you did not give me a larger De­scription of what you saw Remarkable at Na­ples, &c. it being big enough for a Volume; you see I don't consi [...]er this when I write to my Friends, I wish you may as easily excuse the length of this, as I would pardon such a freedom in you. I wish you may enjoy a thousand plea­sures in the Carnival which you are to pass at Venice, and when that is over, let me tell you, there are no Excuses which ought to keep you any longer from us.

I am, &c.

TO N. B—, Esq At ENFIELD.

I Receiv'd from you lately a very Sententious and Grave Epistle suitable indeed to the importance and dignity of the Subject, being in Praise of Matrimony; but why you should Address such a Discourse to me of all Mankind, is what, at first, I could not easily comprehend. You know very well I was never one of those Witty Gentlemen who are always railing at Wo­men and Marriage, as some People make Speeches against the Court, with a design to get Places there. I find the Trick miscarries so often, and see so many of these Satirist; [Page 108] Live with the scandal of old Batchelors, that I am resolv'd to make my Peace with the Fair as soon as possible.

You were not wholly Ignorant of this dispo­sition of mine, when you wrote your Letter; and on serious consideration of your proceed­ings, I must tell you plainly, that unless you had some further design in it, you would have thrown away a great deal of very good Mora­lity, abundance of fine Sayings and Quotati­ons to no purpose in the World. They had been all lost on me, for I was as fully per­swaded before of what you say, as I believe you to be sincere when you writ it. However, I am surpris'd at your excellent Temper and Moderation, for upon some accounts I should have sooner expected from you a Satire, than a Panegirick on a Marri'd Life; and when you speak well of it, it must be confest you show your self the most impartial, and freest from Prejudice of any Man, since your own Provo­cations cannot tempt you to speak against your Conscience.

This Letter of yours, were it to be Publish'd, and your Circumstances a little better known, were enough to convert some of our most ob­stinate Marriage-haters; they would see here a person who has suffer'd from Marriage the injury of Relations, and the inconvenience of a Wife, yet offering himself to Vindicate it to [Page 109] the last. This would be a stronger Argument for it, than any of those you have us'd to me, and they would be apt to fancy there are those Secret pleasures in this blessed state, perhaps in the disturbances of it, which none know but such as are in it.

My Friend Mr. Oldmixon has seen your Letter, and joins with me in admiring the Sagacity of it; he is no Marriage-hater I assure you, but what, he says, makes him wonder most, is that being sensible how vexatious it must be to have a Wife out of her Wits, you should still preserve your own, and that being deni'd the priviledg of a Husband, you should never take the li­berties of a Batchelour; in this he thinks you might have some relief, if you were not so well con­tented, and so much in Love with your Con­dition; And you must certainly be very well pleas'd with it, when you are always tempt­ing others to Conform to the Doctrine of Ma­trimony, unless, as we are told in some other cases; you design to betray us into the noose, that you may have Companions in your Misfortune, and laugh at the mischief you have done. And you give me, Sir, some reasons to mistrust your intention at the close of your Letter, when you recommend the ill Natur'd Lady to me for a Mistress. I cannot help suspecting that you [Page 110] would be very glad to have me as near you own Circumstances as possible, when the choice you have made for me so nearly resembles that which you were pleas'd to make for your self.

Well, Sir, I agree to your sage Councels, and will give you the Honour of making me a Con­vert, since you seem so much to affect it; tho I assure you, I was far from being in a ne­cessity of your Admonition in this matter, and to speak my mind freely, if I had not been prepossest before with an ill Opinion of my pre­sent state, your Reasons would not have had so compleat a Victory, as you may now boast of; the fine froward Lady you wish me to, might have still liv'd without a Servant, and have lost a very pretty opportunity to show her Talent at Scolding: I wish to God you could change that fault of hers, for any other. I can never beat it out of my Head, but there must be a great deal of plague in Noise, Peevishness, &c. tho you know best indeed how far that is tollerable; and I am resolv'd to take the Advice of People of Experience.

Bring me then to my Mistriss, as soon as you please; secure me in all her other Fair [Page 111] Endowments; give me your promise that I shall clear my self of my Spouse, as easily as you got rid of yours, and see if I am not her, and,

SIR,
Your most Humble Servant, T. S.

TO Mr. Freeman.

SIR,

IF I were, of all Men, the most Extrava­gant and Whimsical, you, who were once guilty of the same weaknesses, should be the last to Condemn me, since the Passion that robs me of my Reason, has before had the same effects on your self; you have been long enough blest by it, to forget its former Injuries; and were I to be as happy in my Love, as you have been in yours, I would give you no more cause to complain of my being troublesome, or disturbing your Conversa­tion with Sighs, Groans, Rants, and an Innu­merable multitude of Complaints, &c.

[Page 113]I mistrust, indeed, there are a great many persons in the World who would believe me a very improper Man to make a Husband, were they to see me in some of those fits which you Ad­vise me to be Cur'd of. But these are persons who never felt the Power of Love. 'Tis true, they are Husbands, and we ought to suppose that all in those Circumstances were first in Min [...]. We ought to suppose it, if we did not see every day that a Man may easily be an Husband, without being a Lover, or concerning himself any farther about his Mistress, than adjusting her Portion, and Compounding the Settlement. These are your Modern Husbands, and your Modern Lovers; and this is the reason why the Age is so plentifully Stock'd with a sort of Animals, which the An­tients us'd to shew for Monsters, as we would now a Rhinoceros, or an Ʋnicorn. But thanks to our Stars, Custom has prevail'd on us to look on them with less Astonishment; and even our Children can now play with them, with­out being Frighted.

[Page 114]I know some Men, who if they were to Marry, I should suspect they would serve their Wives, as a Friend of mine [...]es his Books, lay them on the Shelf, [...] [...]ever touch them, but when they [...] so much in his way that he cannot [...]pe them, who when ever he favours [...] Author so far as to bring him into his Closet, we know presently he never in­tends to Read him. But we that are his Friends are asham'd to see a good Li­brary grow mouldy for want of use, and tumble it over, as freely as if it were our own Property.

The negligence and disrespect of the generality of Husbands would be prevent­ed, if People were ne [...] to Marry be­fore [...]y give suff [...]cient proofs of their Passion, [...] that Interest is not the only Reason of [...]heir Engagements: Or if the Proofs we [...] did not lye under the scan­dal of [...], which you seem to [...] There are, I confess, in Lo [...], as well as Religion, a Crowd of False Pretenders; and those who talk most of their Sincerity, are most [Page 115] to be suspected. The Enthusiasts in both Cases are to be seldom Trusted: But though we meet with several Instances of their Trenchery, we should not cen­sure all of them for Hippocrites, since we must own, that such as are most Devout, will some times be oblidg'd to discover their Flames: And by their Warmth and Gesture we may Distin­guish very often the True Zeal from the Affected.

You may consider then how far I am to be believ'd; and I could almost dare you to declare publickly, whether you don't think my Extravagance and Un­reasonableness (as you term it) are the most Lawful and Reasonable of any you ever met with; or whether they ever gave you cause to mistruct that I Dissembled? Or whether, when you Reflect on the Advantages Corinna has above all other Women, you do not Excuse me for Loving her to such an Ex­tremity?

This, Sir, I think you must in Justice declare, and then I shall never repent me of a folly which brings me so many Satisfactions, nor desire to be Cur'd, but [Page 116] by the same Remedies which succeeded on you; and I dare you further to Pub­lish whether in the height of my Di­straction, I forgot once my Duty to my Friends.

I am, Sir, &c. J. O.

TO Dr. M—n.

SIR,

I Am of your Opinion, that Mr. Cow­ley succeeded better in his Anacreon­tiques, than in his other Poems. But he Affected to have a Universal Genius, and that may be the Reason why so great a Wit has left us so Little that is Excellent: We find in all his Writ­ings a Luxuriant Fancy; but 'tis every where Crowded with trivial Points and Turns; the one sometimes very unnatural, & [Page 118] the other seldom truly Delicate. Tho you Commanded me to give you my Opinion on his Anacreontiques, you did not desire me to say any thing of his Pindariques. You knew very well I would Excuse my self if you had; whether I like 'em or not, there is so much due to the man who first Introdc'd this way of writing amongst us, that none, but the Pro­phane will venture to disturb his Ashes. If Mr. Rimer had thus consider'd his Duty to Shakespear, as he was the Father of our Stage, he would have sav'd himself, and the World, a great deal of Trouble and Scandal.

Mr. Dryden has frequently given us a Character of Mr. Cowley's other Verses, but he never said any thing of those writ­ten in imitation of Anacreon. 'Tis true, that great Poet is above this Manner, his Genius cannot Stoop to such Petty Em­ployments; But this must not excuse o­thers, who have not his Qualifications, and yet take the same Liberty to think themselves above an Ode or an Elegy. They reckon them amongst the Low Poetry, and nothing can please them now, but [Page 119] Heroick's, Pindarick's, or Tragedy. I have known some who have succeeded in a Madrigal, presently conclude them­selves Inspir'd, and nothing would sa­tisfy them, but they must Venture on an Heroick Poem. You will scarce be­lieve me if I should tell you that an Honest Rhiming Hosier is at this time busie in the Second Part of Prince Ar­thur. I must confess these things are a­bove my Reach; and I never thought any Person Living capable to pretend to it but Mr. Dryden, and he who knows best what it is, knows also the Task is so difficult, that he durst not attempt it. I send you, inclos'd, the Second Ode of Anacreon in English, by comparing it with Mr. Cowley's, you will see best how much I differ from him in his Coppying Anacreon; Mr. Cowley confesses he has Translated it Paraphrasti­cally; and you will perceive where he mingles his own Thoughts with Anacre­ons, he does it very much to the disad­vantage of the Original. Anacreon comes directly on the Subject he Treats of, whilst Mr. Cowley turns and winds to shew his Wit and Learning.

[Page 120] Anacrean gives us one good Thought in an Ode, Adorning it with all the Flowers, and graces of a true Deli­cacy; and we like it much bet­ter than the strange Variety of some of his Imitators. He has in the Ode I send you, Exprest in Twelve words, what Mr. Cowley dwells on almost as many Lines. Some allowance must be made for the Language, but the Difference in the Expression is much more disproporti­onate. He would hardly have run a Division, when he came to, [...].’

Mr. Cowley.

Wisdom to Men she did afford,
Wisdom for Shield, and Wit for Sword.

Anacreon would have been loath to own,

What Steel, what Gold, what Diamond
More impassible is found.

[Page 121]He would have startled to have seen the conclusion of his Ode thus Para­phras'd.

[...]
[...]
They are all Weapon, and they dart,
Like Porcupines, from every part;
Who can, alas! their Strength express,
Arm'd, when they themselves undress,
Cap-a-pe, with Nakedness.

This is a particular sort of Wit, which I am sure is very inconsistent with the Character of Anacreon; Nothing can be more Easy and Natural than this Thought in the Original, where the Translator has been so prodigal of his Points: But in good manners to the Sa­cred memory of Mr. Cowley, I ought not to say so much against it as I could.

[Page 122]Through the whole Ode, Mr. Cowley has not at all been exact in his Rhimes or Numbers: If there were no other Faults, this would be enough to Condemn him in things where a sweet Cadence is one of the Chiefest Graces; But every Body knows Mr. Cowley's Felicity was not his measure. However, we will forgive him this, with a great many other mistakes, for the Beau­ty of his Ode upon Age, which is a ma­ster-piece; and whoever pretends, to give us a Translation of Anacreon, must set that for his Pattern.

Thus, Sir, I have brought my Thoughts into as little a compass as possible; you have them freely, and without Prejudice, if what I have said will satisfy you for the present; hereafter you may expect some­thing more on this Subject,

I am, &c.
FINIS.

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