AMASIA, OR, THE Works of the Muses.
A Collection OF POEMS.
In Three Volumes.
By Mr John Hopkins.
VOL. I.
Sunt bona, sunt quaedam mediocria, sunt mala plura, Quae legis hic, aliter non fit (Avite) liber.
LONDON, Printed by Tho. Warren for Bennet Banbury, at the Blue-Anchor in the Lower-Walk of the New-Exchange, 1700.
To her GRACE THE Dutchess of Grafton.
SHall I be guilty of Tautologies? Shall I Name Grafton first, and say she's Beautiful? Or shall I say your Ladyship is most Beautiful, and need I then Name Grafton?
What is it I feel inspiring me, while I address you? What is it Transports my Senses and my Soul with Ravishment? 'Tis Grafton; 'tis the Dutchess of Grafton, Love's Goddess, and the Queen of Beauty.
I see your Ladyship in Idea, but ev'n the Idea represents not any form so Amiable.
The fancyful Poet's Mistress in imagination wears Charms Divinely shining, wears Beauties gloriously Aerial, yet far inferiour.
[Page] To whom but to your Grace should I present Amasia? To you, the Mistress, the Amasia of the World.
O Paris! O happy Son of Royal Priam! Who saw three Goddesses at once, three Graftons! Not Hellena, made both the bribe and the reward for the Golden prize which he decreed to Venus, knew any Charms, like Grafton's: Not Hellena; Not Venus self; no, not the three Goddesses could make up, with Charms united, Glories so exquisitely Celestial.
Had your Grace on Ida's Mount appear'd, [...] you stood there a Candidate; in vain, had Wisdom, in vain had Empire too, and the Fair, Fatal Charming Beauty [...] all in vain been offer'd; Justice had prevail'd o'er all.
O Grafton! 'Tis almost Impious for a Poet to approach you, not in Verse; where is the incense I should offer at the Shrine of Beauty? Where is the Praise, through which the Poet claims his Priviledge to adore? Where are the Flights, the Raptures [Page] of Extatick Poetry? Why soar they not? Why? 'Tis because they Flag beneath you.
I cannot Praise you; I will not then attempt it; I have not Venus's sufficiently Divine, before me, to draw this Venus by. Scarce other Beauties are bright enough to be the shadows of your Picture; I shall therefore resist the Torrents of my fancy, and withhold my Artless, my unable Pencil.
If sorrow in the Face of the Graecian Chief could be no otherwise exprest than by a Curtain drawn to vail it, how shall I presume to hope that the Superlative excess of Beauty can be describ'd which blooms in yours! I too must draw the Curtain here, and rather choose to hide the Charming object, than, by exposing it in a faint, glimmering Light, to darken, and obscure it more.
'Tis Elyzium, 'tis the Kingdom of Love, which Courts your Grace's presence; both Sylvius and Amasia Joyn'd (but in a fancyful enjoyment,) claim in this Poem [Page] the Tenant's right of doing Homage to your Ladyship, both Court your Grace to give a visit to their humble Groves, to that Elyzium which we can possess only in your Grace's Smiles, for wheresoe'er your Grace appears, Love sways, and fixes his unalterable Kingdom there.
THE PREFACE.
SInce 'tis inevitable that Books must be Publish'd, when Printed, 'tis almost a necessary Conclusion that Prefaces must be written, whether they will be read or not. I have been in a thousand various Thoughts how to manage in a Point so very Nice; sometimes I have inclin'd to attempt in some sort a Vindication, at least of some of the following Poems; then, I have condemn'd them all, with Censures on my self, as severe, I am positive, as my Muses and I can meet with from the most rigidly-good Judgment of the most Malicious Critick: Again I thought to Muster up all the Poetical excuses the doubting Author swells with, Just before his Off-Spring comes to Light; as the Juvenile Years in which I writ them; (which by the way, gives me Occasion to say, that on that account I call'd the Book the Works of the Muses, having a Notion that the Title bears in it an Air of Puerility.) The undesigning the Publication of most of them, when written; the Publishing them at last not thro' any vain Popular ends, but for Private necessary Reasons; and the having destroy'd a larger Collection than I now Publish, I thought might be of weight enough for so light a thing as an excuse. The two last Reasons [...] my Approbation, [Page] for the one excuses me to my self, which I think most Material; and the last of all will in a great measure excuse me to the World. I think it necessary only to say three or four Words more, and those partly in Vindication. I have writ several Copies on very [...] Occasions; Mr. Waller has writ some. There are several of Ovid's Stories which I have [...], many of them have been already attempted, some by several Hands; and most of them have been very well perform'd by my Brother, and Publish'd some Years since; mine were written in an other Kingdom before I knew of his. There is nothing now remains, for my own satisfaction to be said, but to assure the Ladies that they will meet with nothing in my Writings that need cause a Blush; and so, humbly recommending my Book to their Protection, I am wholly indifferent, and shall be unconcern'd at what the Grave and the Precise shall say.
THE CONTENTS.
- TO the God of Love. A Pindarick
- Page 3
- Elyzium, or the Kingdom of Love, A Poem, (Address'd to Amasia) Containing
- 9
- Passionate fondness
- 12
- Despair
- 16
- Admiration
- 19
- Address
- 21
- Parting
- 22
- Absence
- 24
- Jealousy
- 25
- Platonick Love
- 26
- Elyzium.
- 28
- THE Mistress of Love, being some Copies, written on Occasions to Amasia, by her own Command.
- To Amasia, on her drawing her own Picture
- 39
- To Amasia, holding a drawn Sword in her hand
- 40
- To Amasia, tickling a Gentleman.
- 41
- To Amasia, playing with a Clouded Fan
- 42
- [Page] To Amasia, asking me if I slept well after so Tempestuous a Night as the last was, when we parted, and desiring me to describe it
- p. 43
- To Amasia, speaking an Extempore Verse.
- 48
- To Amasia, still promising to Sing, but never performing
- ibid.
- Meeting Amasia at a Young Lady's Funeral
- 50
- To Amasia, on her recovery from a fall
- ibid.
- To Amasia, holding a Burning-glass in her Hand
- 51
- To Amasia, looking at me, [...] a Multiplying-Glass
- 52
- To Amasia Singing, and sticking Pins in a Red-Silk-Pincushion
- 53
- To Amasia, on her Correcting a line of Mr. Waller's, as she read it
- 54
- To Amasia, troubled with a redness in her Eyes, on her saying she would Charm me with them
- 56
- To Amasia, on the falling of her Terras-Walks
- 57
- The Dream, beginning with the [...] of Night, Written to Amasia
- 59
- To Amasia, who, while I awfully admir'd her at her Window, withdrew, and sent [...] Black in her Place
- 63
- To Amasia, Dancing before a Looking-Glass
- 64
- To Amasia, on the burning of her [...] Muslin-Nightrail, which took Fire, while she was asleep, and [...] she was her self unhurt
- 65
- To Amasia, who having prick'd me with a Pin, for a subject to write on, accidentally [...] her self with [...], when in my [...] afterwards
- 68
- [...] to a Painter to draw Amasia, with some [...] on the Artist's skill, resolving to [...] my self, much better with my [...].
- 69
- THE Address of Love. An Epistolary Poem. Written to Amasia,
- 79
- Female Epistles of Love. Containing
- Deidamia to Achilles
- 95
- A Lady to her Lover
- 99
- Scylla to Minos.
- 110
AMASIA, OR, THE Works of the Muses. Containing ELYZIUM, OR, THE KINGDOM of LOVE.
Vol. I. Book I.
TO THE GOD of LOVE. A PINDARICK.
ELYZIUM, OR, THE KINGDOM of LOVE. A POEM Address'd to AMASIA.
Passionate Fondness.
Despair.
Admiration.
Address.
Parting.
Absence.
Jealousy.
Platonick Love.
Elyzium.
AMASIA, OR, THE Works of the Muses. Containing the MISTRESS of LOVE.
Vol. I. Book II.
TO THE Right Honourable THE Lady SANDWICH.
AS your Great Father Reign'd our Monarch in Wit throughout all its Spacious Regions, but Resided most in the most Flowry Fields of Poetry, I, who am a Tenant, (tho' a Poor one) of the Muses land he sway'd, claim thence a Subject's right of throwing my self into your Ladyship's Protection. And as there is no Salique Law impos'd the Throne of Wit, permit me to salute your Ladyship the Muses Queen; the Crown is yours by [Page] True Descent, and Just Succession; but why should I, rais'd to no Eminency in Verse, pretend to make the Declaration, when the World already has Proclaim'd you so. Your Ladyship's Character of Wit sits Crown'd by the Universal Admiration, as well as the Universal Consent of Mankind. And had not this noble Empire of the Soul devolv'd on your Ladyship by Birth, Succession must have been excluded, and by Election you had been courted to receive the Scepter. But 'tis your Ladyship's by Descent, as well as by Desert; so equally by both, I find my self at a loss to determine, whether your Ladyship receives more glory by the World's acknowledging the late, and ever admirable Earl of Rochester, your Father; or his Memory, by the World's boasting the incomparable Lady Sandwich his Daughter.
Thus, Madam, your Ladyship and your Father become Rivals in Fame: And indeed, none besides, can without Arrogance [Page] pretend any Claim, where such a Candidate as your Ladyship appears. Your Father sway'd the Heaven of Poetry, at once the awful and the Youthful Jove, his Judgement, and his Fancy, were the Light'ning and the Thunder which he brandish'd. Thus great he rul'd, — and all his Attributes are yours. Your Ladyship lives the Minerva, and seems the charming Off-spring of the very brain of Jove. 'Tis your Ladyship's to be beauteous, but yet to be above it. Your Ladyship's Soul transcends all outward form, your Wit's the truest Venus; not like the light, fictitious Goddess, sprung from froth, but from the noblest Fountain, the very Helicon of Poesy. Your Ladyship thus deriv'd, I would insinuate thence the freedom of this Address, and turn my presumption to a Duty; for every Poet stands oblig'd to approach, and to revere the Streams which flow immediate from the Muses Spring. 'Tis part of the Muses Works I here presume to present [Page] your Ladyship, and if there shall be any offence to be conceiv'd at the present, it cannot be because I offer this, but because I withhold the rest, for all the Works of every Muse are yours. The Mistress of Love lies a suppliant at your Ladyship's Feet, at the Feet of the Mistress, and the Queen of Wit; and, (ever fond of his inseperable Amasia,) with her, lies prostrate too,
THE MISTRESS of LOVE.
To Amasia, on her drawing her own Picture.
Being some Copies, written on Occasions, to Amasia by her own Command.
To Amasia, holding a drawn Sword in her Hand.
To Amasia, tickling a Gentleman.
To Amasia, playing with a Clouded Fan.
To Amasia asking me if I slept well, after so tempestuous a Night as the last was, when we parted, and desiring me to describe it.
To Amasia speaking an Extempore Verse.
To Amasia, still promising to Sing, but never performing.
Meeting Amasia at a Young Lady's Funeral.
To Amasia, on her Recovery from a fall.
To Amasia, holding a Burning-Glass in her Hand.
To Amasia, looking, at me, thro' a Multiplying-Glass.
To Amasia, Singing, and sticking Pins in a Red Silk Pincushion.
To Amasia, on her correcting a line of Mr. Waller's, as she read it.
To Amasia, troubled with a redness in her Eyes, on her saying, she would Charm me with them.
To Amasia, on the falling of her Terras-Walks.
The Dream, beginning with the Description of Night. Written to Amasia.
To Amasia, who, while I awfully admir'd her at her Window, withdrew, and sent a Black in her place.
To Amasia, Dancing before a Looking-Glass.
To Amasia, on the burning of her Flower'd Musling-Nightraile, which took fire, while she was asleep, and yet she was her self unhurt.
To Amasia, who having prick'd me with a Pin, for a Subject to write on, accidentally scratch'd her self with it, when in my hand afterwards.
Instructions to a Painter to draw Amasia, with some reflections on the Artist's skill, resolving to describe her, my self, much better with my Pen.
AMASIA, OR, THE Works of the Muses. Containing the ADDRESS of LOVE.
Vol. I. Book III.
TO THE Right Honourable THE Lady Mary Edgerton, Eldest Daughter TO THE EARL of Bridgwater.
THE Fair and the Young, the Poet and the Painter, are equally proud to draw; the Pencil, or the Pen, may be happy in those Draughts; but the Beauties of the Mind, not the Sun himself, whose light Paints the whole Scene of the Creation, ev'n with a Pencil made of Beams, can represent in their Meridian Lustre. The more they shine, the more [Page] they are perceiv'd, the less can they be shadow'd; hence 'tis the Poet finds his the harder task to describe your Ladyship's Vertues, than the Painter's to do you Justice in your Person; yet, Madam, that Painter (if any can) who does you Justice in your Picture, plays there the Poet too; for the Sweetness of your Temper, the Sweetness of your Face displays. Instead of the rude sketches of my Pen, your Ladyship's Picture, prefix'd to this Poem I present you, had been the most agreeable Dedication, for that would give the World the truest Image of your Character: But doing your Ladyship that imagry of Justice, the Patroness would be read more than the Poet; the Reader would hold his Eyes [...] there, and look no further for Amasia. There would he find both Love and Poetry, both Charming, both Divine, and never regard the Works of the Muses, but gaze with silent Admiration on the Fairest Muse. Your Ladyship, the bright Original, Nature in all her Blooming [Page] Colours has already [...] she has not only giv'n your Ladyship Beauty, her common Gift to the Fair Sex, and that in an uncommon measure, but she has given you a Mind so Charming, that your Face is a true Emblem of your Soul, and thence it arises your Ladyship appears so every way agreeable. As Beauty is best exprest in being seen, Vertue is so too; for tho' the Original can't be equal'd, your Ladyship may by your Conversation draw fair Copies in the Minds of others; thus may your Affability, Generosity, and several other Graces, which your Ladyship is adorn'd with, and adorn, appear Conspicuous to the World, as the Splendor of the Sun (tho' all Mankind is Conscious that it shines) cannot in it self be view'd, but may however be Admir'd in those pieces of the skies it guilds.
THE ADDRESS of LOVE AN Epistolary POEM. Written to AMASIA.
Female Epistles OF LOVE.
Deidamia to Achilles. Epist. I.
Achilles, having lain a long time disguis'd like a Woman, in the Court of Nicomedes, King of Bythinia, so carrying on the better his Amours with Deidamia, Nicomedes his Daughter, was at last by the subtilty of Ulysses, (who put a Sword into his Hand, which he wielded too Dexterously for a Woman) betray'd, and carry'd to the Trojan War, Greece having been warn'd by the Oracle, that Troy should never be taken, unless Achilles assisted at the Siege. Thus, while he continu'd in the Grecian Camp, Deidamia, impatient of his absence, Writes him the following Epistle.
A Lady to her Lover. Epist. II.
A Lady, for saken by her Lover, to whom she had not deny'd even the last favours, having been newly recover'd out of a Violent Sickness, which, 'twas believ'd, he occasion'd, and hearing he was gone to be Marry'd to another, and to take Shipping soon after in the North, having with him her Fortune, which she had intrusted him withal, according to the various transports of her Passion, Writes him this following Epistle.
Scylla to Minos. Epist. III.
Minos, to Revenge the Death of his Son, landed on the Coast of Lelegia, where he lay'd Siege to a Fortress held by Nisus, Scylla, Daughter to Nisus, falls in Love with Minos, during the time of the Siege, and writes him the following Epistle.
AMASIA, OR, THE Works of the Muses.
A Collection OF POEMS.
In Three Volumes.
By Mr John Hopkins.
VOL. II.
LONDON, Printed by [...], [...] for [...], at the Blue-Anchor in the Lower-Walk of the New Exchange, 1700.
To her GRACE THE Dutchess of BOLTON.
THE Poet in Addressing your Ladyship feels all the Poet's ravishment and transport; Your every Charm Fires every Thought so fast, the labouring fancy struggles for a Passage. Your Youth, your Beauty, Affability and Wit, when seperately consider'd, seem each to be the greatest Excellence, 'tis impossible any Writer can determine which of those Rivals boast the Preference; but every Writer may thus far be certain, that all of them excel. Shall I say (and yet speak properly) I am lost in a Cloud of Beauty? But 'tis a Glorious, 'tis a Golden Cloud, made Lustrous by the Soul which shines within. Can I, without growing old before my task's Accomplish'd, undertake to [Page] describe your Youth in its full Springing Bloom? Should I not grow proud of my own Performance, could I display you at the height to which you rise by your Courteous, Condescending Affability? Or shall I dare to think that I have Wit enough to venture on the praise of yours? No, Madam, all my Muses can perform no Works like these. Thinking on your Grace's Endowments, I find my self bewilder'd in a maze of Vertues; lost, like fam'd Theseus, in a Labyrinth; a Labyrinth, whence no thread of thought can free my wand'ring sense. Strange! that Perfection should seem as intricate as Errour! But Night with over-shadowing Darkness scarce blinds the Eyes so much, as an insufferable Flood of Light. With all submission, Madam, I must own I incline voluntarily, (tho' guiltless) to make a Confession, which yet no guilty Poet ever made. I would flatter your Ladyship, if possibly I could, and boast the Glory of a Work so exquisitely difficult; but 'tis impossible: All Art falls [...] short of [Page] Nature here: Were it not so, the ravishing Charms which Fire me now to think I should attempt it, would then seem less, and Consequently cool me from the Enterprize. Long may your Grace stand thus sublimely Admirable, Long may your Vertues soar beyond the tow'ring Muses reach, — Long, till at last, (and may it then be late) they mount yet higher, to their Native Skies, and shine a Constellation there.
THE PREFACE.
SOME Readers turn over Prefaces, as things impertinent; those few who serve not this after the like manner, I fear, will be impertinent Readers. I scribble at present, more for the sake of Fashion, than any thing else, and I think all who write Prefaces, do so. If the World is pleas'd to like a Book 'twill scarce find fault with the want of a Preface, and if the World is pleas'd not to like a Book, the best Preface in the World will never recommend it. A Poem and a Preface may be liken'd to a Face, and fine Cloaths; a good Face, 'tis said, needs none, and a bad one deserves none, but some now, perhaps, may say I have set my Simile with the heels up, for they would have it, by all means, that the Preface must be the Face of the Book, but in Answer to such, they who will be positive in that Opinion are such as are apt to make Faces. I thought in this to have said something of the Original Occasion of writing these Poems, and so to have touch'd a little on the discovery of the real Person meant by Amasia, but I consider my Book will expose Me sufficiently, without my exposing Her — and a certain Verse which I have read in honest Martial (who knew the fleering Malice of Mankind) deters me from it.
Et pueri Nafum Rhinocerotis habent —
THE CONTENTS.
- HEro, Priestess of Venus. A Poem, Paraphrastically imitated from the Greek of Musaeus.
- Page 1
- THE Forest of Love. Being some Copies written to Amasia, on particular Occasions.
- To Amasia, who made a present of a Studying-Cap variously Beautified with Trees and Flowers of Needle-Work
- 43
- To Amasia, on her filling a Glass with Water, whereon she bad Painted Stags, and Birds and Trees
- 44
- To Amasia, invested with a Muslin Nightrail, variously beautified with Birds and Beasts of Needle-Work
- 46
- To Amasia, wearing a Muslin Apron wrought with Trees and Beast of Needle-Work
- 47
- To Amasia, on the beautifying the Lining of her Gown, with Trees and Groves in Needle-Work
- 48
- To Amasia, sticking Gardens cut in Paper, on a large Glass
- 49
- Poems on several Occasions.
- To three Ladies who presented me their Verses written in praise of one another, and, in return for my Judgment, told my Fortune
- 50
- [Page] On a Fly that flew into a Lady's Eye, and there buried in a Tear
- p. 51
- To a Lady, desiring a Visit
- 54
- Seeing a fair, young Lady Just a dying.
- [...]
- A Dialogue between a living Nymph and a Youth who was Drown'd. Written thus at the request of a Lady
- [...]
- To Amasia, who Commanded me to avoid her presence whenever she appear'd
- 58
- The Description of the Palace of the Sun, and Conflagration of the World, partly imitated from Ovid
- [...]
- To the Lord Sy — ney, Created Lieutenant of Ireland, about the time his Majesty went to Flanders
- 63
- To a Lady, Lamenting her Lover, who was drown'd
- 64
- On a Bee inclos'd in Amber
- 68
- On a China Cup fill'd with Water, round the sides of which were Painted Trees, and at the bottom a Naked Woman Weeping
- ibid.
- The Description of a Tempest and a Fight at Sea
- 69
- To a Lady, who presented me an Orange
- 72
- To a Lady, presenting her a Box of Patches
- 73
- To the same Lady having found a Silver Penny, the first thing she touch'd, among the Patches, I presented her
- 74
- To Amasia, off'ring me a branch of gilded Laurel
- ibid.
- To a very Charming Lady, with an unpleasing Name
- 75
- To a Lady, whose Maid, having given her a [...], I sent her, and being ask'd from whom she receiv'd it, reply'd — from the Conjurer himself, she thought
- 76
- To a Lady saying she knew I Lov'd hor
- 77
- [Page] To a Lady, who, (while endeavouring to tye up some Linnen with a Ribbond, a little of the shortest) being ask'd how she would menage, if she Lov'd a Gentleman without a Fortune, reply'd, I'll show you — (and so drawing harder) made the ends meet
- p. 77
- To a Lady Singing frequently these Words, Youth and Beauty
- 78
- To a Lady, who, with a Charming Air of Negligence, frequently, when spoken to, reply'd — Yes, Sir,
- 79
- To Amasia, having dreamt of me
- ibid.
- To Amasia, on the accidental falling of her loose Garments, which discover'd to my view her Breasts
- 81
- To the admir'd Mrs Cr — fts
- 82
- To a Lady having lost three Kisses on a Wager with me, and refusing to pay them
- 84
- Reflections on the Picture of Cupid, imitated from Propertius
- 86
- To Amasia.
- 87
- LEtters of Love
- To Amasia, 1.
- 97
- To Amasia, 2.
- 99
- To Amasia, 3.
- 101
- To Amasia, 4.
- 103
- To Amasia, 5.
- 106
- To Amasia, 6.
- 108
- To Amasia, 7.
- 110
- To Amasia, 8.
- 113
- To Amasia, 9.
- 115
- To Amasia, 10.
- 117
- To Amasia, 11.
- 119
- To Amasia, 12.
- 122
- [Page] To Amasia, 13.
- 125
- To Amasia, 14.
- 128
- To Amasia, 15.
- 130
- To Amasia, 16.
- 133
- To Amasia, 17.
- 135
- To Amasia, 18.
- 138
- To Amasia, 19.
- 140
- To Amasia, 20.
- 142
HERO, Priestess of Venus.
AMASIA, OR, THE Works of the Muses. Containing the FOREST of LOVE.
Vol. II. Book II.
TO THE Right Honourable THE Lady Olympia Roberts.
AFter having been a considerable time in Town, deficient all the while in my duty of waiting on your Ladyship; like a true Poet, I flatter my self, that I may make my Book my excuse; not presuming to think it worthy to be called a Present. How this may pass with your Ladyship, I know not, but am apt to fear, it will, at best, be thought but a Poetical excuse for so great an Omission. However, [Page] if it may be allow'd to be truly Poetical, some hopes of your Ladyship's Pardon must still remain, when I consider you, as you are, a Favourer of Poetry. While the Muse introduces me to your Ladyship, I pass securely, like AEneas conducted by the Sybil, to Elyzium. The Golden Bough, that Hero brandish'd, intitled him to visit all the shady Groves, but here my Pen must fail, and I shall perhaps, be left without a Guide in Darkness, since I can hardly boast That for a Golden Branch. But to ascend more to the light; part of the Muses Works, Madam, are lay'd here at your Ladyship's Feet; and I am sensible, such is your quick, and Judicious Penetration, you need not be at pains to stoop, to take them up; scarce can they be read so fast, as your Ladyship can both find their Beauties, (if they have any) and their faults; but so fustly your Candour Rivals your Judgment, 'twill be hard to determine, whether you will see the former [Page] more readily, than you will Wink at the latter. Your Ladyship's Father, the late Earl of Radnor, when Governour of Ireland, was the kind Patron to mine, he rais'd him to the first steps, by which he afterwards ascended to the Dignities he bore, to those, which render'd his Labours more conspicuous, and set, in a more advantagious light, those living Merits, which now make his Memory belov'd. These, and yet greater Temporal Honours, your Family heap'd on him, by making, even me, in some sort related, and ally'd to you, by his Inter-Marriage with your Sister, the Lady Araminta. How imprudent a Vanity is it in me to boasts a Father so Meritorious! How may I be asham'd to prove my self his Son, by Poetry, that only qualification, which he so much excell'd in, but yet esteem'd no Excellence. I bring but a bad proof of Birth, laying my claim in that only thing he would not own. These are, however, Madam, but the Products [Page] of Immaturer Years; and riper Age, may, I hope, bring forth more solid Works. In the mean time, such as they are, they Court your Ladyship's Acceptance.
THE FOREST of LOVE.
To Amasia, who made me a present of a Studying-Cap, variously Beautified with Trees and Flow'rs of Needle-Work.
Being some Copies Written to Amasia, on particular Occasions.
To Amasia, on her filling a Glass with Water, whereon she had Painted Stags, and Birds, and Trees.
To Amasia, invested with a Muslin-Nightraile, variously Beautified with Birds, and Beasts of Needle-Work.
To Amasia, wearing a Muslin-Apron, wrought with Trees and Beasts of Needle-Work.
To Amasia, on her Beautifying the Lining of her Gown, with Trees, and Groves in Needle-Work.
To Amasia, sticking Gardens cut in Paper, on a large Glass.
POEMS ON Several Occasions.
To Three Ladies who presented me their Verses Written in praise of one another, and in return for my Judgment, told my Fortune.
On a Fly, that flew into a Lady's Eye, and there lay buried in a Tear.
To a Lady, desiring a Visit.
Seeing a fair Young Lady, just a dying.
A Dialogue between a living Nymph, and a Youth who was drown'd. Written thus at the Request of a Lady.
To Amasia, who Commanded me to avoid her presence, whenever she appear'd.
The Description of the Palace of the Sun, and Constagration of the World, partly imitated from Ovid.
To the Lord Sy — ney, Created Lieutenant of Ireland, about the time his Majesty went to Flanders.
To a Lady Lamenting her Lover, who was Drown'd.
On a Bee inclos'd in Amber.
On a China Cup fill'd with Water, round the sides of which were painted Trees, and at the bottom, a Naked Woman Weeping.
The Description of a Tempest, and a Fight at Sea.
To a Lady, who presented me an Orange.
To a Lady, presenting her a Box of Patches.
To the same Lady, having found a Silver [...], the first thing she toucht, among the Patches, I presented her.
To Amasia, off'ring me a branch of Gilded Laurel.
To a very Charming Lady, with an unpleasing Name.
To a Lady, whose Maid, having given her a Manuscript, I sent her, and being ask'd from whom, she receiv'd it, reply'd — from the Conjurer himself, she thought.
To a Lady, saying she knew I Lov'd her.
To a Lady, who, (while endeavouring to tye up some Linen, with a Ribbond, a little of the shortest.) being ask'd how she would manage, if she Lov'd a Gentleman without a Fortune, reply'd, I'll show you — (and so, drawing harder, made the ends meet.)
To a Lady, Singing frequently these Words, — Youth and Beauty.
To a Lady, who, with a Charming Air of Negligence, frequently, when spoken to reply'd — Yes, Sir,
To Amasia, having dreamt of me.
To Amasia, on the Accidental falling of her loose Garments, which discover'd to my view her Breasts.
To the Admir'd Mrs. Cr — fts.
To a Lady having lost three Kisses on a Wager with me, and refusing to pay them.
Reflections on the Picture of Cupid, Imitated from Propertius.
To Amasia.
AMASIA, OR, THE Works of the Muses. Containing LETTERS of LOVE.
Vol. II. Book III.
TO THE Right Honourable EVELYN EARL of Kingston, THESE POEMS Are Humbly Dedicated By his Lordship's Most obedient and most Humble Servant.
J. Hopkins.
LETTERS of LOVE.
Written to Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
To Amasia.
AMASIA, OR, THE Works of the Muses.
A Collection OF POEMS.
In Three Volumes.
By Mr John Hopkins.
VOL. III.
LONDON, Printed by Tho. Warren for Bennet Banbury, at the Blue-Anchor in the Lower-Walk of the New-Exchange, 1700.
[Page] TO THE Honourable Mrs COOK OF NORFOLK.
I Have heard, and may therefore say, I know your Character, for I have still been told the same by every Body, You are above being Titularly Noble; your Vertue is the true Nobility. 'Tis not for me to attempt your Encomiums; for all the Actions of your Life have given you, and shall give you praise. The easie greatness of your Temper, your courteous Affability, your Generosity, your Charity, your Goodness, and your Piety, have Universally [Page] spoke your Character. Your Vertues are your Historians and your Poets; and 'tis thro' them the Memory of your Name shall live, thro' them, [...] well as thro' your Children, who by their Happy Education shall stand the admirable Copies of their bright Original.
On you, Madam, I have fixt, as the Patroness of these Poems, you who are all Vertue, and all Goodness, can best defend them from the Censures of detracting Tongues; your Name prefix'd to them, must in it self protect them; for none will imagine I should presume to Play the Libertine, when I approach the Temple of Diana. The following Stories are out of Ovid's Book, Intitled Metamorphosis, the best, as well as the Chastest Poem he has writ; and how far soever I have fail'd in transfusing his Poetry into the English Language, I dare be positive he has lost nothing of his modesty by my Translation; for I consider that whatever off'ring is lay'd Chastly at your Feet, you will not Spurn: This, Madam, Courts Modestly your Acceptance, [Page] without the least Impurity, without Flatt'ry; so much I truly Honour and Esteem you for your Illustrious Character, that I have even Dedicated to you, without a Complement, for I am sincerely, with all due deference and respect, your Vertue's Just Admirer, and,
[Page] THE PREFACE.
A Preface is the trading Stock the Author gives his Book, as Parents do to their Younger Children, as soon as they think them of Years Mature enough to launch into the World. As for my Embryo, I honestly [...] all fondness to it; and only write now to satisfy the Lady Urania, that I have to the last Volume forborn to mention her Name in hopes to have made some discovery of her, in order to return her the thanks she deserves, with all the praise she has given me; all her own. I receiv'd it, not because I had, by Merit, any right to keep it, but because, as all praise is her's, she has Power to give it where she pleases. Whoever this Charming Urania is, I must confess she's altogether unknown to me, and when I read the Panigyrick she has been pleas'd to send me, I have reason to fear I am as much unknown to her. Tho' the Complement she has made me in her Verses be a very great one, she may yet confer one much greater on me in permitting me [...] read her Face.
THE CONTENTS.
- THE Metamorphosis of Love. Containing several Love Stories imitated from Ovid.
- Vertumnus and Pomona
- Page 1
- Venus and Adonis
- 5
- Perseus and Andromeda
- 8
- Picus and Canens
- 12
- Jupiter and Europa
- 16
- Boreas and Orythia
- 18
- Iphis and Ianthe
- 20
- Tereus and Philomela
- 25
- Pluto and Proserpina
- 31
- Alphaeus and Arethusa
- 32
- Jupiter and Calisto
- 35
- Pigmalion and his Iv'ry Statue
- 37
- Salmacis and Hermaphroditus
- 41
- Cephalus and Procris
- 47
- Phoebus and Leucothoe
- 52
- Hippomenes and Atalanta
- 55
- Eccho
- 60
- Narcissus
- 63
- Pan and Syrinx
- 68
- Jupiter and Semele
- 71
- Glaucus and Scylla
- 75
- Diana and Actaeon
- 77
- Coronis and Neptune
- 79
- Orpheus and Eurydice
- 81
- THE Miscellany of Love. Containing several Occasional Copies.
- On Flowers in Amasia's Bosom; in imitation of Anacreon
- 91
- To a Lady asking me a thousand impertinent Questions, which she would have Answer'd
- 93
- To the Lady above-mention'd, saying, I gave her a very senseless, impudent Answer
- ibid.
- To the same Lady saying she would give me a Kiss, If I would tell her what she ask'd me
- 99
- To the Lady aforesaid, striking me on the Face with her Fan, for my former Answers
- ibid.
- To a Lady, who ask'd me why I writ on such trifling Occasions
- 95
- To a Lady, saying, I ought to Marry her because she Lov'd me,
- ibid.
- To the same Loving Lady, telling me, abuse was an ill requital for sost Passion, but she thank'd her Stars, she was but in Jest
- ibid.
- To a Lady, asking my Opinion concerning the writings of the Ancients and Moderns.
- 96
- To a Lady, making her a present of Straw-Work
- ibid.
- To the Bookseller desiring my Sculpture before my Book
- 97
- To a certain Gentleman, you must know, very Censorious on me [...] assenting to my Bookseller's desire
- 98
- To a Lady, telling me I should Court applause if I expected to gain it.
- ibid.
- To a Lady saying, with a smile, she [...] I would not perform my promise
- 99
- To a Lady telling me I writ too fast.
- 100
- [Page] To the same Lady, saying — Sure I never thought, and commanding me to write on a Feather
- p. 101
- To a Lady saying she imagin'd Poets were all on Fire, when they wrote.
- ibid.
- To Amasia, putting a Paper of my Verses in her Bosom
- 102
- To a Lady with a very Charming Dimple in her Chin, occasion'd by a Scar, which, she said an unaccountable Distemper had left there
- ibid.
- To a Lady Dancing at a Ball
- 103
- To a Lady, saying she would hate me, if I should write Satyr
- 104
- To a Gentleman, whose Life was indanger'd by his endeavouring to address a Lady in a Sphere above him
- 105
- New-Year's-Day, 1699.
- ibid.
- Seeing a Lady at a Play, call'd, A Trip to the Jubilee
- 107
- To a Lady under the Name of Philomela
- ibid.
- Love in Idea. Written to a Friend, who said his Mistress was above Gold, and desir'd my advice in his suit
- 108
- To a Lady, who seeing me in a Languishing Sickness, call'd me — Poor shadow of Love
- 111
- To a Lady making me a second present of a Lock of her Hair, after I had in an humour return'd the first
- 112
- To a Lady Singing
- 114
- The Health. After absence — to a Friend
- ibid.
- To a Lady, holding her Picture in my Hand, and looking on her Face
- 115
- The Arms. [...] aut vi
- 116
- Poems on several Occasions.
- The Complaint
- 119
- To Mr — Written before the representation of his first Comedy
- 122
- To Mr — [...] is second Comedy
- 124
- [Page] The Petition
- p. 126
- To a Lady, my Friend's ingrateful Mistress
- 128
- To Dr. Gibbons
- 131
- To a Lady asking me why I did not apply to Dr. Gibbons to be cur'd of my Love too
- 133
- The Charmer
- 134
- The Vision of the Muse.
- 136
- THE Friendship of Love.
- To Mr —
- 147
- To Mr —
- 149
- To Mr —
- 152
- To Mr —
- 154
- To Mr —
- 157
- To Mr —
- 161
- To Mr —
- 164
- To Mr —
- 167
- To Mr —
- 169
- Martin, the Friend.
- 173
THE Metamorphosis of Love.
Vertumnus and Pomona.
Venus and Adonis.
Perseus and Andromeda.
Picus and Canens.
Jupiter and Europa.
Boreas and Orythia.
Iphis and Janthe.
Tereus and Philomela.
Pluto and Proserpina.
Alphaeus and Arethusa.
Jupiter and Calisto.
Pigmalion and his Iv'ry Statue.
Salmacis and Hermaphroditus.
Cephalus and Procris.
Phaebus and Leucothoe.
Hippomenes and Atalanta.
Eccho.
Narcissus.
Beginning with the Description of a Spring.
Pan and Syrinx.
Jupiter and Semele.
Beginning with the Description of Fame and her Palace.
Glaucus and Scylla.
Diana and Actaeon.
Beginning with the Description of a Cave.
Coronis and Neptune.
Orpheus and Eurydice.
AMASIA, OR, THE Works of the Muses. Containing the MISCELLANY of LOVE.
Vol. III. Book II.
TO THE Right Honourable THE Countess of Manchester.
COuld any intrest prevail with me to address a Person undeserving, my task would then be easier much; as the Painter who has a Face before him, indifferent to Paint, knows his chief business is to flatter; he knows he is not to draw a Face, but make one. But, Madam, I have so Beautyful a Pattern before me, my Eyes grow dazzled, and my Soul is aw'd; your Ladyship is indeed an Original, a ravishing Original. I here present you the Miscellany of Love; in my Opinion, a very humble present, yet very suitable; the [...] of all that's [Page] Good and Lovely, your Ladyship is presented by Nature to the World. So much Beauty, with so much goodness mingled, scarce ever met before; so much, that I hope humbly there's enough of both to smile on, and forgive the weak Endeavours of
THE MISCELLANY of LOVE
On Flowers in Amasia's Bosom. In Imitation of Anacreon.
To a Lady asking me a Thousand impertinent Questions, which she would have Answer'd.
To the Lady above-mention'd, saying I gave her a very senseless, impudent Answer.
To the same Lady, saying she would give me a Kiss, if I would tell her what she ask'd me.
To the Lady aforesaid, striking me on the Face with her Fan, for my former Answers.
To a Lady, who ask'd me why I writ on such trifling Occasions.
To a Lady, saying I ought to Marry her, because she Lov'd me.
To the same Loving Lady, telling me, abuse was an ill requital for sost Passion, but she thank'd her Stars, she was but in Jest.
To a Lady asking my Opinion concerning [...] Writings of the Ancients and Moderns.
To a Lady, making her a present of Straw-Work.
To the Bookseller desiring my Sculpture before my Book.
To a certain Gentleman, you must know, very Censorious on me, for assenting to my Bookseller's desire.
To a Lady, telling me I should Court applause, if I expected to gain it.
To a Lady, saying with a smile, she fear'd I would not perform my Promise.
To a Lady, telling me I writ too fast.
To the same Lady saying — Sure, I never thought, and Commanding me to write on a Feather.
To a Lady saying she imagin'd Poets were all on Fire when they wrote.
To Amasia putting a Paper of my Verses in her Bosom.
To a Lady with a very Charming Dimple in her Chin, occasion'd by a scar, which, she said, an unaccountable distemper had left there.
To a Lady Dancing at a Ball.
To a Lady saying she would Hate me, if I should write Satyr.
To a Gentleman, whose Life was indanger'd by his Endeavouring to aderss a Lady in a Sphere above him.
NEW-YEAR's-DAY, 1699.
Seeing a Lady at a Play call'd A Trip to the Jubilee.
To a Lady, under the Name of Philomela.
LOVE in IDEA.
Written to a Friend, who said his Mistress was above Gold, and desir'd my advice in his Suit.
To a Lady, who seeing me in a Languishing Sickness, call'd me — Poor Shadow of Love.
To a Lady making me a second present of a Lock of her Hair, after I had in an humour return'd the first.
To a Lady Singing.
The Health.
After absence — To a Friend.
To a Lady, holding her Picture in my Hand, and looking on her Face.
The Arms.
Suavitate, aut Vi.
Written at the request of Amasia.
POEMS ON Several Occasions.
The Complaint.
To Mr —
Written before the Representation of his First Comedy.
To Mr —
On his Second Comedy.
The Petition. To her Royal, and Illustrious Highness, the Princess.
Written in the Name of Mr. —, being deny'd to Tread the Stage.
To a Lady, my Friend's ingrateful Mistress.
To Dr Gibbons.
To a Lady, asking me why I did not apply to Dr. Gibbons to be Cur'd of my Love too.
The Charmer.
The Vision of the MUSE.
AMASIA, OR, THE Works of the Muses. Containing the FRIENDSHIP of LOVE.
Vol. III. Book III.
TO THE MEMORY OF AMASIA.
ONly Amasia; for a Name is all of you that lives; O racking thought! Sufficient to destroy the Power of thinking. But why do I repine? for you were never more to me.
AMASIA!
That Name is all; Elyzium, Paradise, and almost Heaven, are in the sound. How I have lov'd you, how I love you still, your Death, (for that involves mine too) will testify; I Pine, I Languish, and shall meet you, e'er 'tis long, somewhere, I know not where, but I am sure that I shall meet you. Your Soul was surely made for [Page] mine, for mine was made for yours, and wheresoe'er they Join, the place must be in earnest, more than a Fictitious Heaven, more than a Poet's fancy can Create; and such, as a Poet and a Lover too must be most ravish'd in, with Rapture Exquisitely Charming.
How, Orpheus, shall I call to Mind thy turn of fate? O Poet happy, and accurst! You knew, when you had lost the last short sight of your Eurydice, you knew, you saw a glimpse of what I suffer. Despair and Hell are diff'rent but in Name.
To thee, Amasia, to thy Memory, which still must Charm me, The Friendship of Love is Dedicated: The perusal of some Letters written to Acquaintance gave me the Occasion of the Title; the word Friendship is wholly Titular, for I had never any Friend but thee; O no, I never had so great an Enemy; the Bane, and the Destroyer of my Hopes and Life! And yet I Love thee; living I Lov'd thee, and revere thee Dead. O that the Lover might be Happy at the Poet's loss! O that [Page] Fame might be a Sacrifice to Love! O that thy very Name and Memory might die! O Laethe! I'll Court the Streams of thy forgetful Fountain, and Celebrate thy dull Oblivion beyond the inspiration of the Muses Helicon. Farewel — my Friend, for I can boast a real Friend, shall now be my Amasia: I hope he wont disdain me but for being his, as you have done, when yours. Farewel — give me but leave to assure you, no second Beauty (for all Beauty will to your's be second) shall deface your Image from my Soul. Once more Adieu — and yet, methinks I cannot leave thy Memory, E'en Death wants Power to part us. O Laethe! Where are now thy Streams? Thou River, not of the Vnhappy, but the blest. Farewel — yet Men are very loath to die — Farewel —