Haynes his reformation prologue spoke in black. Haines, Joseph, d. 1701. 1692 Approx. 4 KB of XML-encoded text transcribed from 2 1-bit group-IV TIFF page images. Text Creation Partnership, Ann Arbor, MI ; Oxford (UK) : 2009-03 (EEBO-TCP Phase 1). A43759 Wing H196 ESTC R30718 11414816 ocm 11414816 47746

This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. This Phase I text is available for reuse, according to the terms of Creative Commons 0 1.0 Universal. The text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission.

 Early English books online. (EEBO-TCP ; phase 1, no. A43759) Transcribed from: (Early English Books Online ; image set 47746) Images scanned from microfilm: (Early English books, 1641-1700 ; 1463:4) Haynes his reformation prologue spoke in black. Haines, Joseph, d. 1701. [2] p. Printed for R. Bentley ..., London : 1692. Caption title. Imprint from colophon. Reproduction of original in the Harvard University Library.

Created by converting TCP files to TEI P5 using tcp2tei.xsl, TEI @ Oxford.

EEBO-TCP is a partnership between the Universities of Michigan and Oxford and the publisher ProQuest to create accurately transcribed and encoded texts based on the image sets published by ProQuest via their Early English Books Online (EEBO) database (http://eebo.chadwyck.com). The general aim of EEBO-TCP is to encode one copy (usually the first edition) of every monographic English-language title published between 1473 and 1700 available in EEBO.

EEBO-TCP aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the Text Encoding Initiative (http://www.tei-c.org).

The EEBO-TCP project was divided into two phases. The 25,363 texts created during Phase 1 of the project have been released into the public domain as of 1 January 2015. Anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source.

Users should be aware of the process of creating the TCP texts, and therefore of any assumptions that can be made about the data.

Text selection was based on the New Cambridge Bibliography of English Literature (NCBEL). If an author (or for an anonymous work, the title) appears in NCBEL, then their works are eligible for inclusion. Selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. In general, first editions of a works in English were prioritized, although there are a number of works in other languages, notably Latin and Welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so.

Image sets were sent to external keying companies for transcription and basic encoding. Quality assurance was then carried out by editorial teams in Oxford and Michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet QA standards were returned to the keyers to be redone. After proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. Any remaining illegibles were encoded as <gap>s. Understanding these processes should make clear that, while the overall quality of TCP data is very good, some errors will remain and some readable characters will be marked as illegible. Users should bear in mind that in all likelihood such instances will never have been looked at by a TCP editor.

The texts were encoded and linked to page images in accordance with level 4 of the TEI in Libraries guidelines.

Copies of the texts have been issued variously as SGML (TCP schema; ASCII text with mnemonic sdata character entities); displayable XML (TCP schema; characters represented either as UTF-8 Unicode or text strings within braces); or lossless XML (TEI P5, characters represented either as UTF-8 Unicode or TEI g elements).

Keying and markup guidelines are available at the Text Creation Partnership web site.

 eng 2008-01 Assigned for keying and markup 2008-02 Keyed and coded from ProQuest page images 2008-03 Sampled and proofread 2008-03 Text and markup reviewed and edited 2008-09 Batch review (QC) and XML conversion
HAYNES His Reformation PROLOGUE, Spoke in Black. THUS Cloath'd with ſhame, which is one ſtep to Grace, Excuſe the modeſt bluſh now ſpoils my Face; For after Two Years Excommunnication, For Haynous Sins againſt this Congregation I'm now to plead my thorough Reformation. Know then, that weary grown, of the thin fare Of living by my Wits, that's by the Air; Altho' kind Patrons "Into your Bumpers I have oft been plunging, "And Top't, as I a Pattent had for Spunging; "But to proceed in't ſtill, my Conſcience ſtains, "(Conſcience, the Darling Miſtreſs of Jo. Haynes) "Wherefore, tho' late, now finding like a Novice, "Players (like Wits) are Fools, when out of Office: And ſeeing Nocturnal Friends drop off ſo faſt, Like Limerick I'me compell'd to yield at laſt. But oh! the Terms of my Capitulation Would make the hardeſt heart feel ſoft Compaſſion: I muſt not Drink, not taſt Life's common Joys, For fear of ſpoyling my melodious Voice; No more at Midnight viſit dear James Long, Who has the beſt Navarre e're tipt o're Tongue; T'has all good Qualities, A Conceal'd Body, Freſh, Mellow, and Fine, 'Tis all Sincerity, a Silken Wine; It Charms the Taſt, and Gratifies the Noſe, Weeping.Adieu my Dear, Dear Paradiſe, the Roſe Where I the Muſick now muſt hear no more, Spoke like a Drawer.Of a Bottle O' Sebaſtian in the Sun, ſcore. Nor whilſt God Bacchus is our Cheeks Adorning, Like a Watchman's tone.Paſt Three a Clock, and a Dark Cloudy Morning. Nor make the last excuſe for longer ſtay, As DrunkMore Wine ye Dog, it is not break o' Day. Now now your new Regenerated Player Morning and Evening will trudge to Prayer; And flye all Play-Houſe Plots that are o'brewing, That National Sin (Sedition) was my ruine. Adieu Wills Coffee-Houſe too, Beaus, Captains, Wits, Who have been ſo very kind to me by ſits. Farewell, I now muſt herd with ſober Cits. Where I may ſpeak my Mind, and fear no ſnub, With Friends will lend, as well as pay a Club. What though they ne'er broke Jeſt, or Pate at Lockets, They've Sence enough for all that, in their Pockets; I do but think leading this Virtuous Life, What a Comfort I ſhall be to my poor Wife; At Home by Ten a Clock, in Bed by Eleven, Where I will make my former Scores all even. "This being decreed, I've nothing more to do "But fix my ſelf a rent-charge now on you, Humbly beſeeching "That I, like Pariſh Brat; Forlorn, and Poor, "That's lay'd for want, at the next Rich Man's door; "Swath'd in ill luck, the Charity may get "Of you the Great Church-Wardens of the Pit. Then tho'my Voice ſhould fail, as that will happen, I'me ſure you'll gueſs my meaning, by my gaping. FINIS.

LONDON, Printed for R. Bentley in Ruſſel-Street in CoventGarden. 1692.