TENTAMEN DE ARTE POETICA.
INter opes varias queis mens, humana superbit,
Fert primam rectè scribendi gloria palmam:
Nec genus est ullum, ceu fructum, sive laborem
Spectes, (laus magna, at magno molimine constat,)
Conferri ex minima quod possit parte Poesi:
Tantùm ex [...]a [...], gressuque artes supereminet omnes.
Sed procul à me sit furor impius ille, profano
Scriptorum ut vulgo, pede si quis claudere certo
Versiculos possit, tinnituque impleat aures
Barbarico, sacri dem nominis hujus honorem.
Non vis plus justâ calefacti parte cerebri
Ignea sufficiat, vani quae ad fulguris instar
Perstringitque oculos, medioque extinguitur ictu,
Ingenii verus vigor, ac vena aemula Solis
AEternùm nitet, ac proprio fulgore coruscat;
Nunc rutilum condit caput inter nubila, victor
Continuò erumpit, mare, tellus, aethera rident.
Quò mihi verborum, aut rerum quoque lauta supellex?
Quò metrum, dulcique fluentes agmi [...]a versus
Asperior teneras [...]uti nè vox raderet [...]ures?
(Sunt vulgi, nec abesse feram, aut praesentia laudo)
Si Genius desit, si non infusa per artus
Mens [...]gitet molem, & se corpore misceat, ingens
Naturae sequitur ceu nutum machina Mundi?
Entheus ille calor percurrit singul [...], verbis
Major, & ingenio sublimior, & Genitorem
Coelestem referens, o [...]ulis impervius ipse
Cuncta aperit, pingitque omnes, neque pingitur ulli.
Nympha potens, hominum requies, divûmque voluptas,
Quas habitas sedes? cerebri num credere fas est
Angusto hospitio tantum se includere Numen?
Qu [...]ve proterva fugis, multùm aspernata vocantem
Cùm te difficilem, duramque per otia ploro?
Unde redis? nec opinantem quâ lege revisis,
Intentumque aliò, non dextro tempore cogis
Ad juga? tum pendent opera interrupta, diei
Languent officia, & spernuntur gaudia noctis.
Sentio jam—sed lenis ades, cohibeque furorem:
Iudicium sine natura torpetque, jacetque;
Haec sin [...] judicio tantùm est speciosa phrenesis.
Iudicio acri opus est, partes quod se addit in omnes,
Quod mores bominum, quod res, quod temperat orbem,
Nedum ut scribendi tenui in ratione gubernet.
Pluma velut calami, vel arundinis, illa volatum
Promovet, hoc acuit ferrum, vi, pondere donat,
Haec cordi arrepit, mentis ratio occupat arcem.
In varias hîc ut describam carmina classes,
Divisio Poematis.
Cum numeris, pedibusque
suis, coepti exigit ordo.
Sed quis enim sanus velit hoc decurrere campo
Per quem magnus equos
Horatius.
Venusini flexit alumnus?
Illius auspiciis scandas Helicona virentem,
Instruit exemplo qui vatem, moribus ornat,
Legibus emendat: mendax imitator, ut Echô,
Quid nisi verborum formas manco ordi [...]e reddit?
Solenne est, fateor, seniorum scripta profanâ
Compilare manu, [sic vasa argen [...]ea servi
Cùm furto abstulerint permutant signa, notasque,
Proque suis jactant] sed quis sibi cui pudor ac frons
Tam miseris opibus tam insigni fraude placeret?
Hoc jure & Sophoclem totum sibi vindicet Actor,
Pro quavis Tragoedia.
Oedipodem si tu transcripseris Autor haberis,
Quantò is qui memori recitavit mente Theatro?
Verùm aliquos liquit vindemia plena racemos,
Fas eti [...]in nobis acquirere pau [...], refixit
Desuetudo aliquas, tempus, nova crimina, leges
Procudêre novas: sic rerum postulat usus.
Quid furto hîc Satyram, cui tot patrimonia pascas?
Cùm vix ulla malis sit terra fer [...]cior herbis?
Quot nec Nilus alit cùm occursent undique monstra?
Sed neque, plebs vatum, vobis permitto timere,
Nec vacat, aut Satyrae est morientes figere muscas:
Destinat his operam, qui aliqua virtute merentur,
In melius flecti dociles, monitoribus aequi.
Carminibus prim [...]t [...]ervent hîc omnia, gaudet
Carmine quisque suo Crispinus, Apolline nullo,
Nec mora, nec requies, cuicunque est obvius usquam,
Ignotum tristemve petens, discrimine nullo,
E
[...]se velut stricto
incurrit, vimque
auribus infert.
Carmina propriè dicta vel Cantilenae.
Hîc multos brevitas, speciesque inducit biante [...],
Verùm alius labor expertis, ac fronte videtur,
Nec tenerum magis est genus, aut operosius ullum.
Namque utì cum filo gemmas longo ordine nectis,
(Dilectae armillas, teretive monilia collo)
Mendosas numerus tegit, ac vicinia; fiat
Annulus, hoc unam ostentes, nubecula quaevis
Apparet, vitiumque oculis subjecta fatetur;
Sic nisi cuncta nitent in carmine, sordet;
Summae artis cantilenam componere.
habenda
Verborum est ratio, ut ne arcessita, locisque
Mota, minùs propria, aut immodulata, trahantur.
Dictio sit facilis, sublimis carmine sensus,
Ut neque serpat humi stylus, aut mens nubila captet.
Cum sensum cum verba poliveris, altera cura est
Ut lateat labor, & casus ferat artis ho [...]orem:
Tale unum ostendas, & Phyllida solus babeto.
Praecipuè, & partes haec regula spectat in omnes,
Foeda procul fugias, obscoenáque nomina; scurra
Ingenio defectus ad hoc decurrit asylum.
Polluit ingenium sic Vates nobile, serus
Qui sapuit, moriens sic spurca volumina flevit,
Ipsius ut credam censurae ignoscere Manes.
Non quòd circuitu blando insinuata voluptas
Displiceat senibus, moveat fastidia castis:
Verùm immundities, tante est inscitia, coeptis
Officit ipsa suis, congestum ut inutile lignum
Obruit inceptas cumulato fomite flammas.
Insurgit graviore tono gravioribus aptus
Elegi.
Materiis Elegus, virtutis pangit honores,
Ingenii, formae decus; & solatia luct [...]s
Exigua, heu! spretos quoties deflevit Amores!
Nequicquam, nam quae [...]enita est foemina versu?
Mentis inops stolidos, varios mutabilis ipsa,
Absurdos sine corde sonos, sine mente figuras,
(Tetrior haud Stygiis pestis caput extulit undis)
Ultrò ambit mulier, mulier se agnoscit in illis.
Sed melius meritis laudi est censura nocentum,
Arrogat & pretium vilis plebecula paucis:
Quae favet ingenio, quae vatem cernit inepto
AEterno illam Elegus donabit gratus honore,
Cedet Laura loco, dediscet fama Corinnam.
Sed quò transversum, quae nunc per devia raptas
Improbe Amor? sine me spatiis decurrere coeptis.
Non equidem in genere hoc vel vim vel verba requiro,
Nostratum haec laus est, sed adhuc majore caremus;
Flumineos quanquam vincas dulcedine cygnos,
Et proprios habeant vel disticha cuncta lepores,
(Qualia plura, brevi peritura, per ora feruntur)
Si junctura deest, junctis si partibus ordo,
Altior it sensim, ni copula quaeque priori,
Ut qui fallenti scandit viridaria clivo,
Nitenti in plano similis, simul ardua ventum est
Prospectum attonito circumspicit ore, stupetque
Inscius ad tantum se pervenisse cacumen.
Hoc Epigramma voces, des nomen quodlibet illi.
Non est artis opus, non est Elegia, quali
Flexisti rigidum,
Panegyris Walleri Cro [...] wellio dicata.
vates divine, tyrannum:
Infensos
Poema Denhamii equitis elegantissimum, Coopershill dictum, prope Win [...] [...]oram, ubi ce lebris quae vulgò Magna Charta vocatur, signata fuit.
alius proceres, Regemque superbum
Colliculo in celebri mansura in foedera traxit.
Ut Bellator equus sonitum simul arma dedêre
Hûc prosultat, & hûc, micat auribus, & tremit artus,
Ipsum equitem terret tanquam excussurus in auras,
Pindarica attonitum sic versant oestra Poetam:
Is
furor est Musae cum implevit mentem animumque:
Pindarica.
AEmulus hîc veterum
Couleius.
novus omnia puncta tulisset,
Lemma praefixum Pi [...]daricis Odis Couleii.
Pindarici fontis qui non expalluit haustus;
Si non vulgari percussa, heu! verba monetâ
Detraherent pretium mansu [...]e in secula venae.
Insanire quidem licet hoc in carmine, verùm
Insanire decet certâ ratione, modóque.
Vehementes sensus, liquido sed slumine verba
Lucida procurrant; sed hâc in parte severus
Exactor videar, naturâ constat, & ausu
Hoc opus, ingenium campo dominatur aperto;
Et data
Pindaricae, summa indulgentia Musae
Satyra [...]
.
Cùm neque mos, neque lex, torva aut sapientia prosit,
Lebenti in pejus Satyra succurritur orbi:
Haec docet exemplis animos, dum pectora mulcet,
Venam aperit ridens, & grato vulnere sanat.
Dicta prius non hîc repetendum tollere paucos
Contentis solùm dilecto è corpore naevos.
In Satyra verborum & numerorum ratio habenda.
Huic non eloquium, non lecta vocabula curae,
Materiam rigidam parili sermone notanti;
Ille merum è plaustro jactat pus, atque venenum;
Stultus utrisque labor; nunquam haec te regula fallet,
Ut Stylus, & cultus, sit splendidus, atque virilis,
Laeviaque immanes commendent carmina sensus.
Si latrare satis, si rodere dente canino,
Quî Satyrum infami poteris dignoscere scurrâ?
Aut iram ponas, aut dissimulare memento,
Invitus videaris ad hanc descendere partem,
Occultaturi speciem des crimina promens,
Sic rem conficias tanquam inter vina jocosus
Petronius.
Arbiter, alta sedent ludentis vulnera dextrae.
Sic ubi Rivalem spernis, vel laude malignâ
Effers, imponit probitas simulata puellae.
Indivulsa comis hîc haeret laurea
Dr—nus celeberrimus Poeta Anglus, in Satyra facile princeps.
vati
Stigmate qui Bavium mansuro in sêcla notavit:
Ille olim
Falsò suspectus, vulneratus, & laudatus ob Poema Satyricum cujus revera auctor non fuit.
felix alieno vulnere, eundem
Et Satyris propriis quandóque meretur honorem.
Pegasus ast humiles si se summittit ad usus
Serpit humi, indignans, nec jam reminiscitur [...]alas.
Iamque opus emensos mediâ plus parte Quadrigas
Siste parùm; major rerum tibi nascitur ordo:
Ut de Caucasei Iovis ales vertice saxi,
Sive fames jubet, aut coeli inclementia sedes
Explorare novas, tepidúmque invisere Solem;
Longum iter, & pennis luctantes cogitat Austros,
Metiturque oculis spatia, & circumspicit alas;
Mox ubi propulerit vigor, & nova gloria coepti,
Indignans terram repulit, jam jamque videri
Desut, & nimbos superans latet aethere toto:
Sic, impar licet, aggreditur Musa aspera dictu,
Invidiam
Remittit Horatius Demetrium Tigellium ad Discipularum Cathedras.
cathedris, odium motura Poetis;
Dictum de apibus apud Virgilium.
Illis ira modum supra est, laesique venenum
Morsibus inspirant, sed quis succenseat aequus
Fraenanti audaces, dociles melior a monenti?
Quin age & insanis paulum adsis, diva, Theatris.
Principio, veteres quae praecepêre Magistri
Ut persona, locus, res, hor a cohaereat aptè,
Sunt haec nota satis, sed, quae infortunia Legum,
Observata parùm, ad communia scripta relego,
Sat nostros vix tacta aliis monuisse Britannos.
De Soliloquiis: ut brevia, & rara sint [...]
Si visum ut
solus quid secum disserat
Actor,Sit breve, sit graviter commoti; ita flagitat usus
Communis vitae; noster, cùm desit Achates,
Arcanos gestit podio omni credere sensus:
Nec refert, sisub specie narrantis amico,
Enarret nobis; fluere ex re occasio debet,
Ut tandem miseros cùm Phaedra fatetur Amores.
Exultat bona pars
juvenilibus usque figuris,
De Figuris & Metaphoris.
Naturam spernunt, spernit Natura vicissim,
Ipsa suis pollens opibus, nihil indiga fuci:
[...]is locus est [...]erè solùm in Descriptionibus.
His locus est cum tristem hyemem, fluvlosque rapaces,
Aut lucum, & rivos, vel amoena rosaria pingis.
Sed cùm declamat summus dolor, ira perorat,
In numerum cantat spretus, moribundus Amator,
Quem non haec lapidem moveant? quàm flebilis Heros,
Vitam exhalanti cui jam vacat esse diserto?
Dicta seni in cymba jacit importuna Charonti.
Ob [...]e [...]io.
Verùm in Colloquiis cornicum lumina figunt.
Resp.
Tùm verò ludit rabies, luctusque cachinnat:
Utque vices variant pueri super aere canoro,
Sive lubet magis ex compactâ subere plumâ,
Illa volat, volitatque, volat volitatque per auras,
Itque reditque viam toties, stupet inscia turba,
Impubesque manus, mirata volatile suber;
Mutua sic Tragici ludunt: quis talia spectans
Temperet è plausu! sed quo vos nomine dicam
Naturae, ac sanis jurdti sensibus hostes?
Ironicé.
Fac, actor,
rythmo immoriare Tragoedia
bella est:
Communis sensûs c [...]m sit scintillula, mille
Artibus ac miserum liceat cùm extundere victum,
Quae versant furiae, ut mendica infamla vobis,
Ut contempta fames placeat? quae plurima turba
Ignorant olei quanti drama, atque laboris:
Ingenii felix, verborum flumine puro,
Qui legit veteres, aulam perspexit, & urbem,
Quin & Naturae rimans penetralia sens [...]s
Eruit arcanos, nováque hinc miracula promit [...]
Ille onus hoc laetus subeat, speretque reposci,
Invidiam spernat, Criticis medium exerat unguem.
Precepta & exempla Dialogorum è Socraticis, Luc [...]anóque petenda.
Ut rectè, ut propriè roget, ac respondeat Actor,
Socraticae solae poterunt ostendere chartae:
[...]antùm non latuit Romam ars, vix cognita nostris,
Nequicquam obnixis vitioso emergere sêclo.
Hîc tamen, ut patriae meritos solvamus Honores,
Dirigit obscuros vatûm
Shakespear & Fletcher praestantissim [...] Poctae D [...]matici apud Anglos.
par nobile gressus,
Sublimes, quantùm non noxia tempor a tardant,
Incultique hebetant mores, perituraque lingua:
Fessa tamen recreant alienis pectora curis,
Vel
Qui nunquam risisse perhibetur, & inde cognomentum habuit.
Crasso excutiant risum lachrymásque
Vetitum Stoicis flere.
Catoni.Nocturnâ hos versate manu, versate diurnâ,
Spectate interdum, seris legite inde lucernis,
AEra periti auro, tumidumque abscindere sôldo.
FABULA De Fabula.
contulerit multûm meditata potenter,
Illecti hâc solâ nonnunquam aulaea manemus.
Non quaetendi sunt perfecti Characteres, Stoicorum in morem, qui nullum omnino naevum sapienti suo inessepatiuntur.
Stoica sollicitam neu ludant somnia mentem,
Ut tibi perfectè sapiens, fortisve, bonúsve,
Ponatur: laudi est Picturae, sive Poesi,
Naturae nescire modum? facit ille Gigantem,
Non hominem, ignotum terris, & amabile monstrum.
Denique tale nihil peperit Natura; subesse
Culpam opus est: ut nè immeritò cecidisse feratur,
Sed lapsus, veniâ, & lachrymis, dignissimus, Heros.
Nec satis est tota ut recto stet Fabula talo,
Scit scenae tenerae
sua Fabula:
De Scenis praecipuis
divitis Horti
Magnificam exornat velut area quaeque figuram.
Multus & in parvis labor est; circumspice partes,
Cuique repone suas veneres, in imagine prima
Ut vultûs signat vestigia creta futuri.
Nec te poeniteat modulum diffingere, s [...]res
Suadet, pars operae est non parva litura Poetis.
De Luminibus quae vocantur, Orationis.
Solliciti plures dicendi ubi
lumina ponant,
(Purpureos longo collectos tempore pannos,)
Personis faciunt vim, convenientia mittunt,
Facundè absurdi; te consule sedulus ipsum,
Quis sensus foret in parili tibi sorte jacenti:
Quod petis, intus habes, foecundum concute pectus.
De Actoribus formandis.
Sit limata licèt tenuem comoedia ad unguem,
Non tamen hîc operum finis; saepe actor agetur
Ipse, docendus utì gestum addat sensibus aptum;
Si piget ad tenues animum submittere curas,
Immerita ingenuos occident Sibila Vates.
De Characteribus novis ut ne Comoediae veteris in morem unum quemvis defignent.
Si nova difficili persona addenda Theatro,
Non unum effingas
Pro quovis inepto.
Crispinum, ac simulator in
arctumDesilias, ales prostrata cadavera spernit
Nobilis, insultat ferali carmine bubo.
Vulgare est Monstrum derisor ineptus inepti.
Verùm ut apes pictis in saltibus omnia libant,
Mel inde, hinc ceras, & miscent utile dulci:
Personam ex multis sic texas sedulus unam,
(Est seges ampla satis, vati & respondet avaro:)
Falstaff celebris character Comicus apud Shakesperum.
Fert palmam hîc, sensa ut promam liberrima,
Miles,
Helluo, vanus, adulator, comes usque facetus.
Illo gaudet eques, vicies repetitus amatur,
Vix anteacta parem, vix postera proferet aetas.
Saepe & sic venâ rapitur torrente Poeta,
Ingenii ut fatuas personas flumen inundet:
Rusticus Urbani speciem fert, servus, honesti,
Non sua dicta crepat, subitóque ut numine plenus
Morio quisque sapit: nisi quadrant dicta loquentis
Personae, risum moveas mihi forte, sed ipse
Rideris, Scriptor: curâ ipsa enascitur error,
Modus dicteriis adhibendus.
Cùm salibus nimius lassas onerantibus aures,
Sedulitate urget, movet ac fastidia vates:
Exprimat ut mores caput est, tum deinde Lepores
Hinc inde inspergat, cum lumine misceat umbram.
Sed quia quos fugiunt praecepta, exempla movebunt,
Ecce brevi in tabula, ne postera nesciat aetas,
Ora habitúsque virûm, nostris quae forma
poetis: Imago ridicula Tragoediae recentioris.
Inversos sensus, Scenae ac portenta videre est.
Lampades ut primùm accensae, ac aulaea recedunt,
Soliloquus longùm placido sermone perorat,
Et tenui eventus cunctos examine librat:
Conticuit simul is tandem (quae cura decoris)
Ad litui sonitum fugitans inducitur heros:
Obvius hîc Nymphae (miranda potentia fati!)
Deperit intuitu primo, rasisque dolorem
Antithetis probat, & turbati pectoris aestus.
Cùm subito infelix casus divulsit Amantes,
Ignotus nobis, (scit vates omnia) solus,
AEger, Zelotypos concepit protinus ignes:
Mox (ut Rivali placeat) juvat ire sub umbras.
Sed priùs & Coelos & conscia Sydera testans,
Absenti Nymphae flammas longo ordine narrat:
Rivalique suos moriens commendat Amores.
Cùm (monitu Jovis) ille supervenit, & grave telum
Serò inhibet, casúque animum perculsus acerbo,
Invidet ignoto tam pulchrae mortis Honorem;
Continuò incensus fumantem corripit ensem,
Non illum flectet Genitor, dulcésque Hymenaei,
Nec moritura super crudeli funere Virgo,
Quin, Heroo ictu, media inter viscera condat,
Vicit Amor Lethi, plausûsque immensa cupido.
Fortunati ambo!
Quaenam haec monstra putem, non his opus humida laurus,
Sulphura cum taedis, dira ut portenta pientur?
Candidus haec ubi commonui, quidam insit ineptus,
Deperit hic
Veteres, nos nostraque lividus odit:
Object.
(Sic Spectatores luimus delicta Poetae.)
Tun
[...] vitio affectum potes hunc mihi vertere?
Re [...]o [...]s.
rectè
Iudicium totâ cum de ratione Theatri
Vix nisi sana ferat, studio, invidiâque remota,
Posteritas? oculos nam quae mentesque morantur,
Saltator, cultus peregrinus, machina praeceps,
Italici cantus, puerilis noenia rythmi,
(Imbecilla nimis ruituri fulcra Theatri)
Languescunt; quid apud seros valitura nepotes?
Quondam etiam illusis redit in praecordia sensus.
Iam tandem Aonii praerupta per ardua montis
Aerium lasso juvdt insedisse cacumen.
Poema Epi [...]m.
Secreti hîc Epici Divûm potiuntur honore,
Luctantesque infrà tranquillo lumine rident.
Quis dubitet cunctas Epico quin carmine vires
Exerat, ingenio metas figatque supremas,
Rerum sancta Parens, cum post tentamina mille,
Innumeros nisus post temporis infiniti,
Vix tandem ediderit
binos? Homerum & Virgilium.
sacer horror in ipsis
Nominibus, neque enim est ea fas proferre profanis.
Quantùm Atlas nanum transcendit corpore, quanio
Delirus sapiente relinquitur intervallo,
Tantum inter cunctos extat par nobile fratres:
Fama ambit, Favor, ac plausus comitantur cuntes.
Forte & in aeterna jacuissent secula nocte
Inscia quâ fierent arte haec miracula, vastas
Indus utì pelago spectans innare carinas,
Si non
Criticus Gallicus celeberrimus.
Bossutius sacros penetrare recessus
Ausus, qui numeri, pandens, quis carminis ordo,
Unde parentur opes, & quâ virtute snbacto
Semina missa solo caput inter nubila condant.
Certe aliquis Divûm, nostro qui consulit aevo.
Per Labyrintheos texit vestigia flexus.
Strata via est, nemon' carpi [...]duce, & auspice f [...]nto?
Quid juvat Hesperidum heu! dives prospectus in hortos,
Si vetitum, ut sacros, neque mens decerpere fructus!
Quis cunctas, animi felix, complectitur artes?
Quis rationem, audax cautè, superevolat ipsam,
AEthereumque regit certo moder amine oursum?
Iudicium ingenio quis miscuit arte Maronis,
Nusquam deficiens, nullâque in parte redundans?
Qui conferre potest quod non
Coulcius.
Davideidos auctor,
Miltonus.
Primaevi
aut meliùs
ceci [...]it qui fata Parentis,
Tasso.
Vel
Solymas captas,
Spencerus.
vel qui celebravit
Elisam,Incipiat, sed plura manen [...], quae viribus istis,
Et tenui venâ nos ut majora tacemus.
FINIS.
AN ESSAY ON POETRY.
OF things in which Mankind does most excel,
Nature's chief Master-piece is Writing well;
And of all sorts of Writing none there are
That can the least with Poetry compare:
No kind of Work requires so nice a touch,
And if well finish'd, nothing shines so much;
But Heav'n forbid we should be so profane,
To grace the Vulgar with that sacred Name;
'Tis not a flash of Fancy which sometimes
Dazling our Minds, sets off the slightest Rhimes;
Bright as a Blaze, but in a moment done;
True Wit is everlasting, like the Sun;
Which tho sometimes behind a Cloud retir'd,
Breaks out again, and is by all admir'd.
Number, and Rhime, and that harmonious Sound,
Which never does the Ear with Harshness wound,
Are necessary, yet but vulgar Arts,
For all in vain these superficial parts
Contribute to the Structure of the whole
Without a Genius too, for that's the Soul;
A Spirit which inspires the Work throughout,
As that of Nature moves the World about;
A Heat which glows in every word that's writ,
Tis something of Divine, and more than Wit;
It self unseen, yet all things by it shown,
Describing all Men, but describ'd by none.
Where dost thou dwell? What Caverns of the Brain
Can such a vast, and mighty thing, contain?
When I, at idle hours, in vain thy absence mourn,
O where dost thou retire? and why dost thou [...]eturn,
Sometimes with powerful Charms to hurry me away
From Pleasures of the Night, and Business of the Day?
Ev'n now too far transported, I am fain
To check thy Course, and use the needful Rein.
As all is Dullness, when the Fancy's bad,
So without Iudgment, Fancy is but mad;
And Judgment has a boundless Influence,
Not only in the choice of Words or Sence,
But on the World, on Manners, and on Men;
Fancy is but the Feather of the Pen;
Reason is that substantial useful part,
Which gains the Head, while t'other wins the Heart.
Here I should all the various sorts of Verse,
And the whole Art of Poetry rehearse,
But who that Task can after Horace do?
The best of Masters, and Examples too!
Ecchoes at best, all we can say is vain,
Dull the Design, and fruitless were the pain;
'Tis true, the Ancients we may rob with ease,
But who with that sad shift himself can please,
Without an Actor's pride? A Player's Art
Is above his, who writes a borrowed part.
Yet modern Laws are made for later Faults,
And new Absurdities inspire new Thoughts;
What need has Satyr then to live on, Theft
When so much fresh occasion still is le [...]t?
Fertile our Soil, and full of rankest Weeds,
And Monsters, worse than ever Nilus, breeds;
But hold, the Fools shall have no cause to fear,
'Tis Wit and Sense that is the Subject here.
Defects of witty Men deserve a Cure,
And those who are so, will ev'n this endure.
First then of SONGS,
Songs.
which now so much abound,
Without his Song no Fop is to be found,
A most offensive Weapon which he draws
On all he meets against Apollo's Laws:
Tho nothing seems more easie, yet no part
Of Poetry requires a nicer Art;
For as in rows of richest Pearl there lies
Many a Blemish that escapes our Eyes,
The least of which Defects is plainly shewn
In some small Ring, and brings the value down;
So Songs should be to just Perfection wrought;
Yet where can we see one without a fault;
Exact Propriety of Words and Thought?
Expression easie, and the Fancy high,
Yet that not seem to creep, nor this to fly;
No Words transpos'd, but in such order all,
As, tho hard wrought, may seem by chance to fall.
Here, as in all things else, is most unfit
Bare Ribaldry, that poor Pretence to Wit;
Such nauseous Songs by a late Author made
Call an unwilling Censure on his Shade.
Not that warm Thoughts of the transporting Joy,
Can shock the chastest, or the nicest cloy;
But obscene Words, too gross to move Desire,
Like Heaps of Fewel do but choak the Fire.
On other Themes he well deserves our Praise,
But palls that Appetite he meant to raise.
Next, ELEGY,
Elegy.
of
sweet, but
solemn Voice,
And of a Subject grave exacts the Choice,
The Praise of Beauty, Valor, Wit contains,
And there too oft despairing Love complains:
In vain alas, for who by Wit is moved,
That Phoenix-she deserves to be beloved;
But noisy Nonsense, and such Fops as vex
Mankind, take most with that fantastick Sex.
This to the Praise of those who better knew;
The Many raise the Value of the Few.
But here, as all our Sex too oft have try'd,
Women have drawn my wandring Thoughts aside.
Their greatest Fault who in this kind have writ,
Is not Defect in Words, nor want of Wit;
But should this Muse harmonious Numbers yield,
And every Couplet be with Fancy fill'd,
If yet a just Coberence be not made
Between each Thought, and the whole Model laid
So right, that every step may higher rise,
Like goodly Mountains, till they reach the Skies;
Trifles like such perhaps of late have past,
And may be lik'd awhile, but never last;
'Tis Epigram, 'tis Point, 'tis what you will,
But not an Elegy, nor Writ with Skill,
No
Waller's.
Panegyrick, nor a
Denham's.
Coopers-Hill.A higher Flight, and of a happier Force
Are
Pindarick Odes.
ODES, the Muses most unruly Horse;
That bounds so fierce, the Rider has no rest,
But foams at mouth, and moves like one possest.
The Poet here must be indeed inspired,
With Fury too, as well as Fancy fired.
Cowley might boast to have performed this part,
Had he with Nature joyn'd the Rules of Art;
But ill Expression gives sometimes Allay
To that rich Fancy, which can ne'er decay:
Tho all appear in Heat and Fury done,
The Language still must soft and easie run.
These Laws may seem a little too severe,
But Iudgment yields, and Fancy governs there;
Which, tho extravagant, this Muse allows,
And makes the Work much easier than it shews.
Satyr.
Of all the Ways that wisest Men could find
To mend the Age, and mortifie Mankind,
SATYR well writ has most successful prov'd,
And cures, because the Remedy is lov'd.
'Tis hard to write on such a Subject more,
Without repeating Things said oft before.
Some vulgar Errors only we remove,
That stain a Beauty which so much we love.
Of well chose Words some take not care enough,
And think they should be as the Subject rough;
This great Work must be more exactly made,
And sharpest Thoughts in smoothest Words convey'd:
Some think, if sharp enough, they cannot fail,
As if their only Business was to rail;
But human Frailty nicely to unfold,
Distinguishes a Satyr from a Scold.
Rage you must hide, and Prejudice lay down,
A Satyr's Smile is sharper than his Frown;
So, while you seem to slight some Rival Youth,
Malice it self may pass sometimes for Truth.
The
Mr. D—n.
Laureat here may justly claim our Praise,
Crown'd by
A famous Satyrical Poem of his.
Mac-Fleckno with immortal Bays;
Tho
prais'd and
punish'd for another's
A Libel, for which he wa [...] both applauded and wounded, tho intirely innocent of the whole matter.
Rhimes,
His own deserve as great Applause sometimes;
But once his Pegasus has born dead Weight,
Rid by some lumpish Minister of State.
Here rest, my Muse, suspend thy Cares a while,
A greater Enterprise attends thy Toil;
And as some Eagle that designs to fly
A long unwonted Journey through the Sky,
Considers all the dangerous way before,
Over what Lands and Seas she is to soar,
Doubts her own Strength so far, and justly fears
That lofty Road of Airy Travellers;
But yet incited by some fair Design,
That does her Hopes beyond her Fears incline,
Prunes every Feather, views her self with Care,
At last resolved, she cleaves the yielding Air,
Away she flies, so strong, so high, so fast,
She lessens to us, and is lost at last.
So (but too weak for such a weighty thing)
The Muse inspires a sharper Note to sing;
And why should Truth offend, when only told
To guide the Ignorant, and warn the Bold?
On then, my Muse, adventrously engage.
To give Instructions that concern the Stage.
Plays.
The Unities of Action, Time, and Place,
Which, if observed, give PLAYS so great a Grace,
Are, tho but little practis'd, too well known
To be taught here, where we pretend alone
From nicer Faults to purge the present Age,
Less obvious Errors of the English Stage.
First then, SOLILOQUIES had need be few,
Extremely short, and spoke in Passion too;
Our Lovers talking to themselves for want,
Of others, make the Pit their Confidant;
Nor is the matter mended yet, if thus
They trust a Friend, only to tell it us;
Th' occasion should as naturally fall,
As when
In Philaster, a Play of Beaumont and Fletcher.
Bellario confesses all.
FIGURES of Speech, which Poets think so fine,
Art's needless Varnish to make Nature shine,
Are all but Paint upon a beauteous Face,
And in Descriptions only claim a place.
But to make Rage declaim, and Grief discourse,
From Lovers in despair fine things to force,
Must needs succeed, for who can chuse but pity
A dying Hero miserably witty?
But, oh, the Dialogues, where jest, and mock
Is held up like a Rest at Shittle-cock!
Or else like Bells, eternally they chime,
They sigh in Simile, and die in Rhime.
What Things are these who would be, Poets thought,
By Nature not inspir'd, nor Learning taught?
Some Wit they have, and therefore may deserve
A better Course than this by which they starve:
But to write Plays! why 'tis a bold pretence
To Iudgment, Breeding, Wit and Eloquence;
Nay more; for they must look within to find
Those secret Turns of Nature in the mind;
Without this part in vain would be the whole,
And but a Body all without a Soul:
All this together yet is but a part
Of Dialogue, that great and powerful Art,
Now almost lost, which the old Grecians knew,
From whence the Romans fainter Copies drew,
Scarce comprehended since but by a few:
Plato and Lucian are the best Remains
Of all the Wonders which this Art contains;
Yet to our selves we Justice must allow,
Shakespear and Fletcher are the Wonders now:
Consider them, and read them o'er and o'er,
Go see them play'd, then read them as before,
For tho in many things they grosly fail,
Over our Passions still they so prevail,
That our own Grief by theirs is rock'd asleep,
The Dull are forc'd to feel, the wise to weep.
Their Beauties imitate, avoid their Faults;
First on a Plot employ thy careful Thoughts;
Turn it with time a thousand several Ways,
This oft alone has given success to Plays:
Reject that vulgar Error which appears
So fair, of making perfect Characters;
There's no such thing in Nature, and you [...]ll draw
A faultless Monster, which the World ne [...]er saw;
Some Faults must be, that his Misfortunes drew;
But such as may deserve Compassion too.
Besides the main Design composed with Art,
Each moving Scene must be a Plot apart;
Contrive each little turn, mark every place,
As Painters first chalk out the future Face;
Yet be not fondly your own Slave for this,
But change hereafter what appears amiss.
Think not so much where shining Thoughts to place,
As what a Man would say in such a Case.
Neither in Comedy will this suffice,
The Player too must be before your Eyes,
And tho 't [...]s Drudgery to stoop so low,
To him you must your utmost meaning show.
Expose no single Fop, but lay the Load
More equally, and spread the Folly broad;
The other way is vulgar, oft we see
A Fool derided by as bad as he;
Hawks fly at nobler Game; in this low way,
A very Owl may prove a Bird of Prey:
Ill Poets so will one poor Fop devour;
But to collect, like Bees from every Flower,
Ingredients to compose that precious Juice,
Which serves the World for Pleasure and for use,
In spight of Faction this would Favour get:
But
An admirable Character in a Play of Shakespear's.
Falstaff seems unimitable yet.
Another Fault which often does befall,
Is when the Wit of some great Poet shall
So overflow, that is, be none at all,
That all his Fools speak Sence, as if possest,
And each by Inspiration breaks his Jest;
If once the Iustness of each part be lost,
Well we may laugh, but at the Poets Cost.
That silly thing, Men call Sheer-Wit, avoid,
With which our Age so nauseously is cloy'd;
Humour is all, Wit should be only brought
To turn agreeably some proper Thought.
But since the Poets we of late have known,
Shine in no Dress so much as in their own,
The better by Example to convince,
Cast but a View on this wrong side of Sence.
First a Soliloquy is calmly made,
Where every Reason is exactly weigh'd;
Which once perform'd, most opportunely comes
A Hero frighted at the Noise of Drums
For her sweet sake, whom at first sight he loves;
And all in Metaphor his passion proves;
But some sad Accident, tho yet unknown,
Parting this Pair, to leave the Swain alone,
He streight grows jealous, yet we know not why,
And to oblige his Rival, needs will dye;
But first he makes a Speech, wherein he tells
The absent Nymph how much his Flame excels;
And yet bequeaths her generously now
To that dear Rival whom he does not know,
Who streight appears (but who can Fate withstand?)
Too late alas to hold his hasty Hand,
That just has giv'n himself the cruel Stroke,
At which this very Strangers Heart is broke;
He more to his new Friend than Mistress kind,
Most sadly mourns at being left behind,
Of such a Death prefers the pleasing Charms
To Love, and living in a Lady's Arms.
How shameful, and what monstrous things are these?
And then they rail at those they cannot please,
Conclude us only partial for the Dead,
And grudge the Sign of old Ben. Iohnson's Head;
When the intrinsick Value of the Stage
Can scarce be judg'd but by a following Age;
For Dances, Flutes, Italian Songs, and Rhime
May keep up sinking Nonsense for a time.
But that may fail, which now so much o'er-rules,
And Sence no longer will submit to Fools.
By painful Steps we are at last got up
Parnassus Hill, on whose bright Airy Top
The
Epick Poets Epick Poetry.
so divinely show,
And with just Pride behold the rest below.
Heroick Poems have a just pretence
To be the utmost reach of human Sence,
A Work of such inestimable Wor [...],
There are but two the World has yet brought forth,
Homer, and Virgil: with what awful sound
Do those meer words the Ears of Poets wound!
Just as a Changeling seems below the rest
Of Men, or rather is a two-legg'd Beast,
So these Gigantick Souls amaz'd we find
As much above the rest of human kind.
Natures whole strength united! endless Fame,
And universal Shouts attend their Name.
Read Homer once, and you can read no more,
For all things else appear so dull and poor,
Verse will seem Prose, yet often on him look,
And you will hardly need another Book.
Had
A late Author.
Bossu never writ, the World had still,
Like Indians, view'd this wondrous Piece of Skill,
As something of Divine the Work admired,
Not hoped to be Instructed, but Inspired;
But he disclosing sacred Mysteries,
Has shewn where all the mighty Magick lies,
Describ'd the Seeds, and in what order sown,
That have to such a vast proportion grown;
Sure from some Angel he the Secret knew,
Who through this Labyrinth has given the Clue!
But what, alas, avails it poor Mankind
To see this promised Land, yet stay behind?
The Way is shewn, but who has Strength to go?
Who can all Sciences exactly know?
Whose Fancy flies beyond weak Reason's Sight,
And yet has Iudgment to direct it right?
Whose just Discernment, Virgil-like, is such,
Never to say too little, or too much?
Let such a Man begin without delay,
But he must do much more than I can say,
Must above Cowley, nay and Milton too prevail,
Succeed where great Torquato, and our greater Spencer fail.
The END.