[Page] Psal. 150.
[...]Praise GOD vpon [...] the Lute and Vi- oll.
THE SECOND BOOKE of Songs or Ayres, of 2. 4. and 5. parts: With Tableture for the Lute or Orpherian, with the Violl de Gamba.
Composed by IOHN DOVVLAND Batcheler of Musick, and Lutenist to the King of Denmark: Also an excelent lesson for the Lute and Base Viol, called Dowlands adew.
Published by George Eastland, and are to be sould at his house neere the greene Dragon and Sword, in Fleetstreete.
LONDON: Printed by Thomas Este, the assigne of Thomas Morley. 1600.
TO THE RIGHT Honorable the Lady Lucie Comptesse of BEDFORD.
EXcellent Ladie: I send vnto your La: from the Court of a forreine Prince, this volume of my second labours: as to the worthiest Patronesse, of Musicke: which is the Noblest of all Sciences: for the whole frame of Nature, is nothing but Harmonie, as wel in soules, as bodies: And because I am now remoued from your sight, I will speake boldly, that your La: shall be vnthankfull to Nature hir selfe, if you doe not loue, & defend that Art, by which, she hath giuen you so well tuned a minde.
Your Ladiship hath in your selfe, an excellent agreement of many vertues, of which: though I admire all, Yet I am bound by my profession, to giue especiall honor, to your knowledge of Musicke: which in the iudgement of ancient times, was so proper an excelencie to Woemen, that the Muses tooke their name from it, and yet so rare, that the world durst imagin but nine of them.
I most humby beseech your La: to receiue this worke, into your fauour: and the rather, because it commeth far to begit, of you. From Helsingnoure in Denmarke the first of Iune.
1600.
Your Ladiships
in all humble deuotion:
Iohn Dowland.
A. ij.
To the right Noble and Vertuous Ladie, Lucie Comptesse of BEDFORD.
G. Eastland. To I. Dowlands Lute.
To the curteous Reader.
GEntlemen, if the consideration of mine owne estate, or the true worth of mony, had preuailed with me, aboue the desire of pleasuring you, and shewing my loue to my friend, this second labours of Maister Dowland, (whose very name is a large preface of commendacions to the booke,) had for euer laine hid in darknesse, or at the least frozen in a colde and forreine country. I assure you that both my charge and paines in publishing it, hath exceeded ordinary, yet thus much I haue to assure mee of requitall, that neither the work is ordinary nor are your iudgements ordinary to whom I present it, so that I haue no reason but to hope sor good increase in my labours, especially of your good fauours toward mee, which of all things I most esteeme. Which if I finde in this, I meane shortly (God willing) to set at liberty for your seruice, a prisoner taken at Cales, who if hee discouers not something (in matter of Musicke) worthy your knowledge, let the reputation of my iudgement in Musicke aunswere it. In the meane time, I commend my absent friend to your remembrance, and my selfe to your fauorable conceits.
George Eastland.
From my house neere the greene Dragon and sword in Fleetstreet.
A TABLE OF ALL the Songs contained in this BOOKE.
- I saw my Lady weepe: I
- Flow my teares fall from your springs: II
- Sorow sorow stay, lend true repentant teares: III
- Dye not before thy day: IIII
- Mourne, mourne, day is with darknesse fled: V
- Tymes eldest sonne, old age the heire of ease: First part. VI
- Then sit thee downe, & say thy Nunc demittis: Second part. VII
- When others sings Venite exultemus: Third part. VIII
- Praise blindnesse eies, for seeing is deceipt: IX
- O sweet woods, the delight of solitarienesse: X
- If fluds of teares could clense my follies past: XI
- Fine knacks for Ladies, cheap, choise, braue and new: XII
- Now cease my wandring eyes: XIII
- Come ye heauie states of night: XIIII
- White as Lillies was hir face: XV
- Wofull heart with griefe opressed: XVI
- A Sheperd in a shade his plaining made: XVII
- Faction that euer dwells in court: XVIII
- Shall I sue, shall I seeke for grace: XIX
- Finding in fields my Siluia all alone: XX
- Cleare or Cloudie sweet as Aprill showring: XXI
- Humor say what makst thou heere: XXII
I.
CANTO.
[...] I Saw my La- [...] dy weepe, and sor- row proud to bee ad-uan-ced so: [...] in those faire eies, ij. where all perfections keepe, hir face was full of woe, [...] full ofwoe, but such a woe (beleeue me) as wins more hearts, then mirth can doe, with hir, ij. [...] in ty- sing parts. [...]
I. CANTO.
[...] I saw my Lady weep, ii. ij. [...] ij. and sorrovv proud, to bee aduanced [...] so, in those fayer eyes, ij. vvher all perfections keep: Hir face vvas full full of [...] vvoe, But such a vvoe, as vvinnes more hearts, Then mirth can doe, vvith hir intising parts.
II.
CANTO.
[Page] [...]☞ that in hell feele not the worlds des- pite. [...] ☞
II. BASSO.
III.
CANTO.
[...]SOrrow sorrowstay, lend true repentant teares, [...] to a woefull, ij. wretch-ed wight, hence, ij. dis- paire with thy tor- [...] menting feares: doe not, O doe not my heart poore heart affright, pitty, ij. ij. [...] ij, ij, ij, help now or neuer, mark me not to endlesse paine, ij. [...] a- las I am cōdempne'd, ij. I am condempned e-uer, nohope, no [...] help, ther doth re- maine, but downe, down, down, down I fall, ij. downe ☞ [...] ☞
[Page] [...]☞ and a-rise, ij. I ne- uer shall, but downe, downe, downe [...] ☞ [...] downe, I fall, ij. downe and a- rise, ij. [...] I ne- uer shall. [...]
III. BASSO.
[...]SOrrow sorrow stay, lend true repentant teares, lend true repentant repentant teares, [...] to a woefull wofull wretched wight: Hence hence dispaire, with thy tormenting feares, ij. [...] Oh do not my poore hart my poore hart affright: Pittie pittie help now or neuer, marke mee [...] not to endlesse paine, ij. alasse I am condemned, condemned euer: ij. [...] I am condem'd euer, no hope no help ther doth remaine, but downe d. d. d. d. I fall, but [...] downe d. d. d. d. d. I fall, downe & arise, downe and a- rise, a- rise I never shall, but downe d. [...] d. d. d. I fall, but downe d. d. d. d. d. I fall, downe & arise, downe & a- rise, a- rise, arise, [...] ij. ij. ij. I. neuer shall.
IIII.
CANTO.
[...] DYe not bee- fore thy day, poore poore man condemned, [...] But life thy low lookes, ij. from the humble earth, Kisse not dispaire & see sweet [...] hope con- temned: The hag hath no delight, but mone but mone for mirth, O [...] fye poore fond▪ ling, ij. fie fie be willing, to pre- [...] serue thy self from killing: Hope thy keeper glad to free thee, Bids thee goe and will not see thee, ☞ [...] ☞
[Page] [...]☞ hye thee quickly from thy wrong, so shee endes hir willing song. [...] ☞
IIII. BASSO.
[...] DYe not before thy day poore man condén'd, but lift thy low looks [...] ij. thy lookes from t'humble earth, kisse not dispaire & [...] see sweet hope cótemned: The hag hath no delight but mone but mone for mirth, O fye O fye [...] fye poore fondling fye fye be vvilling, to preserue thy selfe frō killing, Hope hope thy keeper is [...] glad for to free thee, and bids thee goe and vvill not see thee, hye thee quickly from thy wrong, [...] so shee endes hir vvilling song.
V
CANTO.
[...] MOurne, mourne, day is with darknesse fled, what heauen then go-uernes earth, [...] ô none, but hell in heauens stead, choaks with his mistes our mirth. Mourne [...] mourne, looke now for no more day nor night, but that from hell, Then all must as they [...] may in darkenesse learne to dwell. But yet this change, must needes change our delight, that [...] thus the Sunne, ij. the Sun should harbour with the night. [...]
V. BASSO.
[...] MOurne daies with darknesse fled, What heauen then gouernes earth, O [...] none but hell in heauens stead, Chokes with his mists our mirth. Mourne [...] looke now for no more day, nor night but that from hell, Then all must as they may, [...] In darknesse learne to dwell, But yet this change, this change, must change must change delight, [...] That thus the Sunne should harbour with the night.
VI.
CANTO.
[...] TImes eldest sonne, olde age the heyre of ease, Strēgths foe, loues woe, and foster [...] to deuotion, bids gallant youths in marshall prowes please, as for himselfe, hee hath no earth-ly [...] motion, But thinks sighes, teares, vowes, praiers, and sa- cri-fi-ces, As good as showes, maskes, iustes, or [...] tilt de- ui-ses. But thinckes. [...]
¶First part. VI. BASSO.
[...] TImes eldest sonne olde age olde age the heire of ease, strengthes [...] foe, loues woe and foster to deuotion: Bids gallant youthes in martial [...] prowes please, as for him selse he hath no earthly motion, but thincks but thincks sighes [...] teares, vowes, prayers, and sacrifices, as good as shewes, masks, Iusts, or Tilt deuises. But thincks:
VII.
CANTO.
[...] THen sit thee downe, and say thy Nune Demittis, with [...] De profundis, Credo, and Te Deum, Chant Mise-re-re for what now so fit is, as that, [...] or this, Para-tum est cor meum, O that thy Saint would take in worth thy hart, [...] thou canst not please hir with a better part. O that thy [...]
VII. BASSO.
[...] THen sit thee downe and say thy Nunc de-mittis vvith De profundis, [...] Credo, and Te deum, chant Mi-serere, for vvhat novv so fit is, as that [...] or this, Paratum est cor meum, O that thy Saint vvould take in vvorth thy heart, thou canst [...] not please hir vvith a better part. O that thy
VIII.
CANTO.
[...] WHen others sings Venite exultemus, stand by [...] and turne to Noli emulari, For quare fremu- e-runt vse oremus Viuat [...] E- li-za, Vi- uat E- li- za, Foran aue mari, and teach those swains that [...] liues about thy cell, to say A- men A- men when thou dost pray so well. [...]
VIII. BASSO.
[...] WHen others sings Venite venite exul- temus, stand by and turne to noli [...] to noli emu-lari, for quare fremuerunt vse Oremus, Vi- uat E- li- za, Vi- [...] uat E- li- za for an Aue Mari, and teach those swaines that liues a- bout thy cell: to sing [...] A- men A- men, vvhen thou doest pray so vvell.
IX.
CANTO.
[...] PRaise blindnesseeies, for see- ing is deceit, Bee dumbe vaine tongue, words are but [...] flattering windes, breake hart & bleed for ther is no re-ceit, to purge in-constancy from most mens [...] Lenuoy: [...] mindes. And so I wackt amazd and could not moue, I know my dreame was [...] Lenuoy: [...] true, and yet I loue. [...]
IX. ALTO.
[...]PRaise blindnesse eyes, for seeing is deceit, be dumbe vaine tonge, words are but flattering windes, [...] Lenuoy: [...] breake hart & bleed, for there is no receit, to purge inconstancy, from most mens mindes. And [...] so I wackt amazed and could not moue, I know my dreame was true and yet I loue.
IX. BASSO.
[...]PRaise blindnesse eyes for seeing is deceit, be dumbe vaine [...] tonge words are but flattering wyndes, break hart and bleed for there is no receit, [...] Lenuoy: [...] to purge inconstancie from most mens myndes. And so I wackt a- [...] maz'd and could not moue, I know my dreame was true, and yet I loue.
IX. TENORE.
[...]PRaise blindnesse eyes for seeing is deceit, be dumbe vaine tonge, words are but flattering windes, [...] Lenuoy: [...] breake hart & bleed, for ther is no receit, to purge inconstancy frō most mens mindes. And [...] so I wackt amazd and could not moue, I know my dreame my dreame was true and yet I loue.
X.
CANTO.
[...] O Sweet woods the de- light of so- li- ta- ri- nesse, O how [...] much doe I loue your so- li- ta- ri- resse. From fames desire, from loues delight retir'd, In these sad [...] groues an Hermits life I led, And those false pleasures which I once ad- [...] mir'd, With sad re- mem-brance of my fall, ij I diead, To birds, to trees, to earth, im- [...] part I this, For shee lesse se- cret, and as sence- lesse is. [...]
X. ALTO.
[...]O Sweet woods sweet woods the delight of Solitarinesse, O how much doe I loue your [...] solitarinesse. From fames desire, from loues delight retyrde, in these sad groues an Hermits lyfe [...] I led, I led, and those, ij. false pleasures which I once admir'd, with fad remembrance of my [...] fall, ij. I dread, to birds, to trees, to earth, ij. impart I this, for she lesse secret & as sēceles is.
X. BASSO.
[...] O How much doe I loue your so- li- ta-rinesse. [...] From fames desire, from loues delight retirde, In those sad groues an [...] Hermits life I led, I led, And these false pleasures which I [...] once admirde, With sad remembrance of my fall, ij I dread, to [...] birds, to trees, to earth, ij. impart I this, For she lesse secret and [...] as sencelesse is.
X. TENORE.
[...]O Sweet woods the delight of solitarinesse, O how much doe I loue your solitari- nesse. [...] From Fames desire, from loues delight retyrde, in these sad groues an Hermits lyfe I led, I led, [...] and those false pleasures which I once admyr'd, with sad remembrance of my fall, ij. I dread, to [...] birds, to trees, to earth, ij. impart I this, for shee lesse secret and as sencelesse sencelesse is.
XI.
CANTO.
[...] IF fluds of teares could cleanse my follies past, And smoakes of sighes might sa- [...] cri- fice for sinne, If groning cries might salue my fault at last, Or endles mone, for [...] error pardon win, Then would I cry, weepe, sigh, and euer mone, mine er- [...] rors, fault, sins, follies past and gone. [...]
XI. ALTO.
[...] IF fluds of teares could clense my follies past, and smoakes of sighes might sacrifice for sinne, If [...] groning cries might salue my falt at last, or endlesse mone for error pardon winne, Then would I crye, weep, [...] sigh and euer mone, myne errors fault, errors fault, sinnes follies past and gone.
XI. BASSO.
[...] IF fluds of teares could clense my follies past, & smoaks of sighes might [...] sacrifice for sinne, if groning cries might salue my fault at last, or endlesse mone for [...] error pardon winne, Then would I crye, weep, sigh and euer mone, myne [...] errors ij. faults, sinnes follies past and gone.
XI. TENORE.
[...]IF fluds of teares could elense my follies past, And smoakes of sighes might sacrifice for sinne, If [...] groning cries might salue my fault at last, Or endles mone for error pardon win, Then would I cry, weepe, [...] sigh, and euer mone, Mine errors, ij. faults, sins, sins, follies past and gone.
XII.
CANTO.
[...] FIne knacks for ladies, cheape choise braue and new, Good penniworths but [...] mony can-not moue, I keepe a faier but for the faier to view, a begger may bee liberall of [...] loue, Though all my wares bee trash the hart is true, the hart is true, the hart [...] is, true. [...]
XII. ALTO.
[...]FIne knacks for Ladies, cheape, choise, braue and new, good peniworthes, but mony cannot [...] moue, I keep a fayer, but for the fayer to view, a begger may be liberall of loue, though all my wares be [...] trash, the heart is true, ij. ij. is true.
XII. BASSO.
[...]FIne knacks for Ladies cheap, choise, braue and new, good peni- [...] worthes, but mony cannot moue, I keep a fayer, but for the fayer to view, a [...] begger may be liberall of loue: though all my wares be trash, the heart is true, is [...] true, the heart is true, ij. the heart is true.
XII. TENORE.
[...]FIne knacks for Ladies, cheap, choise, braue and new, good peniworthes but mony cannot moue, [...] I keepe a fayer but for the fayer to view, a begger may be liberall of loue, though all my wares [...] be trash, the heart, the heart is true. ij. is true, the heart is true, the heart is true.
XIII.
CANTO.
XIII. ALTO.
XIII. BASSO.
XIII. TENORE.
XIIII.
CANTO.
[...] COme yee heauy states of night, Doe my fathers spirit right, [...] Sound- ings balefull let mee borrow, Burthe-ning my song with sorrow, Come sor-row come [...] hir eies that sings, By thee are tur- ned in- to springs. [...]
XIIII. ALTO.
[...]COme come ye heauy states of night, doe my fathers spirit right, soundings balefull [...] let me borrow, burthening my song with sorrow, Come sorrow come come hir eyes that sings, by thee [...] are turned, are turned in- to springs.
XIIII. BASSO.
[...] COme, come yee heauie states of night, Doe my fathers spirit right, Soun- [...] dings balefull let mee borrow, Burthening my song with sorrow, Come sorrow come [...] hir eies that singe, By thee are turned in-to spring.
XIIII. TENORE.
[...]COme come ye heauy states of night, doe my fathers spirit right, soundings balefull let me [...] borrow, burthening my song with sorrow, Come sor- row come hir eyes that singes, by thee are tur- [...] ned, are turn'd into springs.
XV.
CANTO.
[...] WHite as Lillies was hir face, When she smiled, She bee- guiled, [...] Quitting faith with foule disgrace, Vertue seruice thus neglected, Heart with for- rowes [...] hath in-fected. [...]
XV. ALTO.
[...] WHite as Lillies was hir face, When shee smiled shee beguiled, Quitting faith with soule dis- [...] grace, Vertue seruice thus neglected, Heart with sorrowes hath in- fected.
XV. BASSO.
[...]WHite as Lillies was hir face, When shee smiled, Shee beguiled, Quit- [...] ting fath with foule disgrace, Vertue seruice thus neglected, Heart with sorrowes [...] hath infected.
XV. TENORE.
[...] WHite as Lillies was hir face, When shee smiled, She beguiled, Quitting faith with foule dis- [...] grace, Vertue seruice thus neg- lected, heart with sorrowes with sorrowes hath in- sected.
XVI.
CANTO.
[...] WOfull hart with griefe oppressed, Since my fortunes most dis- [...] tressed, From my ioyes hath mee re- mo- ued, Follow those sweet [...] eies adored, Those sweet eyes where- in are stored, All my plea- sures [...] best bee- loued. [...]
XVI. ALTO.
[...] WOfull heart with griefe oppressed, since my fortunes most distressed, From my Ioyes [...] my Ioyes hath mee remou'd, follow those sweet eyes a- dored, those faier eyes wherein are [...] stored, all my ple- sures best be- loued.
XVI. BASSO.
[...]WOfull heart with griese oppressed, since my fortunes most di- [...] stressed, from my Ioyes hath me re- mou'd, follow those sweet eyes, sweet eyes a- [...] dored, all my plea- sures best beloued.
XVI. TENORE.
[...] WOfull heart with griese oppressed, since my fortunes most distressed, From my Ioyes, [...] my Ioyes hath me re- moued, Follow those sweet eyes those sweet eyes adored, those sweet eyes wher- [...] in are stored, all my pleasures best pleasures best be- loued.
XVII.
CANTO.
XVII. ALTO.
XVII. BASSO.
XVII. TENORE.
XVIII.
CANTO.
[...] FAction that euer dwels, In court where wits excells, hath set de- [...] fiance, Fortune and loue hath sworne, That they were neuer borne, of one aliance. [...]
XVIII. ALTO.
[...]FAction that e- uer dwells, in Court where wittes excells, hath set defiance, fortune [...] and loue, hath sworne, that they were ne- uer borne of one a- liance.
XVIII. BASSO.
[...]FAction, that euer dwells, in Court where wittes excells, hath set [...] de- fiance, fortune, and loue hath sworne, that they were neuer borne, of oue aliance.
XVIII. TENORE.
[...]FAction, that euer dwells, in Court where witts excells, hath set de-fiance: Forrune and [...] loue, hath sworne, that they were ne- uer borne, of one a- liance.
XIX.
CANTO.
[...] SHall I sue shall I seeke for grace? Shall I pray shall I proue? Shall I [...] striue to a heauenly Ioy, with an earthly loue? Shall I think that a bleeding hart or [...] a wounded eie, Or a sigh can ascend the cloudes to at-taine so hie. [...]
XIX. ALTO.
[...]SHall I sue, shall I seeke for grace, shall I pray, shall I proue, shall I striue to a heauenly [...] Ioye, with an earthly loue, shall I thinck that a bleeding heart, ij. or a wounded eye, or a [...] sigh can ascend the cloudes, ascend the cloudes, to attaine so hie.
XIX. BASSO.
[...]SHall I sue shall I seeke for grace, shall I pray shall I proue, [...] shall I striue to a heauenly Ioye with an earthly loue: Shall I thinck, ij. [...] that a bleeding heart or a wounded eye, or a sigh, can ascend the cloudes [...] to attaine so hie.
XIX. TENORE.
[...]SHall I sue, shall I seeke for grace, shall I pray, shall I proue, shall I striue to a heauenly [...] Ioye with an earthly loue, Shall I thinck that a bleeding heart or a wounded eye, or a sigh [...] can ascend the cloudes, the cloudes, to attaine so hie.
XX.
CANTO.
for FInding in fields: ye shall finde a better dittie.
[...] TOsse not my soule, O loue twixt hope and feare, [...] Shew mee some ground where I may firme- ly stand or sure- ly [...] fall, I care not which a- peare, So one will close mee [...] Lenuoy: [...] in a cer- taine band. When once of ill the vtter- most is [...] Lenuoy: [...] knowen, The strength of sor- row quite is o-uer throwne. [...]
XX. ALTO.
[...] TOsse not my soule (O loue) twixt hope and feare, shew mee some ground wher I may firm- [...] ly stand, or surely fall, ij. I care not which apeare, so one will close mee in a [...] Lenuoy: [...] certaine band, in a certaine band. When once of ill, the vttermost is knowne, ij. [...] the strength of sorrow quite is ouerthrowne.
XX. BASSO.
[...] TOsse not my soule: Shew mee some ground where I may firmely stand, or [...] surely fall, ij. I care not which apeare, so one will close, ij. [...] Lenuoy: [...] will close mee in a certaine band. When once of [...] ill the vttermost is knowne, the strength of sorrow quite is ouer throwne.
XX. TENORE.
[...] TOsse not my soule, (O loue,) twixt hope & feare, ij. Shew mee some ground [...] where I may firmely stand or surely fall, or fall, or surely fall, I care not which apeare, ij. [...] Lenuoy: [...] so one will close, mee in a certaine band. When once of ill, the vtter- [...] most, when once of ill the vttermost is knowne, the strength of sorrow quite is ouer throwne.
XXI.
QVINTO.
[...]CLeare or Cloudie: Of that night bird that singeth, Who thought all sweet, ij. [...] Yet iarring notes out ringeth.
XXI. CANTO.
[...] CLeare or cloudie sweet as Aprill showring, Smoth or frowning so is hir [...] face to mee, Pleasd or smiling like milde May all flowring, When skies blew silke and me- dowes [...] carpets bee, Hir speeches notes of that night bird that singeth, Who thought all [...] sweet yet larring notes out- ring- eth. [...]
XXI. ALTO.
[...]CLeare or cloudie sweet as Aprill showring, smoth or frowning, so is hir face to mee, pleasd [...] or smiling, like milde may all flowring, when Skies blew filke and medowes car- pets be, hir speches, [...] notes of that night bird that sings, who thought all sweet, yet Iarring notes out ringeth.
XXI. BASSO.
[...]CLeare or Clowdie, sweet as Aprill showring, smothe or frow- [...] ning, so is hir face to mee, pleasd or smiling, like milde May all flowring, when [...] Skies blue filke and medowes carpets be, hir speeches notes of that night bird [...] that singeth, who thought all sweet, yet iarring notes out ringeth.
XXI. TENORE.
[...]CLeare or cloudie sweet as Aprill showring, smoth or frowning so is hir face to mee, pleasd or [...] smiling like mild May all flowring, when Skies blew silke blew silke and Medowes carpets be, hir speeches [...] notes of that night bird that fingeth, who thought all sweet yet iarring notes out ringeth.
XXII.
QVINTO.
[...]HVmor: Princes [...] Chorus: [...]
XXII. CANTO.
[...] HVmor say what mak'st thou heere, In the presence of a Queene, [...] Thou art a heauy leaden moode, [...] Chorus: [...] But neuer Hu- mor yet was true, but that but that but that that that that that that [...] that which one-ly one-ly pleaseth you. [...]
XXII. ALTO.
[...]HVmor: [...] Chorus: [...] But neuer humor yet was [...] true, but that but that but that that that that that that that that which onely onely pleaseth you.
XXII. BASSO.
[...] HVmor: Princes hould conceit most [...] deere, all conceit in humor seene: Humor is inuencions foode: Chorus: [...] but neuer humor yet was true, but that but that but that that that [...] that that that that that which one- ly pleaseth you.
XXII. TENORE.
[...]HVmor: [...] Chorus: [...] But neuer humor yet was true, but that but that [...] but that that that that that that that that which one-ly pleaseth you.
Dowlands adew for Master Oliuer Cromwell.
[...]