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            <title>Madrigals to fiue voyces: newly published by Richard Carlton preist: batchelor in musique</title>
            <author>Carlton, Richard, ca. 1558-1638?</author>
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               <date>1601</date>
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            <note>Images scanned from microfilm: (Early English books, 1475-1640 ; 1061:05)</note>
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               <titleStmt>
                  <title>Madrigals to fiue voyces: newly published by Richard Carlton preist: batchelor in musique</title>
                  <author>Carlton, Richard, ca. 1558-1638?</author>
               </titleStmt>
               <extent>[180] p. : music  </extent>
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                  <publisher>Printed by Thomas Morley, dwelling in Little Saint Helens,</publisher>
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                  <date>1601. Cum priuilegio ad imprimendum solum.</date>
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                  <note>Reproduction of the original in the Henry E. Huntington Library and Art Gallery.</note>
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            <front>
               <div type="title_page">
                  <pb facs="tcp:5151:1" rendition="simple:additions"/>
                  <pb facs="tcp:5151:1"/>
                  <p>CANTVS.</p>
                  <p>
                     <hi>MADRIGALS</hi>
TO
Fiue voyces:</p>
                  <p>Newly published by Richard
<hi>Carlton Preist: Batchelor
in Musique.</hi>
                  </p>
                  <p>LONDON
Printed by Thomas Morley,
dwelling in Little
<hi>Saint Helens.</hi>
1601.</p>
                  <p>Cum Priuilegio ad imprimendum solum.</p>
               </div>
               <div xml:lang="lat" type="dedication">
                  <pb facs="tcp:5151:2"/>
                  <pb facs="tcp:5151:2"/>
                  <head>Illustriac venerabili viro
ro:
M Thomae Fermor Armigero
Norfolciensi.</head>
                  <p>
                     <seg rend="decorInit">M</seg>Vsica vt est musarum prima (generosissime vir) it a eis
speciali gratia indulget summus naturae parens, quibuscum
tam coeleste donum communicat, et quos capit, vera tantae
bonit at is dulcedine: Mens enim humana, qua nihil nobili<g ref="char:EOLhyphen"/>us,
<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>oelum, quo nihil splendidus, elementa, quibus nihil v<g ref="char:EOLhyphen"/>tilius,
arctam cum ea vendicant assinitatem, cuius vim
vt olim mortuos ab inferis reuocasse, et res non predit as
tantum, sed et priuat as sensu miris modis affecisse legimus,
it a nunc vndiquaque cernimus omnes, e<gap reason="illegible" resp="#OXF" extent="2 letters">
                        <desc>••</desc>
                     </gap> saepis<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>ime tristiores ad gaudia petulantes ad
modes<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>iam, impios ad pietatem excitasse. Tentamenta tamen h<gap reason="illegible" resp="#OXF" extent="2 letters">
                        <desc>••</desc>
                     </gap>, et prima libami<g ref="char:EOLhyphen"/>na
facultatis meae quaecunque fuerint tibi volui, tum optime de me merito dedica<g ref="char:EOLhyphen"/>re,
tum Musices studiosissimo censenda committere, vt et animi in te mei monu<g ref="char:EOLhyphen"/>mentum
referre posuerint, et tam sincero, perito et candido commendat a iudicio, ali<g ref="char:EOLhyphen"/>orum
secura censuras minime vereri. Det deus vt omnia tibi ex votis faliciter suc<g ref="char:EOLhyphen"/>cedant.</p>
                  <closer>
                     <signed>Tui obseruantissimus
Richardus Carlton;</signed>
                  </closer>
               </div>
               <div type="preface">
                  <pb facs="tcp:5151:3"/>
                  <head>A Preface to the skillfull Musician.</head>
                  <p>SInce <hi>I</hi> am come in the view of the world, <hi>I</hi> had rather com<g ref="char:EOLhyphen"/>mit
the first fruits of these my labours to your iudiciall opini<g ref="char:EOLhyphen"/>ons,
then generally to the common censure of the ignorant:
knowing you will fauourably conceale or amend what is amisse
and giue the rest their due, (if they shall deserue any thing at all)
<hi>I</hi> haue laboured somewhat to imitate the <hi>Italian,</hi> they beeing in
these dayes (with the most) in high request, yet may <hi>I</hi> not nor
cannot forget that <hi>I</hi> am an English man. So wishing to you as to
my selfe <hi>I</hi> ende. From <hi>Norwich</hi> the xxviij. of March. 1601.</p>
                  <closer>
                     <signed>R. C.</signed>
                  </closer>
               </div>
            </front>
            <body>
               <div n="1" type="madrigal">
                  <pb facs="tcp:5151:3"/>
                  <head>I. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe loue of change hath chang'd the world throughout,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. ij. &amp; what is counted
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                     <gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap> good but that is strange, New things wax old, old new, all turnes a-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
bout, turnes a- bout, and all things change, ij. except the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue of change, Yet finde I not that loue of change, that loue of change
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in mee, but as I am, I am, ij. so will I alwaies bee. ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="2" type="madrigal">
                  <pb facs="tcp:5151:4"/>
                  <head>II. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
COntent thy selfe with thy estate, seeke not to climb a-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
boue the skies, for often loue is mixt with hate, and twixt the flowers
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the Serpent lies, where Fortune sends her greatest ioyes, There once
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
possest they are but toyes<g ref="char:punc">▪</g> there once pos- sest they are but toyes, where
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Fortune sends her greatest ioies, there once possest they are but toyes.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
there once pos- sest they are but toyes.</p>
                  <lg>
                     <l>What thing can earthly pleasure giue,</l>
                     <l>That breedes delight when it is past?</l>
                     <l>Or who so quietly doth liue</l>
                     <l>But stormes of cares do drowne at last?</l>
                     <l>This is the lone of worldly hire,</l>
                     <l>The more we haue the more desire.</l>
                  </lg>
                  <lg>
                     <l>VVherefore I hold him best at ease,</l>
                     <l>That liues content with his estate,</l>
                     <l>And doth not sayle in worldly Seas,</l>
                     <l>VVhere mine, &amp; thine, do breede debate:</l>
                     <l>This noble mind euen in a Clowne,</l>
                     <l>Is more then to possesse a Crowne.</l>
                  </lg>
               </div>
               <div n="3" type="madrigal">
                  <pb facs="tcp:5151:4"/>
                  <head>III. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe selfe same thing that giues me cause to die, is
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
onely means for which I life de-sire, The selfe same could by which
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
as dead I<gap reason="illegible" resp="#OXF" extent="2 letters">
                        <desc>••</desc>
                     </gap>ie, is onely means to kindle greater fire, the lesse I feele
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
my selfe in hope to speed, the more desire this want to hope doth breed,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the lesse I feele my selfe in hope to speed, the more desire this want
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
of hope doth breed, of hope doth breed.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="4" type="madrigal">
                  <pb facs="tcp:5151:5"/>
                  <head>The first part.</head>
                  <head>IIII. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHen Flora faire the plea- saunt tydings bringeth,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
When Flora faire the plea- saunt tydings bringeth, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
of summer sweet, with hearbs and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
flowers adorned, ij. the Nightingale, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
vpon the hawthoren singeth, ij. and Boreas
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
blasts, Boreas blasts, the birds and beasts haue scorned, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the birds and beasts haue scor- ned, when fresh Aurora with hir
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
coulours paynted, ij. mingled with speares of
<pb facs="tcp:5151:5"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
gold, the sunne appearing, mingled with speares of gold, the sunne ap-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
pearing, the sun appear- ing, delights the harts, that are with loue ac-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
quainted, and Maying maids haue then their time of cheering, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
of chee- ring.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="5" type="madrigal">
                  <pb facs="tcp:5151:6"/>
                  <head>The second part.</head>
                  <head>V. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ALl Creatures then with Summer are delighted, the Beasts,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the Birds, the Birds, the Fish with scale of sil- uer, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Then stately Dames, by Louers are inuited, to walke in meads,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
to walke in meads, to walk in meads, or rowe vpon the riuer,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
or rowe vpon the riuer, vpon the riuer. I all alone am fro<g ref="char:cmbAbbrStroke">̄</g> these
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ioyes exi- led, No summer grows where loue yet neuer smiled.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
No summer grows wher loue yet neuer smi- led, wher loue yet
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
neuer smilde, ij. I all alone am from these ioyes
<pb facs="tcp:5151:6"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
exi- led, No summer grows where loue yet neuer smiled, No
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
summer grows wher loue yet neuer smi- led, wher loue yet neuer
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
smilde<g ref="char:punc">▪</g> where loue yet neuer smiled.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="6" type="madrigal">
                  <pb facs="tcp:5151:7"/>
                  <head>The first part.</head>
                  <head>VI. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
FRom stately tower, ij. king Dauid sat behoulding,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
faire Bethsabe, who in a fountaine naked, faire Bethsabe, who in a
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fountaine naked, hir golden locks against the sunne vnfoulding,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
against the sunne vnfoulding, in Christall waues the same did
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wash and shaked, and sha- ked, in Christall waues the same did
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wash and sha- ked. Not Cynthea pale, though shee be clad in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Lil- lies, Nor whitest snow that lies vpon the mountaine, that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
lies vpon the mountaine, Nor Venus bright, nor dainty Amaril-
<pb facs="tcp:5151:7"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
lis, nor daintie Ama- rillis, Amaril- lis, dyd shew more fayre, then
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
shee dydin the foun- taine, then she did in the fountaine, then she dyd
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in the fountaine, foun- taine.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="7" type="madrigal">
                  <pb facs="tcp:5151:8"/>
                  <head>The second part.</head>
                  <head>VII. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WIth hir sweet locks, with hir sweet locks, ij. this
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
king was so infla'md, this king was so infla- med, that he to
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wed this Lady most desi- red, that hee to wed this Lady most de-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sired, by whose great might, by whose great might the matter so was fra-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
med, that he posest hir bewty most admi- red, hee po- sest hir bewty
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
most ad- mired, yet afterward that hee to loue con-sented, ten thou-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sand teares he wept, whe<g ref="char:cmbAbbrStroke">̄</g> he repen- ted, ten thousand teares he wept,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
when he repented<g ref="char:punc">▪</g> when hee repen- ted.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="8" type="madrigal">
                  <pb facs="tcp:5151:8"/>
                  <head>VIII. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
LIke as the gentle hart it selfe bewraies, like as the gentle
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hart it selfe bewraies, in doing gentle deeds, with franck delight, in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
doing gentle deeds with franck de- light, Euen so the baser minde it
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
selfe dis- plaies, in cancred mallice, in cancred mallice &amp; reuenge-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
full spight, in cancred mallice, &amp; reuengefull spight, cancred mallice
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and reuengefull spight.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="9" type="madrigal">
                  <pb facs="tcp:5151:9"/>
                  <head>The first part.</head>
                  <head>IX. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
NAught vnder heauen so strongly doth al- lure, the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sence of man, and all his minde po- sesse, as bewties louely
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
baite, louely baite, as bewties louely baite, that doth pro-cure, great
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
warriours oft, their rigor to represse, And mightie hands for- get,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
forget their manlinesse, drawne with the power, of an hart robbing
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
eye, of an hart robbing eye, an hart robbing eye, and wrapt in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fetters, of a golden tresse, of a golden tresse, that can with melting
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
plea- saunce molli-fie, that can with melting plea-
<pb facs="tcp:5151:9"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
saunce mollifye, with pleasaunce molifie, their hardned harts,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
envrde to blood and crueltie.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="10" type="madrigal">
                  <pb facs="tcp:5151:10"/>
                  <head>The second part.</head>
                  <head>X. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
SO whilome learn'd that mighty Iewish swaine, So whilome
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
learn'd that mighty Iewish swayne, Each of whose locks dyd match a
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
man of might, did match a man of might, To lay his spoiles, to lay his
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
spoiles before his lemans traine, So also did that great <hi>Oetean</hi> knight,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
dyd that great <hi>Oetean</hi> knight, for his loues sake, his Lyons skinne vn-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
dight, And so dyd warlike Antonye neglect, &amp; so dyd warlike Anto<g ref="char:EOLhyphen"/>nye
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
neglect the worlds whole rule, for <hi>Cleopatras</hi> sight, for <hi>Cleopatras</hi>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sight, such wonderous powre, such wonderous powre, hath
<pb facs="tcp:5151:10"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
womens faire aspect, to captiue men, and make them all the world re-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
iect, them all the world reiect.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="11" type="madrigal">
                  <pb facs="tcp:5151:11"/>
                  <head>The first part.</head>
                  <head>XI. CANTVS.</head>
                  <head type="sub">An Elegie in memoriall of the death of that honorable Kn<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>ght sir Iohn Shelton.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
SOund, sound saddest notes with rewfull moning, tune
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
euery straine with teares &amp; weeping, Conclude each close, with
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sighes and groning, sing, but your song no Musique keeping, no
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Musique keeping, saue direful sound of dismal word, <hi>Shelton</hi> is
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
slaine, is slaine, <hi>Shelton</hi> is slaine, is slaine, with fa-tall sword.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="12" type="madrigal">
                  <pb facs="tcp:5151:11"/>
                  <head>The second part.</head>
                  <head>XII. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
LEt euery sharp, euery sharp, in sharp tune figure, let e-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
uery sharp, in sharp tune figure the too sharp death he hath endured, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
let euery flat, ij. shew flat the rigor, the ri-gor of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Fortunes spight, ij. to all en-vred, And in his death, his death
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and Fortune tell, and in his death, ij. and Fortune tell, that nei-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ther death nor fates did well, ij. that neither death
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
nor fates did well. ij. ij.</p>
                  <l>3 Say death hath lost, by him deuouring,</l>
                  <l>The cheefe of all his kingdomes glory,</l>
                  <l>Say Fortune by hir suddaine lowring,</l>
                  <l>Hath hid hir honour in deaths story.</l>
                  <l>Yet say for all that they can doe,</l>
                  <l>Hee liues where neither haue to doe.</l>
                  <l>4 Hee liues although his losse lamented,</l>
                  <l>Of prince &amp; countrie (to both pretious)</l>
                  <l>He liues, whose honour is imprinted,</l>
                  <l>In vertues roule, (foe to the vitious)</l>
                  <l>He liues at rest in heauens high throne,</l>
                  <l>Whom here on earth his frie<g ref="char:cmbAbbrStroke">̄</g>ds bemone.</l>
               </div>
               <div n="13" type="madrigal">
                  <pb facs="tcp:5151:12"/>
                  <head>XIII. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
IF women can bee courteous when they list, if women
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
can bee courteous when they list, and when they list disdainfull and vn-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
kinde, disdaine- full and vnkinde, If they can beare affection in their
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fist, If they can beare affection in their fist, in their fist, and sell their
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue as they the market find, T'wer not amisse while Smithfield faire doth
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hold, (that) faire doth hold, that Iades and drabs together all were sold,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that Iades and drabs together all were sold, together all were sold.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
T'wer not amisse while Smithfield faire doth hold, (that) faire doth hold,
<pb facs="tcp:5151:12"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that Iades &amp; Drabs together all were sold, that Iades and drabs together
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
all were sold, together all were sold.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="14" type="madrigal">
                  <pb facs="tcp:5151:13"/>
                  <head>XIIII. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
NAught is on earth more sacred or deuine, Naught is on
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
earth more sacred or deuine, more sacred or de- uine, that gods and men
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
doe equally adore, that gods and men doe equally a- dore, then this same
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
vertue, then this same vertue, that doth right define, for the heauens the<g ref="char:cmbAbbrStroke">̄</g>-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
selues whence mortall men implore, implore, right in their wrongs, are
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ruld by righteous lore, Of highest Iove, who doth true Iustice deale,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
true Iustice deale, to his inferior gods, and euermore, there with containes
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
his heauenly comon weale, comon weale, The skill whereof to Princes
<pb facs="tcp:5151:13"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
harts hee doth re- ueale, to Princes harts hee doth reueale, to Princes
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
harts hee doth reueale.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="15" type="madrigal">
                  <pb facs="tcp:5151:14"/>
                  <head>XV. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
YE gentle Ladies in whose sou'raigne powre, in ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue hath the glory of his kingdome left, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and the harts of men as your eternall dower, In Iron chains of libe-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
tie berest, in Iron chaines, ij. bee- reft, deliuered
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hath into your ha<g ref="char:cmbAbbrStroke">̄</g>ds by guift, be wel aware how you the same doe vse,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
be ij. that pride do not to tiranny you lift, least if men
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
you of cruelty accuse, you ij. he fro<g ref="char:cmbAbbrStroke">̄</g> you take, ij. ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that chiefe dome which you doe abuse. ij.</p>
               </div>
               <div n="16" type="madrigal">
                  <pb facs="tcp:5151:14"/>
                  <head>XVI. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe witles boy, witles boy, that blind is to behold, yet blinded
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sees what in our fancy lyes, with smi- ling lookes and heires of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
cur- led gold, hath oft entrapt, and oft deceiu'd, &amp; oft deceiu'd the wise,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
No wit can serue his fancie to remoue, for finest wits are soonest
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
thrald to loue, for finest wits are soonest thrald to loue, to loue.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="17" type="madrigal">
                  <pb facs="tcp:5151:15"/>
                  <head>XVII. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHo seekes to captiuate the freest minds, by prayers, sighes,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
deepe othes, deepe othes, by vowes &amp; teares, swearing to free their loues,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
their loues, ij. from a-ny feares, Yet vnder shew of these, haue them
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
beguil'd, yet vnder shew of these haue them be- guil'd, let such be
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
farre from God and men ex- il'd, let such be farre from god &amp; men ex-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
il'd, from god &amp; men exil'd.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="18" type="madrigal">
                  <pb facs="tcp:5151:15"/>
                  <head>XVIII. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHo vowes deuotion to faire bewties shrine, and leads
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
a louers life in pilgrimage, or that his co<g ref="char:cmbAbbrStroke">̄</g>stant faith may brighter shine,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
dwells daies &amp; nights in fancies hermitage, shall finde his truths
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
reward but losse of labour, although he merrit neuer so much fauour.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
shall finde his truthes reward but losse of laboure, although hee
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
merrit neuer so much fauoure.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="19" type="madrigal">
                  <pb facs="tcp:5151:16"/>
                  <head>XIX. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THE heathen gods for loue forsooke their state, and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
chang'd themselues to shape of earthly kinde, but my desire, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
is of an other rate, that into heauenly grace transformes my mind,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
their often change by new desire, declard they loude not that was
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
best, for they that to the best aspire, doe neuer change, doe neuer
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
change in hope of rest.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="20" type="madrigal">
                  <pb facs="tcp:5151:16"/>
                  <head>XX. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
O Vaine desire wherewith the world bewitches,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
to couet still for more, ij. for more the more is gotten, the more is
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
gotten, sith when we die, ij. wee leaue behind our riches,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and all we reape, is but to be forgotten, ij. The vertuous
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
life is onely that which lasteth, and all the rest with time or fortune,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and all the rest with time or fortune blasteth, and all the rest with time
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
or fortune bla- steth, or fortune blasteth.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="21" type="madrigal">
                  <pb facs="tcp:5151:17"/>
                  <head>XXI. CANTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
EVen as the flowres doe wee-ther, flowres doe wee-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ther, that maydens faire doe gather, that maydens faire doe ga- ther,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
So doth their bewtie bla- zing, ij. whereon there
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
is such gazing, ij. ij. As day is
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
dimmed with the night, dimmed with the night, So age doth vade the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
red and white, so age doth vade the red and white, and death co<g ref="char:cmbAbbrStroke">̄</g>sumes
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
euen in an hower, ij. the virgins weede, that daintie
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
flower, ij. the virgins weede, that dainty flower, And
<pb facs="tcp:5151:17"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
vnto them it may bee tolde, who cloath most rich in silke and golde, in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
silke &amp; golde, yee dames for all your pride &amp; mirth, for all your pride and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
mirth, your bewtie shall bee turnde to earth, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
your bewtie shall bee turnde to earth, bee turnde to earth. And vnto
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
them it may bee tolde, who cloath most rich in silke and golde, in silke
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and golde, yee dames for all your pride &amp; mirth, for all your pride and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
mirth, your bewtie shall bee turnde to earth. ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
your bewtie shall bee turnde to earth, bee turnde to earth.</p>
                  <trailer>FINIS.</trailer>
               </div>
            </body>
            <back>
               <div type="table_of_contents">
                  <pb facs="tcp:5151:18"/>
                  <head>The Table.</head>
                  <list>
                     <item>The loue of change hath chag'd the world. I</item>
                     <item>Content thy selfe with thine estate. II</item>
                     <item>The selfe same thing that giues mee cause to dye. III</item>
                     <item>When Flora faire the pleasant tydings. 1. <hi>part.</hi> IIII</item>
                     <item>All Creatures then with summer. 2. <hi>part.</hi> V</item>
                     <item>From stately tower, King Dauid sat, 1. <hi>part.</hi> VI</item>
                     <item>With hir sweet looks, 2. <hi>part.</hi> VII</item>
                     <item>Like as the gentle hart it selfe bewraies, VIII</item>
                     <item>Naught vnder heauen, 1. <hi>part.</hi> IX</item>
                     <item>So whilome learn'd, 2. <hi>part.</hi> X</item>
                     <item>Sound saddest notes. 1. <hi>part.</hi> XI</item>
                     <item>Let euery sharp. 2. <hi>part.</hi> XII</item>
                     <item>If women can be courteous. XIII</item>
                     <item>Naught is on earth more sacred. XIIII</item>
                     <item>Ye gentle ladies. XV</item>
                     <item>The witlesse boy that blind is to behold. XVI</item>
                     <item>Who seekes to captiuate the freest mindes. XVII</item>
                     <item>Who vowes deuotion to faire bewties shrine. XVIII</item>
                     <item>The heathen gods to loue. XIX</item>
                     <item>O vaine desire. XX</item>
                     <item>Euen as the flowers doe weether. XXI</item>
                  </list>
                  <trailer>FINIS.</trailer>
               </div>
            </back>
         </text>
         <text xml:lang="eng">
            <front>
               <div type="title_page">
                  <pb facs="tcp:5151:18"/>
                  <p>ALTVS.</p>
                  <p>
                     <hi>MADRIGALS</hi>
TO
Fiue voyces:</p>
                  <p>Newly published by Richard
<hi>Carlton Preist: Batchelor
in Musique.</hi>
                  </p>
                  <p>LONDON
Printed by Thomas Morley,
dwelling in Little
<hi>Saint Helens.</hi>
1601.</p>
                  <p>Cum Priuilegio ad imprimendum solum.</p>
               </div>
               <div xml:lang="lat" type="dedication">
                  <pb facs="tcp:5151:19"/>
                  <pb facs="tcp:5151:19"/>
                  <head>Illustriac venerabili viro
ro:
M Thomae Fermor Armigero
Norfolciensi.</head>
                  <p>
                     <seg rend="decorInit">M</seg>Vsica vt est musarum prima (generosissime vir) ita eis
speciali gratia indulget summus naturae pa<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>ens, quib<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>scum
tam coeleste donum communicat, et quos capit, vera t<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>ntae
bonitatis dulcedine: Mens enim humana, qua nihil nobili<g ref="char:EOLhyphen"/>us,
coelum, quo nihil splendidius, elementa, quibus ni<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>il v<g ref="char:EOLhyphen"/>tilius,
arctam cum ea vendicant affinitatem, cuius vim
vt olim mortuos ab inferis reucc<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>sse, et res non preditas
tantum, sed et priuat as sensu m<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap> is modis a<gap reason="illegible" resp="#OXF" extent="2 letters">
                        <desc>••</desc>
                     </gap>cc<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>sse legimus,
ita nunc vndiquaque cernimus omnes, e<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>m saepissime tristiores ad gaudia petulan<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>es ad
<gap reason="illegible" resp="#OXF" extent="1 word">
                        <desc>〈◊〉</desc>
                     </gap>, impios ad pietatem excitasse. Tentamenta tamen haec, et prima lib<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>mi<g ref="char:EOLhyphen"/>na
facultatis meae quaecunque fuerint tibi volui, tum optime de me merito dedica<g ref="char:EOLhyphen"/>re,
tum Musices studio<gap reason="illegible" resp="#OXF" extent="2 letters">
                        <desc>••</desc>
                     </gap>ssimo censenda committere, vt er <gap reason="illegible" resp="#OXF" extent="1 span">
                        <desc>〈…〉</desc>
                     </gap> mei monu<g ref="char:EOLhyphen"/>mentum
referre posuerint, et tam s<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>ncero, perito er candido commendata iudicio, ali<g ref="char:EOLhyphen"/>orum
secura censur as minime vereri. Det deus vt omnia tibi ex votis faliciter suc<g ref="char:EOLhyphen"/>cedant.</p>
                  <closer>
                     <signed>Tui obseruantissimus
Richardus Carlton.</signed>
                  </closer>
               </div>
               <div type="preface">
                  <pb facs="tcp:5151:20"/>
                  <head>A Preface to the skillfull Musitian.</head>
                  <p>SInce <hi>I</hi> am come in the view of the world, <hi>I</hi> had rather com<g ref="char:EOLhyphen"/>mit
the first fruits of these my labours to your iudiciall opini<g ref="char:EOLhyphen"/>ons,
then generally to the common censure of the ignorant:
knowing you will fauourably conceale or amend what is amisse
and giue the rest their due, (if they shall deserue any thing at all)
<hi>I</hi> haue laboured somewhat to imitate the <hi>Italian,</hi> they beeing in
these dayes (with the most) in high request, yet may <hi>I</hi> not nor
cannot forget that <hi>I</hi> am an English man. So wishing to you as to
my selfe <hi>I</hi> ende. From <hi>Norwich</hi> the xxviij. of March. 1601.</p>
                  <closer>
                     <signed>R. C.</signed>
                  </closer>
               </div>
            </front>
            <body>
               <div n="1" type="madrigal">
                  <pb facs="tcp:5151:20"/>
                  <head>I. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe loue of change hath chang'd the world through-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
out, ij. the world throughout, and what is counted
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
good but that is strange, counted good but that is strange, New things wax
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
old, old new, all turnes about, all turnes a- bout, a- bout, &amp; all things
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
change, and all things change, except the loue of change, Yet finde I
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
not that loue of change in mee, that loue of change in mee, but as I
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
am, ij. but as I am, so will I all waies bee. so will I
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
all waies bee, ij. so will I all waies bee, all waies bee.</p>
               </div>
               <div n="2" type="madrigal">
                  <pb facs="tcp:5151:21"/>
                  <head>II. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
COntent thy selfe with thy estate, ij. seeke not
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
to climb aboue the skies, ij. for often loue, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
is mixt with hate, &amp; twixt the flowers the Serpent lies, where For-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
tune sends her greatest ioyes, her grea- test ioyes, There once pos-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sest they are but toyes. ij. are but toyes, where Fortune
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sends her grea-test ioies, hir grea- test ioies, There once possest they are
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
but toyes. ij. are but toyes.</p>
                  <lg>
                     <l>What thing can earthly pleasure giue,</l>
                     <l>That breedes delight when it is past?</l>
                     <l>Or who so quietly doth liue</l>
                     <l>But stormes of cares do drowne at last?</l>
                     <l>This is the lone of worldly hire,</l>
                     <l>The more we haue the more desire.</l>
                  </lg>
                  <lg>
                     <l>VVherefore I hold him best at ease,</l>
                     <l>That liues content with his estate,</l>
                     <l>And doth not sayle in worldly Seas,</l>
                     <l>VVhere mine, &amp; thine, do breede debate:</l>
                     <l>This noble mind euen in a Clowne,</l>
                     <l>Is more then to possesse a Crowne.</l>
                  </lg>
               </div>
               <div n="3" type="madrigal">
                  <pb facs="tcp:5151:21"/>
                  <head>III. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe selfe same things that giues mee cause, that giues mee
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
cause to die, is onely means for which I life de- sire, The
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
selfe same could by which as dead I lie, is onely means to kindle
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
greater fire, The lesse I feele my selfe in hope to speed, to speed, the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
more desire this want of hope doth breed. The lesse I feele my selfe in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hope to speed, to speed, the more desire this want of hope doth
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
breed, this want of hope doth breed.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="4" type="madrigal">
                  <pb facs="tcp:5151:22"/>
                  <head>The first part.</head>
                  <head>IIII. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHen Flora faire the plea- saunt tydings bringeth,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
When Flora faire the plea- saunt tydings, plea- saunt tydings brin-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
geth, when Flora faire the plea- sant tydings bringeth, of summer
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sweet, with hearbs and flowers ador- ned, of summer sweet, with hearbs
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and flowers adorned, the Nightingale vpon the hawthorne singeth, sing-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
geth, vpon the hawthorne singeth, singeth, And Boreas blasts, the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
birds and beasts haue scorned, the birds and beasts haue scorn'd, the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
birds and beasts haue scorned, and beasts haue scorned, when fresh Au-
<pb facs="tcp:5151:22"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
rora with hir coulours payn- ted, ij. Aurora
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
with hir coulours paynted, mingled with speares of gold, the sunne
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
appearing, mingled with speares of gold, the sunne appearing, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
appearing, delights the harts, delights the harts, the harts that are with
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue acquainted, with loue acquain- ted, and Maying maids haue the<g ref="char:cmbAbbrStroke">̄</g>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
their time of cheering, of cheering, and Maying maids haue then their
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
time of cheering, of cheering.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="5" type="madrigal">
                  <pb facs="tcp:5151:23"/>
                  <head>The second part.</head>
                  <head>V. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ALl Creatures then with Summer are delighted, the Beasts,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the Birds, the Beasts, the Birds, the Fish with scale of siluer, the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Fish with scale of siluer, scale of siluer. Then stately Dames by
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Louers are inui-ted, by Louers are in-ui- ted, to walke in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
meads, to walke in meads, to walk in meads, or rowe vpon the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ri- uer, or rowe vpon the ri-uer, or rowe vpon the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ri- uer. I all alone am from these ioyes exiled, No summer grows
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
where loue yet neuer smiled. yet neuer smiled, No summer grows
<pb facs="tcp:5151:23"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
where loue yet neuer smiled. No summer grows where loue yet neuer
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
smi-led, where loue yet neuer smi- led, yet neuer smiled. I all a-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
lone am from these ioyes exiled, No summer growes where loue
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
yet neuer smiled, yet neuer smiled. No summer grows where loue yet
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
neuer smiled, No summer grows where loue yet neuer smi-led, where
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue yet neuer smi- led, yet neuer smiled.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="6" type="madrigal">
                  <pb facs="tcp:5151:24"/>
                  <head>The first part.</head>
                  <head>VI. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
FRom stately tower, ij. from stately tower,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
king Dauid sat behoulding faire Bethsabe, who in a fountaine naked,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
naked, faire Bethsa-be, who in a fountaine na- ked, hir golden locks
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
against the sun vnfoulding, vnfoulding, against the sun vnfoul-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ding, in Christall waues the same did wash and shaked, the same did
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wash and shaked, in Christall waues the same did wash &amp; sha-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ked. Not Cynthea pale, though shee bee clad in Lil- lies, Nor
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
whitest snow that lies vpon the mountaine, nor ij. the
<pb facs="tcp:5151:24"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
mountaine, nor Venus bright, nor daintie A-marillis, Amarillis dyd
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
shew more faire, then shee dyd in the foun- taine, then shee dyd
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in the foun- taine.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="7" type="madrigal">
                  <pb facs="tcp:5151:25"/>
                  <head>The second part.</head>
                  <head>VII. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WIth hir sweet locks, sweet locks, ij. this king was
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
so inflamed, this king was so infla-med, that he to wed this Lady most de-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sired, that hee to wed this La- dy most desired, most desired
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
by whose great might, the matter so was fram'd, the matter so was fra-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
med, that he posest hir bewty most admi- red, that he posest hir bewty
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
most admired, most admired, yet afterward that he to loue consen- ted,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
consented, ten thousand teares hee wept, hee wept, ten thousand teares
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
he wept, when hee repented, when hee repented.</p>
               </div>
               <div n="8" type="madrigal">
                  <pb facs="tcp:5151:25"/>
                  <head>VIII. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
LIke as the gentle hart it selfe bewraies, the gentle hart
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
it selfe bewraies, like as the gentle hart it selfe bewraies, in dooing
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
gentle deeds, with franck delight, in dooing gentle deeds with franck
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
delight, Euen so the baser minde it selfe displaies, in cancred mallice,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in cancred mallice and reuengefull spight, and reuengefull spight,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in cancred mal- lice, and reuengefull spight, in mallice and re-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
uengefull spight.</p>
               </div>
               <div n="9" type="madrigal">
                  <pb facs="tcp:5151:26"/>
                  <head>The first part.</head>
                  <head>IX. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
NAught vnder heauen so strongly doth allure,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the sence of man, and all his minde posesse, his minde posesse,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
As bewties louely baite, that doth procure, as bewties louely
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
baite, that doth procure great warriours oft, their ri-gor to represse, their
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
rigor to represse, And mightie hands forget their manlynesse, their
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
manlinesse, drawne with the power of an hart robbing eye, of an hart
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
robbing eye, hart robbing eye, And wrapt in fetters, and wrapt in fet-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ters, in fetters, of a golden tresse, golden tresse, that can with melting
<pb facs="tcp:5151:26"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
plea- saunce molifye, with pleasance molyfie, that can with
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
melting plea- sance molli- fye, mollifye their hardned harts en-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
vrde to blood and crueltie.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="10" type="madrigal">
                  <pb facs="tcp:5151:27"/>
                  <head>The second part.</head>
                  <head>X. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
SO whilome learn'd that mighty Iewish swaine, So whilome
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
learn'd that mighty Iewish swain, Iewish swain, Each of whose locks did
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
match a man of might, dyd match a man of might, To lay his spoiles,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
before his lemans traine, his spoiles before his lemans rraine, So al-so
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
did, so also did that great <hi>OEtean</hi> knight, ij. for his
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loues sake, his Lyons skinne vn- dight, And so dyd warlike Antonye
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
warlike Antonye neglect the worlds whole rule, for <hi>Cleopatras</hi> sight,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
for <hi>Cleopatras</hi> sight, such wo<g ref="char:cmbAbbrStroke">̄</g>derous powr, haue women, such wo<g ref="char:cmbAbbrStroke">̄</g>derous
<pb facs="tcp:5151:27"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
powre, hath womens faire aspect, to captiue men, &amp; make them all,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and make them all the world reiect, reiect.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="11" type="madrigal">
                  <pb facs="tcp:5151:28"/>
                  <head>The first part.</head>
                  <head>XI. ALTVS.</head>
                  <head type="sub">An Elegie in memoriall of the death of that honorable Knight sir Iohn Shelton.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
SOund, sound saddest notes with rewfull mo ning,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Tune euerie straine with teares and weeping, Conclude each dose,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
conclude each close, with sighes, with sighes, ij. and groning, Sing,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
but your song no Musique keeping, but your song no Musique kee-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ping, saue direfull sound, of dismall word, <hi>Shelton</hi> is slaine, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                     <hi>Shelton</hi> is slaine, ij. is slaine, <hi>Shelton</hi> is slaine with fa- tall sword.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="12" type="madrigal">
                  <pb facs="tcp:5151:28"/>
                  <head>The second part.</head>
                  <head>XII. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
LET euerie sharp, let euerie sharp, let euerie sharp,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
let euerie sharp in sharp tune fi- gure, the too sharp death hee
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hath en- dured, let euery flat, ij. let euery flat, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
shew flat the ri-gor, of Fortunes spight, ij. to all envred all env-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
red, And in his death and Fortune tell, ij. his death, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that neither death nor fates, ij. did well, that nei-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ther death nor fates did well. ij. nor fates did well.</p>
                  <lg>
                     <l>3 Say death hath lost, by him deuouring,</l>
                     <l>The cheefe of all his kingdomes glory,</l>
                     <l>Say Fortune by hir suddaine lowring,</l>
                     <l>Hath hid hir honour in deaths story.</l>
                     <l>Yet say for all that they can doe,</l>
                     <l>Hee liues where neither haue to doe.</l>
                  </lg>
                  <lg>
                     <l>4 Hee liues although his losse lamented,</l>
                     <l>Of prince &amp; countrie (to both pretious)</l>
                     <l>He liues, whose honour is imprinted,</l>
                     <l>In vertues roule, (foe to the vitious)</l>
                     <l>He liues at rest in heauens high throne,</l>
                     <l>Whom here on earth his frie<g ref="char:cmbAbbrStroke">̄</g>ds bemone.</l>
                  </lg>
               </div>
               <div n="13" type="madrigal">
                  <pb facs="tcp:5151:29"/>
                  <head>XIII. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
IF women can bee curteous when they list, can be courteous
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
when they list, If women can be curteous when they list, &amp; whe<g ref="char:cmbAbbrStroke">̄</g> they
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
list disdainfull, and when they list disdainfull &amp; vnkind, If they can beare
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
affection in their fist, If they can beare affection in their fist, if they can
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
beare affection in their fist, and sell their loue as they the market find,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
T'wer not amisse, t'wer not amisse while Smithfield faire doth hold, while
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Smithfield faire doth hold, that Iades &amp; drabs together all were
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sold, that Iades &amp; drabs together all were sold, all were sold, that Iades &amp;
<pb facs="tcp:5151:29"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
drabs together all were sold. T'wer not amisse, T'wer not amisse while
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Smithfield faire doth hold, while Smithfield fayre doth hold, that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Iades and Drabs together all were sold, that Iades and drabs together
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
all were sold, all were sold, that Iades and drabs together all were sold.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="14" type="madrigal">
                  <pb facs="tcp:5151:30"/>
                  <head>XIIII. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
NAught is on earth more sacred or deuine, Naught is on
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
earth more sacred or deuine, more sacred or deuine, that Gods and men
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
doe equally that Gods and men doe equally adore, a- dore, Then this
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
same vertue, this same vertue, that doth right define, for the heauens them-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
selues whence mortall men implore, whence mortall men implore, right
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in their wrongs, are ruld by righteous lore, right in their wrongs are ruld
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
by righteous lore, Of highest Iove, who doth true Iustice deale, to his
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
inferior gods, and euermore therwith containes his heauenly comon
<pb facs="tcp:5151:30"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
weale, The skill whereof to Princes harts hee doth reueale, the skill
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
whereof, to Princes harts he doth reueale, the skill wherof, to Princes
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
harts hee doth reueale, re- ueale.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="15" type="madrigal">
                  <pb facs="tcp:5151:31"/>
                  <head>XV. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
YEgentle Ladies in whose sou'raigne powre, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue hath the glory of his kingdome left, the ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
&amp; the harts of men as your e-ternall dower, In Iron chains of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
libertie, ij. bereft, in ij. bereft, deliuered hath
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
into your hands by guift, be well aware how you the same do vse, that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
pride do not to tirannie you lift, least if men you of cruel-tie accuse, ac<g ref="char:EOLhyphen"/>cuse
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
he from you take, hee from you take that chiefdome which yee do
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
abuse, that chiefdome which yee doe abuse. ij.</p>
               </div>
               <div n="16" type="madrigal">
                  <pb facs="tcp:5151:31"/>
                  <head>XVI. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe witlesse boy that blind is to behold, yet blinded sees what
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in our fancy lies, with smi- ling lookes, and heires of curled gold, heirs
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
of cur-led gold, hath oft entrapt, and oft deceiu'd the wise, No wit can
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
serue his fancie to remoue, his fancie to re- moue, for finest wits are
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
soonest thrald to loue, for finest wits are soonest thrald, for finest wits are
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
soonest thrald to loue, for finest wits are soonest thrald to loue.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="17" type="madrigal">
                  <pb facs="tcp:5151:32"/>
                  <head>XVII. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHo seekes to captiuate the freest minds, the freest minds, by
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
prayers, sighes, deepe othes by vowes &amp; teares, shewing affection in the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
trewest kindes, swearing to free their loues, their loues, ij. from any
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
feares, Yet vnder shew of these, haue them beguil'd, yet vnder shew of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
these, yet vnder shew of these haue them beguil'd, let such bee farre from
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
God &amp; men exil'd, from god &amp; man ex- il'd, let such bee farre from god
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and men exil'd, from God and man ex- il'd.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="18" type="madrigal">
                  <pb facs="tcp:5151:32"/>
                  <head>XVIII. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHo vowes de- uotion to faire bewties shrine, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
&amp; leads a louers life in pilgrimage, in pilgrim-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
age, or that his co<g ref="char:cmbAbbrStroke">̄</g>stant faith may brighter shine, his ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
dwells daies &amp; nights, ij. in fancies hermitage, shall finde his
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
truths re-ward but losse of labour, but losse of la- boure, although hee
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
merrit neuer so much fa- uour. shall finde his truthes re-ward but
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
losse of labour, but losse of la- bour, although he merrit neuer so much
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fa- uour.</p>
               </div>
               <div n="19" type="madrigal">
                  <pb facs="tcp:5151:33"/>
                  <head>XIX. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THE heathen Gods for loue forsooke their state, for
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue forsooke their state, and chang'd themselues, to shape of earthly
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
things, to ij. but my desire is of an other rate, but ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that into heauenly grace, ij. transformes my minde to
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
heauenly grace transformes my mind, their often change by new desire,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. declard they lou'd not that was best, that ij. for they that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
to the best, they ij. a- spire, do neuer change, in hope of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
rest, doe neuer change, ij. in hope of rest, hope of rest.</p>
               </div>
               <div n="20" type="madrigal">
                  <pb facs="tcp:5151:33"/>
                  <head>XX. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
OVaine desire wherewith the world bewitches, to
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
couet stil for more, for more, ij. to couet still for more, the more is
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
gotten, sith whe<g ref="char:cmbAbbrStroke">̄</g> we die, ij. we die, we leaue behind our ri-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ches, and all we reape, is but to bee forgotten, forgotten, The vertuous
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
life is onely that which lasteth, the vertuous life is onely that which la<g ref="char:EOLhyphen"/>steth,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
&amp; all the rest with time or fortune blasteth, &amp; all the rest with
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
time or fortune bla- steth, and all the rest with time or fortune, blasteth.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fortune blasteth.</p>
               </div>
               <div n="21" type="madrigal">
                  <pb facs="tcp:5151:34"/>
                  <head>XXI. ALTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
EVen as the flowres do wee- ther, ij. that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
maydens faire doe ga-ther, So doth their bewtie bla- zing, so doth
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
their bewtie blazing, bla- zing, whereon there is such ga-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
zing, such blazing, ij. As day is dimmed with the night,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. So age doth vade the red and white, and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
death co<g ref="char:cmbAbbrStroke">̄</g>sumes euen in an hower, ij. euen in an
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
howre, the virgins weede, that daintie flower, that dainty flower, the ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and vnto them it may bee tol<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>e, it ij. who cloath
<pb facs="tcp:5151:34"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
most rich in silke and golde, yee dames for all your pride &amp; mirth, for ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
your bewtie shall bee turnd to earth. ij. shall be
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
turnd to earth, your bewtie shall bee turnde to earth, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
And vnto them it may bee tolde, ij. who cloath most rich in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
silke and golde, yee dames for all your pride &amp; mirth, ij. your
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
bewtie shall bee turnd to earth. ij. shall be turnd to
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
earth, your bewtie shall bee turnd to earth. ij.</p>
                  <trailer>FINIS.</trailer>
               </div>
            </body>
            <back>
               <div type="table_of_contents">
                  <pb facs="tcp:5151:35"/>
                  <head>The Table.</head>
                  <list>
                     <item>The loue of change hath chag'd the world. I</item>
                     <item>Content thy selfe with thine estate. II</item>
                     <item>The selfe same thing that giues mee cause to dye. III</item>
                     <item>When Flora faire the pleasant tydings. 1. <hi>part.</hi> IIII</item>
                     <item>All Creatures then with summer. 2. <hi>part.</hi> V</item>
                     <item>From stately tower, King Dauid sat, 1. <hi>part.</hi> VI</item>
                     <item>With hir sweet looks, 2. <hi>part.</hi> VII</item>
                     <item>Like as the gentle hart it selfe bewraies, VIII</item>
                     <item>Naught vnder heauen, 1. <hi>part.</hi> IX</item>
                     <item>So whisome learn'd, 2. <hi>part.</hi> X</item>
                     <item>Sound saddest notes. 1. <hi>part.</hi> XI</item>
                     <item>Let euery sharp. 2. <hi>part.</hi> XII</item>
                     <item>If women can be courteous. XIII</item>
                     <item>Naught is on earth more sacred. XIIII</item>
                     <item>Ye gentle ladies. XV</item>
                     <item>The witlesse boy that blind is to behold. XVI</item>
                     <item>Who seekes to captiuate the freest mindes. XVII</item>
                     <item>Who vowes deuotion to faire bewties shrine. XVIII</item>
                     <item>The heathen gods to loue. XIX</item>
                     <item>O vaine desire. XX</item>
                     <item>Euen as the flowers doe weether. XXI</item>
                  </list>
                  <trailer>FINIS.</trailer>
               </div>
            </back>
         </text>
         <text xml:lang="eng">
            <front>
               <div type="title_page">
                  <pb facs="tcp:5151:35"/>
                  <p>TENOR.</p>
                  <p>
                     <hi>MADRIGALS</hi>
TO
Fiue voyces:
Newly published by Richard
<hi>Carlton Preist: Batchelor
in Musique.</hi>
                  </p>
                  <p>LONDON
Printed by Thomas Morley,
dwelling in Little
<hi>Saint Helens.</hi>
1601.</p>
                  <p>Cum Priuilegio ad imprimendum solum.</p>
               </div>
               <div xml:lang="lat" type="dedication">
                  <pb facs="tcp:5151:36"/>
                  <pb facs="tcp:5151:36"/>
                  <head>Illustriac venerabili viro
ro:
M Thomae Fermor Armigero
Norfolciensi.</head>
                  <p>
                     <seg rend="decorInit">M</seg>Vsica vt est musarum prima (generosissime vir) ita e<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>
speciali gratia indulget summus naturae parens, quibuscum
tam coeleste donum communicat, et quos capit, vera tantae
bonit at is dulcedine: Mens enim humana, qua nihil nobili<g ref="char:EOLhyphen"/>us,
oelum, quo nihil splendidius, elementa, quibus nihil v<g ref="char:EOLhyphen"/>tilius,
arctam cum ea vendicant aff<gap reason="illegible" resp="#OXF" extent="2 letters">
                        <desc>••</desc>
                     </gap>itatem cuius <gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>in
vt olim mortuos ab inferis reuo<gap reason="illegible" resp="#OXF" extent="2 letters">
                        <desc>••</desc>
                     </gap>sse<g ref="char:punc">▪</g> et res non preditas
tantum, sed et priuatas sens<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap> 
                     <gap reason="illegible" resp="#OXF" extent="1 word">
                        <desc>〈◊〉</desc>
                     </gap> modis asse<gap reason="illegible" resp="#OXF" extent="2 letters">
                        <desc>••</desc>
                     </gap>sse legimus,
ita nunc vndiquaque cernimus omnes, e<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>m saepissime tris<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>iores ad gaudia petulantes ad
modestiam, impios ad pietatem excit<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>sse. Tentamenta <gap reason="illegible" resp="#OXF" extent="1 span">
                        <desc>〈…〉</desc>
                     </gap>, et prima libami<g ref="char:EOLhyphen"/>na
facultatis meae quaecunque fuerint tibi volui, tum optime de me merito dedica<g ref="char:EOLhyphen"/>re,
tum Mus<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>ces studio, ssimo censenda committere, vt et <gap reason="illegible" resp="#OXF" extent="1 word">
                        <desc>〈◊〉</desc>
                     </gap> in te me<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap> monu<g ref="char:EOLhyphen"/>mentum
referre posuerint, et tam s<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>ncero, perito et candido commendata iudicio, ali<g ref="char:EOLhyphen"/>orum
secura censuras minime vereri. <gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>e<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap> deus vt omnia <gap reason="illegible" resp="#OXF" extent="1 word">
                        <desc>〈◊〉</desc>
                     </gap> ex votis faliciter suc<g ref="char:EOLhyphen"/>cedant.</p>
                  <closer>
                     <signed>Tui obseruantissimus
Richardus Carlton<g ref="char:punc">▪</g>
                     </signed>
                  </closer>
               </div>
               <div type="preface">
                  <pb facs="tcp:5151:37"/>
                  <head>A Preface to the skillfull Musitian.</head>
                  <p>SInce <hi>I</hi> am come in the view of the world, <hi>I</hi> had rather com<g ref="char:EOLhyphen"/>mit
the first fruits of these my labours to your iudiciall opini<g ref="char:EOLhyphen"/>ons,
then generally to the common censure of the ignorant:
knowing you will fauourably conceale or amend what is amisse
and giue the r<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>st their due, (if they shall deserue any thing at all)
<hi>I</hi> haue laboured somewhat to imitate the <hi>Italian,</hi> they beeing in
these dayes (with the most) in high request, yet may <hi>I</hi> not nor
cannot forget that <hi>I</hi> am an English man. So wishing to you as to
my selfe <hi>I</hi> ende. From <hi>Norwich</hi> the xxviij. of March. 1601.</p>
                  <closer>
                     <signed>R. C.</signed>
                  </closer>
               </div>
            </front>
            <body>
               <div n="1" type="madrigal">
                  <pb facs="tcp:5151:37"/>
                  <head>I. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe loue of change hath chang'd the world throughout hath
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
chang'd the world throughout, the loue ij. the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
world throughout. And what is cou<g ref="char:cmbAbbrStroke">̄</g>ted good but that is strange, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
New things wax old, old new all turns a- bout, a- bout &amp; all things
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
change, ij. ij. except the loue of chaunge. Yet finde I
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
not that loue of chaunge in mee, yet finde I not that loue of chaunge
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in mee, but as I am, ij. So will I all waies bee, so will I
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
all wayes bee, ij. So will I all waies bee.</p>
               </div>
               <div n="2" type="madrigal">
                  <pb facs="tcp:5151:38"/>
                  <head>II. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
COntent thy selfe with thy estate estate, seeke not to climb
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
aboue the skyes, ij. aboue the skyes for often loue
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. is mixt with hate, with hate, And twixt the flowers the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Serpent lies, where Fortune sends her greatest ioyes her greatest ioyes
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
There once possest they are but toyes. ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
where Fortune sends her greatest ioyes greatest ioyes, There once
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
possest they are but toyes. ij.</p>
                  <lg>
                     <l>What thing can earthly pleasure giue,</l>
                     <l>That breedes delight when it is past?</l>
                     <l>Or who so quietly doth liue</l>
                     <l>But stormes of cares do drowne at last?</l>
                     <l>This is the lone of worldly hire,</l>
                     <l>The more we haue the more desire.</l>
                  </lg>
                  <lg>
                     <l>VVherefore I hold him best at ease,</l>
                     <l>That liues content with his estate,</l>
                     <l>And doth not sayle in worldly Seas,</l>
                     <l>VVhere mine, &amp; thine, do breede debate<gap reason="illegible" resp="#OXF" extent="1 letter">
                           <desc>•</desc>
                        </gap>
                     </l>
                     <l>This noble mind euen in a Clowne,</l>
                     <l>Is more then to possess a Crowne.</l>
                  </lg>
               </div>
               <div n="3" type="madrigal">
                  <pb facs="tcp:5151:38"/>
                  <head>III. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe selfe same things that giues me cause to die, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
is onely means for which I life desire: ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
The selfe same could by which as dead I lie, is onely means
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
to kindle greater fire. ij. The lesse I feele my selfe
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in hope to speed, the more desire this want of hope doth breed. The
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
lesse I feele my selfe in hope to speed, the more desire this want of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hope doth breed, this want of hope doth breed.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="4" type="madrigal">
                  <pb facs="tcp:5151:39"/>
                  <head>The first part.</head>
                  <head>IIII. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHen Flora faire the plea- saunt tydings bringeth
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the plea- saunt tydings bringeth, when Flora faire the pleasaunt
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
tydings bringeth, when Flora faire the plea-saunt tydings bringeth
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
of summer sweet, with hearbs and flowers adorned, of summer sweet
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
with hearbs and flowers adorned, The Nightingale vpon the hathorne
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sings vpon the hawthorne, singeth vpon the haw- thorne, And
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Boreas blasts, and Boreas blasts, the birds &amp; beasts haue scorned,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the birds and beasts haue scor- ned, when fresh Aurora with hir
<pb facs="tcp:5151:39"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
coulours paynted, when fresh Aurora with hir coulours paynted,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
with hir colours payn- ted, mingled with speares of gold, the sunne ap-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
pearing, mingled with speares of gold, the sunne appearing the sunne
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
appearing, delights the hearts, the hearts, that are with loue acquain-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ted, And Maying maydes haue then their time of chee-ring, maydes
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
haue then their time of cheering, And Maying maides haue then their
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
time of chee- ring.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="5" type="madrigal">
                  <pb facs="tcp:5151:40"/>
                  <head>The second part.</head>
                  <head>V. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ALl Creatures then with Summer are de-ligh-ted, the Beasts,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the Birds, the Beasts, the Birds, the Birds, the Fish with scale of sil-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
uer and the Fish with scale of siluer, the Fish with scale of sil-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
uer. Then stately Dames by Louers are inuited to walke in meads to walke
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in meads, to walke in meads, or rowe vpon the riuer. or rowe vp-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
pon the ri- uer. or rowe vpon the riuer. or rowe vppon the riuer.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
I all alone am from these ioyes these ioyes exiled, No Summer
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
growes where loue yet neuer smilde. No Summer growes where
<pb facs="tcp:5151:40"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue yet neuer smi- led. where loue yet neuer smi- led smi- led
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
where loue yet neuer smiled. I all alone am from these ioyes these
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ioyes exiled, No Summer growes where loue yet neuer smilde. No
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Summer growes where loue yet neuer smi- led where loue yet
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
neuer smi- led smi- led where loue yet neuer smiled.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="6" type="madrigal">
                  <pb facs="tcp:5151:41"/>
                  <head>The first part.</head>
                  <head>VI. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
FRom stately tower, from stately tower, ij. king
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Dauid sat behoulding, behoulding, faire Bethsabe who in a fountaine
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
naked, faire Bethsabe who in a fountaine naked hir golden locks a-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
gainst the sunne vnfoulding, against the sunne vnfoulding, against the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sunne vnfoulding<g ref="char:punc">▪</g> In Christall waues the same did wash &amp; sha-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ked, In Christall waues the same did wash &amp; sha-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ked. Not Cynthea pale though shee were clad in Lylles, Nor whitest
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
snow that lyes vpon the mountaine, Nor Venus bright, nor daintie
<pb facs="tcp:5151:41"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Amaril- lis, nor daintie Amarillis, dyd shew more fayre, more fayre
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
then she did in the fountaine, the fountaine, then she did in the foun-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
taine, then shee dyd in the fountaine.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="7" type="madrigal">
                  <pb facs="tcp:5151:42"/>
                  <head>The second part.</head>
                  <head>VII. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WIth hir sweet locks, with hir sweet locks, with hir sweet
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
locks, with hir sweet locks, this king was so in-sla- med, that he to
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wed this Lady most de-si- red, to wed this Lady most desired, most
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
de- sired, by whose great might the matter so was fra- med, the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
matter so was framed, that he posest hir bewty most admired, most ad-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
mired, yet afterward that hee to loue consen-ted, ten thousand teares he
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wept, when hee repented, ten thousand teares he wept, ten thousand
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
teares hee wept, when hee repented, when hee repen- ted.</p>
               </div>
               <div n="8" type="madrigal">
                  <pb facs="tcp:5151:42"/>
                  <head>VIII. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
LIke as the gentle hart it selfe bewraies, like as the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
gentle hart it selfe bewraies, it selfe bewraies, in dooing gentle deeds,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
with franck de- light, gentle deeds with franck de- light, Euen so the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
baser minde it selfe displaies, in cancred mallice, in cancred mallice
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and reuengefull spight, in cancred mallice, and reuengefull spight, &amp;
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
reuenge- full spight.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="9" type="madrigal">
                  <pb facs="tcp:5151:43"/>
                  <head>The first part.</head>
                  <head>IX. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
NAught vnder heauen so strongly doth al-lure, the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sence of man, and all his minde posesse, his minde posesse, as bewties
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
louely baite, as bewties louely baite, that doth pro- cure, great
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
warriours oft, their rigor to represse, And mightie hands forget their
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
manlinesse, forget their manlinesse, drawne with the powre, of an
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
heart robbing eye, of an heart robbing eye, drawne with the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
power of an hart robbing eye, And wrapt in fetters, and wrapt in fet-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ters, of a golden tresse, of a golden tresse, that can with melting
<pb facs="tcp:5151:43"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
plea- saunce mol- li-fie, that can with melting plea-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
saunce mollifye, their hardned harts, envrde to blood and crueltie.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="10" type="madrigal">
                  <pb facs="tcp:5151:44"/>
                  <head>The second part.</head>
                  <head>X. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
SO whilome learn'd that mightie Iewish swayne, that Iewish
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
swayne, So whilome learn'd that mightie Iewish swayne, Each of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
whose locks dyd match a man of might, dyd match a man of might,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
To lay his spoiles before his lemans traine, before his lemans traine, So
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
also did that great <hi>OEtean</hi> knight, that great <hi>Oetean</hi> knight, for his loues
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sake, his Lyons skinne vndight, And so dyd warlike Antonye, Anto-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
nye neglect the worlds whole rule, for <hi>Cleopatras</hi> sight, such wonderous
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
powre, hath womens fayre aspect, aspect, to captiue men and make them
<pb facs="tcp:5151:44"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
all the world re- iect, and make them all the world reiect.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="11" type="madrigal">
                  <pb facs="tcp:5151:45"/>
                  <head>The first part.</head>
                  <head>XI. TENOR.</head>
                  <head type="sub">An Elegie in memoriall of the death of that honorable Knight sir Iohn Shelton.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
SOund saddest notes with rewfull moning, tune euery
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
straine with teares and weeping, Conclude each close with sighes,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
with sighes, ij. and groning, sing, but your song no Musique
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
keeping, no Musique keeping, saue direful sou<g ref="char:cmbAbbrStroke">̄</g>d of dismal word, <hi>Shelton</hi>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
is slaine, <hi>Shelton</hi> is slaine, is slaine, <hi>Shelton</hi> is slaine, with fa- tall
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sword.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="12" type="madrigal">
                  <pb facs="tcp:5151:45"/>
                  <head>The second part.</head>
                  <head>XII. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
LET euerie sharp, let euerie sharp, let euerie shar<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
euerie sharp in sharp tune, in sharp tune figure, the too sharp death,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hee hath endured, let euery flat, ij. euery flat, shew flat the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ri- gor, of Fortunes spight, ij. to all envred &amp; in his death, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. and in his death and Fortune tell, that neither death
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
nor fates, that neither, that neither death nor fates did well. ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
nor fates did well, that ij.</p>
                  <lg>
                     <l>3 Say death hath lost, by him deuouring,</l>
                     <l>The cheefe of all his kingdomes glory,</l>
                     <l>Say Fortune by hir suddaine lowring,</l>
                     <l>Hath hid hir honour in deaths story.</l>
                     <l>Yet say for all that they can doe,</l>
                     <l>Hee liues where neither haue to doe.</l>
                  </lg>
                  <lg>
                     <l>4 Hee liues although his losse lamented,</l>
                     <l>Of prince &amp; countrie (to both pretious)</l>
                     <l>He liues, whose honour is imprinted,</l>
                     <l>In vertues roule, (foe to the vitious)</l>
                     <l>He liues at rest in heauens high throne,</l>
                     <l>Whom here on earth his frie<g ref="char:cmbAbbrStroke">̄</g>ds bemone.</l>
                  </lg>
               </div>
               <div n="13" type="madrigal">
                  <pb facs="tcp:5151:46"/>
                  <head>XIII. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
IF women can bee curteous when they list, If
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
women can be curteous when they list, and whe<g ref="char:cmbAbbrStroke">̄</g> they list disdainfull &amp;
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
vnkinde, If they can beare affection in their fist, If they can beare af-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fection in their fist, and sell their loue as they the market finde,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
T'wer not amisse while Smithfield faire doth hold, T'were not a-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
misse while Smithfield fayre doth hold, That Lades &amp; Drabs together
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
all were sold, were sold, together all were sold. T'wer not amisse while
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Smithfield faire doth hold, T'wer not amisse while Smithfield fayre doth
<pb facs="tcp:5151:46"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hold, That Iades and Drabs together all were sold, were sold, together
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
all were sold.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="14" type="madrigal">
                  <pb facs="tcp:5151:47"/>
                  <head>XIIII. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
NAught is on earth more sacred or deuine, Naught is on
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
earth more sacred or deuine, more sacred or de- uine, or deuine, that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Gods and men doe equally adore that Gods and men doe equally adore,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Then this same vertue that doth right de- fine, for the heauens them-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
selues whence mortall men implore, Right in their wrongs, ar rulde by
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
righteous lore. Of highest Iove, who doth true Iustice deale, to
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
his inferior Gods, and euermore therewith containes his heauenly
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
comon weale, (his) comon weale, The skill wherof to Princes harts he
<pb facs="tcp:5151:47"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
doth reueale, he doth reueale. The skill whereof, to Princes hearts
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hee doth reueale, hee doth re- ueale.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="15" type="madrigal">
                  <pb facs="tcp:5151:48"/>
                  <head>XV. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
YE gentle Ladies in whose sou'raigne powre, loue
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hath the glory of his kingdome left, ij. his kingdome
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
left, and the harts of men as your eternall dower, In Iron chaines of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
libertie, of libertie bereft, ij. deliuered hath into
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
your hands by guift, be well aware how you the same doe vse, That
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
pride doe not to tiranny you lift, least if men, you of cruelty accuse,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hee from you take, that chiefedome which yee doe abuse, that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
chiefedome which yee doe abuse, which yee doe a-buse.</p>
               </div>
               <div n="16" type="madrigal">
                  <pb facs="tcp:5151:48"/>
                  <head>XVI. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe witlesse boy that blinde is to behold, yet blinded sees,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
what in our fancie lies, with smi- ling lookes, and heires of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
curled gold, hath oft entrapt, hath oft entrapt, and oft deceiu'd the wise,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
No wit can serue his fancie to remoue, his fancie to remoue, for finest
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wits are soonest thrald, for finest wits are soonest thrald to loue, for finest
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wits are soonest thrald to loue, to loue.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="17" type="madrigal">
                  <pb facs="tcp:5151:49"/>
                  <head>XVII. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHo seekes to captiuate the freest mindes, freest minds, by
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
pray- ers, sighes, deepe othes, deepe othes by vowes and teares, shewing
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
affecti- on in the trewest kindes, swearing to free their loues, ij. ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
from any feares, Yet vnder shew of these, haue them beguil'd, the<g ref="char:cmbAbbrStroke">̄</g> be-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
guil'd, yet vnder shew of these haue them beguil'd, let such bee farre
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
from God and men ex- il'd, let such bee farre from god and man ex-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
il'd, from God and men exil'd, from God and man exil'd, from god and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
man exil'd.</p>
               </div>
               <div n="18" type="madrigal">
                  <pb facs="tcp:5151:49"/>
                  <head>XVIII. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHo vowes deuotion to faire bewties shrine, who vowes
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
de-uotion to faire bewties shrine and leads a louers life, a louers life in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
pilgrimage, or that his constant faith may brighter shine, his constant
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
faith may brighter shine, dwels daies and nights in fancies pilgrimage,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
pilgrimage, shall finde his truths reward but losse of la- bour, but losse
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
of labour, although hee merrit neuer so much fauour, shall finde his
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
truths reward but losse of la- bour, but losse of labour, although hee
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
merrit neuer so much fa- uour.</p>
               </div>
               <div n="19" type="madrigal">
                  <pb facs="tcp:5151:50"/>
                  <head>XIX. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe heathen gods for loue forsooke their state, for loue ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and chang'd them- selues, but my desire, ij. is of an other rate,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that into heauenly grace transformes my mind, that into heauenly
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
grace transformes my minde, their often change by new de- sire, by
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
new de- sire, declard they loude not that was best, for they that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
to the best aspire, a- spire, doe neuer change, doe ne- uer change
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in hope of rest, in hope of rest, in hoqe of rest.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="20" type="madrigal">
                  <pb facs="tcp:5151:50"/>
                  <head>XX. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
O Vaine desire wherwith the world bewit- ches,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
to couet stil for more, for more, ij. the more is gotten, sith whe<g ref="char:cmbAbbrStroke">̄</g> we
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
die, ij. wee leaue behind our ri- ches, and all we reape,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
is but to be forgotten, ij. The vertuous life is onely
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that which lasteth, the vertuous life is onely that which lasteth, and all the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
rest with time or fortune, and all the rest with time or fortune blasteth.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and all the rest with time or fortune, or fortune bla- steth.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="21" type="madrigal">
                  <pb facs="tcp:5151:51"/>
                  <head>XXI. TENOR.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
EVen as the flowres doe weether, doe weether, Euen ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
doe weether, that maydens faire doe gather, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
So doth their bewtie bla- zing, ij. bla- zing, where<g ref="char:EOLhyphen"/>on
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
there is such gazing, ij. ij. ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
As day is dimmed with the night, with the night, as ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
with the night, So age doth vade the red and white, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
And death consumes euen in an howre, ij. in an
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
howre, the virgins weede daintie, the virgins weede that daintie flowre,
<pb facs="tcp:5151:51"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. ij. And vnto them it may bee tolde,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
who cloath most rich in silke &amp; gold, who ij. yee dames for
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
all your pride and mirth, your pride and mirth, your bewtie shall bee
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
turnd to earth, turnd to earth, your ij. shall be turnd to earth.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
And vnto the<g ref="char:cmbAbbrStroke">̄</g> it may bee told, who cloath most rich in silke &amp; golde,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. yee dames for all your pride &amp; mirth, your prid &amp;
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
mirth your bewty shall be turnd to earth, turnd to earth, your bewty
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
shall bee turnd to earth, shall bee turnd to earth.</p>
                  <trailer>FINIS.</trailer>
               </div>
            </body>
            <back>
               <div type="table_of_contents">
                  <pb facs="tcp:5151:52"/>
                  <head>The Table.</head>
                  <list>
                     <item>The loue of change hath chag'd the world. I</item>
                     <item>Content thy selfe with thine estate. II</item>
                     <item>The selfe same thing that giues mee cause to dye. III</item>
                     <item>When Flora faire the pleasant tydings. 1. <hi>part.</hi> IIII</item>
                     <item>All Creatures then with summer. 2. <hi>part.</hi> V</item>
                     <item>From stately tower, King Dauid sat, 1. <hi>part.</hi> VI</item>
                     <item>With hir sweet looks, 2. <hi>part.</hi> VII</item>
                     <item>Like as the gentle hart it selfe bewraies, VIII</item>
                     <item>Naught vnder heauen, 1. <hi>part.</hi> IX</item>
                     <item>So whilome learn'd, 2. <hi>part.</hi> X</item>
                     <item>Sound saddest notes. 1. <hi>part.</hi> XI</item>
                     <item>Let euery sharp. 2. <hi>part.</hi> XII</item>
                     <item>If women can be courteous. XIII</item>
                     <item>Naught is on earth more sacred. XIIII</item>
                     <item>Ye gentle ladies. XV</item>
                     <item>The witlesse boy that blind is to behold. XVI</item>
                     <item>Who seekes to captiuate the freest mindes. XVII</item>
                     <item>Who vowes deuotion to faire bewties shrine. XVIII</item>
                     <item>The heathen gods to loue. XIX</item>
                     <item>O vaine desire. XX</item>
                     <item>Euen as the flowers doe weether. XXI</item>
                  </list>
                  <trailer>FINIS.</trailer>
               </div>
            </back>
         </text>
         <text xml:lang="eng">
            <front>
               <div type="title_page">
                  <pb facs="tcp:5151:52"/>
                  <p>BASSVS.</p>
                  <p>
                     <hi>MADRIGALS</hi>
TO
Fiue voyces:
Newly published by Richard
<hi>Carlton Preist: Batchelor
in Musique.</hi>
                  </p>
                  <p>LONDON
Printed by Thomas Morley,
dwelling in Little
<hi>Saint Helens.</hi>
1601.</p>
                  <p>Cum Priuilegio ad imprimendum solum.</p>
               </div>
               <div xml:lang="lat" type="dedication">
                  <pb facs="tcp:5151:53"/>
                  <pb facs="tcp:5151:53"/>
                  <head>Illustriac venerabili viro
ro:
M Thomae Fermor Armigero
Norfolciensi.</head>
                  <p>
                     <seg rend="decorInit">M</seg>Vsica vt est musarum prima (generosis<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>me vir) ita eis
speciali gratia indulget summus naturae parens, quibuscum
tam coeleste donum communicat, et quos capit, vera tantae
bonitatis dulcedine: Mens enim humana, qua nihil nobili<g ref="char:EOLhyphen"/>us,
coelum, quo nihil splendidius, elementa, quibus nihil v<g ref="char:EOLhyphen"/>tilius,
arctam cum ea vendicant affinitatem cuius vim
vt olim mortuos ab inferis reuocasse, et res non preditas
tantum, sed et priuatas sensu miris modis affecisse legimus,
ita nunc vndiquaque cernimus omnes, e<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>m saepissime tristiores ad gaudia petulantes ad
modestiam, impios ad pietatem excitasse. Tentamenta tamen h<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>c, et prima libami<g ref="char:EOLhyphen"/>na
facultatis meae quaecunque fuerint tibi volui, tum optime de me merito dedica<g ref="char:EOLhyphen"/>re,
tum Mus<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>ces studio sumo censenda committere, vt er animi in te mei monu<g ref="char:EOLhyphen"/>mentum
referre posuerint, et tam s<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>ncero, perito et candido commendata indicio, ali<g ref="char:EOLhyphen"/>orum
secura censuras minime vereri. Det deus vt omnia tibi ex votis faliciter suc<g ref="char:EOLhyphen"/>cedant.</p>
                  <closer>
                     <signed>Tui obseruantissimus
Richardus Carlton.</signed>
                  </closer>
               </div>
               <div type="preface">
                  <pb facs="tcp:5151:54"/>
                  <head>A Preface to the skillfull Musitian.</head>
                  <p>SInce <hi>I</hi> am come in the view of the world, <hi>I</hi> had rather com<g ref="char:EOLhyphen"/>mit
the first fruits of these my labours to your iudiciall opini<g ref="char:EOLhyphen"/>ons,
then generally to the common censure of the ignorant:
knowing you will fauourably conceale or amend what is amisse
and giue the rest their due, (if they shall deserue any thing at all)
<hi>I</hi> haue laboured somewhat to imitate the <hi>Italian,</hi> they beeing in
these dayes (with the most) in high request, yet may <hi>I</hi> not nor
cannot forget that <hi>I</hi> am an English man. So wishing to you as to
my selfe <hi>I</hi> ende. From <hi>Norwich</hi> the xxviij. of March. 1601.</p>
                  <closer>
                     <signed>R. C.</signed>
                  </closer>
               </div>
            </front>
            <body>
               <div n="1" type="madrigal">
                  <pb facs="tcp:5151:54"/>
                  <head>I. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe loue of change hath chang'd the world throughout,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. the world throughout, &amp; what is
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
counted good but that is strange, New things wax old, old new all turns
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
a- bout, all turns a- bout, and all things change, ij. except
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the loue of change, Yet finde I not that loue of change in mee, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
but as I am, but as I am, so will I alwaies bee, so
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
will I alwaies bee, so will I alwaies bee, alwaies bee,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="2" type="madrigal">
                  <pb facs="tcp:5151:55"/>
                  <head>II. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
COntent thy selfe with thy estate, ij. seeke not
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
to climb aboue the skies, ij. for often loue is mixt, is mixt
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
with hate, &amp; twixt the flowers the Serpe<g ref="char:cmbAbbrStroke">̄</g>t lies, wher Fortune sends her
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
grea- test ioyes, ther once possest they are but toyes, they are but toyes,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
where once po- sest they are but toyes, wher Fortune sends hir grea<g ref="char:EOLhyphen"/>test
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ioyes, there once possest they are but toyes, they are but toyes,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
there once pos- sest they are but toyes.</p>
                  <lg>
                     <l>What thing can earthly pleasure giue,</l>
                     <l>That breedes delight when it is past?</l>
                     <l>Or who so quietly doth liue<g ref="char:punc">▪</g>
                     </l>
                     <l>But stormes of cares do drowne at last?</l>
                     <l>This is the lone of worldly hire,</l>
                     <l>The more we haue the more desire.</l>
                  </lg>
                  <lg>
                     <l>VVherefore I hold him best at ease,</l>
                     <l>That liues content with his estate,</l>
                     <l>And doth not sayle in worldly Seas,</l>
                     <l>VVhere mine, &amp; thine, do breede debate:</l>
                     <l>This noble mind euen in a Clowne,</l>
                     <l>Is more then to possesse a Crowne.</l>
                  </lg>
               </div>
               <div n="3" type="madrigal">
                  <pb facs="tcp:5151:55"/>
                  <head>III. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe selfe same thing that giues mee cause to die, that giues
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
mee cause to die, is onely means for which I life de-sire, for which I
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
life desire, The selfe same could by which as dead I lie, as dead I lie, is
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
onely means to kindle the greater fire, the lesse I feele my selfe in hope
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
to speed, the more desire this want of hope doth breed, doth breed, the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
lesse I feele my selfe in hope to speed, the more desire this want of hope
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
doth breed this want of hope doth breed.</p>
               </div>
               <div n="4" type="madrigal">
                  <pb facs="tcp:5151:56"/>
                  <head>The first part.</head>
                  <head>IIII. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHen Flora faire the plea- sant tydings bringeth, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
of summer sweet, with hearbs and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
flowers adorned, ij. The Nightingale vppon the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hawthorne singeth, ij. And Boreas blasts, the birds and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
beasts haue scorned, ij. and beasts haue scorned, when
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fresh Aurora with hir coulours paynted, when fresh Aurora Aurora
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
with hir coulours paynted, mingled with speares of gold, the sunne ap<g ref="char:EOLhyphen"/>pearing,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
mingled with speares of gold, the sunne appearing, the sunne
<pb facs="tcp:5151:56"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
appearing, delights the harts, delights the harts, that are with loue ac<g ref="char:EOLhyphen"/>quainted,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that are with loue ac- quainted, And Maying mayds haue
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
then their time of cheering, haue then their time of cheering.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="5" type="madrigal">
                  <pb facs="tcp:5151:57"/>
                  <head>The second part.</head>
                  <head>V. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ALl Creatures the<g ref="char:cmbAbbrStroke">̄</g> with summer are delighted, the beasts, the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Birds, the Birds, the Fish with scale of siluer, ij. Then
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
stately dames, by Louers are inuited, by Louers are inuited, to walk in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
meads, ij. to walk in meads, or rowe vpon the riuer,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
or rowe vpon the riuer, ij. I all alone, I all alone
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
am from these ioyes exiled, exiled, No summer grows where loue yet
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
neuer smiled. No summer grows where loue yet neuer smiled, where
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue yet neuer smiled, I all alone, I all alone am from these ioyes ex-
<pb facs="tcp:5151:57"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
iled, exi-led, No summer grows where loue yet neuer smiled, No
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
summer grows where loue yet neuer smiled, where loue yet neuer
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
smiled.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="6" type="madrigal">
                  <pb facs="tcp:5151:58"/>
                  <head>The first part.</head>
                  <head>VI. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                     <seg rend="decorInit">F</seg>Rom stately tower, stately tower,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
from stately tower, king Dauid sat
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
behoulding, faire Bethsabe
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
who in a fountaine naked, hir golden locks against the sunne vnfoul<g ref="char:EOLhyphen"/>ding,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
against the sunne vnfoulding, in Christall waues the same dyd
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wash, and shaked, in Christall waues the same dyd wash and sha<g ref="char:EOLhyphen"/>ked,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Nor whitest snow that lyes vpon the moun<g ref="char:EOLhyphen"/>taine,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Nor whitest snow that lyes vpon the mountaine, Nor Venus
<pb facs="tcp:5151:58"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
bright, nor daintie Amarillis, did shew more faire then she did in the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fountaine, the fountaine, then shee did in the fountaine.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="7" type="madrigal">
                  <pb facs="tcp:5151:59"/>
                  <head>The second part.</head>
                  <head>VII. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WIth hir sweet locks, sweet locks, with hir sweet locks,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
this king was so inflamed, this king was so inflamed, that he to wed this
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Lady most de- sired, that hee to wed this La- dy most de-si-red, by
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
whose great might the matter so was framed, the matter so was fra- med
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that he posest his bewty most admired, that he posest hir bewty most
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
admired, yet afterward that he to loue consented, ten thousand teares he
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wept, he wept, ten thousand teares he wept, when hee repented. when
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hee repented.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="8" type="madrigal">
                  <pb facs="tcp:5151:59"/>
                  <head>VIII. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
LIke as the gentle hart it selfe bewraies, bewraies, like
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
as the gentle hart it selfe bewraies, in dooing gentle deeds, with
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
franck delight, in dooing gentle deeds with franck delight, Euen so
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the baser minde it selfe displayes, in cancred mallice, in cancred
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
mallice, &amp; reuengefull spight, in cancred mallice, and reuengefull
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
spight, in mallice and reuengefull spight.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="9" type="madrigal">
                  <pb facs="tcp:5151:60"/>
                  <head>The first part.</head>
                  <head>IX. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
NAught vnder heauen so strongly doth al-lure, the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sence of man, and all his minde posesse, as bewties louely baite, as
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
bewties louely baite, ij. that doth pro-cure, great warriours
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
oft, their rigor to represse, &amp; mightie hands forget their manlinesse,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
their manlinesse, drawne, drawn with the powre, of an hart robbing
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
eye, of an hart robbing eye, robbing eye, And wrapt in fetters,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
of a golden tresse, golden tresse, of a golden tresse, that can with
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
melting plea- saunce mollifie, that can with melting
<pb facs="tcp:5151:60"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
plea- saunce mollifye, with plea- saunce mollifie, their
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hardned harts, envr'de to blood and crueltie.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="10" type="madrigal">
                  <pb facs="tcp:5151:61"/>
                  <head>The second part.</head>
                  <head>X. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
So whilome learn'd that mightie Iewish swayne, So
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
whilome learnde that mightie Iewish swayne, Iewish swaine,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Each of whose locks dyd match a man of might, To lay his spoyles
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
before his lemans traine, So also did the great Oetean knight, so
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
also dyd the great OEte- an knight for his loues sake, his
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Lyons skinne vndight, And so dyd warlike Antonye neglect the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
worlds whole rule, for Cleopatra's sight, such wonderous powre
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
such wonderous powre hath womens fayre aspect, to captiue men</p>
                  <p>
                     <pb facs="tcp:5151:61"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and make them all the world reiect, and make them all the world
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
re- iect.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="11" type="madrigal">
                  <pb facs="tcp:5151:62"/>
                  <head>The first part.</head>
                  <head>XI. BASSVS.</head>
                  <head type="sub">An Elegie in memoriall of the death of that honorable Knight sir Iohn Shelton.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
SOund, sou<g ref="char:cmbAbbrStroke">̄</g>d saddest notes with rewfull moning, tune euery
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
straine with teares and weeping, Conclude each close with sighes
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
with sighes, ij. and groning, sing, but your song no Musique
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
keeping, but your song no Musique keeping, saue direfull sound of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
dismall word, <hi>Shelton</hi> is slaine, is slaine, <hi>Shelton</hi> is slaine, <hi>Shelton</hi> is
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
slaine, is slaine with fatall sword.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="12" type="madrigal">
                  <pb facs="tcp:5151:62"/>
                  <head>The second part.</head>
                  <head>XII. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
LEt euery sharp, ij. in sharp tune figure, in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sharp tune figure the too sharp death he hath en-dured, let euery flat,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. shew flat the rigor of Fortunes spight, ij. to all en-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
vred, &amp; in his death, ij. and Fortune tell, that neither death
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
nor fates did well, that neither death nor fates did well. that neither
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
death nor fates dyd well, that neither death nor fates dyd well, that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
neither death nor fates dyd well.</p>
                  <lg>
                     <l>Say death hath lost, by him deuouring,</l>
                     <l>The cheefe of all his kingdomes glory,</l>
                     <l>Say Fortune by hir suddaine lowring,</l>
                     <l>Hath hid hir honour in deaths story.</l>
                     <l>Yet say for all that they can doe,</l>
                     <l>Hee liues where neither haue to doe.</l>
                  </lg>
                  <lg>
                     <l>4 Hee liues although his losse lamented,</l>
                     <l>Of prince &amp; countrie (to both pretious)</l>
                     <l>He liues, whose honour is imprinted,</l>
                     <l>In vertues roule, (foe to the vitious)</l>
                     <l>He liues at rest in heauens high throne,</l>
                     <l>Whom here on earth his frie<g ref="char:cmbAbbrStroke">̄</g>ds bemone,</l>
                  </lg>
               </div>
               <div n="15" type="madrigal">
                  <pb facs="tcp:5151:63"/>
                  <head>XV. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
YE gentle Ladies in whose sou'raigne powre, loue
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hath the glory of his kingdome left, ij. and the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
harts of men as your eternal dower, In Iron chains of libety bereft, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
deliu'<gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap>ed hath into your ha<g ref="char:cmbAbbrStroke">̄</g>ds by guift, be
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
well aware how you the same doe vse, that pride doe not to tiranny
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
you lift, least if men you of cruelty ac- cuse, he from you take, hee from
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
you take, that chiefedome which yee doe abuse, that chiefedome
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
which you doe abuse.</p>
               </div>
               <div n="16" type="madrigal">
                  <pb facs="tcp:5151:63"/>
                  <head>XVI. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe witlesse boy, that blind is to behold, yet blinded sees what
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
in our fancy lyes, with smi- ling lookes and heires of curled
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
gold, and heires of curled gold, hath oft entrapt, and oft deceiu'd the wise,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
No wit can serue his fancie to remoue, for finest wits are soonest
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
thrald to loue, for finest wits are soonest thrald to loue, for finest wits are
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
soonest thrald to loue.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="14" type="madrigal">
                  <pb facs="tcp:5151:64"/>
                  <head>XIIII. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
NAught <gap reason="illegible" resp="#OXF" extent="1 word">
                        <desc>〈◊〉</desc>
                     </gap> earth more sacred or deuine, more sacred
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
or deuine, that Gods and men doe equally adore, that Gods and men
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
doe equally adore, then this same vertue, that doth right define,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
for the heauens themselues whence mortall men implore, right in their
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wrongs, are rulde by righteous lore, Of highest Iove, who doth true
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Iustice deale, to his in-ferior gods, and euermore, therewith con-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
taines his heauenly comon weale, comon weale, The skill whereof to
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Princes harts hee doth reueale, The skill whereof to Princes harts hee
<pb facs="tcp:5151:64"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
doth reueale, hee doth reueale.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="13" type="madrigal">
                  <pb facs="tcp:5151:65"/>
                  <head>XIII. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
IF women can bee courteous when they list, if women
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
can bee curteous when they list, curteous when they list, and when they
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
list disdainfull and vn-kinde, If they can beare affection in their fist,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
If they can beare affection in their fist, in their fist, &amp; sell their loue as
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
they the market find, T'wer not amisse while Smithfield faire doth hold,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
t'wer not amisse while Smithfield faire doth hold, that Iades and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Drabs together all were sold, that Iades and Drabs together all were
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sold, &amp; Drabs together all were sold. T'wer not amisse while Smithfield
<pb facs="tcp:5151:65"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
faire doth hold, t'wer not amisse while Smithfield faire doth hold, that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Iades and Drabs together all were sold, that Iades and drabs together
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
all were sold, and drabs together all were sold.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="17" type="madrigal">
                  <pb facs="tcp:5151:66"/>
                  <head>XVII. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHo seekes to captiuate the fre- est minds, by prayers,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sighes, deepe othes, by vowes &amp; teares, swearing to free their loues,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
their loues, ij. from a- ny feares, Yet vnder shew of these, haue them
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
be- guil'd, yet vnder shew of these haue them be- guil'd, let such be
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
farre from God and men exil'd, let such bee farre from god &amp; men ex-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
il'd, from god &amp; men ex- il'd.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="18" type="madrigal">
                  <pb facs="tcp:5151:66"/>
                  <head>XVIII. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHo vowes deuotion to faire bewile, who vowes e-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
uotion to faire bewties shrine, to faire bew- ties shine, &amp; leads a louers
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
life in pilgrimage, or that his faith may brighter shine, or that his co<g ref="char:cmbAbbrStroke">̄</g>stant
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
faith may brighter shine, dwells daies &amp; nights, in fancies hermitage, st all
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
finde his truth, shall finde his truth, but losse of la- bour, although hee
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
merrit neuer so much fauour, fa- uour, shall finde his truth shall finde
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
his truth but losse of la- bour, although hee merrit neuer so much
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fauour.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="19" type="madrigal">
                  <pb facs="tcp:5151:67"/>
                  <head>XIX. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THE heathen gods for loue forsooke their state, forsooke
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
their state, and chang'd themselues to shape of earthly kinde, &amp; ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
but my desire is of an other rate, but my desire, my desire
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
is of an other rate, that into heauenly grace transformes my minde
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. their often change by new de- sire, declard
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
they lou'd not that was best, for they that to the best aspire, the besta-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
spite, due neuer change, in hope of rest, in hope of rest.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="20" type="madrigal">
                  <pb facs="tcp:5151:67"/>
                  <head>XX. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
O Vaine desire wherewith the world bewitches, to
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
couet still for more, ij. ij. ij. the more is gotten, sith when wee
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
die, wee leaue behinde our riches, and all we reape, all wee reape, is
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
but to bee forgotten, ij. The vertuous life is onely
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that which lasteth, and all the rest with time or fortune blasteth, and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                     <gap reason="illegible" resp="#OXF" extent="1 letter">
                        <desc>•</desc>
                     </gap> all the rest with time or fortune blasteth. and all the rest with time or
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fortune blasteth, bla steth.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="21" type="madrigal">
                  <pb facs="tcp:5151:68"/>
                  <head>XXI. BASSVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
EVen as the flowres do wee- ther, ij. that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
maydens faire doe gather, So doth their bewtie bla- zing, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
whereon there is such gazing, such gazing, ij. ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
As day is dimmed with the night, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
So age doth vade thered &amp; white, and death co<g ref="char:cmbAbbrStroke">̄</g>sumes euen in an
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hower, ij, the virgins weede so dainty, so dainty, so
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
daintie, the virgins weede that daintie flower, And vnto the<g ref="char:cmbAbbrStroke">̄</g> it may bee
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
tolde, it ij. who cloath most rich in silke &amp; golde, yee daines for
<pb facs="tcp:5151:68"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
all your pride &amp; mirth, for ij. your bewtie shall be turned to
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
earth. your bewtie shall bee turnde to earth, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
And vnto them it may bee tolde, it may bee tolde, who cloath most
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
rich in silke &amp; golde, yee dames for all your pride &amp; mirth, for all your
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
pride &amp; mirth, your bewty shall bee turnd to earth. your bewty shall be
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
turnd to earth, your bewtie shall bee turnde to earth.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
                  <trailer>FINIS.</trailer>
               </div>
            </body>
            <back>
               <div type="table_of_contents">
                  <pb facs="tcp:5151:69"/>
                  <head>The Table.</head>
                  <list>
                     <item>The loue of change hath chag'd the world. I</item>
                     <item>Content thy selfe with thine estate. II</item>
                     <item>The selfe same thing that giues mee cause to dye. III</item>
                     <item>When Flora faire the pleasant tydings. 1. <hi>part.</hi> IIII</item>
                     <item>All Creatures then with summer. 2. <hi>part.</hi> V</item>
                     <item>From stately tower, King Dauid sat, 1. <hi>part.</hi> VI</item>
                     <item>With hir sweet looks, 2. <hi>part.</hi> VII</item>
                     <item>Like as the gentle hart it selfe bewraies, VIII</item>
                     <item>Naught vnder heauen, 1. <hi>part.</hi> IX</item>
                     <item>So whilome learn'd, 2. <hi>part.</hi> X</item>
                     <item>Sound saddest notes. 1. <hi>part.</hi> XI</item>
                     <item>Let euery sharp. 2. <hi>part.</hi> XII</item>
                     <item>If women can be courteous. XIII</item>
                     <item>Naught is on earth more sacred. XIIII</item>
                     <item>Ye gentle ladies. XV</item>
                     <item>The witlesse boy that blind is to behold. XVI</item>
                     <item>Who seekes to captiuate the freest mindes. XVII</item>
                     <item>Who vowes deuotion to faire bewties shrine, XVIII</item>
                     <item>The heathen gods to loue. XIX</item>
                     <item>O vaine desire. XX</item>
                     <item>Euen as the flowers doe weether. XXI</item>
                  </list>
                  <trailer>FINIS.</trailer>
               </div>
            </back>
         </text>
         <text xml:lang="eng">
            <front>
               <div type="title_page">
                  <pb facs="tcp:5151:69"/>
                  <p>QVINTVS.</p>
                  <p>
                     <hi>MADRIGALS</hi>
TO
Fiue voyces:
Newly published by Richard
<hi>Carlton Preist: Batchelor
in Musique.</hi>
                  </p>
                  <p>LONDON
Printed by Thomas Morley,
dwelling in Little
<hi>Saint Helens.</hi>
1601.</p>
                  <p>Cum Priuilegio ad imprimendum solum.</p>
               </div>
               <div xml:lang="lat" type="dedication">
                  <pb facs="tcp:5151:70"/>
                  <pb facs="tcp:5151:70"/>
                  <head>Illustriac venerabili viro
ro:
M Thomae Fermor Armigero
Norfolciensi.</head>
                  <p>
                     <seg rend="decorInit">M</seg>Vsica vt est musarum prima (generosissime vir) ita eis
speciali gratia indulget summus naturae parens, quibuscum
tam coeleste donum communicat, et quos capit, vera tantae
bonitatis dulcedine: Mens enim humana, qua nihil nobili<g ref="char:EOLhyphen"/>us,
coelum, quo nihil splendidius, elementa, quibus nihil v<g ref="char:EOLhyphen"/>tilius,
arctam cum ea vendicant assinitatem, cuius vim
vt olim mortuos ab inferis reuocasse, et res non predit as
tantum, sed et priuatas sensu miris modis affecisse legimus,
ita nunc vndiquaque cernimus omnes, eam saepissime tristiores ad gaudia petulantes ad
modestiam, impios ad pietatem excitasse. Tentamenta tamen haec, et prima libami<g ref="char:EOLhyphen"/>na
facultatis meae quaecunque fuerint tibi volui, tum optime de me merito dedica<g ref="char:EOLhyphen"/>re,
tum Musices studiosissimo censenda committere, vt et animi in te mei monu<g ref="char:EOLhyphen"/>mentum
referre posuerint, et tam sincero, perito et candido commendata iudicio, ali<g ref="char:EOLhyphen"/>orum
secura censuras minime vereri. Det deus vt omnia tibi ex votis foeliciter suc<g ref="char:EOLhyphen"/>cedant.</p>
                  <closer>
                     <signed>Tui obseruantissimus
Richardus Carlton.</signed>
                  </closer>
               </div>
               <div type="preface">
                  <pb facs="tcp:5151:71"/>
                  <head>A Preface to the skillfull Musitian.</head>
                  <p>SInce <hi>I</hi> am come in the view of the world, <hi>I</hi> had rather com<g ref="char:EOLhyphen"/>mit
the first fruits of these my labours to your iudiciall opini<g ref="char:EOLhyphen"/>ons,
then generally to the common censure of the ignorant:
knowing you will fauourably conceale or amend what is amisse
and giue the rest their due, (if they shall deserue any thing at all)
<hi>I</hi> haue laboured somewhat to imitate the <hi>Italian,</hi> they beeing in
these dayes (with the most) in high request, yet may <hi>I</hi> not nor
cannot forget that <hi>I</hi> am an English man. So wishing to you as to
my selfe <hi>I</hi> ende, From <hi>Norwich</hi> the xxviij. of March. 1601.</p>
                  <closer>
                     <signed>R. C.</signed>
                  </closer>
               </div>
            </front>
            <body>
               <div n="1" type="madrigal">
                  <pb facs="tcp:5151:71"/>
                  <head>I. QVINTSV</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe loue of change hath chang'd the world through-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
out, ij. and what is cou<g ref="char:cmbAbbrStroke">̄</g>ted good but that is
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
strange, New things wax old, old new all turns a- bout, all turns a- bout,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and all things change, except the loue of change, Yet finde I not
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that loue of change, yet finde I not that loue of change in mee, but as I
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
am, ij. but as I am, So will I alwaies be, so will I alwaies bee,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
So will I alwaies bee, so will I alwaies bee, so will I alwaies bee,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
so will I alwaies bee.</p>
               </div>
               <div n="2" type="madrigal">
                  <pb facs="tcp:5151:72"/>
                  <head>II. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
COntent thy selfe with thy e- state, seeke not to climb
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
aboue the skies, not ij. for often loue is mixt with hate,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. and twixt the flowers the Serpent lies, where
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Fortune sends her greatest ioyes, greatest ioyes, There once possest they
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
are but toyes. ij. there once pos- sest they
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
are but toyes, where Fortune sends her greatest ioies, greatest ioies, there
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
once possest they are but toyes. ij. ij.</p>
                  <lg>
                     <l>What thing can earthly pleasure giue,</l>
                     <l>That breedes delight when it is past?</l>
                     <l>Or who so quietly doth liue</l>
                     <l>But stormes of cares do drowne at last?</l>
                     <l>This is the lone of worldly hire,</l>
                     <l>The more we haue the more desire.</l>
                  </lg>
                  <lg>
                     <l>VVherefore I hold him best at ease,</l>
                     <l>That liues content with his estate,</l>
                     <l>And doth not sayle in worldly Seas,</l>
                     <l>VVhere mine, &amp; thine, do breede debate:</l>
                     <l>This noble mind euen in a Clowne,</l>
                     <l>Is more then to possesse a Crowne.</l>
                  </lg>
               </div>
               <div n="3" type="madrigal">
                  <pb facs="tcp:5151:72"/>
                  <head>III. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe selfe same thing that giues mee cause to
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
die, mee cause to die, is onely means for which I life, is onely
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
means for which I life de- sire, The selfe same could by which as
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
dead I lie, is onely means to kindle, to kindle greater fire, the lesse I
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
feele my selfe in hope, in hope to speed, the more desire this want of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hope, the lesse I feele my selfe in hope, in hope to speed, the more de-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sire this want of hope, this want of hope doth breed.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="4" type="madrigal">
                  <pb facs="tcp:5151:73"/>
                  <head>The first part.</head>
                  <head>IIII. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHen Flora faire the plea- saunt tydings bringeth, when
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Flora faire the plea- sant tydings bringeth, the pleasant tydings brin-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
geth, of summer sweet, with hearbs and flowers adorned, The
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Nightingale vppon the hawthorne singeth, vppon the hawthorne
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
singeth, And Boreas blasts, the birds and beasts haue scorned,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the birds and beasts haue scorned, when fresh Aurora with hir cou-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
lours payn- ted, when fresh Aurora with hir coulours paynted, with
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hir colours paynted, mingled with speares of gold, the sunne ap-
<pb facs="tcp:5151:73"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
pearing, mingled with speares of gold, the sunne ap-pea- ring, the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sunne appea-ring, delights the harts, delights the harts, that are with
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue acquainted, And Maying maydes haue then their time of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
cheering, of chee- ring.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="5" type="madrigal">
                  <pb facs="tcp:5151:74"/>
                  <head>The second part.</head>
                  <head>V. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ALl Creatures then with Summer are delighted, the Beasts,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the Birds, the Beasts the Birds, the Fish with scale of sil- uer, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. Then stately Dames by
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Louers are inuited, by Louers are inuited, to walke in meads, in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
meads, to walk in meads, or rowe vpon the ri- uer, or rowe vpon the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
riuer, ij. vpon the riuer. No summer grows where
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue yet neuer smiled. neuer smiled, No summer grows where loue
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
yet neuer smiled. where loue yet neuer smiled, where loue yet ne-
<pb facs="tcp:5151:74"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
uer smiled. No summer grows where loue yet neuer smiled, neuer
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
smiled. No summer grows where loue yet neuer smiled, where
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
loue yet neuer smiled, where loue yet neuer smiled.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="6" type="madrigal">
                  <pb facs="tcp:5151:75"/>
                  <head>The first part.</head>
                  <head>VI. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
FRom stately tower, from stately tower, from stately tower,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
king Dauid sat behoulding, faire Bethsabe who in a fountaine na-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ked, faire Bethsabe who in a fountaine naked hir golden
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
locks against the sunne vnfoul-ding, against the sunne vnfoulding, vn-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
foulding<g ref="char:punc">▪</g> In Christall waues the same dyd wash, in Christall waues the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
same did wash and shaked, in Christall waues the same dyd wash and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
shaked, and sha- ked, Nor whitest snow that lyes vpon the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
mountaine, Nor whitest snow that lyes vpon the mountaine, Nor
<pb facs="tcp:5151:75"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Venus bright, nor daintie Amarillis, nor daintie Amarillis dyd shew
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
more bright, then shee dyd in the foun- taine, then shee dyd in the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fountaine, the fountaine.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="7" type="madrigal">
                  <pb facs="tcp:5151:76"/>
                  <head>The second part.</head>
                  <head>VII. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WIth hir sweet locks, sweet locks, with hir sweet locks, this
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
king was so in-fla- med, that hee to wed this Lady most desired, that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
he to wed this Lady most desi- red, that he to wed this Lady most desi-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
red, by whose great might the matter so was fra- med, so was framed,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that he posest hir bewty most admi- red, that hee posest hir bewty
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
most admired, yet afterward that hee to loue consen- ted, ten thou-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sand teares he wept, when hee repented, ten thousand teares he wept, hee
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wept ten thousand teares hee wept, when he repented. ij.</p>
               </div>
               <div n="8" type="madrigal">
                  <pb facs="tcp:5151:76"/>
                  <head>VIII. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
LIke as the gentle hart it selfe bewraies, like as the gentle
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hart it selfe be- wraies, it selfe bewraies, in doing gentle deeds, with
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
franck de- light, in dooing good with franck de- light, Euen so the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
baser minde it selfe displaies, in cancred mallice, in cancred mallice &amp;
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
reuengefull spight, in cancred mallice, and reuengefull spight, in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
mallice and reuengefull spight, and reuengefull spight.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="9" type="madrigal">
                  <pb facs="tcp:5151:77"/>
                  <head>The first part.</head>
                  <head>IX. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
NAught vnder heauen so strongly doth allure, doth al-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
lure the sence of man, and all his minde posesse, all his minde
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
po- sesse, As bewties louely baite, his louely baite, that doth
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
procure great warriours oft, their ri-gor to represse, And mightie
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hands forget their manlynesse, drawne with the power, of an hart
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
robbing eye, robbing eye, of an hart robbing eye, robbing eye,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
And wrapt in fetters, in fetters, of a golden tresse, that can with
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
melting plea- saunce mollifye, that can with milting plea-
<pb facs="tcp:5151:77"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
saunce mollifye, that can with melting plea- saunce
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
mollifye, their hardned harts envrde to blood, to blood and crueltie.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="10" type="madrigal">
                  <pb facs="tcp:5151:78"/>
                  <head>The second part.</head>
                  <head>X. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
SO whilome learn'd that mightie Iewish swaine, So whilome
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
learn'd that mighty Iewish swayne, So whilome learn'd that mightie
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
Iewish swaine, Each of whose locks dyd match a man of might,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
To lay his spoiles before his lemans traine, So also did that great <hi>Oe-</hi>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
te- an knight, so also dyd that great <hi>OEtean</hi> knight, for his loues
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sake, his Lyons skinne vndight, And so dyd warlike Antonye neg-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
lect, And so dyd warlike Antonye neglect the worlds whole rule, for
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                     <hi>Cleopatras</hi> sight, such wonderous powre, such powre, such wonderous
<pb facs="tcp:5151:78"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
powre hath womens faire aspect, to captiue men, and make the<g ref="char:cmbAbbrStroke">̄</g> all the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
world reiect, and make them all the world reiect.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="11" type="madrigal">
                  <pb facs="tcp:5151:79"/>
                  <head>The first part.</head>
                  <head>XI. QVINTVS.</head>
                  <head type="sub">An Elegie in memoriall of the death of that honorable Knight sir Iohn Shelton.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
SOund, sound saddest notes with rew- full mo-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ning, tune euerie straine with teares and weeping, weeping, Con-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
clude each close, with sighes, with sighes &amp; gro- ning, Sing, but your
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
song no Musique keeping, but your song, no Musique keeping, saue
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
direfull sound, of dismall word, <hi>Shelton</hi> is slaine, is slaine, <hi>Shelton</hi>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
is slaine, ij. <hi>Shelton</hi> is slaine with fatall sword.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="12" type="madrigal">
                  <pb facs="tcp:5151:79"/>
                  <head>The second part.</head>
                  <head>XII. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
LET euery sharp, euery sharp, let euerie sharp, in
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sharp tune figure, the too sharp death he hath endu- red, let euery
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
flat, let euery flat, shew flat the ri-gor, of Fortunes spight, to all en-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
vred, And in his death and Fortune tell, and in his death, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and Fortune tell, &amp; in his death and Fortune tell, that neither death
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
nor fates dyd well, that neither death nor fates did well, that neither
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
death nor fates did well, that neither death nor fates did well. ij.</p>
                  <lg>
                     <l>3 Say death hath lost, by him deuouring,</l>
                     <l>The cheefe of all his kingdomes glory,</l>
                     <l>Say Fortune by hir suddaine lowring,</l>
                     <l>Hath hid hir honour in deaths story.</l>
                     <l>Yet say for all that they can doe,</l>
                     <l>Hee liues where neither haue to doe.</l>
                  </lg>
                  <lg>
                     <l>4 Hee liues although his losse lamented,</l>
                     <l>Of prince &amp; countrie (to both pretious)</l>
                     <l>He liues, whose honour is imprinted,</l>
                     <l>In vertues roule, (foe to the vitious)</l>
                     <l>He liues at rest in heauens high throne,</l>
                     <l>Whom here on earth his frie<g ref="char:cmbAbbrStroke">̄</g>ds bemone.</l>
                  </lg>
               </div>
               <div n="13" type="madrigal">
                  <pb facs="tcp:5151:80"/>
                  <head>XIII. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
IF women can bee curteous when they list, if women can
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
be courteous when they list, when they list, and when they list disdain-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
full and vnkind, If they can beare affection in their fist, If they can
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
beare affection in their fist, if they can beare affection in their fist, and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sell their loue as they the market find, T'wer not amisse while Smithfield
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
faire doth hold, t'wer not amisse while Smithfield faire doth hold<g ref="char:punc">▪</g> that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
lades and drabs together all were sold, that Iades &amp; drabs together all
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
were sold. T'wer not amisse while Smithfield faire doth hold, t'wer not
<pb facs="tcp:5151:80"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
amisse while Smithfield faire doth hold, that Iades and Drabs together
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
all were sold, that Iades and drabs together all were sold.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="14" type="madrigal">
                  <pb facs="tcp:5151:81"/>
                  <head>XIIII. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
NAught is on earth more sacred or deuine, Naught
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
is on earth more sacred or deuine, that Gods and men doe equally a-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
dore, doe equally adore, then this same vertue, this same vertue, that doth
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
right define, for the heauens themselues whence mortall men, for the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
heauens themselues, whence mortall men implore, right in their wrongs,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
are ruld by righteous lore, Of highest love, who doth true Iustice deale,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
to his inferior gods, and euermore, therewith containes his heauenly
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
comon weale, The skill whereof to Princes harts hee doth reueale,
<pb facs="tcp:5151:81"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
The skill whereof, to Princes harts hee doth reueale, to Princes harts
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
hee doth reueale.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="15" type="madrigal">
                  <pb facs="tcp:5151:82"/>
                  <head>XV. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
YE gentle Ladies in whose sou'raigne powre, loue hath the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
glory of his kingdome left, the ij. and the harts of men as
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
your eternall dower, In Iron chains of libertie bereft, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
bereft, de-liuered hath into your hands by guift, be wel aware how you
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
the same doe vse, that pride do not to ty-ran-nie you lift, least if men
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
you of crueltie accuse, hee from you take, hee from you take that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
chiefdome which yee doe abuse, that chiefdome which yee doe a-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
buse. that chiefdome which yee doe abuse.</p>
               </div>
               <div n="16" type="part">
                  <pb facs="tcp:5151:82"/>
                  <head>XVI. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THe witlesse boy that blind is to behold, yet blinded
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
sees what in our fancy lies, with smi- ling lookes, with smi- ling
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
lookes and heires of curled gold, hath oft entrapt, and oft deceiu'd the
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
wise, No wit can serue his fancie to remoue, his fancie to re- moue,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
for finest wits are soonest thrald to loue, for finest wits are soonest
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
thrald to loue, are soonest thrald to loue.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="17" type="madrigal">
                  <pb facs="tcp:5151:83"/>
                  <head>XVII. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHo so seekes to captiuate, who seekes to captiuate the freest
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
minds, by prayers, sighes, deepe others by vowes and teares, shewing af-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
fection in the trewest kinds, swearing to free their loues, their loues, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
from a-ny feares, Yet vnder shew of these, haue them beguil'd, yet vnder
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
shew of these haue them beguil'd, let such bee farre from God and men
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
exil'd, let such bee farre from god &amp; men exil'd, from god &amp; men exil'd,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
from God and man ex- il'd.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="18" type="madrigal">
                  <pb facs="tcp:5151:83"/>
                  <head>XVIII. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
WHo vowes deuotion to faire bewties shrine, to faire bew-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ties shrine and leads a louers life, in pilgrimage, louers life in pilgrimage,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
or that his constant faith may brighter shine, constant faith, brighter
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
shine, dwels daies and nights in fancies hermitage, shall finde his truths
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
reward but losse of labour, shall finde his truths reward but losse of
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
labour, although hee merrit neare so much fauour, shall finde his
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
truths reward but losse of labour, shall ij. although he
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
merit neare so much fauour.</p>
               </div>
               <div n="19" type="madrigal">
                  <pb facs="tcp:5151:84"/>
                  <head>XIX. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
THE heathen gods for loue forsooke their state, &amp;
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
chang'd them-selues, and chang'd themselues to shape of earthly kinde,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
but my desire, ij. is of an other rate, an other rate, that into
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
heauenly grace, heauenly grace transformes my minde, their often change
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
by new desire, ij. de-clard they lou'd not that was best,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
for they that to the best aspire, doe neuer change, in hope of rest, doe
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
neuer change, in hope, in hope of rest.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="20" type="madrigal">
                  <pb facs="tcp:5151:84"/>
                  <head>XX. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
O Vaine desire wherewith the world bewitches, to
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
couet still for more, for more, the more is gotten, sith whe<g ref="char:cmbAbbrStroke">̄</g> we die,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
we leaue behind our riches, and all we reape, is but to bee for- got-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ten, ij. The vertuous life is onely that which lasteth, the ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and all the rest with time or fortune bla-
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
steth, and all the rest with time or fortune blasteth. and all the rest with
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
time or fortune blasteth.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
                  </p>
               </div>
               <div n="21" type="madrigal">
                  <pb facs="tcp:5151:85"/>
                  <head>XXI. QVINTVS.</head>
                  <p>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
EVen as the flowres doe wee- ther, Euen ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
that maydens faire doe gather, ij. maides doe gether,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
So doth their bewtie bla- zing, whereon there is such
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
gazing, ij. such ga-zing, ij. As day is
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
dimmed with the night, with the night, as ij. So
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
age doth vade the red and white, ij. red and white,
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
And death co<g ref="char:cmbAbbrStroke">̄</g>sumes euen in an howre, the virgins weede that
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
daintie flowre, ij. daintie flowre, the ij. And
<pb facs="tcp:5151:85"/>
                     <gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
vnto the<g ref="char:cmbAbbrStroke">̄</g> it may be tolde, lit ij. who cloath most rich in silke and
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
golde, in silke &amp; golde, yee dames for all your pride and mirth, yee dames
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
for all your pride &amp; mirth, your bewtie shall be turnd to earth, ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij. &amp; vnto the<g ref="char:cmbAbbrStroke">̄</g> it may
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
bee tolde, it ij. who cloath most rich in silke and golde, in silke &amp;
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
golde, yee dames for all your pride &amp; mirth, yee dames for all your pride
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
and mirth, your bewty shall be turnd to earth. ij.
<gap reason="music">
                        <desc>〈♫〉</desc>
                     </gap>
ij.</p>
                  <trailer>FINIS.</trailer>
               </div>
            </body>
            <back>
               <div type="table_of_contents">
                  <pb facs="tcp:5151:86"/>
                  <head>The Table.</head>
                  <list>
                     <item>The loue of change hath chag'd the world. I</item>
                     <item>Content thy selfe with thine estate. II</item>
                     <item>The selfe same thing that giues mee cause to dye. III</item>
                     <item>When Flora faire the pleasant tydings. 1. <hi>part.</hi> IIII</item>
                     <item>All Creatures then with summer. 2. <hi>part.</hi> V</item>
                     <item>From stately tower, King Dauid sat, 1. <hi>part.</hi> VI</item>
                     <item>With hir sweet looks, 2. <hi>part.</hi> VII</item>
                     <item>Like as the gentle hart it selfe bewraies, VIII</item>
                     <item>Naught vnder heauen, 1. <hi>part.</hi> IX</item>
                     <item>So whilome learn'd, 2. <hi>part.</hi> X</item>
                     <item>Sound saddest notes. 1. <hi>part.</hi> XI</item>
                     <item>Let euery sharp. 2. <hi>part.</hi> XII</item>
                     <item>If women can be courteous. XIII</item>
                     <item>Naught is on earth more sacred. XIIII</item>
                     <item>Ye gentle ladies. XV</item>
                     <item>The witlesse boy that blind is to behold. XVI</item>
                     <item>Who seekes to captiuate the freest mindes. XVII</item>
                     <item>Who vowes deuotion to faire bewties shrine. XVIII</item>
                     <item>The heathen gods to loue. XIX</item>
                     <item>O vaine desire. XX</item>
                     <item>Euen as the flowers doe weether. XXI</item>
                  </list>
                  <trailer>FINIS.</trailer>
                  <pb facs="tcp:5151:86"/>
               </div>
            </back>
         </text>
      </group>
   </text>
</TEI>
