THE REBELLION: A TRAGEDY: As it was acted nine dayes together, and divers times since with good applause, by his Majesties Company of Revells.
Written by THOMAS RAWLINS.
LONDON: Printed by I. Okes, for Daniell Frere, and are to be sold at the Signe of the Red Bull in Little Brittaine. 1640.
The Actors Names.
- A Cupid.
- King of Spaine.
- Antonio a Count.
- Machvile a Count.
- Three Spanish Colonells.
- Alerzo.
- Fulgentio.
- Pandolpho.
- Petruchio. Governour of Filford.
- Raymond a Moore Generall of the French Army.
- Three French Colonells.
- Leonis.
- Gilberty.
- Firenzo.
- Sebastiano, Petruchios Sonne, in the diguise of a Tayler cald Giovanno.
- Old Tayler.
- Virmine his man.
- Three Taylers more.
- Captaine of the Bandetty.
- Two Ruffians and a Brave.
- Philippa the Moores wife.
- Auristella Machviles wife.
- Evadne Antonios Sister.
- Aurelia Sebastianos Sister.
- Nurse Attendant on Evadne.
- Attendants.
The Scene SIVILL.
To the Worshipfull, and his honorred Kinsman, Robert Ducie, of Aston, in the County of Stafford Esquire: Son to Sir Robert Ducie, Knight and Baronet Deceased.
NOt to boast of any perfections, I have never yet bin Owner of Ingratitude, and would bee loath Envy should taxe mee now; having at this time opportunity to pay part of that debt I owe your love. This Tragedy had at the presentment a generall Applause; yet I have not that want of modesty, as to conclude it wholly worthy your Patronage; although I have bin bold to fixe your name unto it. Yet however, your Charity will be famous in protecting this Plant, from the breath of Zoilus; and forgiving this my confidence: and your acceptance cherish a study of a more deserving Peece, to quit the remainder of the ingagement: In
To the Reader.
REader, if Courteous, I have not so little faith as to feare thy censure; since thou knowest youth hath many faults, whereon I depend: although my ignorance of the Stage is also a sufficient excuse; if I have committed any, let thy Candor judge mildly of them; and thinke not those voluntary favours of my friends (by whose compulsive perswasions I have published this) a commendations of my seeking, or through a desire in me to encrease the Volume▪ but rather a care, that you (since that I have bin over entreated to present it to you) might find therein something worth your time. Take no notice of my name, for a second worke of this nature shall hardly beare it. I have no desire to bee knowne by a thread-bare Cloake, having a Calling that will maintaine it woolly. Farewell.
To his loving friend the Author, upon his Tragedy The Rebellion.
To his worthy Esteemed Mr. Thomas Rawlins on his Rebellion.
To my friend Mr. Rawlins, upon this Play, his Worke.
To the Author on his Rebellion.
To his deare friend, Mr. Thomas Rawlins.
To his Friend Mr. Thomas Rawlins, on his Play called the Rebellion.
To the Author, Master Thomas Rawlins.
To the ingenious Author.
To his friend of the Author.
On Master Rawlins and his Tayler in the Rebellion.
To his Ingenious Friend Mr. Rawlins, the Author of the Rebellion.
THE REBELLION: A TRAGEDY.
COllonell
Signior Alerzo.
Heere.
Y' are merry.
Count Antonio.
Let us salute him.
And you still bind it in stronger Bonds.
Your honours vassales.
And in that loved name pray for the Kingdoms good.
Count Matchvill.
The Taylor yet return'd Nurse?
Madam not yet.
Fye this becomes you not.
Y'are uncivill.
Heaven—
O 'tis my love. I come.
Yonder she is and walkes, yet in sence strong enough to maintaine Argument, she's under my cloake; for the best part of a Lady as this age goes is her Clothes; in what reckoning ought we Taylers to be esteem'd then, that are the master workemen to correct nature? You shall have a Lady in a Dialogue with some gallant, touching his Suite, the better part of man, so sucke the breath that names the skilfull Tayler as if it nourisht her. Another Dona fly from the close imbracements of her Lord, to be all over measur'd by her Tayler. One will bee sicke forsooth, and bid her maid deny her to this Don, that Earle, the other Marquesse, nay to a Duke; yet let her Taylor lase and unlase her gowne, so round the skirts to fit her to the fashion: here's one has in my sight made many a noble Don to hang the head, Dukes and Marquesses, three in a morning breake their fasts on her denialls; yet I, her Tayler, blest bee the kindnesse of my loving stare, am usher'd; she smiles and sayes I have staid too long, and then findes fault with some slight stitch, that eye-let holes's too close, then must I use my Bodkin 'twill [Page] never please else; all will not doe, I must take it home, for no cause but to bring it her againe next morning. Wee Taylors are the men spight o'the Proverbe, Ladies cannot live without.
Bid him draw neere.
What have you done it now?
What meane you Madam?
Doctor I meane, you speake so physicall.
O Lady, you are more fairer by farre.
La you there Madam.
Leave us.
(Ha)
You say you love her.
Arise; it is a Ceremony due unto none but heaven.
Be thy selfe againe.
Madam, your Brother.
What's he that past?
My Tailer.
Stand.
Stand.
Stand.
Give the word through the Army, stand there.
Stand, stand, stand, stand hoe.
She is a Mine of valour.
Come bullies, come; wee must forsake the use of nimble sheeres, and now betake us to our Spanish needles, Stelletto blades, and prove the Proverbe lyes, lyes in his throat: one Tayler can erect sixteene, nay more, of upstart Gentlemen, knowne by their Cloathes, and leave enough materialls in hell to damne a broker.
We must to the wars my boyes.
How Master, to the warres?
I to the warres Virmine, what sayst thou to that?
Nothing, but that I had rather stay home: O the good penny bread at breakfasts that I shall lose! Master, good Master let me alone, to live with honest Iohn, noble John Blacke.
Wilt thou disgrace thy worthy calling, Virmine?
No, but I am afraid my calling will disgrace me: I shall be gaping for my mornings loafe, and dramme of Ale; I shall; and now and then look for a Cabbich leafe, or an odde remnant to cloath my bashfull buttocks.
You shall.
Yes marry; why I hope poore Vermine must bee fed, and will be fed, or Ile torment you.
Master I take priviledge from your love to hearten on my fellowes.
I, I; doe, doe good boy.
Come Vermine, come.
Nay if virmine slip from the backe of a Tayler, spit him with a Spanish Needle; or torment him in the louses Engin: your two thumbe nailes.
Act Second.
Scene I. A Table and Chaires.
Dares he doe this?
Hum, hum.
Hum, hum.
This has bin studied.
He's almost out.
Nothing.
How?
Nothing.
Speake, Antonio your counsell.
Nothing.
How?
Cowardly Antonio.
Noe, i'me reformed he's valiant.
Antonio your counsell.
I your counsell.
'Tis god-like Counsell.
And becomes the tounge of yong Antonio.
Ha.
'Tis as I wou'd hav't.
Noble Antonio.
Brave spirited Lord.
The mirrour of a Soldier.
Deserv'd?
Yes.
Yes.
No, by the hand of Iustice; fly, fly my Lord.
What else, kind Nurse.
That's certaine, none prouder.
How meane you sir?
Faith Madam your crooked moveables in artificiall bodies, that rectifie the deformity of natures over-plus, as bunching backes, or scarcity, as seanty shoulders, are the proudest creatures; you shall have them jet with it an undaunted boldnesse; for the truth is, what they want in substance they have in ayre:
I were ungratefull else.
A kisse and then I goe, so; farewell my Duck.
Come you are loath to part with't 'tis so sweet.
By this I must.
Ile smother that harsh breath.
Againe I counter-checke it.
O my deare friend, my brother, w'are undon.
Shred of a slave thou' lyest.
Brave; your mistris.
O my lost brother!
To prison with him.
My sister! worthy Tayler; 'tis a gift lyes not in me to give: aske something else, 'tis thine, although it bee gain'd with the quite extinguishing of this; this breath you gave mee.
Have not I—
Speake no further, I confesse you have bin all unto me, life, and being; I breath but with your licence: will no price buy out your interest in me, but her love? I tell thee Tayler, I have blood runs in mee, Spaine cannot match for greatnesse, next her Kings. Yet to requite thy love Ile call thee friend, be thou Antonio's friend; a favour nobles have thirsted for: will this requite thee?
Sir this may, but—
My sister thou wouldst say most worthy Tayler, shee is not mine to give; honour spake in my dying Father, 'tis a sentence that's Registred here, in Antonio's heart, I must not wed her, but to one in blood calls honour Father: Prethee be my friend, forget I have a sister; in love Ile bee more than a brother; tho' not to mingle blood.
May I not call her mistresse?
As a servant, far from the thoughts of Wedlocke.
Ile warrant you.
But for thy men.
No more, flatter not my sin.
You are too strikt a convertite, let's in.
'Tis from the City.
'Ts certainely from thence.
What speakes thy troubled front?
Speak crimson Metor.
Speake Prodigy, or on my sword thou fallst.
The enemy's upon us.
'Fore heaven a fiery girle.
A Masculine spirit.
An Amazon.
My Lord, you must strike quick and sure
We have the day.
Upon him then.
Thee.
Tayler, you are too sawcy.
Sawcy?
Vntutor'd groome, Mechanicke slave.
You wou'd?
By Heaven I would.
You'd be advis'd, and render up your life a Sacrifice to patience.
Musk-Cat, I'do make your Civet worship stinke first in your perfumed Buffe.
Phlegmaticke slave.
Bloud lesse Commanders.
How.
So.
Let's reward his boldnesse.
Whence this rashnesse?
Blest occation: lets on 'em.
Act Third.
Scene I.
All the Tail. A Tayler, a Tayler, a Tayler.
'Tis not to be borne: a Tayler!
My Lord.
Deliver up your prisoner.
Y'are obey'd.
This my reward?
More then thy worth deserves.
Pomander boxe thou lyest.
Goe purge your selfe; your Country vomits you.
Slaves y'are not worth my anger.
Or Spaines ingratitude.
Please you walke?
My servant banisht.
Thou hast a gut wou'd swallow a pecke Loafe.
Leave your discovery.
What must she second?
As how sweet Machvile?
What for his wife?
Attend your Lady—so her forward spleene, Tickled with thought of greatnesse makes the Scene attempts run smooth: the haughty Moore shall bee the Lader, on whose servile backe Ile mount to greatnesse, If calme peace deny me easie way.
He is asleepe.
Why how now friend, what talking to thy selfe?
Who were they?
Did he say this?
Is Evadne banisht?
She is, and as I ghesse to Flanders, her woman too has left her.
Farewell good master.
You doe not doubt me?
No, were you a woman made of such course ingrediances as the common, which in our triveall phrase we call meere women; I wou'd not trust thee with a Cause so weighty, that the discovery did indanger this, this haire; that when 'tis gone a Linxe cannot misse it: but you are—I want expressions, 'tis not common words can speake you truely, you are more than woman.
Come sir to my Castle.
Act Fourth.
Scene 1.
Helpe, a Rape.
Stop her mouth.
Murther: a Rape.
I come, I come.
Faith Master if you cann't, here's them that can ferrit in a Cunny burrow without a provocative, Ile warrant you: good Master let me beginne the health.
Hang Chastity.
A very voyce.
O Captaine, Captaine, yonder's the mad Orlando the furious, and I thinke he takes me for—What doe you call him?
What Meder?
1, 1, Meder: the Divell Meder him, he has so nudled me—O here he comes; Ile be gone.
'Tis, 'tis she; she must not know I'me mad.
They that know me mortall, terme me Evadne.
Tis she: I, I, tis she.
How doe you?
Well, very well: be like you thinke I'me mad.
You looke distractedly.
What say you sweet?
Receive me to thy armes.
What shall I offer to my life, preserver?
Thus I deliver, in this kisse receive't.
In the same forme Aurelia yeelds up hers.
What noise is that?
I feare my Father.
What's to be done?
Sure 'tis my sister, and that sleeping man
She loves him still.
Blest be those gentle powers that—
Behold Antonio.
Brother.
Brother.
Doe good brother.
Goe good Sebastiano.
Come let's have a device, a thing, a song Boy
Come an aire—
For which wee, &c.
Old Tay. You see the life we live, cease.
O 'tis a merry one.
It is no newes to me, I have bin us'd to't.
Pray for [...]ecesse:
Can you say so?
Sir, she has spoke my meaning.
Friend, what are those beauties cald?
Your graces pardon.
Issue of his hopes, strange;
Crownes injoyment, O villaine,
All greatnesse without her is slavery.
Vse modest violence.
Oh.
Stand wider, give her aire.
What have you done?
Wak'd thee to be a Queene.
Madam—
How easie is the faith of the ambitious.
Follow me to the Counsell.
Yes Madam.
Madam i'me both.
And dee' find no let that stops my rysing.
Not any.
It may be so, the horiscope is troubled;
Begare Madam me make de gowne so brave; O, de hole vorle vorke be me patron, me ha vorke for le grand Duches le Shevere, le Royne de Francia, Spanea de Angleter an all d'fine Madamosels.
Nay Monsier to deprive desert of praise, is unknown Language, troth I use it not▪ nay it is verry well.
Be me trot a Madam [...]ever doe ill, de English man do ill, de Spanere doe, de Duch, de all doe ill, but your Franch man, and begare he doe incomparable brave.
Y'are too proud on't
Begare me noe proud ide vorle, me speake be me trot de trut, ang me noe lye; metra Madam begare you have de find bode a de vorle, O de fine brave big ting me have ever [Page] measure, me waire fit it so pat.
My Tayler,
We Monsier de Madam Tayler.
No begar me show someting for de man.
Begar me no ne [...]de threaten; me be as close to your secret, or my Ladyes secrets as de skin to de flesh; de flesh to [Page] de bone: if me tell me de—vat, de ye call de modero de Dog, de Bich; call me de son o de Bich.
Count Machvile waites your honour i'th Hall.
Act Fifth.
Scene 1.
Your graces Wil shall be in all obey'd.
Thy loyall love, makes thy King poore.
You sent the poyson, did you?
Did not he question what you us'd it for?
O my Sebastine.
Peace my Avadne, the King must not yet know me.
My brother has already made you knowne.
Wil't please your Highnesse?
What say the Colonells will they assist me?
Doubt not my Lord.
Now for the credit of Taylers.
Now my Masters are we to doe; d'e marke me, doe—
Doe; what doe? Act, act, you foole you, do said you, what doe? you a Player, you a Plasterer, a meere durt dawber; and not worthy to bee mentioned with Virmine, that exact Actor: doe, I am asham'd on't, fie.
Well said Virmine, thou tieklest him y'faith.
Doe, pha.
Well play; we are to play a play.
Play a play a play, ha, ha, ha; O egredious nonsensensicall wigeon, thou shame to our crosse-legg'd corporation; thou fellow of a sound, play a play; why forty pound golding of the beggers Theater speakes better, yet has a marke for the sage audience to exercise their dexterity, in throwing of rotten apples whilst my stout Actor pockets, and then eates up the injury: play a play, it makes my worship laugh yfaith.
To him Virmine, thou bitst him yfaith.
Well, act a Play before the King.
What play shall we act?
To fret the French the more, we will act strange but true, or the stradling Mounsieur, with the Neopolitan Gentleman between his legges.
That wo'not act well.
O giant of incomperable ignorance: that wo'not act well, ha, ha, that wo'not doe well, you Asse you.
You bit him for saying doe: Virmine leave biting you'd best.
What say you to our Spanish Bilbo?
Who Ieronimo?
I.
That he was a mad rascall to stab himselfe.
But shall wee act him?
I let us doe him.
Doe againe, ha.
No, no, let us act him.
I am content.
Courtier Virmine in the Court of Spaine.
Who shall act Ieronimo?
Very fine: but who shall act Horatio?
I, who shall doe your sonne?
What doe, doe againe: Well I will act Horatio.
Why you are his father.
Who shall act Prince Belthazer and the King?
You will doe all I thinke.
Then you are for the King?
I bully I.
Lets goe seeke our fellowes, and to this geere.
Come on then.
Men of our needfull profession, that deale in such commodities as mens lives, had need to looke about 'em 're they trafficke: I am to kill Raimond, the Devills cozen german, for he weares the same complexion: but there is a right Devill that hath hired me, that's Count Machvile. Good Table conceale me, here will I wait my watch-word: but stay, have I not forgot it (Then) I then is my arme to enter. I heare them comming.
Pray take your seats.
Not well, prethee retire.
Sicke, sicke at heart.
Well wrought poison, O how joy swells me.
You see my Lord the poison is boxt up.
Health waste upon this Royall company.
Knowes she we are here?
Royall there's something in't.
It smells ranke o'th Traytor.
Are you i'th wind on't?
Will you leave us?
I cannot stay; O I am sicke to death.
Or Ile nere trust poison more.
Philip Traytor, why not King? I am so.
Patience good my Lord; ile downe.
Villaine, must our disgrace mount thee?
To what tends this?
What meanes Count Machvile?
My Lord Antonio.
Confine your selves, the King is within hearing; therefore make show of liking Machviles plot: let him Mount high, his fall will bee the deeper: my life you shall bee safe.
Say, are you agreed?
Wee Mounsier.
Why then.
None paw Signior.
Wast thy plot Machvile? goe laughing to thy grave.
Alasse my Lord is wounded.
They need no Law.
Nor Hang-man.
They Condemne, and execute without a Jury.
Oh.
Oh, oh.
O my brother.
Give him some ayre, the wound cannot be mortall.
That's long since pardon'd.
You're still mercifull.
Alas poore Lady; rise, thy Father's here.
Looke up Aurelia, ha, why doe you kneele?
For a blessing.
Why she is not Aurelia, doe not mocke me.
Blest Virgin, thy desires I will performe.
Great King, our Grace—
The King is sad, you must not act.
Very good, pray make your
Thou art all truth: rise.
Your grace much honours me.