The argument of the Tragedie.
AT a banquet made by Vther Pendragon for the solemnising of his conquest against the Saxons, he fell inamoured with Igerna wife to Gorlois Duke of Cornwell. Who perceiuing the Kings passion, departed with his wife and prepared warres at Cornwell, where also in a strong holde beyond him hee placed her Then the King [...] an a [...]mye to suppresse him, but waxing impatient of his desire to Igerna, transformed himselfe by Merlin his cunning, into the likenesse of Gorlois, And after his acceptance with Igerna he returned to his siedge, where he slew Gorlois. Igerna was deliuered of Arthur and Anne twins of the same birth. Vther Pendragon 15. yeres after pursuing the Saxons was by them poysoned. Arthur delighted in his sister Anne, who made him father of Mordred. Seuenteene yeres after Lucius Tiberius of Rome demanded a tribute due by the conquest of Caesar. Arthur gathered the powers of 13. Kinges besides his owne, and leauing his Queene Gueneuora in the tuition of Mordred, to whome likewise he committed the kingdome in his absence, arriued at Fraunce, where after 9. yeares warres, he sent the slaine bodie of Tiberius vnto Rome for the tribute. During this absence Mordred grew ambicious, for th'effecting whereof he made loue to Gueneuora, who gaue [...]are vnto him. Then by th'assistance of G [...]lla a Brittish Lord hee vsurped, and for mainteinance entertayned with large promises, the Sa [...]ons, Irish, Pictes, & N [...]rmands. Gueneuora hearing that Arthur was alreadie embarked for returne, through dispaire purposing diuersly, sometimes to kill her husband, sometimes to kill her selfe, at last resolued to enter into religion. Arthur at his landing was resisted on the stronds of Douer, where he put Mordred to flight. The last fielde was fought at Cornwell, where after the death of one hundred and tweentie thousand sauing on either side 20, Mordred receiued his death, and Arthur his deadly wound.
¶ The Argument and manner of the first dumbe shewe.
SOunding the musicke, there rose three furies from vnder the stage apparelled accordingly with snakes and flames about their blacke haires and garments. The first with a Snake in the right hande and a cup of wine with a Snake a [...]hwart the cup in the left hand. The second with a firebrand in the right hand [...], and a Cupid in the left: The thirde with a whippe in the right hande and a Paegasus in the left. VVhiles they went masking aboue the stage, there came from another place three Nu [...] which walked by them selues. Then after a full sight giuen to the beholders, they all parted, the furie [...] to Mordreds house, the Nuns to the Clois [...]er. By the first furie with the Snake and Cup was signified the Banquet of Vther Pendragon, and afterward his death which insued by poysoned cup. The second furie with her firebrande & Cupid represented Vthers vnlawfull [...]ea [...]e and lo [...] conceyued at the banquet, which ne [...]er ceased in his posteritie. By the third with her whip and Paegasus was prefigured the crueltie and [...] which thenc [...] insued and continued to th'effecting of this tragidie. By the Nuns was [...] the remorse and d [...]spaire of Gueneuora, that wanting other hope tooke a Nunrie for [...] refuge. After their departure, the fowre which represented the Chor [...] [...] plaeces.
The argument of the first Act.
1 IN the first scene the spirit of Gorlois Duke of Cornwell, the man first & most wronged in this historie being dispoild both of Wife, Dukedome and life craueth reuenge for these iniuries, denouncing the whole misfortune insuing.
2 In the second scene▪ Gueneuora hearing that Arthur was on Seas returning, desperately manaceth his death, from which intent she is disswaded by Fronia, a Lady of her Court & priuie to her secretes.
3 In the third scene Gueneuora perplexedly mindeth her owne death, whence being diswaded by her sister she resolueth to enter into Religion.
4 In the fourth scene Mordred goeth about to perswade Gueneuora to persist in her loue, but misseth thereof: And then is exhorted by Conan (a noble mā of Brytain) to reconcile himselfe to his Father at his comming, but refuseth so to doe and resolueth to keepe him from landing by battaile.
- Gorlois Duke of Cornwalls ghost.
- Gueneuora the Queene.
- Fronia a Lady of her trayne.
- Angharad sister to the Queéne.
- Mordred the Usurper.
- Conan a faithfull counseller.
- Nuntius of Arthurs landing.
- The Heralt from Arthur.
- Gawin King of Albanie.
- Gilla: a Brytishe Earle.
- Gillamor King of Ireland.
- Cheldrich Duke of Saxonie.
- The Lorde of the Pictes.
- Arthur King of great Brytain.
- Cador Duke of Cornwall.
- Hoel King of little Brittaine.
- The Heralt from Mordred.
- Aschillus King of Denmarke.
- The King of Norwaye.
- A number of Souldiers.
- Nuntius of the last battell.
- Gildas a noble man of Brytain.
- CHORVS.
THE FIRST ACT and first scene.
The second scene.
Unlawfull loue doth like, when lawfull lothes.
And is your loue of husbande quite extinct?
How can you then attempt a fresh offence?
Who can appoint a stint to her offence?
But here the greatnesse of the fact should moue.
To kill your spowse?
A stranger, and a foe.
Your liedge and king?
He wants both Realme and Crowne.
Nature affordes not to your sexe such strength.
Loue, anguish, wrath, will soone afforde inough.
What rage is this?
Such as himselfe shall rue.
Whom Gods doe presse inough, will you annoy?
The third scene.
But will my teares and mournings moue you nought?
Then is it best to die, when friends doe mourne.
Loue is an error, that may blinde the best.
The fourth scene.
No plague for one ill borne, to dye as ill.
will warre.
that lies in chaun [...]
I haue as great a share in chaunce, as he.
His waies be blinde, that maketh chaunce his guide.
Whose refuge lies in chaunce, what dares he not?
Warres were a crime farre worse then all the rest.
The safest passage is from bad to worse.
That were to passe too farre, and put no meane.
He is a foole, that puts a meane in crimes.
But sword and fire would cause a common wound.
So sword and fire will often seare the soare.
Extremest cures must not be vsed first.
In desperate times, the headlong way is best.
Y'haue many foes.
No more then faythfull friends.
What sonne would vse such wrong against his sire?
She carpeth ne'r the lesse.
She's soone supprest.
The Argument of the second Act.
1 IN the first Scene a Nuntio declareth the successe of Arth [...] warres in France, and Mordred's foile that resisted his [...].
2 In the second Scene Mordred enraged at the ouerthrow, v [...]eth a second battaile, notwithstanding Conan's disswasio [...] the contrarie.
3 In the third Scene Gawin (brother to Mordred by [...]) with an Heralt from Arthur to imparle of peace, but [...] some debate thereof peace is reiected.
4 In the fourth Scene the King of Ireland & other forrein [...] assure Mordred of their assistane against Arthur.
¶ The Argument and manner of the second dumbe shewe.
WHILES the Musicke sounded there came out of Mordred's [...] man stately attyred representing a King, who walking once [...] Stage. Then out of the house appointed for Arthur, there came [...] Nymphes apparailed accordingly, the first holding a Cornucopia in her han [...] second a golden braunch of Oliue, the third a sheaffe of Corne. These [...] one after another offered these presents to the King who seemefully refu [...] [Page 12] After the which there came a man bareheaded, with blacke long shagged haire downe to his shoulders, apparailed with an Irish Iacket and shirt, hauing an Irish dagger by his side and a dart in his hand. Who first with a threatning countenance looking about, and then spying the King, did furiously chase and driue him into Mordreds house. The King represented Mordred. The three Nymphes with their proffers the treatice of peace, for the which Arthur sent Gawin with an Herault vnto Mordred who reiected it: The Irish man signified Reuenge and Furie which Mordred conceiued after his foile on the Shoares, whereunto Mordred headlong yeeldeth himselfe.
THE SECOND act and first Scene.
The second scene.
Nought shoulde be rashly vowde against your sire.
Whose breast is freé from rage may soone b'aduisde.
The best redresse for rage is to relent.
Tis better for a King to kill his foes.
So that the Subiects also iudge them foes.
The Subiects must not iudge their Kings decrees.
The Subiects force is great.
Greater the Kings.
The more you may, the more you ought to feare.
He is a foole, that feareth what he may.
A greater perill comes by breach of lawes.
The Lawes doe licence as the Soueraigne lists.
Lest ought he list, whom lawes doe licence most.
Imperiall power abhorres to be restrainde.
As much doe meaner roomes to be compeld.
The Fates haue heau'de and raisde my force on high.
The gentler shoulde you presse those, that are low.
The cause why Subiects hate.
A Kingdom's kept by feare.
The timerous Subiect dares attempt no chaundge.
What dares not desperate dread?
What torture threats.
O spare, tweare saffer to be lou'de.
Whiles you command but well.
If powre be ioynde with right, men must obay.
My will must goe for right.
If they assent.
No Gods forbid.
The hugest crimes bring best successe to some.
Those some be rare.
Why may not I be rare?
It was their hap.
It is my hope.
So hope is first, and hoists the saile.
Yet feare: the first and last doe sielde agreé.
The third scene.
And mine ascends to high to wish his life.
The more you ought to tremble at his powre.
The greater is my conquest, if I winne.
And feare you not so strange and vncouth warres?
No, were they warres that grew from out the ground.
Nor yet your sire so huge, your selfe so small?
The smallest axe may fell the hugest oake.
Nor that in felling him, your selfe may fall?
He falleth well, that falling fells his foe.
Nor common Chance whereto each man is thrall?
Nor that, if Chance afflict, kings brooke it not?
But will no reason rule that desperate minde?
The fourth scene.
The argument of the third Act.
1 IN the first Scene Cador and Howell incite and exhort Arthur vnto warre: Who mooued with Fatherly affection towards his sonne, notwithstanding their perswasions resolueth vpon peace.
2 In the second Scene, an Herault is sent from Mordred to commaund Arthur to discharge his armies vnder paine of death, or otherwise if he dare, to trie it by Battaile.
3 In the third Scene Arthur calleth his Assistants and Souldiers together, whom he exhorteth to pursue their foes.
4 In the fourth Scene Arthur between griefe and despaire resolueth to warre.
¶ The Argument and manner of the third dumbe shewe.
DVring the Musicke after the second Act. There came vppon the stage two gentlemen attyred in peaceable manner, which brought with them a Table, Carpet, and Cloth: and then hauing couered the Table they furnisht it with incense on the one ende, and banqueting dishes on the other ende: Next there came two gentlemen apparelled like Souldiers with two naked Swordes in their handes, the which they laide a crosse vpon the Table. Then there came two sumptuously attyred and warrelike, who, spying this preparation smelled the incense and tasted the banquet. During the which there came a Messenger and deliuered certaine letters to those two that fedde on the daineties: who, after they had well viewed and perused the letters, furiously flung the banquet vnder feete▪ and violently snatching the Swordes vnto them, they hastily went their way. By the first two that brought in the banquet was meant the seruaunts of Peace, by the second two were meant the seruaunts of Warre: By the two last were meant Arthur and Cador, By the Messenger and his Letters was meant the defiance from Mordred.
THE THIRD ACT and second scene.
If Fortune fawns.
Put case you winne, what griefe?
Then may you rule.
To rule is much.
Small if we couet naught.
Who couets not a Crowne.
That hangeth fast.
Right holdes it vp.
The Commons helpe the King.
They sometimes hurt.
At least the Peeres.
Sield, if allegeance want.
Yet Soueraigntie.
Not, if allegeance faile.
Doube not, the Realme is yours.
T'was mine till now.
And shall be still.
If Mordred list.
Perhaps tis bettes lost.
The name of rule should moue a princely minde.
Trust me, bad things haue often glorious names.
The greatest good that Fortune can affoord.
A dangerous good that wisedome would eschue.
The second scene.
The third scene.
Yea, yea, &c.
The fourth scene.
The Argument of the fourth Act.
1 IN the first Scene Gildas and Conan conferre of the state of Brytaine.
2 In the Second Scene Nuntius maketh report of the whole battaile, with the death of Mordred and Arthurs and Cadors deadly wound.
3 In the third Scene Gildas and Conan lament the infortunate state of the Countrie.
¶ The Argument and manner of the fourth dumbe shewe.
DVring the Musicke appointed after the third act, there came a Lady Co [...]ly attyred with a counterfaite Childe in her armes, who walked softly the Stage. From an other place there came a King Crowned, who likew [...] walked on an other part of the Stage. From a third place there came foure Soul [...]ers all armed, who spying this Lady and King, vpon a sodaine pursued the [...] from whom they violently tooke her Childe and flung it against the walles; [...] in mournefull sort wringing her hands passed her way. Then in like manner [...] sette on the King, tearing his Crowne from his head, and casting it in peeeces [...] feete draue him by force away; And so passed themselues ouer the Stage▪ [...] this was meant the fruit of Warre, which spareth neither man woman nor [...] with the ende of Mordreds vsurped Crowne.
THE FOVRTH ACT and first scene.
The second scene.
Speake on, what griefe so e'r our Fates afford.
Small griefes can speake: the great astonisht stand.
But what? Did Mordreds eyes indure this sight?
The third scene.
The argument of the fift Act.
IN the first scene Arthur and Cador returned deadlie wounded and bewaild the misfortune of themselues and their Countrie, and are likewise bewailed of the Chorus.
In the seconde scene the Gho [...]st of Gorlois returneth reioycing at his reue [...]dge, and wishing euer after a happier Fate vnto Brytaine, which done, he descendeth where he first rose.
¶ The Argument and manner of the fift and last dumbe shewe.
SOunding the Musicke, foure gentlemen all in blacke halfe armed, halfe vnarmed with blacke skarffes ouerthwart their shoulders should come vppon the stage. The first bearing alofte in the one hand on the trunchion of a speare an Helmet, an arming sworde, a Gauntlet, &c. representing the Trophea: in the other hand a Target depicted with a mans hart sore wounded & the blood gushing out, crowned with a Crowne imp [...]riall and a Lawrell garland, thus written in the toppe. En totum quod superest, signifying the King of Norway which spent himselfe and all his power for Arthur, and of whom there was lest nothing but his heart to inioy the conquest that insued. The seconde bearing in the one hand a siluer vessell full of golde, pearles, and other iewels representing the Spolia: in the other hande a Target with an Olephant and Dragon thereon fiercely combacting, the Dragon vnder the Olephant and sucking by his extreme heate the blood from him is crushed in peeces with the fall of the Olephant, so as both die at last, this written aboue, Victor, an Victus? representing the King of Denmarke, who fell through Mordreds wound, hauing first with his souldiers destroyed the most of Mordreds armie. The third bearing in the one hand a Pyramis with a Lawrell wreath about it representing victorie. In the other hand a Target with this deuise: a man sleeping, a snake drawing neere to sting him, a Leazard preuenting the Snake by fight, the Leazard being deadlie wounded awaketh the man, who seeing the Leazard dying, pursues the Snake, and kils it, this written aboue, Tibi morimur. Signifying Gawin King of Albanye slaine in Arthurs defence by Mordred, whom Arthur afterwardes slewe. The fourth bearing in the one hande a broken piller, at the toppe thereof the Crowne and Scepter of the vanquisht King, both broken asunder, representing the conquest ouer vsurpation: in the other hand a Target with two Cockes painted thereon, the one lying dead, the other [Page 41] with his winges broken, his eyes pecked out, and the bloode euerye where gushing foorth to the grounde, he standing vppon the dead Cocke and crowing ouer him, with this embleme in the toppe, Qua vici, p [...]rdidi, signifying Cador deadly wounded by Gilla whom he slewe. After these followed a King languishing in complet Harnesse blacke, brused & battered vnto him, besprinkled with blood. On his head a Lawrell garland, leaning on the shoulders of two Heraults in mourning gownes & hoods, th'on in Mars his coate of arms, the other in Arthurs, presenting Arthur victoriously but yet deadly wounded. there followed a page with a Target whereon was portraited a Pellican pecking her blood out of her brest to feede her young ones, through which wound she dieth, this writen in the toppe, Quafoui, perit, signifying Arthurs too much indulgencie of Mordred, the cause of his death. All this represented the dismayed and vnfortunate victorie of Arthur, which is the matter of the Act insuing.
THE FIFT ACT and first Scene.
The second scene.
EPILOGVS.
¶ Heere after followe such speeches as were penned by others, and pronounced in stead of some of the former speeches penned by Thomas Hughes.
A speach penned by William Falbecke gentleman, one of the societie of Grayes-Inne, and pronounced in stead of Gorlois his first speeche penned by Thomas Hughes, and set downe in the first Scene of the first Acte.
¶ One other speeche penned by the same gentleman, and pronounced in steade of Gorlois his last speache penned by Thomas Hughes, and set downe in the second Scene of the fift and last Act.
Besides these speaches there was also penned a Chorus for the first act, and an other for the second act, by Maister Frauncis Flower, which were pronounced accordingly. The dumbe showes were partly deuised by Maister Christopher Yeluerton, Maister Frauncis Bacon, Maister Iohn Lancaster and others, partly by the saide Maister Flower, who with Maister Penroodocke and the said Maister Lancaster directed these proceedings at Court.