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            <title type="main">The invisible man</title>
            <author>Wells, H.G. (Herbert George), 1866-1946</author>
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                  <author>Wells, H.G. (Herbert George), 1866-1946</author>
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                  <note>First edition 1897</note>
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      <front>
         <titlePage>
            <docTitle>
               <titlePart type="main">
                  <title type="main">The Invisible Man </title>
               </titlePart>
            </docTitle>
            <byline>by 
<docAuthor>H.G. Wells </docAuthor>
            </byline>
         </titlePage>
      </front>
      <body>
         <div n="C1" type="chapter">
            <head>The Strange Man's Arrival</head>
            <p>The stranger came early in February one wintry day, through a
biting wind and a driving snow, the last snowfall of the year, over
the down, walking as it seemed from Bramblehurst railway station and
carrying a little black portmanteau in his thickly gloved hand.  He
was wrapped up from head to foot, and the brim of his soft felt hat
hid every inch of his face but the shiny tip of his nose; the snow had
piled itself against his shoulders and chest, and added a white crest
to the burden he carried.  He staggered into the Coach and Horses,
more dead than alive as it seemed, and flung his portmanteau down.
“A fire,” he cried, “in the name of human charity!  A room
and a fire!” He stamped and shook the snow from off himself in the
bar, and followed Mrs. Hall into her guest parlour to strike his
bargain.  And with that much introduction, that and a ready
acquiescence to terms and a couple of sovereigns flung upon the table,
he took up his quarters in the inn.
</p>
            <p>Mrs. Hall lit the fire and left him there while she went to prepare
him a meal with her own hands.  A guest to stop at Iping in the
winter-time was an unheard-of piece of luck, let alone a guest who was
no “haggler,” and she was resolved to show herself worthy of
her good fortune.  As soon as the bacon was well under way, and
Millie, her lymphatic aid, had been brisked up a bit by a few deftly
chosen expressions of contempt, she carried the cloth, plates, and
glasses into the parlour and began to lay them with the utmost clat.
Although the fire was burning up briskly, she was surprised to see
that her visitor still wore his hat and coat, standing with his back
to her and staring out of the window at the falling snow in the yard.
His gloved hands were clasped behind him, and he seemed to be lost in
thought.  She noticed that the melted snow that still sprinkled his
shoulders dripped upon her carpet.  “Can I take your hat and coat,
sir,” she said, “and give them a good dry in the kitchen?”
</p>
            <p>“No,” he said without turning.
</p>
            <p>She was not sure she had heard him, and was about to repeat her
question.
</p>
            <p>He turned his head and looked at her over his shoulder.  “I
prefer to keep them on,” he said with emphasis, and she noticed
that he wore big blue spectacles with side-lights and had a bushy
side-whisker over his coat-collar that completely hid his face.
</p>
            <p>“Very well, sir,” she said.  “As you like.  In a bit
the room will be warmer.”
</p>
            <p>He made no answer and had turned his face away from her again; and
Mrs. Hall, feeling that her conversational advances were ill- timed,
laid the rest of the table things in a quick staccato and whisked out
of the room.  When she returned he was still standing there like a man
of stone, his back hunched, his collar turned up, his dripping
hat-brim turned down, hiding his face and ears completely.  She put
down the eggs and bacon with considerable emphasis, and called rather
than said to him, “Your lunch is served, sir.”
</p>
            <p>“Thank you,” he said at the same time, and did not stir
until she was closing the door.  Then he swung round and approached
the table.
</p>
            <p>As she went behind the bar to the kitchen she heard a sound
repeated at regular intervals.  Chirk, chirk, chirk, it went, the
sound of a spoon being rapidly whisked round a basin.  “That
girl!” she said.  “There!  I clean forgot it.  It's her being
so long!” And while she herself finished mixing the mustard, she
gave Millie a few verbal stabs for her excessive slowness.  She had
cooked the ham and eggs, laid the table, and done everything, while
Millie (help indeed!)  had only succeeded in delaying the mustard.
And him a new guest and wanting to stay!  Then she filled the mustard
pot, and, putting it with a certain stateliness upon a gold and black
tea-tray, carried it into the parlour.
</p>
            <p>She rapped and entered promptly.  As she did so her visitor moved
quickly, so that she got but a glimpse of a white object disappearing
behind the table.  It would seem he was picking something from the
floor.  She rapped down the mustard pot on the table, and then she
noticed the overcoat and hat had been taken off and put over a chair
in front of the fire.  A pair of wet boots threatened rust to her
steel fender.  She went to these things resolutely.  “I suppose I
may have them to dry now,” she said in a voice that brooked no
denial.
</p>
            <p>“Leave the hat,” said her visitor in a muffled voice, and
turning she saw he had raised his head and was sitting looking at her.
</p>
            <p>For a moment she stood gaping at him, too surprised to speak.
</p>
            <p>He held a white cloth—it was a serviette he had brought with
him—over the lower part of his face, so that his mouth and jaws
were completely hidden, and that was the reason of his muffled voice.
But it was not that which startled Mrs. Hall.  It was the fact that
all his forehead above his blue glasses was covered by a white
bandage, and that another covered his ears, leaving not a scrap of his
face exposed excepting only his pink, peaked nose.  It was bright
pink, and shiny just as it had been at first.  He wore a dark-brown
velvet jacket with a high black linen lined collar turned up about his
neck.  The thick black hair, escaping as it could below and between
the cross bandages, projected in curious tails and horns, giving him
the strangest appearance conceivable.  This muffled and bandaged head
was so unlike what she had anticipated, that for a moment she was
rigid.
</p>
            <p>He did not remove the serviette, but remained holding it, as she
saw now, with a brown gloved hand, and regarding her with his
inscrutable blue glasses.  “Leave the hat,” he said, speaking
very distinctly through the white cloth.
</p>
            <p>Her nerves began to recover from the shock they had received.  She
placed the hat on the chair again by the fire.  “I didn't know,
sir,” she began, “that—” and she stopped
embarrassed.
</p>
            <p>“Thank you,” he said drily, glancing from her to the door
and then at her again.
</p>
            <p>“I'll have them nicely dried, sir, at once,” she said, and
carried his clothes out of the room.  She glanced at his white-swathed
head and blue goggles again as she was going out of the door; but his
napkin was still in front of his face.  She shivered a little as she
closed the door behind her, and her face was eloquent of her surprise
and perplexity.  “I never,” she whispered.  “There!”
She went quite softly to the kitchen, and was too preoccupied to ask
Millie what she was messing about with now, when she got there.
</p>
            <p>The visitor sat and listened to her retreating feet.  He glanced
inquiringly at the window before he removed his serviette and resumed
his meal.  He took a mouthful, glanced suspiciously at the window,
took another mouthful, then rose and, taking the serviette in his
hand, walked across the room and pulled the blind down to the top of
the white muslin that obscured the lower panes.  This left the room in
twilight.  This done, he returned with an easier air to the table and
his meal.
</p>
            <p>“The poor soul's had an accident or an op'ration or
something,” said Mrs. Hall.  “What a turn them bandages did
give me, to be sure!”
</p>
            <p>She put on some more coal, unfolded the clothes-horse, and extended
the traveller's coat upon this.  “And they goggles!  Why, he
looked more like a divin' helmet than a human man!” She hung his
muffler on a corner of the horse.  “And holding that handkerchief
over his mouth all the time.  Talkin' through it!...Perhaps his mouth
was hurt too—maybe.”
</p>
            <p>She turned round, as one who suddenly remembers.  “Bless my
soul alive!” she said, going off at a tangent; “ain't you done
them taters yet, Millie?”
</p>
            <p>When Mrs. Hall went to clear away the stranger's lunch, her idea
that his mouth must also have been cut or disfigured in the accident
she supposed him to have suffered, was confirmed, for he was smoking a
pipe, and all the time that she was in the room he never loosened the
silk muffler he had wrapped round the lower part of his face to put
the mouthpiece to his lips.  Yet it was not forgetfulness, for she saw
he glanced at it as it smouldered out.  He sat in the corner with his
back to the window-blind and spoke now, having eaten and drunk and
being comfortably warmed through, with less aggressive brevity than
before.  The reflection of the fire lent a kind of red animation to
his big spectacles they had lacked hitherto.
</p>
            <p>“I have some luggage,” he said, “at Bramblehurst
station,” and he asked her how he could have it sent.  He bowed
his bandaged head quite politely in acknowledgment of her explanation.
“To-morrow!” he said.  “There is no speedier
delivery?” and seemed quite disappointed when she answered
“No.” Was she quite sure?  No man with a trap who would go
over?
</p>
            <p>Mrs. Hall, nothing loath, answered his questions and developed a
conversation.  “It's a steep road by the down, sir,” she said
in answer to the question about a trap; and then, snatching at an
opening said, “It was there a carriage was upsettled, a year ago
and more.  A gentleman killed, besides his coachman.  Accidents, sir,
happen in a moment, don't they?”
</p>
            <p>But the visitor was not to be drawn so easily.  “They do,”
he said through his muffler, eyeing her quietly through his
impenetrable glasses.
</p>
            <p>“But they take long enough to get well, sir, don't they? ...
There was my sister's son, Tom, jest cut his arm with a scythe,
tumbled on it in the 'ayfield, and, bless me! he was three months tied
up, sir.  You'd hardly believe it.  It's regular given me a dread of a
scythe, sir.”
</p>
            <p>“I can quite understand that,” said the visitor.
</p>
            <p>“He was afraid, one time, that he'd have to have an op'ration
—he was that bad, sir.”
</p>
            <p>The visitor laughed abruptly, a bark of a laugh that he seemed to
bite and kill in his mouth.  “Was he?” he said.
</p>
            <p>“He was, sir.  And no laughing matter to them as had the doing
for him, as I had—my sister being took up with her little ones
so much.  There was bandages to do, sir, and bandages to undo.  So
that if I may make so bold as to say it, sir—”
</p>
            <p>“Will you get me some matches?” said the visitor, quite
abruptly.  “My pipe is out.”
</p>
            <p>Mrs. Hall was pulled up suddenly.  It was certainly rude of him,
after telling him all she had done.  She gasped at him for a moment,
and remembered the two sovereigns.  She went for the matches.
</p>
            <p>“Thanks,” he said concisely, as she put them down, and
turned his shoulder upon her and stared out of the window again.  It
was altogether too discouraging.  Evidently he was sensitive on the
topic of operations and bandages.  She did not “make so bold as to
say,” however, after all.  But his snubbing way had irritated her,
and Millie had a hot time of it that afternoon.
</p>
            <p>The visitor remained in the parlour until four o'clock, without
giving the ghost of an excuse for an intrusion.  For the most part he
was quite still during that time; it would seem he sat in the growing
darkness smoking in the firelight, perhaps dozing.
</p>
            <p>Once or twice a curious listener might have heard him at the coals,
and for the space of five minutes he was audible pacing the room.  He
seemed to be talking to himself.  Then the armchair creaked as he sat
down again.
</p>
         </div>
         <div n="C2" type="chapter">
            <head>Mr. Teddy Henfrey's First
Impressions</head>
            <p>At four o'clock, when it was fairly dark and
Mrs. Hall was screwing up her courage to go in and ask her visitor if
he would take some tea, Teddy Henfrey, the clock-jobber, came into the
bar.  “My sakes!  Mrs. Hall,” said he, “but this is
terrible weather for thin boots!” The snow outside was falling
faster.
</p>
            <p>Mrs. Hall agreed with him, and then noticed he had his bag and hit
upon a brilliant idea.  “Now you're here, Mr. Teddy,” said
she, “I'd be glad if you'd give th' old clock in the parlour a bit
of a look.  'Tis going, and it strikes well and hearty; but the
hour-hand won't do nuthin' but point at six.”
</p>
            <p>And leading the way, she went across to the parlour door and rapped
and entered.
</p>
            <p>Her visitor, she saw as she opened the door, was seated in the
armchair before the fire, dozing it would seem, with his bandaged head
drooping on one side.  The only light in the room was the red glow
from the fire—which lit his eyes like adverse railway signals,
but left his downcast face in darkness—and the scanty vestiges
of the day that came in through the open door.  Everything was ruddy,
shadowy, and indistinct to her, the more so since she had just been
lighting the bar lamp, and her eyes were dazzled.  But for a second it
seemed to her that the man she looked at had an enormous mouth wide
open,—a vast and incredible mouth that swallowed the whole of
the lower portion of his face.  It was the sensation of a moment: the
white- bound head, the monstrous goggle eyes, and this huge yawn below
it.  Then he stirred, started up in his chair, put up his hand.  She
opened the door wide, so that the room was lighter, and she saw him
more clearly, with the muffler held to his face just as she had seen
him hold the serviette before.  The shadows, she fancied, had tricked
her.
</p>
            <p>“Would you mind, sir, this man a-coming to look at the clock,
sir?” she said, recovering from her momentary shock.
</p>
            <p>“Look at the clock?” he said, staring round in a drowsy
manner and speaking over his hand, and then getting more fully awake,
“certainly.”
</p>
            <p>Mrs. Hall went away to get a lamp, and he rose and stretched
himself.  Then came the light, and Mr. Teddy Henfrey, entering, was
confronted by this bandaged person.  He was, he says, “taken
aback.”
</p>
            <p>“Good-afternoon,” said the stranger, regarding him, as Mr.
Henfrey says with a vivid sense of the dark spectacles, “like a
lobster.”
</p>
            <p>“I hope,” said Mr. Henfrey, “that it's no
intrusion.”
</p>
            <p>“None whatever,” said the stranger.  “Though I
understand,” he said, turning to Mrs. Hall, “that this room is
really to be mine for my own private use.”
</p>
            <p>“I thought, sir,” said Mrs. Hall, “you'd prefer the
clock—” She was going to say “mended.”
</p>
            <p>“Certainly,” said the stranger, “certainly—but,
as a rule, I like to be alone and undisturbed.
</p>
            <p>“But I'm really glad to have the clock seen to,” he said,
seeing a certain hesitation in Mr. Henfrey's manner.  “Very
glad.” Mr.  Henfrey had intended to apologise and withdraw, but
this anticipation reassured him.  The stranger stood round with his
back to the fireplace and put his hands behind his back.  “And
presently,” he said, “when the clock-mending is over, I think
I should like to have some tea.  But not until the clock-mending is
over.”
</p>
            <p>Mrs. Hall was about to leave the room,—she made no
conversational advances this time, because she did not want to be
snubbed in front of Mr. Henfrey,—when her visitor asked her if
she had made any arrangements about his boxes at Bramblehurst.  She
told him she had mentioned the matter to the postman, and that the
carrier could bring them over on the morrow.  “You are certain
that is the earliest?” he said.
</p>
            <p>She was certain, with a marked coldness.
</p>
            <p>“I should explain,” he added, “what I was really too
cold and fatigued to do before, that I am an experimental
investigator.”
</p>
            <p>“Indeed, sir,” said Mrs. Hall, much impressed.
</p>
            <p>“And my baggage contains apparatus and appliances.”
</p>
            <p>“Very useful things indeed they are, sir,” said Mrs. Hall.
</p>
            <p>“And I'm naturally anxious to get on with my inquiries.”
</p>
            <p>“Of course, sir.”
</p>
            <p>“My reason for coming to Iping,” he proceeded, with a
certain deliberation of manner, “was—a desire for solitude.
I do not wish to be disturbed in my work.  In addition to my work, an
accident—”
</p>
            <p>“I thought as much,” said Mrs. Hall to herself.
</p>
            <p>“—necessitates a certain retirement.  My eyes—are
sometimes so weak and painful that I have to shut myself up in the
dark for hours together.  Lock myself up.  Sometimes—now and
then.  Not at present, certainly.  At such times the slightest
disturbance, the entry of a stranger into the room, is a source of
excruciating annoyance to me—it is well these things should be
understood.”
</p>
            <p>“Certainly, sir,” said Mrs. Hall.  “And if I might make
so bold as to ask—”
</p>
            <p>“That, I think, is all,” said the stranger, with that
quietly irresistible air of finality he could assume at will.  Mrs.
Hall reserved her question and sympathy for a better occasion.
</p>
            <p>After Mrs. Hall had left the room, he remained standing in front of
the fire, glaring, so Mr. Henfrey puts it, at the clock- mending.  Mr.
Henfrey not only took off the hands of the clock, and the face, but
extracted the works; and he tried to work in as slow and quiet and
unassuming a manner as possible.  He worked with the lamp close to
him, and the green shade threw a brilliant light upon his hands, and
upon the frame and wheels, and left the rest of the room shadowy.
When he looked up, coloured patches swam in his eyes.  Being
constitutionally of a curious nature, he had removed the works—a
quite unnecessary proceeding—with the idea of delaying his
departure and perhaps falling into conversation with the stranger.
But the stranger stood there, perfectly silent and still.  So still,
it got on Henfrey's nerves.  He felt alone in the room and looked up,
and there, grey and dim, was the bandaged head and huge blue lenses
staring fixedly, with a mist of green spots drifting in front of them.
It was so uncanny-looking to Henfrey that for a minute they remained
staring blankly at one another.  Then Henfrey looked down again.  Very
uncomfortable position!  One would like to say something.  Should he
remark that the weather was very cold for the time of year?
</p>
            <p>He looked up as if to take aim with that introductory shot.
“The weather—” he began.
</p>
            <p>“Why don't you finish and go?” said the rigid figure,
evidently in a state of painfully suppressed rage.  “All you've
got to do is to fix the hour-hand on its axle.  You're simply
humbugging—”
</p>
            <p>“Certainly, sir—one minute more, sir.  I
overlooked—” And Mr.  Henfrey finished and went.
</p>
            <p>But he went off feeling excessively annoyed.  “Damn it!”
said Mr.  Henfrey to himself, trudging down the village through the
thawing snow; “a man must do a clock at times, sure-lie.”
</p>
            <p>And again: “Can't a man look at you?—Ugly!”
</p>
            <p>And yet again: “Seemingly not.  If the police was wanting you
you couldn't be more wropped and bandaged.”
</p>
            <p>At Gleeson's corner he saw Hall, who had recently married the
stranger's hostess at the Coach and Horses, and who now drove the
Iping conveyance, when occasional people required it, to Sidderbridge
Junction, coming towards him on his return from that place.  Hall had
evidently been “stopping a bit” at Sidderbridge, to judge by
his driving.  “'Ow do, Teddy?” he said, passing.
</p>
            <p>“You got a rum un up home!” said Teddy.
</p>
            <p>Hall very sociably pulled up.  “What's that?” he asked.
</p>
            <p>“Rum-looking customer stopping at the Coach and Horses,”
said Teddy.  “My sakes!”
</p>
            <p>And he proceeded to give Hall a vivid description of his grotesque
guest.  “Looks a bit like a disguise, don't it?  I'd like to see a
man's face if I had him stopping in my place,” said Henfrey.
“But women are that trustful,—where strangers are concerned.
He's took your rooms and he ain't even given a name, Hall.”
</p>
            <p>“You don't say so!” said Hall, who was a man of sluggish
apprehension.
</p>
            <p>“Yes,” said Teddy.  “By the week.  Whatever he is, you
can't get rid of him under the week.  And he's got a lot of luggage
coming to-morrow, so he says.  Let's hope it won't be stones in boxes,
Hall.”
</p>
            <p>He told Hall how his aunt at Hastings had been swindled by a
stranger with empty portmanteaux.  Altogether he left Hall vaguely
suspicious.  “Get up, old girl,” said Hall.  “I s'pose I
must see 'bout this.”
</p>
            <p>Teddy trudged on his way with his mind considerably relieved.
</p>
            <p>Instead of “seeing 'bout it,” however, Hall on his return
was severely rated by his wife on the length of time he had spent in
Sidderbridge, and his mild inquiries were answered snappishly and in a
manner not to the point.  But the seed of suspicion Teddy had sown
germinated in the mind of Mr. Hall in spite of these discouragements.
“You wim' don't know everything,” said Mr. Hall, resolved to
ascertain more about the personality of his guest at the earliest
possible opportunity.  And after the stranger had gone to bed, which
he did about half-past nine, Mr. Hall went aggressively into the
parlour and looked very hard at his wife's furniture, just to show
that the stranger wasn't master there, and scrutinised closely and a
little contemptuously a sheet of mathematical computation the stranger
had left.  When retiring for the night he instructed Mrs.  Hall to
look very closely at the stranger's luggage when it came next day.
</p>
            <p>“You mind your own business, Hall,” said Mrs. Hall,
“and I'll mind mine.”
</p>
            <p>She was all the more inclined to snap at Hall because the stranger
was undoubtedly an unusually strange sort of stranger, and she was by
no means assured about him in her own mind.  In the middle of the
night she woke up dreaming of huge white heads like turnips, that came
trailing after her at the end of interminable necks, and with vast
black eyes.  But being a sensible woman, she subdued her terrors and
turned over and went to sleep again.
</p>
         </div>
         <div n="C3" type="chapter">
            <head>The Thousand and One
Bottles</head>
            <p>Thus it was that on the ninth day of February, at
the beginning of the thaw, this singular person fell out of infinity
into Iping Village.  Next day his luggage arrived through the slush.
And very remarkable luggage it was.  There was a couple of trunks
indeed, such as a rational man might need, but in addition there were
a box of books,—big, fat books, of which some were just in an
incomprehensible handwriting,—and a dozen or more crates, boxes,
and cases, containing objects packed in straw, as it seemed to Hall,
tugging with a casual curiosity at the straw—glass bottles.  The
stranger, muffled in hat, coat, gloves, and wrapper, came out
impatiently to meet Fearenside's cart, while Hall was having a word or
so of gossip preparatory to helping bring them in.  Out he came, not
noticing Fearenside's dog, who was sniffing in a dilettante spirit at
Hall's legs.  “Come along with those boxes,” he said.
“I've been waiting long enough.”
</p>
            <p>And he came down the steps towards the tail of the cart as if to
lay hands on the smaller crate.
</p>
            <p>No sooner had Fearenside's dog caught sight of him, however, than
it began to bristle and growl savagely, and when he rushed down the
steps it gave an undecided hop, and then sprang straight at his hand.
“Whup!” cried Hall, jumping back, for he was no hero with
dogs, and Fearenside howled, “Lie down!” and snatched his
whip.
</p>
            <p>They saw the dog's teeth had slipped the hand, heard a kick, saw
the dog execute a flanking jump and get home on the stranger's leg,
and heard the rip of his trousering.  Then the finer end of
Fearenside's whip reached his property, and the dog, yelping with
dismay, retreated under the wheels of the waggon.  It was all the
business of a half-minute.  No one spoke, every one shouted.  The
stranger glanced swiftly at his torn glove and at his leg, made as if
he would stoop to the latter, then turned and rushed up the steps into
the inn.  They heard him go headlong across the passage and up the
uncarpeted stairs to his bedroom.
</p>
            <p>“You brute, you!” said Fearenside, climbing off the waggon
with his whip in his hand, while the dog watched him through the
wheel.  “Come here!” said Fearenside—”You'd
better.”
</p>
            <p>Hall had stood gaping.  “He wuz bit,” said Hall.  “I'd
better go and see to en,” and he trotted after the stranger.  He
met Mrs.  Hall in the passage.  “Carrier's darg,” he said,
“bit en.”
</p>
            <p>He went straight upstairs, and the stranger's door being ajar, he
pushed it open and was entering without any ceremony, being of a
naturally sympathetic turn of mind.
</p>
            <p>The blind was down and the room dim.  He caught a glimpse of a most
singular thing, what seemed a handless arm waving towards him, and a
face of three huge indeterminate spots on white, very like the face of
a pale pansy.  Then he was struck violently in the chest, hurled back,
and the door slammed in his face and locked, all so rapidly that he
had no time to observe.  A waving of indecipherable shapes, a blow,
and a concussion.  There he stood on the dark little landing,
wondering what it might be that he had seen.
</p>
            <p>After a couple of minutes he rejoined the little group that had
formed outside the Coach and Horses.  There was Fearenside telling
about it all over again for the second time; there was Mrs. Hall
saying his dog didn't have no business to bite her guests; there was
Huxter, the general dealer from over the road, interrogative; and
Sandy Wadgers from the forge, judicial; besides women and
children,— all of them saying fatuities: “Wouldn't let en
bite me, I knows”; “'Tasn't right have such dargs”;
“Whad 'e bite'n for then?” and so forth.
</p>
            <p>Mr. Hall, staring at them from the steps and listening, found it
incredible that he had seen anything very remarkable happen upstairs.
Besides, his vocabulary was altogether too limited to express his
impressions.
</p>
            <p>“He don't want no help, he says,” he said in answer to his
wife's enquiry.  “We'd better be a-takin' of his luggage in.”
</p>
            <p>“He ought to have it cauterised at once,” said Mr. Huxter;
“especially if it's at all inflamed.”
</p>
            <p>“I'd shoot en, that's what I'd do,” said a lady in the
group.
</p>
            <p>Suddenly the dog began growling again.
</p>
            <p>“Come along,” cried an angry voice in the doorway, and
there stood the muffled stranger with his collar turned up, and his
hat-brim bent down.  “The sooner you get those things in the
better I'll be pleased.” It is stated by an anonymous bystander
that his trousers and gloves had been changed.
</p>
            <p>“Was you hurt, sir?” said Fearenside.  “I'm rare sorry
the darg—”
</p>
            <p>“Not a bit,” said the stranger.  “Never broke the skin.
Hurry up with those things.”
</p>
            <p>He then swore to himself, so Mr. Hall asserts.
</p>
            <p>Directly the first crate was carried into the parlour, in
accordance with his directions, the stranger flung himself upon it
with extraordinary eagerness, and began to unpack it, scattering the
straw with an utter disregard of Mrs. Hall's carpet.  And from it he
began to produce bottles—little fat bottles containing powders,
small and slender bottles containing coloured and white fluids, fluted
blue bottles labelled Poison, bottles with round bodies and slender
necks, large green-glass bottles, large white-glass bottles, bottles
with glass stoppers and frosted labels, bottles with fine corks,
bottles with bungs, bottles with wooden caps, wine bottles, salad-oil
bottles—putting them in rows on the chiffonier, on the mantel,
on the table under the window, round the floor, on the
book-shelf— everywhere.  The chemist's shop in Bramblehurst
could not boast half so many.  Quite a sight it was.  Crate after
crate yielded bottles, until all six were empty and the table high
with straw; the only things that came out of these crates besides the
bottles were a number of test-tubes and a carefully packed balance.
</p>
            <p>And directly the crates were unpacked, the stranger went to the
window and set to work, not troubling in the least about the litter of
straw, the fire which had gone out, the box of books outside, nor for
the trunks and other luggage that had gone upstairs.
</p>
            <p>When Mrs. Hall took his dinner in to him, he was already so
absorbed in his work, pouring little drops out of the bottles into
test-tubes, that he did not hear her until she had swept away the bulk
of the straw and put the tray on the table, with some little emphasis
perhaps, seeing the state that the floor was in.  Then he half turned
his head and immediately turned it away again.  But she saw he had
removed his glasses; they were beside him on the table, and it seemed
to her that his eye sockets were extraordinarily hollow.  He put on
his spectacles again, and then turned and faced her.  She was about to
complain of the straw on the floor when he anticipated her.
</p>
            <p>“I wish you wouldn't come in without knocking,” he said in
the tone of abnormal exasperation that seemed so characteristic of
him.
</p>
            <p>“I knocked, but seemingly—”
</p>
            <p>“Perhaps you did.  But in my investigations—my really
very urgent and necessary investigations—the slightest
disturbance, the jar of a door—I must ask you—”
</p>
            <p>“Certainly, sir.  You can turn the lock if you're like that,
you know—any time.”
</p>
            <p>“A very good idea,” said the stranger.
</p>
            <p>“This stror, sir, if I might make so bold as to
remark—”
</p>
            <p>“Don't.  If the straw makes trouble put it down in the
bill.” And he mumbled at her—words suspiciously like curses.
</p>
            <p>He was so odd, standing there, so aggressive and explosive, bottle
in one hand and test-tube in the other, that Mrs. Hall was quite
alarmed.  But she was a resolute woman.  “In which case, I should
like to know, sir, what you consider—”
</p>
            <p>“A shilling.  Put down a shilling.  Surely a shilling's
enough?”
</p>
            <p>“So be it,” said Mrs. Hall, taking up the tablecloth and
beginning to spread it over the table.  “If you're satisfied, of
course—”
</p>
            <p>He turned and sat down, with his coat-collar towards her.
</p>
            <p>All the afternoon he worked with the door locked and, as Mrs.  Hall
testifies, for the most part in silence.  But once there was a
concussion and a sound of bottles ringing together as though the table
had been hit, and the smash of a bottle flung violently down, and then
a rapid pacing athwart the room.  Fearing “something was the
matter,” she went to the door and listened, not caring to knock.
</p>
            <p>“I can't go on,” he was raving.  “I can't go on.  Three
hundred thousand, four hundred thousand!  The huge multitude!
Cheated!  All my life it may take me!  Patience!  Patience indeed!
Fool and liar!”
</p>
            <p>There was a noise of hobnails on the bricks in the bar, and Mrs.
Hall very reluctantly had to leave the rest of his soliloquy.  When
she returned the room was silent again, save for the faint crepitation
of his chair and the occasional clink of a bottle.  It was all over.
The stranger had resumed work.
</p>
            <p>When she took in his tea she saw broken glass in the corner of the
room under the concave mirror, and a golden stain that had been
carelessly wiped.  She called attention to it.
</p>
            <p>“Put it down in the bill,” snapped her visitor.  “For
God's sake don't worry me.  If there's damage done, put it down in the
bill”; and he went on ticking a list in the exercise book before
him.
</p>
            <p>“I'll tell you something,” said Fearenside mysteriously.
It was late in the afternoon, and they were in the little beer-shop of
Iping Hanger.
</p>
            <p>“Well?” said Teddy Henfrey.
</p>
            <p>“This chap you're speaking of, what my dog bit.
Well—he's black.  Leastways, his legs are.  I seed through the
tear of his glove.  You'd have expected a sort of pinky to show,
wouldn't you?  Well—there wasn't none.  Just blackness.  I tell
you, he's as black as my hat.”
</p>
            <p>“My sakes!” said Henfrey.  “It's a rummy case
altogether.  Why, his nose is as pink as paint!”
</p>
            <p>“That's true,” said Fearenside.  “I knows that.  And I
tell 'ee what I'm thinking.  That marn's a piebald, Teddy.  Black here
and white there—in patches.  And he's ashamed of it.  He's a
kind of half-breed, and the colour's come off patchy instead of
mixing.  I've heard of such things before.  And it's the common way
with horses, as anyone can see.”
</p>
         </div>
         <div n="C4" type="chapter">
            <head>Mr. Cuss Interviews the
Stranger</head>
            <p>I have told the circumstances of the stranger's
arrival in Iping with a certain fulness of detail, in order that the
curious impression he created may be understood by the reader.  But
excepting two odd incidents, the circumstances of his stay until the
extraordinary day of the Club Festival may be passed over very
cursorily.  There were a number of skirmishes with Mrs. Hall on
matters of domestic discipline, but in every case until late in April,
when the first signs of penury began, he over-rode her by the easy
expedient of an extra payment.  Hall did not like him, and whenever he
dared he talked of the advisability of getting rid of him; but he
showed his dislike chiefly by concealing it ostentatiously, and
avoiding his visitor as much as possible.  “Wait till the
summer,” said Mrs. Hall, sagely, “when the artisks are
beginning to come.  Then we'll see.  He may be a bit overbearing, but
bills settled punctual is bills settled punctual, whatever you like to
say.”
</p>
            <p>The stranger did not go to church, and indeed made no difference
between Sunday and the irreligious days, even in costume.  He worked,
as Mrs. Hall thought, very fitfully.  Some days he would come down
early and be continuously busy.  On others he would rise late, pace
his room, fretting audibly for hours together, smoke, sleep in the
armchair by the fire.  Communication with the world beyond the village
he had none.  His temper continued very uncertain; for the most part
his manner was that of a man suffering under almost unendurable
provocation, and once or twice things were snapped, torn, crushed, or
broken in spasmodic gusts of violence.  He seemed under a chronic
irritation of the greatest intensity.  His habit of talking to himself
in a low voice grew steadily upon him, but though Mrs.  Hall listened
conscientiously she could make neither head nor tail of what she
heard.
</p>
            <p>He rarely went abroad by daylight, but at twilight he would go out
muffled up enormously, whether the weather were cold or not, and he
chose the loneliest paths and those most overshadowed by trees and
banks.  His goggling spectacles and ghastly bandaged face under the
penthouse of his hat, came with a disagreeable suddenness out of the
darkness upon one or two home-going labourers; and Teddy Henfrey,
tumbling out of the Scarlet Coat one night at half-past nine, was
scared shamefully by the stranger's skull-like head (he was walking
hat in hand) lit by the sudden light of the opened door.  Such
children as saw him at nightfall dreamt of bogies, and it seemed
doubtful whether he disliked boys more than they disliked him, or the
reverse—but there was certainly a vivid enough dislike on either
side.
</p>
            <p>It was inevitable that a person of so remarkable an appearance and
bearing should form a frequent topic in such a village as Iping.
Opinion was greatly divided about his occupation.  Mrs. Hall was
sensitive on the point.  When questioned, she explained very carefully
that he was an “experimental investigator,” going gingerly
over the syllables as one who dreads pitfalls.  When asked what an
experimental investigator was, she would say with a touch of
superiority that most educated people knew that, and would then
explain that he “discovered things.” Her visitor had had an
accident, she said, which temporarily discoloured his face and hands;
and being of a sensitive disposition, he was averse to any public
notice of the fact.
</p>
            <p>Out of her hearing there was a view largely entertained that he was
a criminal trying to escape from justice by wrapping himself up so as
to conceal himself altogether from the eye of the police.  This idea
sprang from the brain of Mr. Teddy Henfrey.  No crime of any magnitude
dating from the middle or end of February was known to have occurred.
Elaborated in the imagination of Mr. Gould, the probationary assistant
in the National School, this theory took the form that the stranger
was an Anarchist in disguise, preparing explosives, and he resolved to
undertake such detective operations as his time permitted.  These
consisted for the most part in looking very hard at the stranger
whenever they met, or in asking people who had never seen the stranger
leading questions about him.  But he detected nothing.
</p>
            <p>Another school of opinion followed Mr. Fearenside, and either
accepted the piebald view or some modification of it; as, for
instance, Silas Durgan, who was heard to assert that “if he choses
to show enself at fairs he'd make his fortune in no time,” and
being a bit of a theologian, compared the stranger to the man with the
one talent.  Yet another view explained the entire matter by regarding
the stranger as a harmless lunatic.  That had the advantage of
accounting for everything straight away.
</p>
            <p>Between these main groups there were waverers and compromisers.
Sussex folk have few superstitions, and it was only after the events
of early April that the thought of the supernatural was first
whispered in the village.  Even then it was only credited among the
women folks.
</p>
            <p>But whatever they thought of him, people in Iping on the whole
agreed in disliking him.  His irritability, though it might have been
comprehensible to an urban brain-worker, was an amazing thing to these
quiet Sussex villagers.  The frantic gesticulations they surprised now
and then, the headlong pace after nightfall that swept him upon them
round quiet corners, the inhuman bludgeoning of all the tentative
advances of curiosity, the taste for twilight that led to the closing
of doors, the pulling down of blinds, the extinction of candles and
lamps—who could agree with such goings on?  They drew aside as
he passed down the village, and when he had gone by, young humorists
would up with coat-collars and down with hat-brims, and go pacing
nervously after him in imitation of his occult bearing.  There was a
song popular at that time called the “Bogey Man”; Miss
Statchell sang it at the schoolroom concert (in aid of the church
lamps), and thereafter whenever one or two of the villagers were
gathered together and the stranger appeared, a bar or so of this tune,
more or less sharp or flat, was whistled in the midst of them.  Also
belated little children would call “Bogey Man!” after him, and
make off tremulously elated.
</p>
            <p>Cuss, the general practitioner, was devoured by curiosity.  The
bandages excited his professional interest, the report of the thousand
and one bottles aroused his jealous regard.  All through April and May
he coveted an opportunity of talking to the stranger; and at last,
towards Whitsuntide, he could stand it no longer, and hit upon the
subscription-list for a village nurse as an excuse.  He was surprised
to find that Mr. Hall did not know his guest's name.  “He give a
name,” said Mrs. Hall—an assertion which was quite
unfounded— “but I didn't rightly hear it.” She thought
it seemed so silly not to know the man's name.
</p>
            <p>Cuss rapped at the parlour door and entered.  There was a fairly
audible imprecation from within.  “Pardon my intrusion,” said
Cuss, and then the door closed and cut Mrs. Hall off from the rest of
the conversation.
</p>
            <p>She could hear the murmur of voices for the next ten minutes, then
a cry of surprise, a stirring of feet, a chair flung aside, a bark of
laughter, quick steps to the door, and Cuss appeared, his face white,
his eyes staring over his shoulder.  He left the door open behind him,
and without looking at her strode across the hall and went down the
steps, and she heard his feet hurrying along the road.  He carried his
hat in his hand.  She stood behind the door, looking at the open door
of the parlour.  Then she heard the stranger laughing quietly, and
then his footsteps came across the room.  She could not see his face
where she stood.  The parlour door slammed, and the place was silent
again.
</p>
            <p>Cuss went straight up the village to Bunting the vicar.  “Am I
mad?” Cuss began abruptly, as he entered the shabby little study.
“Do I look like an insane person?”
</p>
            <p>“What's happened?” said the vicar, putting the ammonite on
the loose sheets of his forthcoming sermon.
</p>
            <p>“That chap at the inn—”
</p>
            <p>“Well?”
</p>
            <p>“Give me something to drink,” said Cuss, and he sat down.
</p>
            <p>When his nerves had been steadied by a glass of cheap sherry—
the only drink the good vicar had available—he told him of the
interview he had just had.  “Went in,” he gasped, “and
began to demand a subscription for that Nurse Fund.  He'd stuck his
hands in his pockets as I came in, and he sat down lumpily in his
chair.  Sniffed.  I told him I'd heard he took an interest in
scientific things.  He said yes.  Sniffed again.  Kept on sniffing all
the time; evidently recently caught an infernal cold.  No wonder,
wrapped up like that!  I developed the nurse idea, and all the while
kept my eyes open.  Bottles—chemicals—everywhere.
Balance, test-tubes in stands, and a smell of—evening primrose.
Would he subscribe?  Said he'd consider it.  Asked him, point-blank,
was he researching.  Said he was.  A long research?  Got quite cross.
'A damnable long research,' said he, blowing the cork out, so to
speak.  'Oh,' said I.  And out came the grievance.  The man was just
on the boil, and my question boiled him over.  He had been given a
prescription, most valuable prescription— what for he wouldn't
say.  Was it medical?  'Damn you!  What are you fishing after?'  I
apologised.  Dignified sniff and cough.  He resumed.  He'd read it.
Five ingredients.  Put it down; turned his head.  Draught of air from
window lifted the paper.  Swish, rustle.  He was working in a room
with an open fireplace, he said.  Saw a flicker, and there was the
prescription burning and lifting chimneyward.  Rushed towards it just
as it whisked up chimney.  So!  Just at that point, to illustrate his
story, out came his arm.”
</p>
            <p>“Well?”
</p>
            <p>“No hand—just an empty sleeve.  Lord!  I thought, that's
a deformity!  Got a cork arm, I suppose, and has taken it off.  Then,
I thought, there's something odd in that.  What the devil keeps that
sleeve up and open, if there's nothing in it?  There was nothing in
it, I tell you.  Nothing down it, right down to the joint.  I could
see right down it to the elbow, and there was a glimmer of light
shining through a tear of the cloth.  'Good God!' I said.  Then he
stopped.  Stared at me with those black goggles of his, and then at
his sleeve.”
</p>
            <p>“Well?”
</p>
            <p>“That's all.  He never said a word; just glared, and put his
sleeve back in his pocket quickly.  'I was saying,' said he, 'that
there was the prescription burning, wasn't I?'  Interrogative cough.
'How the devil,' said I, 'can you move an empty sleeve like that?'
'Empty sleeve?'  'Yes,' said I, 'an empty sleeve.'
</p>
            <p>“'It's an empty sleeve, is it?  You saw it was an empty
sleeve?'  He stood up right away.  I stood up too.  He came towards me
in three very slow steps, and stood quite close.  Sniffed venomously.
I didn't flinch, though I'm hanged if that bandaged knob of his, and
those blinkers, aren't enough to unnerve any one, coming quietly up to
you.
</p>
            <p>“'You said it was an empty sleeve?' he said.  'Certainly,' I
said.  At staring and saying nothing a barefaced man, unspectacled,
starts scratch.  Then very quietly he pulled his sleeve out of his
pocket again, and raised his arm towards me as though he would show it
to me again.  He did it very, very slowly.  I looked at it.  Seemed an
age.  'Well?' said I, clearing my throat, 'there's nothing in it.'
Had to say something.  I was beginning to feel frightened.  I could
see right down it.  He extended it straight towards me, slowly, slowly
—just like that—until the cuff was six inches from my
face.  Queer thing to see an empty sleeve come at you like that!  And
then—”
</p>
            <p>“Well?”
</p>
            <p>“Something—exactly like a finger and thumb it
felt—nipped my nose.”
</p>
            <p>Bunting began to laugh.
</p>
            <p>“There wasn't anything there!” said Cuss, his voice running
up into a shriek at the “there.” “It's all very well for
you to laugh, but I tell you I was so startled, I hit his cuff hard,
and turned round, and cut out of the room—I left him—”
</p>
            <p>Cuss stopped.  There was no mistaking the sincerity of his panic.
He turned round in a helpless way and took a second glass of the
excellent vicar's very inferior sherry.  “When I hit his
cuff,” said Cuss, “I tell you, it felt exactly like hitting an
arm.  And there wasn't an arm!  There wasn't the ghost of an arm!”
</p>
            <p>Mr. Bunting thought it over.  He looked suspiciously at Cuss.
“It's a most remarkable story,” he said.  He looked very wise
and grave indeed.  “It's really,” said Mr. Bunting with
judicial emphasis, “a most remarkable story.”
</p>
         </div>
         <div n="C5" type="chapter">
            <head>The Burglary at the
Vicarage</head>
            <p>The facts of the burlgary at the vicarage came to
us chiefly through the medium of the vicar and his wife.  It occurred
in the small hours of Whit-Monday—the day devoted in Iping to
the Club festivities.  Mrs. Bunting, it seems, woke up suddenly in the
stillness that comes before the dawn, with the strong impression that
the door of their bedroom had opened and closed.  She did not arouse
her husband at first, but sat up in bed listening.  She then
distinctly heard the pad, pad, pad of bare feet coming out of the
adjoining dressing-room and walking along the passage towards the
staircase.  As soon as she felt assured of this, she aroused the Rev.
Mr. Bunting as quietly as possible.  He did not strike a light, but
putting on his spectacles, her dressing-gown, and his bath slippers,
he went out on the landing to listen.  He heard quite distinctly a
fumbling going on at his study desk downstairs, and then a violent
sneeze.
</p>
            <p>At that he returned to his bedroom, armed himself with the most
obvious weapon, the poker, and descended the staircase as noiselessly
as possible.  Mrs. Bunting came out on the landing.
</p>
            <p>The hour was about four, and the ultimate darkness of the night was
past.  There was a faint shimmer of light in the hall, but the study
doorway yawned impenetrably black.  Everything was still except the
faint creaking of the stairs under Mr. Bunting's tread, and the slight
movements in the study.  Then something snapped, the drawer was
opened, and there was a rustle of papers.  Then came an imprecation,
and a match was struck and the study was flooded with yellow light.
Mr. Bunting was now in the hall, and through the crack of the door he
could see the desk and the open drawer and a candle burning on the
desk.  But the robber he could not see.  He stood there in the hall
undecided what to do, and Mrs. Bunting, her face white and intent,
crept slowly downstairs after him.  One thing kept up Mr.  Bunting's
courage: the persuasion that this burglar was a resident in the
village.
</p>
            <p>They heard the chink of money, and realised that the robber had
found the housekeeping reserve of gold—two pounds ten in half-
sovereigns altogether.  At that sound Mr. Bunting was nerved to abrupt
action.  Gripping the poker firmly, he rushed into the room, closely
followed by Mrs. Bunting.  “Surrender!” cried Mr. Bunting,
fiercely, and then stopped amazed.  Apparently the room was perfectly
empty.
</p>
            <p>Yet their conviction that they had, that very moment, heard
somebody moving in the room had amounted to a certainty.  For half a
minute, perhaps, they stood gaping, then Mrs. Bunting went across the
room and looked behind the screen, while Mr. Bunting, by a kindred
impulse, peered under the desk.  Then Mrs. Bunting turned back the
window-curtains, and Mr. Bunting looked up the chimney and probed it
with the poker.  Then Mrs. Bunting scrutinised the waste-paper basket
and Mr. Bunting opened the lid of the coal-scuttle.  Then they came to
a stop and stood with eyes interrogating each other.
</p>
            <p>“I could have sworn—” said Mr. Bunting.
</p>
            <p>“The candle!” said Mr. Bunting.  “Who lit the
candle?”
</p>
            <p>“The drawer!” said Mrs. Bunting.  “And the money's
gone!”
</p>
            <p>She went hastily to the doorway.
</p>
            <p>“Of all the extraordinary occurrences—”
</p>
            <p>There was a violent sneeze in the passage.  They rushed out, and as
they did so the kitchen door slammed.  “Bring the candle,”
said Mr.  Bunting, and led the way.  They both heard a sound of bolts
being hastily shot back.
</p>
            <p>As he opened the kitchen door he saw through the scullery that the
back door was just opening, and the faint light of early dawn
displayed the dark masses of the garden beyond.  He is certain that
nothing went out of the door.  It opened, stood open for a moment, and
then closed with a slam.  As it did so, the candle Mrs. Bunting was
carrying from the study flickered and flared.  It was a minute or more
before they entered the kitchen.
</p>
            <p>The place was empty.  They refastened the back door, examined the
kitchen, pantry, and scullery thoroughly, and at last went down into
the cellar.  There was not a soul to be found in the house, search as
they would.
</p>
            <p>Daylight found the vicar and his wife, a quaintly-costumed little
couple, still marvelling about on their own ground floor by the
unnecessary light of a guttering candle.
</p>
         </div>
         <div n="C6" type="chapter">
            <head>The Furniture That Went
Mad</head>
            <p>Now it happened that in the early hours of Whit-Monday,
before Millie was hunted out for the day, Mr. Hall and Mrs. Hall both
rose and went noiselessly down into the cellar.  Their business there
was of a private nature, and had something to do with the specific
gravity of their beer.  They had hardly entered the cellar when Mrs.
Hall found she had forgotten to bring down a bottle of sarsaparilla
from their joint-room.  As she was the expert and principal operator
in this affair, Hall very properly went upstairs for it.
</p>
            <p>On the landing he was surprised to see that the stranger's door was
ajar.  He went on into his own room and found the bottle as he had
been directed.
</p>
            <p>But returning with the bottle, he noticed that the bolts of the
front door had been shot back, that the door was in fact simply on the
latch.  And with a flash of inspiration he connected this with the
stranger's room upstairs and the suggestions of Mr. Teddy Henfrey.  He
distinctly remembered holding the candle while Mrs. Hall shot those
bolts overnight.  At the sight he stopped, gaping, then with the
bottle still in his hand went upstairs again.  He rapped at the
stranger's door.  There was no answer.  He rapped again; then pushed
the door wide open and entered.
</p>
            <p>It was as he expected.  The bed, the room also, was empty.  And
what was stranger, even to his heavy intelligence, on the bedroom
chair and along the rail of the bed were scattered the garments, the
only garments so far as he knew, and the bandages of their guest.  His
big slouch hat even was cocked jauntily over the bed-post.
</p>
            <p>As Hall stood there he heard his wife's voice coming out of the
depth of the cellar, with that rapid telescoping of the syllables and
interrogative cocking up of the final words to a high note, by which
the West Sussex villager is wont to indicate a brisk impatience.
“Gearge!  You gart what a wand?”
</p>
            <p>At that he turned and hurried down to her.  “Janny,” he
said, over the rail of the cellar steps, “'tas the truth what
Henfrey sez.  'E's not in uz room, 'e ent.  And the front door's
unbolted.”
</p>
            <p>At first Mrs. Hall did not understand, and as soon as she did she
resolved to see the empty room for herself.  Hall, still holding the
bottle, went first.  “If 'e ent there,” he said, “his
close are.  And what's 'e doin' without his close, then?  'Tas a most
curious basness.”
</p>
            <p>As they came up the cellar steps, they both, it was afterwards
ascertained, fancied they heard the front door open and shut, but
seeing it closed and nothing there, neither said a word to the other
about it at the time.  Mrs. Hall passed her husband in the passage and
ran on first upstairs.  Some one sneezed on the staircase.  Hall,
following six steps behind, thought that he heard her sneeze.  She,
going on first, was under the impression that Hall was sneezing.  She
flung open the door and stood regarding the room.  “Of all the
curious!” she said.
</p>
            <p>She heard a sniff close behind her head as it seemed, and, turning,
was surprised to see Hall a dozen feet off on the top-most stair.  But
in another moment he was beside her.  She bent forward and put her
hand on the pillow and then under the clothes.
</p>
            <p>“Cold,” she said.  “He's been up this hour or
more.”
</p>
            <p>As she did so, a most extraordinary thing happened—the bed-
clothes gathered themselves together, leapt up suddenly into a sort of
peak, and then jumped headlong over the bottom rail.  It was exactly
as if a hand had clutched them in the centre and flung them aside.
Immediately after, the stranger's hat hopped off the bed-post,
describing a whirling flight in the air through the better part of a
circle, and then dashed straight at Mrs. Hall's face.  Then as swiftly
came the sponge from the washstand; and then the chair, flinging the
stranger's coat and trousers carelessly aside, and laughing dryly in a
voice singularly like the stranger's, turned itself up with its four
legs at Mrs. Hall, seemed to take aim at her for a moment, and charged
at her.  She screamed and turned, and then the chair legs came gently
but firmly against her back and impelled her and Hall out of the room.
The door slammed violently and was locked.  The chair and bed seemed
to be executing a dance of triumph for a moment, and then abruptly
everything was still.
</p>
            <p>Mrs. Hall was left almost in a fainting condition in Mr.  Hall's
arms on the landing.  It was with the greatest difficulty that Mr.
Hall and Millie, who had been roused by her scream of alarm, succeeded
in getting her downstairs, and applying the restoratives customary in
these cases.
</p>
            <p>“'Tas sperrits,” said Mrs. Hall.  “I know 'tas
sperrits.  I've read in papers of en.  Tables and chairs leaping and
dancing—!”
</p>
            <p>“Take a drop more, Janny,” said Hall.  “'Twill steady
ye.”
</p>
            <p>“Lock him out,” said Mrs. Hall.  “Don't let him come in
again.  I half guessed—I might ha' known.  With them goggling
eyes and bandaged head, and never going to church of a Sunday.  And
all they bottles—more'n it's right for any one to have.  He's
put the sperrits into the furniture.  My good old furniture!  'Twas in
that very chair my poor dear mother used to sit when I was a little
girl.  To think it should rise up against me now!”
</p>
            <p>“Just a drop more, Janny,” said Hall.  “Your nerves is
all upset.”
</p>
            <p>They sent Millie across the street through the golden five o'clock
sunshine to rouse up Mr. Sandy Wadgers, the blacksmith.  Mr.  Hall's
compliments and the furniture upstairs was behaving most
extraordinary.  Would Mr. Wadgers come round?  He was a knowing man,
was Mr. Wadgers, and very resourceful.  He took quite a grave view of
the case.  “Arm darmed ef thet ent witchcraft,” was the view
of Mr.  Sandy Wadgers.  “You warnt horseshoes for such gentry as
he.”
</p>
            <p>He came round greatly concerned.  They wanted him to lead the way
upstairs to the room, but he didn't seem to be in any hurry.  He
preferred to talk in the passage.  Over the way Huxter's apprentice
came out and began taking down the shutters of the tobacco window.  He
was called over to join the discussion.  Mr. Huxter naturally followed
in the course of a few minutes.  The Anglo-Saxon genius for
parliamentary government asserted itself; there was a great deal of
talk and no decisive action.  “Let's have the facts first,”
insisted Mr. Sandy Wadgers.  “Let's be sure we'd be acting
perfectly right in bustin' that there door open.  A door onbust is
always open to bustin', but ye can't onbust a door once you've busted
en.”
</p>
            <p>And suddenly and most wonderfully the door of the room upstairs
opened of its own accord, and as they looked up in amazement, they saw
descending the stairs the muffled figure of the stranger staring more
blackly and blankly than ever with those unreasonably large blue glass
eyes of his.  He came down stiffly and slowly, staring all the time;
he walked across the passage staring, then stopped.
</p>
            <p>“Look there!” he said, and their eyes followed the
direction of his gloved finger and saw a bottle of sarsaparilla hard
by the cellar door.  Then he entered the parlour, and suddenly,
swiftly, viciously slammed the door in their faces.
</p>
            <p>Not a word was spoken until the last echoes of the slam had died
away.  They stared at one another.  “Well, if that don't lick
everything!” said Mr. Wadgers, and left the alternative unsaid.
</p>
            <p>“I'd go in and ask'n 'bout it,” said Wadgers, to Mr. Hall.
“I'd d'mand an explanation.”
</p>
            <p>It took some time to bring the landlady's husband up to that pitch.
At last he rapped, opened the door, and got as far as, “Excuse
me—”
</p>
            <p>“Go to the devil!” said the stranger in a tremendous voice,
and “Shut that door after you.” So that brief interview
terminated.
</p>
         </div>
         <div n="C7" type="chapter">
            <head>The Unveiling of the
Stranger</head>
            <p>The stranger went into the little parlour of the
Coach and Horses about half-past five in the morning, and there he
remained until near midday, the blinds down, the door shut, and none,
after Hall's repulse, venturing near him.
</p>
            <p>All that time he must have fasted.  Thrice he rang his bell, the
third time furiously and continuously, but no one answered him.
“Him and his 'go to the devil' indeed!” said Mrs. Hall.
Presently came an imperfect rumour of the burglary at the vicarage,
and two and two were put together.  Hall, assisted by Wadgers, went
off to find Mr.  Shuckleforth, the magistrate, and take his advice.
No one ventured upstairs.  How the stranger occupied himself is
unknown.  Now and then he would stride violently up and down, and
twice came an outburst of curses, a tearing of paper, and a violent
smashing of bottles.
</p>
            <p>The little group of scared but curious people increased.  Mrs.
Huxter came over; some gay young fellows resplendent in black ready-
made jackets and piqu paper ties, for it was Whit-Monday, joined the
group with confused interrogations.  Young Archie Harker distinguished
himself by going up the yard and trying to peep under the
window-blinds.  He could see nothing, but gave reason for supposing
that he did, and others of the Iping youth presently joined him.
</p>
            <p>It was the finest of all possible Whit-Mondays, and down the
village street stood a row of nearly a dozen booths and a shooting
gallery, and on the grass by the forge were three yellow and chocolate
waggons and some picturesque strangers of both sexes putting up a
cocoanut shy.  The gentlemen wore blue jerseys, the ladies white
aprons and quite fashionable hats with heavy plumes.  Wodger of the
Purple Fawn and Mr. Jaggers the cobbler, who also sold second-hand
ordinary bicycles, were stretching a string of union-jacks and royal
ensigns (which had originally celebrated the Jubilee) across the
road...
</p>
            <p>And inside, in the artificial darkness of the parlour, into which
only one thin jet of sunlight penetrated, the stranger, hungry we must
suppose, and fearful, hidden in his uncomfortable hot wrappings, pored
through his dark glasses upon his paper or chinked his dirty little
bottles, and occasionally swore savagely at the boys, audible if
invisible, outside the windows.  In the corner by the fireplace lay
the fragments of half a dozen smashed bottles, and a pungent tang of
chlorine tainted the air.  So much we know from what was heard at the
time and from what was subsequently seen in the room.
</p>
            <p>About noon he suddenly opened his parlour door and stood glaring
fixedly at the three or four people in the bar.  “Mrs. Hall,”
he said.  Somebody went sheepishly and called for Mrs. Hall.
</p>
            <p>Mrs. Hall appeared after an interval, a little short of breath, but
all the fiercer for that.  Hall was still out.  She had deliberated
over the scene, and she came holding a little tray with an unsettled
bill upon it.  “Is it your bill you're wanting, sir?” she
said.
</p>
            <p>“Why wasn't my breakfast laid?  Why haven't you prepared my
meals and answered my bell?  Do you think I live without eating?”
</p>
            <p>“Why isn't my bill paid?” said Mrs. Hall.  “That's what
I want to know.”
</p>
            <p>“I told you three days ago I was awaiting a
remittance—”
</p>
            <p>“I told you two days ago I wasn't going to await no
remittances.  You can't grumble if your breakfast waits a bit, if my
bill's been waiting these five days, can you?”
</p>
            <p>The stranger swore briefly but vividly.
</p>
            <p>“Nar, nar!” from the bar.
</p>
            <p>“And I'd thank you kindly, sir, if you'd keep your swearing to
yourself, sir,” said Mrs. Hall.
</p>
            <p>The stranger stood looking more like an angry diving-helmet than
ever.  It was universally felt in the bar that Mrs. Hall had the
better of him.  His next words showed as much.
</p>
            <p>“Look here, my good woman—” he began.
</p>
            <p>“Don't good woman me,” said Mrs. Hall.
</p>
            <p>“I've told you my remittance hasn't come—”
</p>
            <p>“Remittance indeed!” said Mrs. Hall.
</p>
            <p>“Still, I daresay in my pocket—”
</p>
            <p>“You told me two days ago that you hadn't anything but a
sovereign's worth of silver upon you—”
</p>
            <p>“Well, I've found some more—”
</p>
            <p>“'Ul-lo!” from the bar.
</p>
            <p>“I wonder where you found it!” said Mrs. Hall.
</p>
            <p>That seemed to annoy the stranger very much.  He stamped his foot.
“What do you mean?” he said.
</p>
            <p>“That I wonder where you found it,” said Mrs. Hall.
“And before I take any bills or get any breakfasts, or do any such
things whatsoever, you got to tell me one or two things I don't
understand, and what nobody don't understand, and what everybody is
very anxious to understand.  I want know what you been doing t' my
chair upstairs, and I want know how 'tis your room was empty, and how
you got in again.  Them as stops in this house comes in by the
doors—that's the rule of the house, and that you didn't do, and
what I want know is how you did come in.  And I want know—”
</p>
            <p>Suddenly the stranger raised his gloved hands clenched, stamped his
foot, and said, “Stop!” with such extraordinary violence that
he silenced her instantly.
</p>
            <p>“You don't understand,” he said, “who I am or what I
am.  I'll show you.  By Heaven!  I'll show you.” Then he put his
open palm over his face and withdrew it.  The centre of his face
became a black cavity.  “Here,” he said.  He stepped forward
and handed Mrs. Hall something which she, staring at his metamorphosed
face, accepted automatically.  Then, when she saw what it was, she
screamed loudly, dropped it, and staggered back.  The nose—it
was the stranger's nose!  pink and shining—rolled on the floor.
</p>
            <p>Then he removed his spectacles, and every one in the bar gasped.
He took off his hat, and with a violent gesture tore at his whiskers
and bandages.  For a moment they resisted him.  A flash of horrible
anticipation passed through the bar.  “Oh, my Gard!” said some
one.  Then off they came.
</p>
            <p>It was worse than anything.  Mrs. Hall, standing open-mouthed and
horror-struck, shrieked at what she saw, and made for the door of the
house.  Every one began to move.  They were prepared for scars,
disfigurements, tangible horrors, but nothing!  The bandages and false
hair flew across the passage into the bar, making a hobbledehoy jump
to avoid them.  Every one tumbled on every one else down the steps.
For the man who stood there shouting some incoherent explanation, was
a solid gesticulating figure up to the coat-collar of him, and
then—nothingness, no visible thing at all!
</p>
            <p>People down the village heard shouts and shrieks, and looking up
the street saw the Coach and Horses violently firing out its humanity.
They saw Mrs. Hall fall down and Mr. Teddy Henfrey jump to avoid
tumbling over her, and then they heard the frightful screams of
Millie, who, emerging suddenly from the kitchen at the noise of the
tumult, had come upon the headless stranger from behind.
</p>
            <p>Forthwith every one all down the street, the sweet-stuff seller,
cocoanut shy proprietor and his assistant, the swing man, little boys
and girls, rustic dandies, smart wenches, smocked elders and aproned
gipsies, began running towards the inn; and in a miraculously short
space of time a crowd of perhaps forty people, and rapidly increasing,
swayed and hooted and inquired and exclaimed and suggested, in front
of Mrs. Hall's establishment.  Every one seemed eager to talk at once,
and the result was babel.  A small group supported Mrs. Hall, who was
picked up in a state of collapse.  There was a conference, and the
incredible evidence of a vociferous eyewitness.  “O'Bogey!”
“What's he been doin', then?” “Ain't hurt the girl, 'as
'e?” “Run at en with a knife, I believe.” “No 'ed, I
tell ye.  I don't mean no manner of speaking, I mean marn 'without a'
ed!” “Narnsense! 'tas some conjuring trick.” “Fetched
off 'is wrappin's, 'e did—”
</p>
            <p>In its struggles to see in through the open door, the crowd formed
itself into a straggling wedge, with the more adventurous apex nearest
the inn.  “He stood for a moment, I heerd the gal scream, and he
turned.  I saw her skirts whisk, and he went after her.  Didn't take
ten seconds.  Back he comes with a knife in uz hand and a loaf; stood
just as if he was staring.  Not a moment ago.  Went in that there
door.  I tell 'e, 'e ain't gart no 'ed 't all.  You just missed
en—”
</p>
            <p>There was a disturbance behind, and the speaker stopped to step
aside for a little procession that was marching very resolutely
towards the house—first Mr. Hall, very red and determined, then
Mr.  Bobby Jaffers, the village constable, and then the wary Mr.
Wadgers.  They had come now armed with a warrant.
</p>
            <p>People shouted conflicting information of the recent circumstances.
“'Ed or no 'ed,” said Jaffers, “I got to 'rest en, and
'rest en I will.”
</p>
            <p>Mr. Hall marched up the steps, marched straight to the door of the
parlour and flung it open.  “Constable,” he said, “do your
duty.”
</p>
            <p>Jaffers marched in, Hall next, Wadgers last.  They saw in the dim
light the headless figure facing them, with a gnawed crust of bread in
one gloved hand and a chunk of cheese in the other.
</p>
            <p>“That's him!” said Hall.
</p>
            <p>“What the devil's this?” came in a tone of angry
expostulation from above the collar of the figure.
</p>
            <p>“You're a damned rum customer, mister,” said Mr. Jaffers.
“But 'ed or no 'ed, the warrant says 'body,' and duty's
duty—”
</p>
            <p>“Keep off!” said the figure, starting back.
</p>
            <p>Abruptly he whipped down the bread and cheese, and Mr. Hall just
grasped the knife on the table in time to save it.  Off came the
stranger's left glove and was slapped in Jaffers' face.  In another
moment Jaffers, cutting short some statement concerning a warrant, had
gripped him by the handless wrist and caught his invisible throat.  He
got a sounding kick on the shin that made him shout, but he kept his
grip.  Hall sent the knife sliding along the table to Wadgers, who
acted as goal-keeper for the offensive, so to speak, and then stepped
forward as Jaffers and the stranger swayed and staggered towards him,
clutching and hitting in.  A chair stood in the way, and went aside
with a crash as they came down together.
</p>
            <p>“Get the feet,” said Jaffers between his teeth.
</p>
            <p>Mr. Hall, endeavoring to act on instructions, receiving a sounding
kick in the ribs that disposed of him for a moment, and Mr.  Wadgers,
seeing the decapitated stranger had rolled over and got the upper side
of Jaffers, retreated towards the door, knife in hand, and so collided
with Mr. Huxter and the Siddermorton carter coming to the rescue of
law and order.  At the same moment down came three or four bottles
from the chiffonier and shot a web of pungency into the air of the
room.
</p>
            <p>“I'll surrender,” cried the stranger, though he had Jaffers
down, and in another moment he stood up panting, a strange figure,
headless and handless—for he had pulled off his right glove now
as well as his left.  “It's no good,” he said, as if sobbing
for breath.
</p>
            <p>It was the strangest thing in the world to hear that voice coming
as if out of empty space, but the Sussex peasants are perhaps the most
matter-of-fact people under the sun.  Jaffers got up also and produced
a pair of handcuffs.  Then he started.
</p>
            <p>“I say!” said Jaffers, brought up short by a dim
realisation of the incongruity of the whole business.  “Darm it!
Can't use 'em as I can see.”
</p>
            <p>The stranger ran his arm down his waistcoat, and as if by a miracle
the buttons to which his empty sleeve pointed became undone.  Then he
said something about his shin, and stooped down.  He seemed to be
fumbling with his shoes and socks.
</p>
            <p>“Why!” said Huxter, suddenly, “that's not a man at all.
It's just empty clothes.  Look!  You can see down his collar and the
linings of his clothes.  I could put my arm—”
</p>
            <p>He extended his hand; it seemed to meet something in mid-air, and
he drew it back with a sharp exclamation.  “I wish you'd keep your
fingers out of my eye,” said the aerial voice, in a tone of savage
expostulation.  “The fact is, I'm all here: head, hands, legs, and
all the rest of it, but it happens I'm invisible.  It's a confounded
nuisance, but I am.  That's no reason why I should be poked to pieces
by every stupid bumpkin in Iping, is it?”
</p>
            <p>The suit of clothes, now all unbuttoned and hanging loosely upon
its unseen supports, stood up, arms akimbo.
</p>
            <p>Several other of the men folks had now entered the room, so that it
was closely crowded.  “Invisible, eigh?” said Huxter, ignoring
the stranger's abuse.  “Who ever heard the likes of that?”
</p>
            <p>“It's strange, perhaps, but it's not a crime.  Why am I
assaulted by a policeman in this fashion?”
</p>
            <p>“Ah! that's a different matter,” said Jaffers.  “No
doubt you are a bit difficult to see in this light, but I got a
warrant, and it's all correct.  What I'm after ain't no
invisibility—it's burglary.  There's a house been broken into
and money took.”
</p>
            <p>“Well?”
</p>
            <p>“And circumstances certainly point—”
</p>
            <p>“Stuff and nonsense!” said the Invisible Man.
</p>
            <p>“I hope so, sir; but I've got my instructions.”
</p>
            <p>“Well,” said the stranger, “I'll come.  I'll come.  But
no handcuffs.”
</p>
            <p>“It's the regular thing,” said Jaffers.
</p>
            <p>“No handcuffs,” stipulated the stranger.
</p>
            <p>“Pardon me,” said Jaffers.
</p>
            <p>Abruptly the figure sat down, and before any one could realise what
was being done, the slippers, socks, and trousers had been kicked off
under the table.  Then he sprang up again and flung off his coat.
</p>
            <p>“Here, stop that,” said Jaffers, suddenly realising what
was happening.  He gripped the waist-coat; it struggled, and the shirt
slipped out of it and left it limp and empty in his hand.  “Hold
him!” said Jaffers loudly.  “Once he gets they things
off—!”
</p>
            <p>“Hold him!” cried every one, and there was a rush at the
fluttering white shirt which was now all that was visible of the
stranger.
</p>
            <p>The shirt-sleeve planted a shrewd blow in Hall's face that stopped
his open-armed advance, and sent him backward into old Toothsome the
sexton, and in another moment the garment was lifted up and became
convulsed and vacantly flapping about the arms, even as a shirt that
is being thrust over a man's head.  Jaffers clutched at it, and only
helped to pull it off; he was struck in the mouth out of the air, and
incontinently drew his truncheon and smote Teddy Henfrey savagely upon
the crown of his head.
</p>
            <p>“Look out!” said everybody, fencing at random and hitting
at nothing.  “Hold him!  Shut the door!  Don't let him loose!  I
got something!  Here he is!” A perfect babel of noises they made.
Everybody, it seemed, was being hit all at once, and Sandy Wadgers,
knowing as ever and his wits sharpened by a frightful blow in the
nose, reopened the door and led the rout.  The others, following
incontinently, were jammed for a moment in the corner by the doorway.
The hitting continued.  Phipps, the Unitarian, had a front tooth
broken, and Henfrey was injured in the cartilage of his ear.  Jaffers
was struck under the jaw, and, turning, caught at something that
intervened between him and Huxter in the mle, and prevented their
coming together.  He felt a muscular chest, and in another moment the
whole mass of struggling, excited men shot out into the crowded hall.
</p>
            <p>“I got him!” shouted Jaffers, choking and reeling through
them all, and wrestling with purple face and swelling veins against
his unseen enemy.
</p>
            <p>Men staggered right and left as the extraordinary conflict swayed
swiftly towards the house door, and went spinning down the half-dozen
steps of the inn.  Jaffers cried in a strangled voice— holding
tight, nevertheless, and making play with his knee—spun round,
and fell heavily undermost with his head on the gravel.  Only then did
his fingers relax.
</p>
            <p>There were excited cries of “Hold him!”
“Invisible!” and so forth, and a young fellow, a stranger in
the place whose name did not come to light, rushed in at once, caught
something, missed his hold, and fell over the constable's prostrate
body.  Halfway across the road, a woman screamed as something pushed
by her; a dog, kicked apparently, yelped and ran howling into Huxter's
yard, and with that the transit of the Invisible Man was accomplished.
For a space people stood amazed and gesticulating, and then came
Panic, and scattered them abroad through the village as a gust
scatters dead leaves.
</p>
            <p>But Jaffers lay quite still, face upward and knees bent.
</p>
         </div>
         <div n="C8" type="chapter">
            <head>In Transit</head>
            <p>The eighth
chapter is exceedingly brief, and relates that Gibbins, the amateur
naturalist of the district, while lying out on the spacious open downs
without a soul within a couple of miles of him, as he thought, and
almost dozing, heard close to him the sound as of a man coughing,
sneezing, and then swearing savagely to himself; and looking, beheld
nothing.  Yet the voice was indisputable.  It continued to swear with
that breadth and variety that distinguishes the swearing of a
cultivated man.  It grew to a climax, diminished again, and died away
in the distance, going as it seemed to him in the direction of
Adderdean.  It lifted to a spasmodic sneeze and ended.  Gibbins had
heard nothing of the morning's occurrences, but the phenomenon was so
striking and disturbing that his philosophical tranquillity vanished;
he got up hastily, and hurried down the steepness of the hill towards
the village, as fast as he could go.
</p>
         </div>
         <div n="C9" type="chapter">
            <head>Mr. Thomas Marvel</head>
            <p>You
must picture Mr. Thomas Marvel as a person of copious, flexible
visage, a nose of cylindrical protrusion, a liquorish, ample,
fluctuating mouth, and a beard of bristling eccentricity.  His figure
inclined to embonpoint; his short limbs accentuated this inclination.
He wore a furry silk hat, and the frequent substitution of twine and
shoe-laces for buttons, apparent at critical points of his costume,
marked a man essentially bachelor.
</p>
            <p>Mr. Thomas Marvel was sitting with his feet in a ditch by the
roadside over the down toward Adderdean, about a mile and a half out
of Iping.  His feet, save for socks of irregular openwork, were bare,
his big toes were broad, and pricked like the ears of a watchful dog.
In a leisurely manner—he did everything in a leisurely
manner—he was contemplating trying on a pair of boots.  They
were the soundest boots he had come across for a long time, but too
large for him; whereas the ones he had were, in dry weather, a very
comfortable fit, but too thin-soled for damp.  Mr. Thomas Marvel hated
roomy boots, but then he hated damp.  He had never properly thought
out which he hated most, and it was a pleasant day, and there was
nothing better to do.  So he put the four boots in a graceful group on
the turf and looked at them.  And seeing them there among the grass
and springing agrimony, it suddenly occurred to him that both pairs
were exceedingly ugly to see.  He was not at all startled by a voice
behind him.
</p>
            <p>“They're boots, anyhow,” said the voice.
</p>
            <p>“They are—charity boots,” said Mr. Thomas Marvel,
with his head on one side regarding them distastefully; “and which
is the ugliest pair in the whole blessed universe, I'm darned if I
know!”
</p>
            <p>“H'm,” said the voice.
</p>
            <p>“I've worn worse—in fact, I've worn none.  But none so
owdacious ugly—if you'll allow the expression.  I've been
cadging boots—in particular—for days.  Because I was sick
of them.  They're sound enough, of course.  But a gentleman on tramp
sees such a thundering lot of his boots.  And if you'll believe me,
I've raised nothing in the whole blessed county, try as I would, but
THEM.  Look at 'em!  And a good county for boots, too, in a general
way.  But it's just my promiscuous luck.  I've got my boots in this
county ten years or more.  And then they treat you like this.”
</p>
            <p>“It's a beast of a county,” said the voice.  “And pigs
for people.”
</p>
            <p>“Ain't it?” said Mr. Thomas Marvel.  “Lord!  But them
boots!  It beats it.”
</p>
            <p>He turned his head over his shoulder to the right, to look at the
boots of his interlocutor with a view to comparisons, and lo!  where
the boots of his interlocutor should have been were neither legs nor
boots.  He turned his head over his shoulder to the left, and there
also were neither legs nor boots.  He was irradiated by the dawn of a
great amazement.  “Where are yar?” said Mr. Thomas Marvel over
his shoulder and coming round on all fours.  He saw a stretch of empty
downs with the wind swaying and remote green-pointed furze bushes.
</p>
            <p>“Am I drunk?” said Mr. Marvel.  “Have I had visions?
Was I talking to myself?  What the—”
</p>
            <p>“Don't be alarmed,” said a voice.
</p>
            <p>“None of your ventriloquising me,” said Mr. Thomas Marvel,
rising sharply to his feet.  “Where are yer?  Alarmed,
indeed!”
</p>
            <p>“Don't be alarmed,” repeated the voice.
</p>
            <p>“You'll be alarmed in a minute, you silly fool,” said Mr.
Thomas Marvel.  “Where are yer?  Lemme get my mark on yer—
</p>
            <p>“Are you buried?” said Mr. Thomas Marvel, after an
interval.
</p>
            <p>There was no answer.  Mr. Thomas Marvel stood bootless and amazed,
his jacket nearly thrown off.
</p>
            <p>“Peewit,” said a peewit, very remote.
</p>
            <p>“Peewit, indeed!” said Mr. Thomas Marvel.  “This ain't
no time for foolery.” The down was desolate, east and west, north
and south; the road with its shallow ditches and white bordering
stakes, ran smooth and empty north and south, and, save for that
peewit, the blue sky was empty too.  “So help me,” said Mr.
Thomas Marvel, shuffling his coat on to his shoulders again.
“It's the drink!  I might ha' known.”
</p>
            <p>“It's not the drink,” said the voice.  “You keep your
nerves steady.”
</p>
            <p>“Ow!” said Mr. Marvel, and his face grew white amidst its
patches.  “It's the drink,” his lips repeated noiselessly.  He
remained staring about him, rotating slowly backwards.  “I could
have swore I heard a voice,” he whispered.
</p>
            <p>“Of course you did.”
</p>
            <p>“It's there again,” said Mr. Marvel, closing his eyes and
clasping his hand on his brow with a tragic gesture.  He was suddenly
taken by the collar and shaken violently and left more dazed than
ever.  “Don't be a fool,” said the voice.
</p>
            <p>“I'm—off—my—blooming—chump,” said
Mr. Marvel.  “It's no good.  It's fretting about them blarsted
boots.  I'm off my blessed blooming chump.  Or it's spirits.”
</p>
            <p>“Neither one thing nor the other,” said the voice.
“Listen!”
</p>
            <p>“Chump,” said Mr. Marvel.
</p>
            <p>“One minute,” said the voice penetratingly,—tremulous
with self-control.
</p>
            <p>“Well?” said Mr. Thomas Marvel, with a strange feeling of
having been dug in the chest by a finger.
</p>
            <p>“You think I'm just imagination?  Just imagination?”
</p>
            <p>“What else can you be?” said Mr. Thomas Marvel, rubbing the
back of his neck.
</p>
            <p>“Very well,” said the voice, in a tone of relief.
“Then I'm going to throw flints at you till you think
differently.”
</p>
            <p>“But where are yer?”
</p>
            <p>The voice made no answer.  Whiz came a flint, apparently out of the
air, and missed Mr. Marvel's shoulder by a hair's breadth.  Mr.
Marvel, turning, saw a flint jerk up into the air, trace a complicated
path, hang for a moment, and then fling at his feet with almost
invisible rapidity.  He was too amazed to dodge.  Whiz it came, and
ricocheted from a bare toe into the ditch.  Mr. Thomas Marvel jumped a
foot and howled aloud.  Then he started to run, tripped over an unseen
obstacle, and came head over heels into a sitting position.
</p>
            <p>“Now,” said the voice, as a third stone curved upward and
hung in the air above the tramp.  “Am I imagination?”
</p>
            <p>Mr. Marvel by way of reply struggled to his feet, and was
immediately rolled over again.  He lay quiet for a moment.  “If
you struggle any more,” said the voice, “I shall throw the
flint at your head.”
</p>
            <p>“It's a fair do,” said Mr. Thomas Marvel, sitting up,
taking his wounded toe in hand and fixing his eye on the third missle.
“I don't understand it.  Stones flinging themselves.  Stones
talking.  Put yourself down.  Rot away.  I'm done.”
</p>
            <p>The third flint fell.
</p>
            <p>“It's very simple,” said the voice.  “I'm an invisible
man.”
</p>
            <p>“Tell us something I don't know,” said Mr. Marvel, gasping
with pain.  “Where you've hid—how you do it—I don't
know, I'm beat.”
</p>
            <p>“That's all,” said the voice.  “I'm invisible.  That's
what I want you to understand.”
</p>
            <p>“Any one could see that.  There is no need for you to be so
confounded impatient, mister.  Now then.  Give us a notion.  How are
you hid?”
</p>
            <p>“I'm invisible.  That's the great point.  And what I want you
to understand is this—”
</p>
            <p>“But whereabouts?” interrupted Mr. Marvel.
</p>
            <p>“Here!  Six yards in front of you.”
</p>
            <p>“Oh, come!  I ain't blind.  You'll be telling me next you're
just thin air.  I'm not one of your ignorant tramps—”
</p>
            <p>“Yes, I am—thin air.  You're looking through me.”
</p>
            <p>“What!  Ain't there any stuff to you?  Vox et—what is
it?— jabber.  Is it that?
</p>
            <p>“I am just a human being—solid, needing food and drink,
needing covering too—But I'm invisible.  You see?  Invisible.
Simple idea.  Invisible.”
</p>
            <p>“What, real like?”
</p>
            <p>“Yes, real.”
</p>
            <p>“Let's have a hand of you,” said Marvel, “if you are
real.  It won't be so darn out-of-the-way like, then—Lord!”
he said, “how you made me jump!—gripping me like that!”
</p>
            <p>He felt the hand that had closed round his wrist with his
disengaged fingers, and his touch went timorously up the arm, patted a
muscular chest, and explored a bearded face.  Marvel's face was
astonishment.
</p>
            <p>“I'm dashed!” he said.  “If this don't beat
cock-fighting!  Most remarkable!—And there I can see a rabbit
clean through you, 'arf a mile away!  Not a bit of you
visible—except—”
</p>
            <p>He scrutinised the apparently empty space keenly.  “You 'aven't
been eatin' bread and cheese?” he asked, holding the invisible
arm.
</p>
            <p>“You're quite right, and it's not quite assimilated into the
system.”
</p>
            <p>“Ah!” said Mr. Marvel.  “Sort of ghostly, though.”
</p>
            <p>“Of course, all this isn't so wonderful as you think.”
</p>
            <p>“It's quite wonderful enough for my modest wants,” said Mr.
Thomas Marvel.  “Howjer manage it?  How the dooce is it done?”
</p>
            <p>“It's too long a story.  And besides—”
</p>
            <p>“I tell you, the whole business fair beats me,” said Mr.
Marvel.
</p>
            <p>“What I want to say at present is this: I need help.  I have
come to that—I came upon you suddenly.  I was wandering, mad
with rage, naked, impotent.  I could have murdered.  And I saw
you—”
</p>
            <p>“Lord!” said Mr. Marvel.
</p>
            <p>“I came up behind you—hesitated—went on—”
</p>
            <p>Mr. Marvel's expression was eloquent.
</p>
            <p>“—then stopped.  'Here,' I said, 'is an outcast like
myself.  This is the man for me.'  So I turned back and came to
you—you.  And—”
</p>
            <p>“Lord!” said Mr. Marvel.  “But I'm all in a dizzy.  May
I ask—How is it?  And what you may be requiring in the way of
help?— Invisible!”
</p>
            <p>“I want you to help me get clothes—and shelter—and
then, with other things.  I've left them long enough.  If you
won't—well!  But you will—must.”
</p>
            <p>“Look here,” said Mr. Marvel.  “I'm too flabbergasted.
Don't knock me about any more.  And leave me go.  I must get steady a
bit.  And you've pretty near broken my toe.  It's all so unreasonable.
Empty downs, empty sky.  Nothing visible for miles except the bosom of
Nature.  And then comes a voice.  A voice out of heaven!  And stones!
And a fist—Lord!”
</p>
            <p>“Pull yourself together,” said the voice, “for you have
to do the job I've chosen for you.”
</p>
            <p>Mr. Marvel blew out his cheeks, and his eyes were round.
</p>
            <p>“I've chosen you,” said the voice.  “You are the only
man, except some of those fools down there, who knows there is such a
thing as an invisible man.  You have to be my helper.  Help
me—and I will do great things for you.  An invisible man is a
man of power.” He stopped for a moment to sneeze violently.
</p>
            <p>“But if you betray me,” he said, “if you fail to do as
I direct you—”
</p>
            <p>He paused and tapped Mr. Marvel's shoulder smartly.  Mr.  Marvel
gave a yelp of terror at the touch.  “I don't want to betray
you,” said Mr. Marvel, edging away from the direction of the
fingers.  “Don't you go a-thinking that, whatever you do.  All I
want to do is to help you—just tell me what I got to do.
(Lord!)  Whatever you want done, that I'm most willing to do.”
</p>
         </div>
         <div n="C10" type="chapter">
            <head>Mr. Marvel's Visit to
Iping</head>
            <p>After the first gusty panic had spent itself Iping
became argumentative.  Scepticism suddenly reared its
head—rather nervous scepticism, not at all assured of its back,
but scepticism neverthe- less.  It is so much easier not to believe in
an invisible man; and those who had actually seen him dissolve into
air, or felt the strength of his arm, could be counted on the fingers
of two hands.  And of these witnesses Mr. Wadgers was presently
missing, having retired impregnably behind the bolts and bars of his
own house, and Jaffers was lying stunned in the parlour of the Coach
and Horses.  Great and strange ideas transcending experience often
have less effect upon men and women than smaller, more tangible
considerations.  Iping was gay with bunting, and everybody was in gala
dress.  Whit-Monday had been looked forward to for a month or more.
By the afternoon even those who believed in the Unseen were beginning
to resume their little amusements in a tentative fashion, on the
supposition that he had quite gone away, and with the sceptics he was
already a jest.  But people, sceptics and believers alike, were
remarkably sociable all that day.
</p>
            <p>Haysman's meadow was gay with a tent, in which Mrs. Bunting and
other ladies were preparing tea, while, without, the Sunday-school
children ran races and played games under the noisy guidance of the
curate and the Misses Cuss and Sackbut.  No doubt there was a slight
uneasiness in the air, but people for the most part had the sense to
conceal whatever imaginative qualms they experienced.  On the village
green an inclined string, down which, clinging the while to a pulley-
swung handle, one could be hurled violently against a sack at the
other end, came in for considerable favour among the adolescent.
There were swings and cocoanut shies and promenading, and the steam
organ attached to the swings filled the air with a pungent flavour of
oil and with equally pungent music.  Members of the Club, who had
attended church in the morning, were splendid in badges of pink and
green, and some of the gayer-minded had also adorned their bowler hats
with brilliant-coloured favours of ribbon.  Old Fletcher, whose
conceptions of holiday-making were severe, was visible through the
jasmine about his window or through the open door (whichever way you
chose to look), poised delicately on a plank supported on two chairs,
and whitewashing the ceiling of his front room.
</p>
            <p>About four o'clock a stranger entered the village from the
direction of the downs.  He was a short, stout person in an
extraorindarily shabby top hat, and he appeared to be very much out of
breath.  His cheeks were alternately limp and tightly puffed.  His
mottled face was apprenhensive, and he moved with a sort of reluctant
alacrity.  He turned the corner by the church, and directed his way to
the Coach and Horses.  Among others old Fletcher remembers seeing him,
and indeed the old gentleman was so struck by his peculiar agitation
that he inadvertently allowed a quantity of whitewash to run down the
brush into the sleeve of his coat while regarding him.
</p>
            <p>This stranger, to the perceptions of the proprietor of the cocoanut
shy, appeared to be talking to himself, and Mr. Huxter remarked the
same thing.  He stopped at the foot of the Coach and Horses steps,
and, according to Mr. Huxter, appeared to undergo a severe internal
struggle before he could induce himself to enter the house.  Finally
he marched up the steps, and was seen by Mr. Huxter to turn to the
left and open the door of the parlour.  Mr. Huxter heard voices from
within the room and from the bar apprising the man of his error.
“That room's private!” said Hall, and the stranger shut the
door clumsily and went into the bar.
</p>
            <p>In the course of a few minutes he reappeared, wiping his lips with
the back of his hand with an air of quiet satisfaction that somehow
impressed Mr. Huxter as assumed.  He stood looking about him for some
moments, and then Mr. Huxter saw him walk in an oddly furtive manner
towards the gates of the yard, upon which the parlour window opened.
The stranger, after some hesitation, leant against one of the
gate-posts, produced a short clay pipe, and prepared to fill it.  His
fingers trembled while doing so.  He lit it clumsily, and folding his
arms began to smoke in a languid attitude, an attitude which his
occasional quick glances up the yard altogether belied.
</p>
            <p>All this Mr. Huxter saw over the canisters of the tobacco window,
and the singularity of the man's behaviour prompted him to maintain
his observation.
</p>
            <p>Presently the stranger stood up abruptly and put his pipe in his
pocket.  Then he vanished into the yard.  Forthwith Mr. Huxter,
conceiving he was witness of some petty larceny, leapt round his
counter and ran out into the road to intercept the thief.  As he did
so, Mr. Marvel reappeared, his hat askew, a big bundle in a blue
table-cloth in one hand, and three books tied together—as it
proved afterwards with the Vicar's braces—in the other.
Directly he saw Huxter he gave a sort of gasp, and turning sharply to
the left, began to run.  “Stop thief!” cried Huxter, and set
off after him.  Mr.  Huxter's sensations were vivid but brief.  He saw
the man just before him and spurting briskly for the church corner and
the hill road.  He saw the village flags and festivities beyond, and a
face or so turned towards him.  He bawled, “Stop!” again.  He
had hardly gone ten strides before his shin was caught in some
mysterious fashion, and he was no longer running, but flying with
inconceivable rapidity through the air.  He saw the ground suddenly
close to his face.  The world seemed to splash into a million whirling
specks of light, and subsequent proceedings interested him no more.
</p>
         </div>
         <div n="C11" type="chapter">
            <head>In the Coach and Horses</head>
            <p>Now in order clearly to understand what had happened in the inn, it
is necessary to go back to the moment when Mr. Marvel first came into
view of Mr. Huxter's window.  At that precise moment Mr.  Cuss and Mr.
Bunting were in the parlour.  They were seriously investigating the
strange occurrences of the morning, and were, with Mr. Hall's
permission, making a thorough examination of the Invisible Man's
belongings.  Jaffers had partially recovered from his fall and had
gone home in the charge of his sympathetic friends.  The stranger's
scattered garments had been removed by Mrs. Hall and the room tidied
up.  And on the table under the window where the stranger had been
wont to work, Cuss had hit almost at once on three big books in
manuscript labelled “Diary.”
</p>
            <p>“Diary!” said Cuss, putting the three books on the table.
“Now, at any rate, we shall learn something.” The Vicar stood
with his hands on the table.
</p>
            <p>“Diary,” repeated Cuss, sitting down, putting two volumes
to support the third, and opening it.  “H'm—no name on the
fly-leaf.  Bother!—cypher.  And figures.”
</p>
            <p>The Vicar came round to look over his shoulder.
</p>
            <p>Cuss turned the pages over with a face suddenly disappointed.
“I'm—dear me!  It's all cypher, Bunting.”
</p>
            <p>“There are no diagrams?” asked Mr. Bunting.  “No
illustrations throwing light—”
</p>
            <p>“See for yourself,” said Mr. Cuss.  “Some of it's
mathematical and some of it's Russian or some such language (to judge
by the letters), and some of it's Greek.  Now the Greek I thought
you—”
</p>
            <p>“Of course,” said Mr. Bunting, taking out and wiping his
spectacles and feeling suddenly very uncomfortable,—for he had
no Greek left in his mind worth talking about; “yes—the
Greek, of course, may furnish a clue.”
</p>
            <p>“I'll find you a place.”
</p>
            <p>“I'd rather glance through the volumes first,” said Mr.
Bunting, still wiping.  “A general impression first, Cuss, and
then, you know, we can go looking for clues.”
</p>
            <p>He coughed, put on his glasses, arranged them fastidiously, coughed
again, and wished something would happen to avert the seemingly
inevitable exposure.  Then he took the volume Cuss handed him in a
leisurely manner.  And then something did happen.
</p>
            <p>The door opened suddenly.
</p>
            <p>Both gentlemen started violently, looked around, and were relieved
to see a sporadically rosy face beneath a furry silk hat.
“Tap?” asked the face, and stood staring.
</p>
            <p>“No,” said both gentlemen at once.
</p>
            <p>“Over the other side, my man,” said Mr. Bunting.  And
“Please shut that door,” said Mr. Cuss irritably.
</p>
            <p>“All right,” said the intruder, as it seemed, in a low
voice curiously different from the huskiness of its first enquiry.
“Right you are,” said the intruder in the former voice.
“Stand clear!” and he vanished and closed the door.
</p>
            <p>“A sailor, I should judge,” said Mr. Bunting.  “Amusing
fellows they are.  Stand clear! indeed.  A nautical term referring to
his getting back out of the room, I suppose.”
</p>
            <p>“I daresay so,” said Cuss.  “My nerves are all loose
to-day.  It quite made me jump—the door opening like that.”
</p>
            <p>Mr. Bunting smiled as if he had not jumped.  “And now,” he
said with a sigh, “these books.”
</p>
            <p>“One minute,” said Cuss, and went and locked the door.
“Now I think we are safe from interruption.”
</p>
            <p>Some one sniffed as he did so.
</p>
            <p>“One thing is indisputable,” said Bunting, drawing up a
chair next to that of Cuss.  “There certainly have been very
strange things happen in Iping during the last few days—very
strange.  I cannot of course believe in this absurd invisibility
story—”
</p>
            <p>“It's incredible,” said Cuss, “—incredible.  But
the fact remains that I saw—I certainly saw right down his
sleeve—”
</p>
            <p>“But did you—are you sure?  Suppose a mirror, for
instance,— hallucinations are so easily produced.  I don't know
if you have ever seen a really good conjuror—”
</p>
            <p>“I won't argue again,” said Cuss.  “We've thrashed that
out, Bunting.  And just now there's these books—Ah! here's some
of what I take to be Greek!  Greek letters certainly.”
</p>
            <p>He pointed to the middle of the page.  Mr. Bunting flushed slightly
and brought his face nearer, apparently finding some difficulty with
his glasses.  Suddenly he became aware of a strange feeling at the
nape of his neck.  He tried to raise his head, and encountered an
immovable resistance.  The feeling was a curious pressure, the grip of
a heavy, firm hand, and it bore his chin irresistibly to the table.
“Don't move, little men,” whispered a voice, “or I'll
brain you both!” He looked into the face of Cuss, close to his
own, and each saw a horrified reflection of his own sickly
astonishment.
</p>
            <p>“I'm sorry to handle you roughly,” said the Voice, “but
it's unavoidable.
</p>
            <p>“Since when did you learn to pry into an investigator's private
memoranda?” said the Voice; and two chins struck the table
simultaneously and two sets of teeth rattled.
</p>
            <p>“Since when did you learn to invade the private rooms of a man
in misfortune?” and the concussion was repeated.
</p>
            <p>“Where have they put my clothes?
</p>
            <p>“Listen,” said the Voice.  “The windows are fastened
and I've taken the key out of the door.  I am a fairly strong man, and
I have the poker handy—besides being invisible.  There's not the
slightest doubt that I could kill you both and get away quite easily
if I wanted to—do you understand?  Very well.  If I let you go
will you promise not to try any nonsense and do what I tell you?”
</p>
            <p>The Vicar and the Doctor looked at one another, and the Doctor
pulled a face.  “Yes,” said Mr. Bunting, and the Doctor
repeated it.  Then the pressure on the necks relaxed, and the Doctor
and the Vicar sat up, both very red in the face and wriggling their
heads.
</p>
            <p>“Please keep sitting where you are,” said the Invisible
Man.  “Here's the poker, you see.
</p>
            <p>“When I came into this room,” continued the Invisible Man,
after presenting the poker to the tip of the nose of each of his
visitors, “I did not expect to find it occupied, and I expected to
find, in addition to my books of memoranda, an outfit of clothing.
Where is it?  No,—don't rise.  I can see it's gone.  Now, just
at present, though the days are quite warm enough for an invisible man
to run about stark, the evenings are chilly.  I want
clothing—and other accommodation; and I must also have those
three books.”
</p>
         </div>
         <div n="C12" type="chapter">
            <head>The Invisible Man Loses His
Temper</head>
            <p>It is unavoidable that at this point the narrative
should break off again, for a certain very painful reason that will
presently be apparent.  While these things were going on in the
parlour, and while Mr. Huxter was watching Mr. Marvel smoking his pipe
against the gate, not a dozen yards away were Mr. Hall and Teddy
Henfrey discussing in a state of cloudy puzzlement the one Iping
topic.
</p>
            <p>Suddenly there came a violent thud against the door of the parlour,
a sharp cry, and then—silence.
</p>
            <p>“Hul—lo!” said Teddy Henfrey.
</p>
            <p>“Hul—lo!” from the Tap.
</p>
            <p>Mr. Hall took things in slowly but surely.  “That ain't
right,” he said, and came round from behind the bar towards the
parlour door.
</p>
            <p>He and Teddy approached the door together, with intent faces.
Their eyes considered.  “Summat wrong,” said Hall, and Henfrey
nodded agreement.  Whiffs of an unpleasant chemical odour met them,
and there was a muffled sound of conversation, very rapid and subdued.
</p>
            <p>“You all raight thur?” asked Hall, rapping.
</p>
            <p>The muttered conversation ceased abruptly, for a moment silence,
then the conversation was resumed in hissing whispers, then a sharp
cry of “No! no, you don't!” There came a sudden motion and the
oversetting of a chair, a brief struggle.  Silence again.
</p>
            <p>“What the dooce?” exclaimed Henfrey, sotto voce.
</p>
            <p>“You—all—raight—thur?” asked Mr. Hall
sharply, again.
</p>
            <p>The Vicar's voice answered with a curious jerking intonation:
“Quite ri—ight.  Please don't—interrupt.”
</p>
            <p>“Odd!” said Mr. Henfrey.
</p>
            <p>“Odd!” said Mr. Hall.
</p>
            <p>“Says, 'Don't interrupt,'” said Henfrey.
</p>
            <p>“I heerd'n,” said Hall.
</p>
            <p>“And a sniff,” said Henfrey.
</p>
            <p>They remained listening.  The conversation was rapid and subdued.
“I can't,” said Mr. Bunting, his voice rising; “I tell
you, sir, I will not.”
</p>
            <p>“What was that?” asked Henfrey.
</p>
            <p>“Says he wi' nart,” said Hall.  “Warn't speakin' to us,
wuz he?”
</p>
            <p>“Disgraceful!” said Mr. Bunting, within.
</p>
            <p>“'Disgraceful,'” said Mr. Henfrey.  “I heard
it—distinct.
</p>
            <p>“Who's that speaking now?” asked Henfrey.
</p>
            <p>“Mr. Cuss, I s'pose,” said Hall.  “Can you
hear—anything?”
</p>
            <p>Silence.  The sounds within indistinct and perplexing.
</p>
            <p>“Sounds like throwing the table-cloth about,” said Hall.
</p>
            <p>Mrs. Hall appeared behind the bar.  Hall made gestures of silence
and invitation.  This roused Mrs. Hall's wifely opposition.  “What
yer listenin' there for, Hall?” she asked.  “Ain't you nothin'
better to do—busy day like this?”
</p>
            <p>Hall tried to convey everything by grimaces and dumb show, but Mrs.
Hall was obdurate.  She raised her voice.  So Hall and Henfrey, rather
crestfallen, tip-toed back to the bar, gesticulating to explain to
her.
</p>
            <p>At first she refused to see anything in what they had heard at all.
Then she insisted on Hall keeping silence, while Henfrey told her his
story.  She was inclined to think the whole business nonsense
—perhaps they were just moving the furniture about.  “I
heerd'n say 'disgraceful'; that I did,” said Hall.
</p>
            <p>“I heerd that, Mis' Hall,” said Henfrey.
</p>
            <p>“Like as not—” began Mrs. Hall.
</p>
            <p>“Hsh!” said Mr. Teddy Henfrey.  “Didn't I hear the
window?”
</p>
            <p>“What window?” asked Mrs. Hall.
</p>
            <p>“Parlour window,” said Henfrey.
</p>
            <p>Every one stood listening intently.  Mrs. Hall's eyes, directed
straight before her, saw without seeing the brilliant oblong of the
inn door, the road white and vivid, and Huxter's shop-front blistering
in the June sun.  Abruptly Huxter's door opened and Huxter appeared,
eyes staring with excitement, arms gesticulating.  “Yap!”
cried Huxter.  “Stop thief!” and he ran obliquely across the
oblong towards the yard gates, and vanished.
</p>
            <p>Simultaneously came a tumult from the parlour, and a sound of
windows being closed.
</p>
            <p>Hall, Henfrey, and the human contents of the Tap rushed out at once
pell-mell into the street.  They saw some one whisk round the corner
towards the down road, and Mr. Huxter executing a complicated leap in
the air that ended on his face and shoulder.  Down the street people
were standing astonished or running towards them.
</p>
            <p>Mr. Huxter was stunned.  Henfrey stopped to discover this, but Hall
and the two labourers from the Tap rushed at once to the corner,
shouting incoherent things, and saw Mr. Marvel vanishing by the corner
of the church wall.  They appear to have jumped to the impossible
conclusion that this was the Invisible Man suddenly become visible,
and set off at once along the lane in pursuit.  But Hall had hardly
run a dozen yards before he gave a loud shout of astonishment and went
flying headlong sideways, clutching one of the labourers and bringing
him to the ground.  He had been charged just as one charges a man at
football.  The second labourer came round in a circle, stared, and
conceiving that Hall had tumbled over of his own accord, turned to
resume the pursuit, only to be tripped by the ankle just as Huxter had
been.  Then, as the first labourer struggled to his feet, he was
kicked sideways by a blow that might have felled an ox.
</p>
            <p>As he went down, the rush from the direction of the village green
came round the corner.  The first to appear was the proprietor of the
cocoanut shy, a burly man in a blue jersey.  He was astonished to see
the lane empty save for three men sprawling absurdly on the ground.
And then something happened to his rear-most foot, and he went
headlong and rolled sideways just in time to graze the feet of his
brother and partner, following headlong.  The two were then kicked,
knelt on, fallen over, and cursed by quite a number of over- hasty
people.
</p>
            <p>Now when Hall and Henfrey and the labourers ran out of the house,
Mrs. Hall, who had been disciplined by years of experience, remained
in the bar next the till.  And suddenly the parlour door was opened,
and Mr. Cuss appeared, and without glancing at her rushed at once down
the steps towards the corner.  “Hold him!” he cried.
“Don't let him drop that parcel!  You can see him so long as he
holds the parcel.” He knew nothing of the existence of Marvel.
For the Invisible Man had handed over the books and bundle in the
yard.  The face of Mr. Cuss was angry and resolute, but his costume
was defective, a sort of limp white kilt that could only have passed
muster in Greece.  “Hold him!” he bawled.  “He's got my
trousers!  And every stitch of the Vicar's clothes!
</p>
            <p>“'Tend to him in a minute!” he cried to Henfrey as he
passed the prostrate Huxter, and coming round the corner to join the
tumult, was promptly knocked off his feet into an indecorous sprawl.
Somebody in full flight trod heavily on his finger.  He yelled,
struggled to regain his feet, was knocked against and thrown on all
fours again, and became aware that he was involved not in a capture,
but a rout.  Every one was running back to the village.  He rose again
and was hit severely behind the ear.  He staggered and set off back to
the Coach and Horses forthwith, leaping over the deserted Huxter, who
was now sitting up, on his way.
</p>
            <p>Behind him as he was halfway up the inn steps he heard a sudden
yell of rage, rising sharply out of the confusion of cries, and a
sounding smack in some one's face.  He recognised the voice as that of
the Invisible Man, and the note was that of a man suddenly infuriated
by a painful blow.
</p>
            <p>In another moment Mr. Cuss was back in the parlour.  “He's
coming back, Bunting!” he said, rushing in.  “Save yourself!
He's gone mad!”
</p>
            <p>Mr. Bunting was standing in the window engaged in an attempt to
clothe himself in the hearth-rug and a West Surrey Gazette.
“Who's coming?” he said, so startled that his costume narrowly
escaped disintegration.
</p>
            <p>“Invisible Man,” said Cuss, and rushed to the window.
“We'd better clear out from here!  He's fighting mad!  Mad!”
</p>
            <p>In another moment he was out in the yard.
</p>
            <p>“Good heavens!” said Mr. Bunting, hesitating between two
horrible alternatives.  He heard a frightful struggle in the passage
of the inn, and his decision was made.  He clambered out of the
window, adjusted his costume hastily, and fled up the village as fast
as his fat little legs would carry him.
</p>
            <p>From the moment when the Invisible Man screamed with rage and Mr.
Bunting made his memorable flight up the village, it became impossible
to give a consecutive account of affairs in Iping.  Possibly the
Invisible Man's original intention was simply to cover Marvel's
retreat with the clothes and books.  But his temper, at no time very
good, seems to have gone completely at some chance blow, and forthwith
he set to smiting and overthrowing, for the mere satisfaction of
hurting.
</p>
            <p>You must figure the street full of running figures, of doors
slamming and fights for hiding-places.  You must figure the tumult
suddenly striking on the unstable equilibrium of old Fletcher's planks
and two chairs,—with cataclysmal results.  You must figure an
appalled couple caught dismally in a swing.  And then the whole
tumultuous rush has passed and the Iping streets with its gauds and
flags is deserted save for the still raging Unseen, and littered with
cocoanuts, overthrown canvas screens, and the scattered stock in trade
of a sweetstuff stall.  Everywhere there is a sound of closing
shutters and shoving bolts, and the only visible humanity is an
occasional flitting eye under a raised eyebrow in the corner of a
window pane.
</p>
            <p>The Invisible Man amused himself for a little while by breaking all
the windows in the Coach and Horses, and then he thrust a street lamp
through the parlour window of Mrs. Gribble.  He it must have been who
cut the telegraph wire to Adderdean just beyond Higgins' cottage on
the Adderdean road.  And after that, as his peculiar qualities
allowed, he passed out of human perceptions altogether, and he was
neither heard, seen, nor felt in Iping any more.  He vanished
absolutely.
</p>
            <p>But it was the best part of two hours before any human being
ventured out again into the desolation of Iping Street.
</p>
         </div>
         <div n="C13" type="chapter">
            <head>Mr. Marvel Discusses His
Resignation</head>
            <p>When the dusk was gathering and Iping was just
beginning to peep timorously forth again upon the shattered wreckage
of its Bank Holiday, a short, thick-set man in a shabby silk hat was
marching painfully through the twilight behind the beechwoods on the
road to Bramblehurst.  He carried three books bound together by some
sort of ornamental elastic ligature, and a bundle wrapped in a blue
tablecloth.  His rubicund face expressed consternation and fatigue; he
appeared to be in a spasmodic sort of hurry.  He was accompanied by a
Voice other than his own, and ever and again he winced under the touch
of unseen hands.
</p>
            <p>“If you give me the slip again,” said the Voice; “if
you attempt to give me the slip again—”
</p>
            <p>“Lord!” said Mr. Marvel.  “That shoulder's a mass of
bruises as it is.”
</p>
            <p>“—on my honour,” said the Voice, “I will kill
you.”
</p>
            <p>“I didn't try to give you the slip,” said Marvel, in a
voice that was not far remote from tears.  “I swear I didn't.  I
didn't know the blessed turning, that was all!  How the devil was I to
know the blessed turning?  As it is, I've been knocked
about—”
</p>
            <p>“You'll get knocked about a great deal more if you don't
mind,” said the Voice, and Mr. Marvel abruptly became silent.  He
blew out his cheeks, and his eyes were eloquent of despair.
</p>
            <p>“It's bad enough to let these floundering yokels explode my
little secret, without your cutting off with my books.  It's lucky for
some of them they cut and ran when they did!  Here am I—No one
knew I was invisible!  And now what am I to do?”
</p>
            <p>“What am I to do?” asked Marvel, sotto voce.
</p>
            <p>“It's all about.  It will be in the papers!  Everybody will be
looking for me; everyone on their guard—” The Voice broke
off into vivid curses and ceased.
</p>
            <p>The despair of Mr. Marvel's face deepened, and his pace slacked.
</p>
            <p>“Go on!” said the Voice.
</p>
            <p>Mr. Marvel's face assumed a greyish tint between the ruddier
patches.
</p>
            <p>“Don't drop those books, stupid,” said the Voice,
sharply— overtaking him.
</p>
            <p>“The fact is,” said the Voice, “I shall have to make
use of you.  You're a poor tool, but I must.”
</p>
            <p>“I'm a miserable tool,” said Marvel.
</p>
            <p>“You are,” said the Voice.
</p>
            <p>“I'm the worst possible tool you could have,” said Marvel.
</p>
            <p>“I'm not strong,” he said after a discouraging silence.
</p>
            <p>“I'm not over strong,” he repeated.
</p>
            <p>“No?”
</p>
            <p>“And my heart's weak.  That little business—I pulled it
through, of course—but bless you!  I could have dropped.”
</p>
            <p>“Well?”
</p>
            <p>“I haven't the nerve and strength for the sort of thing you
want.”
</p>
            <p>“I'll stimulate you.”
</p>
            <p>“I wish you wouldn't.  I wouldn't like to mess up your plans,
you know.  But I might,—out of sheer funk and misery.”
</p>
            <p>“You'd better not,” said the Voice, with quiet emphasis.
</p>
            <p>“I wish I was dead,” said Marvel.
</p>
            <p>“It ain't justice,” he said; “you must admit—It
seems to me I've a perfect right—”
</p>
            <p>“Get on!” said the Voice.
</p>
            <p>Mr. Marvel mended his pace, and for a time they went in silence
again.
</p>
            <p>“It's devilish hard,” said Mr. Marvel.
</p>
            <p>This was quite ineffectual.  He tried another tack.
</p>
            <p>“What do I make by it?” he began again in a tone of
unendurable wrong.
</p>
            <p>“Oh! shut up!” said the Voice, with sudden amazing vigour.
“I'll see to you all right.  You do what you're told.  You'll do
it all right.  You're a fool and all that, but you'll do—”
</p>
            <p>“I tell you, sir, I'm not the man for it.
Respectfully—but it is so—”
</p>
            <p>“If you don't shut up I shall twist your wrist again,” said
the Invisible Man.  “I want to think.”
</p>
            <p>Presently two oblongs of yellow light appeared through the trees,
and the square tower of a church loomed through the gloaming.  “I
shall keep my hand on your shoulder,” said the Voice, “all
through the village.  Go straight through and try no foolery.  It will
be the worse for you if you do.”
</p>
            <p>“I know that,” sighed Mr. Marvel, “I know all
that.”
</p>
            <p>The unhappy-looking figure in the obsolete silk hat passed up the
street of the little village with his burdens, and vanished into the
gathering darkness beyond the lights of the windows.
</p>
         </div>
         <div n="C14" type="chapter">
            <head>At Port Stowe</head>
            <p>Ten
o'clock the next morning found Mr. Marvel, unshaven, dirty, and
travel-stained, sitting with the books beside him and his hands deep
in his pockets, looking very weary, nervous, and uncomfortable, and
inflating his cheeks at frequent intervals, on the bench outside a
little inn on the outskirts of Port Stowe.  Beside him were the books,
but now they were tied with string.  The bundle had been abandoned in
the pinewoods beyond Bramblehurst, in accordance with a change in the
plans of the Invisible Man.  Mr. Marvel sat on the bench, and although
no one took the slightest notice of him, his agitation remained at
fever heat.  His hands would go ever and again to his various pockets
with a curious nervous fumbling.
</p>
            <p>When he had been sitting for the best part of an hour, however, an
elderly mariner, carrying a newspaper, came out of the inn and sat
down beside him.  “Pleasant day,” said the mariner.
</p>
            <p>Mr. Marvel glanced about him with something very like terror.
“Very,” he said.
</p>
            <p>“Just seasonable weather for the time of year,” said the
mariner, taking no denial.
</p>
            <p>“Quite,” said Mr. Marvel.
</p>
            <p>The mariner produced a toothpick, and (saving his regard) was
engrossed thereby for some minutes.  His eyes meanwhile were at
liberty to examine Mr. Marvel's dusty figure and the books beside him.
As he had approached Mr. Marvel he had heard a sound like the dropping
of coins into a pocket.  He was struck by the contrast of Mr. Marvel's
appearance with this suggestion of opulence.  Thence his mind wandered
back again to a topic that had taken a curiously firm hold of his
imagination.
</p>
            <p>“Books?” he said suddenly, noisily finishing with the
toothpick.
</p>
            <p>Mr. Marvel started and looked at them.  “Oh, yes,” he said.
“Yes, they're books.”
</p>
            <p>“There's some extra-ordinary things in books,” said the
mariner.
</p>
            <p>“I believe you,” said Mr. Marvel.
</p>
            <p>“And some extra-ordinary things out of 'em,” said the
mariner.
</p>
            <p>“True likewise,” said Mr. Marvel.  He eyed his
interlocutor, and then glanced about him.
</p>
            <p>“There's some extra-ordinary things in newspapers, for
example,” said the mariner.
</p>
            <p>“There are.”
</p>
            <p>“In this newspaper,” said the mariner.
</p>
            <p>“Ah!” said Mr. Marvel.
</p>
            <p>“There's a story,” said the mariner, fixing Mr. Marvel with
an eye that was firm and deliberate; “there's a story about an
Invisible Man, for instance.”
</p>
            <p>Mr. Marvel pulled his mouth askew and scratched his cheek and felt
his ears glowing.  “What will they be writing next?” he asked
faintly.  “Ostria, or America?”
</p>
            <p>“Neither,” said the mariner.  “Here!”
</p>
            <p>“Lord!” said Mr. Marvel, starting.
</p>
            <p>“When I say here,” said the mariner, to Mr. Marvel's
intense relief, “I don't of course mean here in this place, I mean
hereabouts.”
</p>
            <p>“An Invisible Man!” said Mr. Marvel.  “And what's he
been up to?”
</p>
            <p>“Everything,” said the mariner, controlling Marvel with his
eye, and then amplifying: “Every Blessed Thing.”
</p>
            <p>“I ain't seen a paper these four days,” said Marvel.
</p>
            <p>“Iping's the place he started at,” said the mariner.
</p>
            <p>“In-deed!” said Mr. Marvel.
</p>
            <p>“He started there.  And where he came from, nobody don't seem
to know.  Here it is: Pe Culiar Story from Iping.  And it says in this
paper that the evidence is extra-ordinary
strong—extra-ordinary.”
</p>
            <p>“Lord!” said Mr. Marvel.
</p>
            <p>“But then, it's a extra-ordinary story.  There is a clergyman
and a medical gent witnesses,—saw 'im all right and
proper—or leastways, didn't see 'im.  He was staying, it says,
at the Coach an' Horses, and no one don't seem to have been aware of
his misfortune, it says, aware of his misfortune, until in an
Alteration in the inn, it says, his bandages on his head was torn off.
It was then ob-served that his head was invisible.  Attempts were At
Once made to secure him, but casting off his garments, it says, he
succeeded in escaping, but not until after a desperate struggle, In
Which he had inflicted serious injuries, it says, on our worthy and
able constable, Mr. J.A.  Jaffers.  Pretty straight story, eigh?
Names and everything.”
</p>
            <p>“Lord!” said Mr. Marvel, looking nervously about him,
trying to count the money in his pockets by his unaided sense of
touch, and full of a strange and novel idea.  “It sounds most
astonishing.”
</p>
            <p>“Don't it?  Extra-ordinary, I call it.  Never heard tell of
Invisible Men before, I haven't, but nowadays one hears such a lot of
extra-ordinary things—that—”
</p>
            <p>“That all he did?” asked Marvel, trying to seem at his
ease.
</p>
            <p>“It's enough, ain't it?” said the mariner.
</p>
            <p>“Didn't go Back by any chance?” asked Marvel.  “Just
escaped and that's all, eh?”
</p>
            <p>“All!” said the mariner.  “Why!—ain't it
enough?”
</p>
            <p>“Quite enough,” said Marvel.
</p>
            <p>“I should think it was enough,” said the mariner.  “I
should think it was enough.”
</p>
            <p>“He didn't have any pals—it don't say he had any pals,
does it?” asked Mr. Marvel, anxious.
</p>
            <p>“Ain't one of a sort enough for you?” asked the mariner.
“No, thank Heaven, as one might say, he didn't.”
</p>
            <p>He nodded his head slowly.  “It makes me regular uncomfortable,
the bare thought of that chap running about the country!  He is at
present At Large, and from certain evidence it is supposed that he
has—taken—took, I suppose they mean—the road to Port
Stowe.  You see we're right in it!  None of your American wonders,
this time.  And just think of the things he might do!  Where'd you be,
if he took a drop over and above, and had a fancy to go for you?
Suppose he wants to rob—who can prevent him?  He can trespass,
he can burgle, he could walk through a cordon of policemen as easy as
me or you could give the slip to a blind man!  Easier!  For these here
blind chaps hear uncommon sharp, I'm told.  And wherever there was
liquor he fancied—”
</p>
            <p>“He's got a tremenjous advantage, certainly,” said Marvel.
“And—well.”
</p>
            <p>“You're right,” said the mariner.  “He has.”
</p>
            <p>All this time Mr. Marvel had been glancing about him intently,
listening for faint footfalls, trying to detect imperceptible
movements.  He seemed on the point of some great resolution.  He
coughed behind his hand.
</p>
            <p>He looked about him again, listened, bent towards to the mariner,
and lowered his voice: “The fact of it is—I happen—to
know just a thing or two about this Invisible Man.  From private
sources.”
</p>
            <p>“Oh!” said the mariner, interested.  “You?”
</p>
            <p>“Yes,” said Mr. Marvel.  “Me.”
</p>
            <p>“Indeed!” said the mariner.  “And may I ask—”
</p>
            <p>“You'll be astonished,” said Mr. Marvel behind his hand.
“It's tremenjous.”
</p>
            <p>“Indeed!” said the mariner.
</p>
            <p>“The fact is,” began Mr. Marvel eagerly in a confidential
undertone.  Suddenly his expression changed marvellously.
“Ow!” he said.  He rose stiffly in his seat.  His face was
eloquent of physical suffering.  “Wow!” he said.
</p>
            <p>“What's up?” said the mariner, concerned.
</p>
            <p>“Toothache,” said Mr. Marvel, and put his hand to his ear.
He caught hold of his books.  “I must be getting on, I think,”
he said.  He edged in a curious way along the seat away from his
interlocutor.  “But you was just agoing to tell me about this here
Invisible Man!” protested the mariner.  Mr. Marvel seemed to
consult with himself.  “Hoax,” said a voice.  “It's a
hoax,” said Mr. Marvel.
</p>
            <p>“But it's in the paper,” said the mariner.
</p>
            <p>“Hoax all the same,” said Marvel.  “I know the chap
that started the lie.  There ain't no Invisible Man
whatsoever—Blimey.”
</p>
            <p>“But how 'bout this paper?  D'you mean to say—?”
</p>
            <p>“Not a word of it,” said Marvel, stoutly.
</p>
            <p>The mariner stared, paper in hand.  Mr. Marvel jerkily faced about.
“Wait a bit,” said the mariner, rising and speaking slowly.
“D'you mean to say—?”
</p>
            <p>“I do,” said Mr. Marvel.
</p>
            <p>“Then why did you let me go on and tell you all this blarsted
stuff, then?  What d'yer mean by letting a man make a fool of himself
like that for?  Eigh?”
</p>
            <p>Mr. Marvel blew out his cheeks.  The mariner was suddenly very red
indeed; he clenched his hands.  “I been talking here this ten
minutes,” he said; “and you, you little pot-bellied,
leathery-faced son of an old boot, couldn't have the elementary
manners—”
</p>
            <p>“Don't you come bandying words with me,” said Mr. Marvel.
</p>
            <p>“Bandying words!  I'm a jolly good mind—”
</p>
            <p>“Come up,” said a voice, and Mr. Marvel was suddenly
whirled about and started marching off in a curious spasmodic manner.
“You'd better move on,” said the mariner.  “Who's moving
on?” said Mr.  Marvel.  He was receding obliquely with a curious
hurrying gait, with occasional violent jerks forward.  Some way along
the road he began a muttered monologue, protests and recriminations.
</p>
            <p>“Silly devil!” said the mariner, legs wide apart, elbows
akimbo, watching the receding figure.  “I'll show you, you silly
ass,—hoaxing me!  It's here—on the paper!”
</p>
            <p>Mr. Marvel retorted incoherently and, receding, was hidden by a
bend in the road, but the mariner still stood magnificent in the midst
of the way, until the approach of a butcher's cart dislodged him.
Then he turned himself towards Port Stowe.  “Full of extra-
ordinary asses,” he said softly to himself.  “Just to take me
down a bit—that was his silly game—It's on the paper!”
</p>
            <p>And there was another extraordinary thing he was presently to hear,
that had happened quite close to him.  And that was a vision of a
“fist full of money” (no less) travelling without visible
agency, along by the wall at the corner of St. Michael's Lane.  A
brother mariner had seen this wonderful sight that very morning.  He
had snatched at the money forthwith and had been knocked headlong, and
when he had got to his feet the butterfly money had vanished.  Our
mariner was in the mood to believe anything, he declared, but that was
a bit too stiff.  Afterwards, however, he began to think things over.
</p>
            <p>The story of the flying money was true.  And all about that
neighbourhood, even from the august London and Country Banking
Company, from the tills of shops and inns—doors standing that
sunny weather entirely open—money had been quietly and
dexterously making off that day in handfuls and rouleaux, floating
quietly along by walls and shady places, dodging quickly from the
approaching eyes of men.  And it had, though no man had traced it,
invariably ended its mysterious flight in the pocket of that agitated
gentleman in the obsolete silk hat, sitting outside the little inn on
the outskirts of Port Stowe.
</p>
         </div>
         <div n="C15" type="chapter">
            <head>The Man Who Was Running</head>
            <p>In the early evening time Doctor Kemp was sitting in his study in
the belvedere on the hill overlooking Burdock.  It was a pleasant
little room, with three windows, north, west, and south, and
bookshelves crowded with books and scientific publications, and a
broad writing-table, and, under the north window, a microscope, glass
slips, minute instruments, some cultures, and scattered bottles of
reagents.  Doctor Kemp's solar lamp was lit, albeit the sky was still
bright with the sunset light, and his blinds were up because there was
no offence of peering outsiders to require them pulled down.  Doctor
Kemp was a tall and slender young man, with flaxen hair and a
moustache almost white, and the work he was upon would earn him, he
hoped, the fellowship of the Royal Society, so highly did he think of
it.
</p>
            <p>And his eye presently wandering from his work caught the sunset
blazing at the back of the hill that is over against his own.  For a
minute perhaps he sat, pen in mouth, admiring the rich golden colour
above the crest, and then his attention was attracted by the little
figure of a man, inky black, running over the hill-brow towards him.
He was a shortish little man, and he wore a high hat, and he was
running so fast that his legs verily twinkled.
</p>
            <p>“Another of those fools,” said Doctor Kemp.  “Like that
ass who ran into me this morning round a corner, with his ''Visible
Man a-coming, sir!'  I can't imagine what possesses people.  One might
think we were in the thirteenth century.”
</p>
            <p>He got up, went to the window, and stared at the dusky hillside and
the dark little figure tearing down it.  “He seems in a confounded
hurry,” said Doctor Kemp, “but he doesn't seem to be getting
on.  If his pockets were full of lead, he couldn't run heavier.
</p>
            <p>“Spurted, sir,” said Doctor Kemp.
</p>
            <p>In another moment the higher of the villas that had clambered up
the hill from Burdock had occulted the running figure.  He was visible
again for a moment, and again, and then again, three times between the
three detached houses that came next, and then the terrace hid him.
</p>
            <p>“Asses!” said Doctor Kemp, swinging round on his heel and
walking back to his writing-table.
</p>
            <p>But those who saw the fugitive nearer, and perceived the abject
terror on his perspiring face, being themselves in the open roadway,
did not share in the doctor's contempt.  By the man pounded, and as he
ran he chinked like a well-filled purse that is tossed to and fro.  He
looked neither to the right nor the left, but his dilated eyes stared
straight downhill to where the lamps were being lit, and the people
were crowded in the street.  And his ill-shaped mouth fell apart, and
a glairy foam lay on his lips, and his breath came hoarse and noisy.
All he passed stopped and began staring up the road and down, and
interrogating one another with an inkling of discomfort for the reason
of his haste.
</p>
            <p>And then presently, far up the hill, a dog playing in the road
yelped and ran under a gate, and as they still wondered
something—a wind—a pad, pad, pad,—a sound like a
panting breathing,—rushed by.
</p>
            <p>People screamed.  People sprang off the pavement.  It passed in
shouts, it passed by instinct down the hill.  They were shouting in
the street before Marvel was halfway there.  They were bolting into
houses and slamming the doors behind them, with the news.  He heard it
and made one last desperate spurt.  Fear came striding by, rushed
ahead of him, and in a moment had seized the town.
</p>
            <p>“The Invisible Man is coming!  The Invisible Man.”
</p>
         </div>
         <div n="C16" type="chapter">
            <head>In the Jolly Cricketers</head>
            <p>The Jolly Cricketers is just at the bottom of the hill, where the
tram-lines begin.  The barman leant his fat red arms on the counter
and talked of horses with an anaemic cabman, while a black- bearded
man in grey snapped up biscuit and cheese, drank Burton, and conversed
in American with a policeman off duty.
</p>
            <p>“What's the shouting about?” said the anaemic cabman going
off at a tangent, trying to see up the hill over the dirty yellow
blind in the low window of the inn.  Somebody ran by outside.
“Fire, perhaps,” said the barman.
</p>
            <p>Footsteps approached, running heavily, the door was pushed open
violently, and Marvel, weeping and dishevelled, his hat gone, the neck
of his coat torn open, rushed in, made a convulsive turn, and
attempted to shut the door.  It was held half open by a strap.
</p>
            <p>“Coming!” he bawled, his voice shrieking with terror.
“He's coming.  The 'Visible Man!  After me!  For Gawd's sake!
Elp!  Elp!  Elp!”
</p>
            <p>“Shut the doors,” said the policeman.  “Who's coming?
What's the row?” He went to the door, released the strap, and it
slammed.  The American closed the other door.
</p>
            <p>“Lemme go inside,” said Marvel, staggering and weeping, but
still clutching the books.  “Lemme go inside.  Lock me
in—somewhere.  I tell you he's after me.  I give him the slip.
He said he'd kill me and he will.”
</p>
            <p>“You're safe,” said the man with the black beard.  “The
door's shut.  What's it all about?”
</p>
            <p>“Lemme go inside,” said Marvel, and shrieked aloud as a
blow suddenly made the fastened door shiver and was followed by a
hurried rapping and a shouting outside.  “Hullo,” cried the
policeman, “who's there?” Mr. Marvel began to make frantic
dives at panels that looked like doors.  “He'll kill me—he's
got a knife or something.  For Gawd's sake!”
</p>
            <p>“Here you are,” said the barman.  “Come in here.”
And he held up the flap of the bar.
</p>
            <p>Mr. Marvel rushed behind the bar as the summons outside was
repeated.  “Don't open the door,” he screamed.  “Please
don't open the door.  Where shall I hide?”
</p>
            <p>“This, this Invisible Man, then?” asked the man with the
black beard, with one hand behind him.  “I guess it's about time
we saw him.”
</p>
            <p>The window of the inn was suddenly smashed in, and there was a
screaming and running to and fro in the street.  The policeman had
been standing on the settee staring out, craning to see who was at the
door.  He got down with raised eyebrows.  “It's that,” he
said.  The barman stood in front of the bar-parlour door which was now
locked on Mr. Marvel, stared at the smashed window and came round to
the two other men.
</p>
            <p>Everything was suddenly quiet.  “I wish I had my
truncheon,” said the policeman, going irresolutely to the door.
“Once we open, in he comes.  There's no stopping him.”
</p>
            <p>“Don't you be in too much hurry about that door,” said the
anaemic cabman, anxiously.
</p>
            <p>“Draw the bolts,” said the man with the black beard,
“and if he comes—” He showed a revolver in his hand.
</p>
            <p>“That won't do,” said the policeman; “that's
murder.”
</p>
            <p>“I know what country I'm in,” said the man with the beard.
“I'm going to let off at his legs.  Draw the bolts.”
</p>
            <p>“Not with that thing going off behind me,” said the barman,
craning over the blind.
</p>
            <p>“Very well,” said the man with the black beard, and
stooping down, revolver ready, drew them himself.  Barman, cabman, and
police- man faced about.
</p>
            <p>“Come in,” said the bearded man in an undertone, standing
back and facing the unbolted doors with his pistol behind him.  No one
came in, the door remained closed.  Five minutes afterwards when a
second cabman pushed his head in cautiously, they were still waiting,
and an anxious face peered out of the bar-parlour and supplied
information.  “Are all the doors of the house shut?” asked
Marvel.  “He's going round—prowling round.  He's as artful
as the devil.”
</p>
            <p>“Good Lord!” said the burly barman.  “There's the back!
Just watch them doors!  I say!—” He looked about him
helplessly.  The bar-parlour door slammed and they heard the key turn.
“There's the yard door and the private door.  The yard
door—”
</p>
            <p>He rushed out of the bar.
</p>
            <p>In a minute he reappeared with a carving-knife in his hand.
“The yard door was open!” he said, and his fat underlip
dropped.
</p>
            <p>“He may be in the house now!” said the first cabman.
</p>
            <p>“He's not in the kitchen,” said the barman.  “There's
two women there, and I've stabbed every inch of it with this little
beef slicer.  And they don't think he's come in.  They haven't
noticed—”
</p>
            <p>“Have you fastened it?” asked the first cabman.
</p>
            <p>“I'm out of frocks,” said the barman.
</p>
            <p>The man with the beard replaced his revolver.  And even as he did
so the flap of the bar was shut down and the bolt clicked, and then
with a tremendous thud the catch of the door snapped and the bar-
parlour door burst open.  They heard Marvel squeal like a caught
leveret, and forthwith they were clambering over the bar to his
rescue.  The bearded man's revolver cracked and the looking-glass at
the back of the parlour was starred brightly and came smashing and
tinkling down.
</p>
            <p>As the barman entered the room he saw Marvel, curiously crumpled up
and struggling against the door that led to the yard and kitchen.  The
door flew open while the barman hesitated, and Marvel was dragged into
the kitchen.  There was a scream and a clatter of pans.  Marvel, head
down, and lugging back obstinately, was forced to the kitchen door,
and the bolts were drawn.
</p>
            <p>Then the policeman, who had been trying to pass the barman, rushed
in, followed by one of the cabmen, gripped the wrist of the invisible
hand that collared Marvel, was hit in the face and went reeling back.
The door opened, and Marvel made a frantic effort to obtain a lodgment
behind it.  Then the cabman clutched something.  “I got him,”
said the cabman.  The barman's red hands came clawing at the unseen.
“Here he is!” said the barman.
</p>
            <p>Mr. Marvel, released, suddenly dropped to the ground and made an
attempt to crawl behind the legs of the fighting men.  The struggle
blundered round the edge of the door.  The voice of the Invisible Man
was heard for the first time, yelling out sharply, as the policeman
trod on his foot.  Then he cried out passionately and his fists flew
round like flails.  The cabman suddenly whooped and doubled up, kicked
under the diaphragm.  The door into the bar-parlour from the kitchen
slammed and covered Mr. Marvel's retreat.  The men in the kitchen
found themselves clutching at and struggling with empty air.
</p>
            <p>“Where's he gone?” cried the man with the beard.
“Out?”
</p>
            <p>“This way,” said the policeman, stepping into the yard and
stopping.
</p>
            <p>A piece of tile whizzed by his head and smashed among the crockery
on the kitchen table.
</p>
            <p>“I'll show him,” shouted the man with the black beard, and
suddenly a steel barrel shone over the policeman's shoulder, and five
bullets had followed one another into the twilight whence the missle
had come.  As he fired, the man with the beard moved his hand in a
horizontal curve, so that his shots radiated out into the narrow yard
like spokes from a wheel.
</p>
            <p>A silence followed.  “Five cartridges,” said the man with
the black beard.  “That's the best of all.  Four aces and the
joker.  Get a lantern, some one, and come and feel about for his
body.”
</p>
         </div>
         <div n="C17" type="chapter">
            <head>Doctor Kemp's Visitor</head>
            <p>Doctor Kemp had continued writing in his study until the shots
aroused him.  Crack, crack, crack, they came one after the other.
</p>
            <p>“Hello!” said Doctor Kemp, putting his pen into his mouth
again and listening.  “Who's letting off revolvers in Burdock?
What are the asses at now?”
</p>
            <p>He went to the south window, threw it up, and leaning out stared
down on the network of windows, beaded gas-lamps and shops with black
interstices of roof and yard that made up the town at night.
“Looks like a crowd down the hill,” he said, “by the
Cricketers,” and remained watching.  Thence his eyes wandered over
the town to far away where the ships' lights shone, and the pier
glowed, a little illuminated pavilion like a gem of yellow light.  The
moon in its first quarter hung over the western hill, and the stars
were clear and almost tropically bright.
</p>
            <p>After five minutes, during which his mind had travelled into a
remote speculation of social conditions of the future, and lost itself
at last over the time dimension, Doctor Kemp roused himself with a
sigh, pulled down the window again, and returned to his writing-desk.
</p>
            <p>It must have been about an hour after this that the front-door bell
rang.  He had been writing slackly and with intervals of abstraction,
since the shots.  He sat listening.  He heard the servant answer the
door, and waited for her feet on the staircase, but she did not come.
“Wonder what that was,” said Doctor Kemp.
</p>
            <p>He tried to resume his work, failed, got up, went downstairs from
his study to the landing, rang, and called over the balustrade to the
housemaid as she appeared in the hall below.  “Was that a
letter?” he asked.
</p>
            <p>“Only a runaway ring, sir,” she answered.
</p>
            <p>“I'm restless to-night,” he said to himself.  He went back
to his study, and this time attacked his work resolutely.  In a little
while he was hard at work again, and the only sounds in the room were
the ticking of the clock and the subdued shrillness of his quill,
hurrying in the very centre of the circle of light his lamp-shade
threw on his table.
</p>
            <p>It was two o'clock before Doctor Kemp had finished his work for the
night.  He rose, yawned, and went downstairs to bed.  He had already
removed his coat and vest, when he noticed that he was thirsty.  He
took a candle and went down to the dining-room in search of a siphon
and whisky.
</p>
            <p>Doctor Kemp's scientific pursuits had made him a very observant
man, and as he recrossed the hall, he noticed a dark spot on the
linoleum near the mat at the foot of the stairs.  He went on upstairs,
and then it suddenly occurred to him to ask himself what the spot on
the linoleum might be.  Apparently some subconscious element was at
work.  At any rate, he turned with his burden, went back to the hall,
put down the siphon and whisky, and bending down, touched the spot.
Without any great surprise he found it had the stickiness and colour
of drying blood.
</p>
            <p>He took up his burden again, and returned upstairs, looking about
him and trying to account for the blood-spot.  On the landing he saw
something and stopped astonished.  The door-handle of his own room was
blood-stained.
</p>
            <p>He looked at his own hand.  It was quite clean, and then he
remembered that the door of his room had been open when he came down
from his study, and that consequently he had not touched the handle at
all.  He went straight into his room, his face quite
calm—perhaps a trifle more resolute that usual.  His glance,
wandering inquisitively, fell on the bed.  On the counterpane was a
mess of blood, and the sheet had been torn.  He had not noticed this
before because he had walked straight to the dressing-table.  On the
further side the bed- clothes were depressed as if some one had been
recently sitting there.
</p>
            <p>Then he had an odd impression that he had heard a loud voice say,
“Good Heavens!—Kemp!” But Doctor Kemp was no believer in
Voices.
</p>
            <p>He stood staring at the tumbled sheets.  Was that really a voice?
He looked about again, but noticed nothing further than the disordered
and blood-stained bed.  Then he distinctly heard a movement across the
room, near the wash-hand stand.  All men, however highly educated,
retain some superstitious inklings.  The feeling that is called
“eerie” came upon him.  He closed the door of the room, came
forward to the dressing-table, and put down his burdens.  Suddenly,
with a start, he perceived a coiled and blood-stained bandage of linen
rag hanging in mid-air, between him and the wash-hand stand.
</p>
            <p>He stared at this in amazement.  It was an empty bandage, a bandage
properly tied but quite empty.  He would have advanced to grasp it,
but a touch arrested him, and a voice speaking quite close to him.
</p>
            <p>“Kemp!” said the Voice.
</p>
            <p>“Eigh?” said Kemp, with his mouth open.
</p>
            <p>“Keep your nerve,” said the Voice.  “I'm an Invisible
Man.”
</p>
            <p>Kemp made no answer for a space, simply stared at the bandage.
“Invisible Man,” he said.
</p>
            <p>“I'm an Invisible Man,” repeated the Voice.
</p>
            <p>The story he had been active to ridicule only that morning rushed
through Kemp's brain.  He does not appear to have been either very
much frightened or very greatly surprised at the moment.  Realisation
came later.
</p>
            <p>“I thought it was all a lie,” he said.  The thought
uppermost in his mind was the reiterated arguments of the morning.
“Have you a bandage on?” he asked.
</p>
            <p>“Yes,” said the Invisible Man.
</p>
            <p>“Oh!” said Kemp, and then roused himself.  “I say!”
he said.  “But this is nonsense.  It's some trick.” He stepped
forward suddenly, and his hand, extended towards the bandage, met
invisible fingers.
</p>
            <p>He recoiled at the touch and his colour changed.
</p>
            <p>“Keep steady, Kemp, for God's sake!  I want help badly.
Stop!”
</p>
            <p>The hand gripped his arm.  He struck at it.
</p>
            <p>“Kemp!” cried the Voice.  “Kemp!  Keep steady!” and
the grip tightened.
</p>
            <p>A frantic desire to free himself took possession of Kemp.  The hand
of the bandaged arm gripped his shoulder, and he was suddenly tripped
and flung backwards upon the bed.  He opened his mouth to shout, and
the corner of the sheet was thrust between his teeth.  The Invisible
Man had him down grimly, but his arms were free and he struck and
tried to kick savagely.
</p>
            <p>“Listen to reason, will you?” said the Invisible Man,
sticking to him in spite of a pounding in the ribs.  “By Heaven!
you'll madden me in a minute!
</p>
            <p>“Lie still, you fool!” bawled the Invisible Man in Kemp's
ear.
</p>
            <p>Kemp struggled for another moment and then lay still.
</p>
            <p>“If you shout I'll smash your face,” said the Invisible
Man, relieving his mouth.
</p>
            <p>“I'm an Invisible Man.  It's no foolishness, and no magic.  I
really am an Invisible Man.  And I want your help.  I don't want to
hurt you, but if you behave like a frantic rustic, I must.  Don't you
remember me, Kemp?—Griffin, of University College?”
</p>
            <p>“Let me get up,” said Kemp.  “I'll stop where I am.
And let me sit quiet for a minute.”
</p>
            <p>He sat up and felt his neck.
</p>
            <p>“I am Griffin, of University College, and I have made myself
invisible.  I am just an ordinary man—a man you have
known—made invisible.”
</p>
            <p>“Griffin?” said Kemp.
</p>
            <p>“Griffin,” answered the Voice—”a younger student,
almost an albino, six feet high, and broad, with a pink and white face
and red eyes—who won the medal for chemistry.”
</p>
            <p>“I am confused,” said Kemp.  “My brain is rioting.
What has this to do with Griffin?”
</p>
            <p>“I am Griffin.”
</p>
            <p>Kempt thought.  “It's horrible,” he said.  “But what
devilry must happen to make a man invisible?”
</p>
            <p>“It's no devilry.  It's a process, sane and intelligible
enough—”
</p>
            <p>“It's horrible!” said Kemp.  “How on earth—?”
</p>
            <p>“It's horrible enough.  But I'm wounded an in pain, and tired
—Great God!  Kemp, you are a man.  Take it steady.  Give me some
food and drink, and let me sit down here.”
</p>
            <p>Kemp stared at the bandage as it moved across the room, then saw a
basket chair dragged across the floor and come to rest near the bed.
It creaked, and the seat was depressed the quarter of an inch or so.
He rubbed his eyes and felt his neck again.  “This beats
ghosts,” he said, and laughed stupidly.
</p>
            <p>“That's better.  Thank Heaven, you're getting sensible!”
</p>
            <p>“Or silly,” said Kemp, and knuckled his eyes.
</p>
            <p>“Give me some whisky.  I'm near dead.”
</p>
            <p>“It didn't feel so.  Where are you?  If I get up shall I run
into you?  There! all right.  Whisky?  Here.  Where shall I give it
you?”
</p>
            <p>The chair creaked and Kemp felt the glass drawn away from him.  He
let go by an effort; his instinct was all against it.  It came to rest
poised twenty inches above the front edge of the seat of the chair.
He stared at it in infinite perplexity.  “This is—this must
be—hypnotism.  You must have suggested you are invisible.”
</p>
            <p>“Nonsense,” said the Voice.
</p>
            <p>“It's frantic.”
</p>
            <p>“Listen to me.”
</p>
            <p>“I demonstrated conclusively this morning,” began Kemp,
“that invisibility—”
</p>
            <p>“Never mind what you've demonstrated!—I'm starving,”
said the Voice, “and the night is—chilly to a man without
clothes.”
</p>
            <p>“Food!” said Kemp.
</p>
            <p>The tumbler of whisky tilted itself.  “Yes,” said the
Invisible Man, rapping it down.  “Have you got a dressing
gown?”
</p>
            <p>Kemp made some exclamation in an undertone.  He walked to a
wardrobe and produced a robe of dingy scarlet.  “This do?” he
asked.  It was taken from him.  It hung limp for a moment in mid-air,
fluttered weirdly, stood full and decorous buttoning itself, and sat
down in his chair.  “Drawers, socks, slippers would be a
comfort,” said the Unseen, curtly.  “And food.”
</p>
            <p>“Anything.  But this is the insanest thing I ever was in, in my
life!”
</p>
            <p>He turned out his drawers for the articles, and then went
downstairs to ransack his larder.  He came back with some cold cutlets
and bread, pulled up a light table, and placed them before his guest.
“Never mind knives,” said his visitor, and a cutlet hung in
mid-air, with a sound of gnawing.
</p>
            <p>“Invisible!” said Kemp, and sat down on a bedroom chair.
</p>
            <p>“I always like to get something about me before I eat,”
said the Invisible Man, with a full mouth, eating greedily.
“Queer fancy!”
</p>
            <p>“I suppose that wrist is all right,” said Kemp.
</p>
            <p>“Trust me,” said the Invisible Man.
</p>
            <p>“Of all the strange and wonderful—”
</p>
            <p>“Exactly.  But it's odd I should blunder into your house to get
my bandaging.  My first stroke of luck.  Anyhow I meant to sleep in
this house to-night.  You must stand that!  It's a filthy nuisance, my
blood showing, isn't it?  Quite a clot over there.  Gets visible as it
coagulates, I see.  I've been in the house three hours.”
</p>
            <p>“But how's it done?” began Kemp, in a tone of exasperation.
“Confound it!  The whole business—it's unreasonable from
beginning to end.”
</p>
            <p>“Quite reasonable,” said the Invisible Man.  “Perfectly
reasonable.”
</p>
            <p>He reached over and secured the whisky bottle.  Kemp stared at the
devouring dressing-gown.  A ray of candle-light penetrating a torn
patch in the right shoulder, made a triangle of light under the left
ribs.  “What were the shots?” he asked.  “How did the
shooting begin?”
</p>
            <p>“There was a fool of a man—a sort of confederate of
mine— curse him!—who tried to steal my money.  Has done
so.”
</p>
            <p>“Is he invisible too?”
</p>
            <p>“No.”
</p>
            <p>“Well?”
</p>
            <p>“Can't I have some more to eat before I tell you all that?  I'm
hungry—in pain.  And you want me to tell stories!”
</p>
            <p>Kemp got up.  “You didn't do any shooting?” he asked.
</p>
            <p>“Not me,” said his visitor.  “Some fool I'd never seen
fired at random.  A lot of them got scared.  They all got scared at
me.  Curse them!—I say—I want more to eat than this,
Kemp.”
</p>
            <p>“I'll see what there is more to eat downstairs,” said Kemp.
“Not much, I'm afraid.”
</p>
            <p>After he had done eating, and he made a heavy meal, the Invisible
Man demanded a cigar.  He bit the end savagely before Kemp could find
a knife, and cursed when the outer leaf loosened.  It was strange to
see him smoking; his mouth and throat, pharynx and nares, became
visible as a sort of whirling smoke cast.
</p>
            <p>“This blessed gift of smoking!” he said, and puffed
vigorously.  “I'm lucky to have fallen upon you, Kemp.  You must
help me.  Fancy tumbling on you just now!  I'm in a devilish scrape.
I've been mad, I think.  The things I have been through!  But we will
do things yet.  Let me tell you—”
</p>
            <p>He helped himself to more whisky and soda.  Kemp got up, looked
about him, and fetched himself a glass from his spare room.  “It's
wild—but I suppose I may drink.”
</p>
            <p>“You haven't changed much, Kemp, these dozen years.  You fair
men don't.  Cool and methodical—after the first collapse.  I
must tell you.  We will work together!”
</p>
            <p>“But how was it all done?” said Kemp, “and how did you
get like this?”
</p>
            <p>“For God's sake, let me smoke in peace for a little while!  And
then I will begin to tell you.”
</p>
            <p>But the story was not told that night.  The Invisible Man's wrist
was growing painful, he was feverish, exhausted, and his mind came
round to brood upon his chase down the hill and the struggle about the
inn.  He spoke in fragments of Marvel, he smoked faster, his voice
grew angry.  Kemp tried to gather what he could.
</p>
            <p>“He was afraid of me, I could see he was afraid of me,”
said the Invisible Man many times over.  “He meant to give me the
slip—he was always casting about!  What a fool I was!
</p>
            <p>“The cur!
</p>
            <p>“I should have killed him—”
</p>
            <p>“Where did you get the money?” asked Kemp, abruptly.
</p>
            <p>The Invisible Man was silent for a space.  “I can't tell you
to-night,” he said.
</p>
            <p>He groaned suddenly and leant forward, supporting his invisible
head on invisible hands.  “Kemp,” he said, “I've had no
sleep for near three days—except a couple of dozes of an hour or
so.  I must sleep soon.”
</p>
            <p>“Well, have my room—have this room.”
</p>
            <p>“But how can I sleep?  If I sleep—he will get away.  Ugh!
What does it matter?”
</p>
            <p>“What's the shot-wound?” asked Kemp, abruptly.
</p>
            <p>“Nothing—scratch and blood.  Oh, God!  How I want
sleep!”
</p>
            <p>“Why not?”
</p>
            <p>The Invisible Man appeared to be regarding Kemp.  “Because I've
a particular objection to being caught by my fellow-men,” he said
slowly.
</p>
            <p>Kemp started.
</p>
            <p>“Fool that I am!” said the Invisible Man, striking the
table smartly.  “I've put the idea into your head.”
</p>
         </div>
         <div n="C18" type="chapter">
            <head>The Invisible Man
Sleeps</head>
            <p>Exhausted and wounded as the Invisible Man was, he
refused to accept Kemp's word that his freedom should be respected.
He examined the two windows of the bedroom, drew up the blinds, and
opened the sashes to confirm Kemp's statement that a retreat by them
would be possible.  Outside the night was very quiet and still, and
the new moon was setting over the down.  Then he examined the keys of
the bedroom and the two dressing-room doors, to satisfy himself that
these also could be made an assurance of freedom.  Finally he
expressed himself satisfied.  He stood on the hearth-rug and Kemp
heard the sound of a yawn.
</p>
            <p>“I'm sorry,” said the Invisible Man, “if I cannot tell
you all that I have done to-night.  But I am worn out.  It's
grotesque, no doubt.  It's horrible!  But believe me, Kemp, it is
quite a possible thing.  I have made a discovery.  I meant to keep it
to myself.  I can't.  I must have a partner.  And you—We can do
such things—But to-morrow.  Now, Kemp, I feel as though I must
sleep or perish.”
</p>
            <p>Kemp stood in the middle of the room staring at the headless
garment.  “I suppose I must leave you,” he said.
“It's—incredible.  Three things happening like this,
overturning all my preconceptions, would make me insane.  But it's
real!  Is there anything more that I can get you?”
</p>
            <p>“Only bid me good-night,” said Griffin.
</p>
            <p>“Good-night,” said Kemp, and shook an invisible hand.  He
walked sideways to the door.  Suddenly the dressing-gown walked
quickly towards him.  “Understand me!” said the dressing-gown.
“No attempts to hamper me, or capture me!  Or—”
</p>
            <p>Kemp's face changed a little.  “I thought I gave you my
word,” he said.
</p>
            <p>Kemp closed the door softly behind him, and the key was turned upon
him forthwith.  Then, as he stood with an expression of passive
amazement on his face, the rapid feet came to the door of the
dressing-room and that too was locked.  Kemp slapped his brow with his
hand.  “Am I dreaming?  Has the world gone mad—or have
I?”
</p>
            <p>He laughed, and put his hand to the locked door.  “Barred out
of my own bedroom, by a flagrant absurdity!” he said.
</p>
            <p>He walked to the head of the staircase, turned, and stared at the
locked doors.  “It's fact,” he said.  He put his fingers to
his slightly bruised neck.  “Undeniable fact!
</p>
            <p>“But—”
</p>
            <p>He shook his head hopelessly, turned, and went downstairs.
</p>
            <p>He lit the dining-room lamp, got out a cigar, and began pacing the
room, ejaculating.  Now and then he would argue with himself.
</p>
            <p>“Invisible!” he said.
</p>
            <p>“Is there such a thing as an invisible animal?  In the sea,
yes.  Thousands!  millions!  All the larvae, all the little nauplii
and tornarias, all the microscopic things, the jelly-fish.  In the sea
there are more things invisible than visible!  I never thought of that
before.  And in the ponds too!  All those little pond-life
things— specks of colourless translucent jelly!  But in air?
No!
</p>
            <p>“It can't be.
</p>
            <p>“But after all—why not?
</p>
            <p>“If a man was made of glass he would still be visible.”
</p>
            <p>His meditation became profound.  The bulk of three cigars had
passed into the invisible or diffused as a white ash over the carpet
before he spoke again.  Then it was merely an exclamation.  He turned
aside, walked out of the room, and went into his little consulting-
room and lit the gas there.  It was a little room, because Dr. Kemp
did not live by practice, and in it were the day's newspapers.  The
morning's paper lay carelessly opened and thrown aside.  He caught it
up, turned it over, and read the account of a “Strange Story from
Iping” that the Mariner at Port Stowe had spelt over so painfully
to Mr.  Marvel.  Kemp read it swiftly.
</p>
            <p>“Wrapped up!” said Kemp.  “Disguised!  Hiding it!  'No
one seems to have been aware of his misfortune.'  What the devil is
his game?”
</p>
            <p>He dropped the paper, and his eye went seeking.  “Ah!” he
said, and caught up the St. James' Gazette, lying folded up as it
arrived.  “Now we shall get at the truth,” said Dr. Kemp.  He
rent the paper open; a couple of columns confronted him.  “An
Entire Village in Sussex goes Mad” was the heading.
</p>
            <p>“Good Heavens!” said Kemp, reading eagerly an incredulous
account of the events in Iping the previous afternoon, that have
already been described.  Over the leaf the report in the morning paper
had been reprinted.
</p>
            <p>He re-read it.  “Ran through the streets striking right and
left.  Jaffers insensible.  Mr. Huxter in great pain—still
unable to describe what he saw.  Painful humiliation—vicar.
Women ill with terror!  Windows smashed.  This extraordinary story
probably a fabrication.  Too good not to print—cum grano!”
</p>
            <p>He dropped the paper and stared blankly in front of him.
“Probably a fabrication!”
</p>
            <p>He caught up the paper again, and re-read the whole business.
“But where does the Tramp come in?  Why the deuce was he chasing a
Tramp?”
</p>
            <p>He sat down abruptly on the surgical couch.  “He's not only
invisible,” he said, “but he's mad!  Homicidal!”
</p>
            <p>When dawn came to mingle its pallor with the lamp-light and cigar
smoke of the dining-room, Kemp was still pacing up and down, trying to
grasp the incredible.
</p>
            <p>He was altogether too excited to sleep.  His servants, descending
sleepily, discovered him, and were inclined to think that overstudy
had worked this ill on him.  He gave them extraordinary but quite
explicit instructions to lay breakfast for two in the belvedere
study—and then to confine themselves to the basement and ground-
floor.  Then he continued to pace the dining-room until the morning's
paper came.  That had much to say and little to tell, beyond the
confirmation of the evening before and a very baldly written account
of another remarkable tale from Port Burdock.  This gave Kemp the
essence of the happenings at the Jolly Cricketers, and the name of
Marvel.  “He has made me keep with him twenty-four hours,”
Marvel testified.  Certain minor facts were added to the Iping story,
notably the cutting of the village telegraph-wire.  But there was
nothing to throw light on the connection between the Invisible Man and
the Tramp; for Mr. Marvel had supplied no information about the three
books, or the money with which he was lined.  The incredulous tone had
vanished and a shoal of reporters and inquirers were already at work
elaborating the matter.
</p>
            <p>Kemp read every scrap of the report and sent his housemaid out to
get every one of the morning papers she could.  These also he
devoured.
</p>
            <p>“He is invisible!” he said.  “And it reads like rage
growing to mania!  The things he may do!  The things he may do!  And
he's upstairs free as the air.  What on earth ought I to do?
</p>
            <p>“For instance, would it be a breach of faith if—?
No.”
</p>
            <p>He went to a little untidy desk in the corner, and began a note.
He tore this up half written, and wrote another.  He read it over and
considered it.  Then he took an envelope and addressed it to
“Colonel Adye, Port Burdock.”
</p>
            <p>The Invisible Man awoke even as Kemp was doing this.  He awoke in
an evil temper, and Kemp, alert for every sound, heard his pattering
feet rush suddenly across the bedroom overhead.  Then a chair was
flung over and the wash-hand stand tumbler smashed.  Kemp hurried
upstairs and rapped eagerly.
</p>
         </div>
         <div n="C19" type="chapter">
            <head>Certain First
Principles</head>
            <p>“What's the matter?” asked Kemp, when the
Invisible Man admitted him.
</p>
            <p>“Nothing,” was the answer.
</p>
            <p>“But, confound it!  The smash?”
</p>
            <p>“Fit of temper,” said the Invisible Man.  “Forgot this
arm; and it's sore.”
</p>
            <p>“You're rather liable to that sort of thing.”
</p>
            <p>“I am.”
</p>
            <p>Kemp walked across the room and picked up the fragments of broken
glass.  “All the facts are out about you,” said Kemp, standing
up with the glass in his hand; “all that happened in Iping, and
down the hill.  The world has become aware of its invisible citizen.
But no one knows you are here.”
</p>
            <p>The Invisible Man swore.
</p>
            <p>“The secret's out.  I gather it was a secret.  I don't know
what your plans are, but of course I'm anxious to help you.”
</p>
            <p>The Invisible Man sat down on the bed.
</p>
            <p>“There's breakfast upstairs,” said Kemp, speaking as easily
as possible, and he was delighted to find his strange guest rose
willingly.  Kemp led the way up the narrow staircase to the belvedere.
</p>
            <p>“Before we can do anything else,” said Kemp, “I must
understand a little more about this invisibility of yours.” He had
sat down, after one nervous glance out of the window, with the air of
a man who has talking to do.  His doubts of the sanity of the entire
business flashed and vanished again as he looked across to where
Griffin sat at the breakfast-table,—a headless, handless
dressing- gown, wiping unseen lips on a miraculously held serviette.
</p>
            <p>“It's simple enough—and credible enough,” said
Griffin, putting the serviette aside and leaning the invisible head on
an invisible hand.
</p>
            <p>“No doubt, to you, but—” Kemp laughed.
</p>
            <p>“Well, yes; to me it seemed wonderful at first, no doubt.  But
now, great God!—But we will do great things yet!  I came on the
stuff first at Chesilstowe.”
</p>
            <p>“Chesilstowe?”
</p>
            <p>“I went there after I left London.  You know I dropped medicine
and took up physics?  No?—well, I did.  Light—fascinated
me.”
</p>
            <p>“Ah!”
</p>
            <p>“Optical density!  The whole subject is a network of riddles
—a network with solutions glimmering elusively through.  And
being but two-and-twenty and full of enthusiasm, I said, 'I will
devote my life to this.  This is worth while.'  You know what fools we
are at two-and-twenty?”
</p>
            <p>“Fools then or fools now,” said Kemp.
</p>
            <p>“As though Knowing could be any satisfaction to a man!
</p>
            <p>“But I went to work—like a nigger.  And I had hardly
worked and thought about the matter six months before light came
through one of the meshes suddenly—blindingly!  I found a
general principle of pigments and refraction,—a formula, a
geometrical expression involving four dimensions.  Fools, common men,
even common mathematicians, do not know anything of what some general
expression may mean to the student of molecular physics.  In the
books—the books that Tramp has hidden—there are marvels,
miracles!  But this was not a method, it was an idea that might lead
to a method by which it would be possible, without changing any other
property of matter,—except, in some instances, colours,—to
lower the refractive index of a substance, solid or liquid, to that of
air—so far as all practical purposes are concerned.”
</p>
            <p>“Phew!” said Kemp.  “That's odd!  But still I don't see
quite —I can understand that thereby you could spoil a valuable
stone, but personal invisibility is a far cry.”
</p>
            <p>“Precisely,” said Griffin.  “But consider: Visibility
depends on the action of the visible bodies on light.  Either a body
absorbs light, or it reflects or refracts it, or does all these
things.  If it neither reflects nor refracts nor absorbs light, it
cannot of itself be visible.  You see an opaque red box, for instance,
because the colour absorbs some of the light and reflects the rest,
all the red part of the light, to you.  If it did not absorb any
particular part of the light, but reflected it all, then it would be a
shining white box.  Silver!  A diamond box would neither absorb much
of the light nor reflect much from the general surface, but just here
and there where the surfaces were favourable the light would be
reflected and refracted, so that you would get a brilliant appearance
of flashing reflections and translucencies,—a sort of skeleton
of light.  A glass box would not be so brilliant, not so clearly
visible, as a diamond box, because there would be less refraction and
reflection.  See that?  From certain points of view you would see
quite clearly through it.  Some kinds of glass would be more visible
than others, a box of flint glass would be brighter than a box of
ordinary window glass.  A box of very thin common glass would be hard
to see in a bad light, because it would absorb hardly any light and
refract and reflect very little.  And if you put a sheet of common
white glass in water, still more if you put it in some denser liquid
than water, it would vanish almost altogether, because light passing
from water to glass is only slightly refracted or reflected or indeed
affected in any way.  It is almost as invisible as a jet of coal gas
or hydrogen is in air.  And for precisely the same reason!”
</p>
            <p>“Yes,” said Kemp, “that is pretty plain sailing.”
</p>
            <p>“And here is another fact you will know to be true.  If a sheet
of glass is smashed, Kemp, and beaten into a powder, it becomes much
more visible while it is in the air; it becomes at last an opaque
white powder.  This is because the powdering multiplies the surfaces
of the glass at which refraction and reflection occur.  In the sheet
of glass there are only two surfaces; in the powder the light is
reflected or refracted by each grain it passes through, and very
little gets right through the powder.  But if the white powdered glass
is put into water, it forthwith vanishes.  The powdered glass and
water have much the same refractive index; that is, the light
undergoes very little refraction or reflection in passing from one to
the other.
</p>
            <p>“You make the glass invisible by putting it into a liquid of
nearly the same refractive index; a transparent thing becomes
invisible if it is put in any medium of almost the same refractive
index.  And if you will consider only a second, you will see also that
the powder of glass might be made to vanish in air, if its refractive
index could be made the same as that of air; for then there would be
no refraction or reflection as the light passed from glass to
air.”
</p>
            <p>“Yes, yes,” said Kemp.  “But a man's not powdered
glass!”
</p>
            <p>“No,” said Griffin.  “He's more transparent!”
</p>
            <p>“Nonsense!”
</p>
            <p>“That from a doctor!  How one forgets!  Have you already
forgotten your physics, in ten years?  Just think of all the things
that are transparent and seem not to be so.  Paper, for instance, is
made up of transparent fibres, and it is white and opaque only for the
same reason that a powder of glass is white and opaque.  Oil white
paper, fill up the interstices between the particles with oil so that
there is no longer refraction or reflection except at the surfaces,
and it becomes as transparent as glass.  And not only paper, but
cotton fibre, linen fibre, wool fibre, woody fibre, and bone, Kemp,
flesh, hair, nails and nerves, Kemp, in fact the whole fabric of a man
except the red of his blood and the black pigment of hair, are all
made up of transparent, colourless tissue.  So little suffices to make
us visible one to the other.  For the most part the fibres of a living
creature are no more opaque than water.”
</p>
            <p>“Great Heavens!” cried Kemp.  “Of course, of course!  I
was thinking only last night of the sea larvae and all
jelly-fish!”
</p>
            <p>“Now you have me!  And all that I knew and had in mind a year
after I left London—six years ago.  But I kept it to myself.  I
had to do my work under frightful disadvantages.  Oliver, my
professor, was a scientific bounder, a journalist by instinct, a thief
of ideas,—he was always prying!  And you know the knavish system
of the scientific world.  I simply would not publish, and let him
share my credit.  I went on working.  I got nearer and nearer making
my formula into an experiment, a reality.  I told no living soul,
because I meant to flash my work upon the world with crushing
effect,—to become famous at a blow.  I took up the question of
pigments to fill up certain gaps.  And suddenly, not by design but by
accident, I made a discovery in physiology.”
</p>
            <p>“Yes?”
</p>
            <p>“You know the red colouring matter of blood; it can be made
white—colourless—and remain with all the functions it has
now!”
</p>
            <p>Kemp gave a cry of incredulous amazement.
</p>
            <p>The Invisible Man rose and began pacing the little study.  “You
may well exclaim.  I remember that night.  It was late at night,
—in the daytime one was bothered with the gaping, silly
students,— and I worked then sometimes till dawn.  It came
suddenly, splendid and complete into my mind.  I was alone; the
laboratory was still, with the tall lights burning brightly and
silently.  In all my great moments I have been alone.  'One could make
an animal—a tissue— transparent!  One could make it
invisible!  All except the pigments.  I could be invisible!'  I said,
suddenly realising what it meant to be an albino with such knowledge.
It was overwhelming.  I left the filtering I was doing, and went and
stared out of the great window at the stars.  'I could be invisible!'
I repeated.
</p>
            <p>“To do such a thing would be to transcend magic.  And I beheld,
unclouded by doubt, a magnificent vision of all that invisibility
might mean to a man,—the mystery, the power, the freedom.
Drawbacks I saw none.  You have only to think!  And I, a shabby,
poverty-struck, hemmed-in demonstrator, teaching fools in a provincial
college, might suddenly become—this.  I ask you, Kemp, if
you—Any one, I tell you, would have flung himself upon that
research.  And I worked three years, and every mountain of difficulty
I toiled over showed another from its summit.  The infinite details!
And the exasperation,—a professor, a provincial professor,
always prying.  'When are you going to publish this work of yours?'
was his everlasting question.  And the students, the cramped means!
Three years I had of it—
</p>
            <p>“And after three years of secrecy and exasperation, I found
that to complete it was impossible,—impossible.”
</p>
            <p>“How?” asked Kemp.
</p>
            <p>“Money,” said the Invisible Man, and went again to stare
out of the window.
</p>
            <p>He turned round abruptly.  “I robbed the old man—robbed
my father.
</p>
            <p>“The money was not his, and he shot himself.”
</p>
         </div>
         <div n="C20" type="chapter">
            <head>At the House in Great Portland
Street</head>
            <p>For a moment Kemp sat in silence, staring at the back
of the headless figure at the window.  Then he started, struck by a
thought, rose, took the Invisible Man's arm, and turned him away from
the outlook.
</p>
            <p>“You are tired,” he said, “and while I sit, you walk
about.  Have my chair.”
</p>
            <p>He placed himself between Griffin and the nearest window.
</p>
            <p>For a space Griffin sat silent, and then he resumed abruptly:
</p>
            <p>“I had left the Chesilstowe cottage already,” he said,
“when that happened.  It was last December.  I had taken a room in
London, a large unfurnished room in a big ill-managed lodging-house in
a slum near Great Portland Street.  The room was soon full of the
appliances I had bought with his money; the work was going on
steadily, successfully, drawing near an end.  I was like a man
emerging from a thicket, and suddenly coming on some unmeaning
tragedy.  I went to bury him.  My mind was still on this research, and
I did not lift a finger to save his character.  I remember the
funeral, the cheap hearse, the scant ceremony, the windy frost-bitten
hillside, and the old college friend of his who read the service over
him,—a shabby, black, bent old man with a snivelling cold.
</p>
            <p>“I remember walking back to the empty home, through the place
that had once been a village and was now patched and tinkered by the
jerry builders into the ugly likeness of a town.  Every way the roads
ran out at last into the desecrated fields and ended in rubble heaps
and rank wet weeds.  I remember myself as a gaunt black figure, going
along the slippery, shiny pavement, and the strange sense of
detachment I felt from the squalid respectability, the sordid
commercialism of the place.
</p>
            <p>“I did not feel a bit sorry for my father.  He seemed to me to
be the victim of his own foolish sentimentality.  The current cant
required my attendance at his funeral, but it was really not my
affair.
</p>
            <p>“But going along the High Street, my old life came back to me
for a space, for I met the girl I had known ten years since.  Our eyes
met.
</p>
            <p>“Something moved me to turn back and talk to her.  She was a
very ordinary person.
</p>
            <p>“It was all like a dream, that visit to the old places.  I did
not feel then that I was lonely, that I had come out from the world
into a desolate place.  I appreciated my loss of sympathy, but I put
it down to the general inanity of things.  Re-entering my room seemed
like the recovery of reality.  There were the things I knew and loved.
There stood the apparatus, the experiments arranged and waiting.  And
now there was scarcely a difficulty left, beyond the planning of
details.
</p>
            <p>“I will tell you, Kemp, sooner or later, all the complicated
processes.  We need not go into that now.  For the most part, saving
certain gaps I chose to remember, they are written in cypher in those
books that tramp has hidden.  We must hunt him down.  We must get
those books again.  But the essential phase was to place the
transparent object whose refractive index was to be lowered between
two radiating centres of a sort of ethereal vibration, of which I will
tell you more fully later.  No, not these Rntgen vibrations—I
don't know that these others of mine have been described.  Yet they
are obvious enough.  I needed two little dynamos, and these I worked
with a cheap gas engine.  My first experiment was with a bit of white
wool fabric.  I was the strangest thing in the world to see it in the
flicker of the flashes soft and white, and then to watch it fade like
a wreath of smoke and vanish.
</p>
            <p>“I could scarcely believe I had done it.  I put my hand into
the emptiness, and there was the thing as solid as ever.  I felt it
awkwardly, and threw it on the floor.  I had a little trouble finding
it again.
</p>
            <p>“And then came a curious experience.  I heard a miaow behind
me, and turning, saw a lean white cat, very dirty, on the cistern
cover outside the window.  A thought came into my head.  'Everything
ready for you,' I said, and went to the window, opened it, and called
softly.  She came in, purring,—the poor beast was
starving,—and I gave her some milk.  All my food was in a
cupboard in the corner of the room.  After that she went smelling
round the room,—evidently with the idea of making herself at
home.  The invisible rag upset her a bit; you should have seen her
spit at it!  But I made her comfortable on the pillow of my
truckle-bed.  And I gave her butter to get her to wash.”
</p>
            <p>“And you processed her?”
</p>
            <p>“I processed her.  But giving drugs to a cat is no joke, Kemp!
And the process failed.”
</p>
            <p>“Failed!”
</p>
            <p>“In two particulars.  These were the claws and the pigment
stuff—what is it?—at the back of the eye in a cat.  You
know?”
</p>
            <p>“Tapetum.”
</p>
            <p>“Yes, the tapetum.  It didn't go.  After I'd given the stuff to
bleach the blood and done certain other things to her, I gave the
beast opium, and put her and the pillow she was sleeping on, on the
apparatus.  And after all the rest had faded and vanished, there
remained two little ghosts of her eyes.”
</p>
            <p>“Odd!”
</p>
            <p>“I can't explain it.  She was bandaged and clamped, of course,
—so I had her safe; but she woke while she was still misty, and
miaowed dismally, and some one came knocking.  It was an old woman
from downstairs, who suspected me of vivisecting,—a drink-sodden
old creature, with only a white cat to care for in all the world.  I
whipped out some chloroform, and applied it, and answered the door.
'Did I hear a cat?' she asked.  'My cat?'  'Not here,' said I, very
politely.  She was a little doubtful and tried to peer past me into
the room; strange enough to her no doubt,—bare walls,
uncurtained windows, truckle-bed, with the gas engine vibrating, and
the seethe of the radiant points, and that faint ghastly stinging of
chloroform in the air.  She had to be satisfied at last and went away
again.”
</p>
            <p>“How long did it take?” asked Kemp.
</p>
            <p>“Three or four hours—the cat.  The bones and sinews and
the fat were the last to go, and the tips of the coloured hairs.  And,
as I say, the back part of the eye, tough iridescent stuff it is,
wouldn't go at all.
</p>
            <p>“It was night outside long before the business was over, and
nothing was to be seen but the dim eyes and the claws.  I stopped the
gas engine, felt for and stroked the beast, which was still
insensible, and then, being tired, left it sleeping on the invisible
pillow and went to bed.  I found it hard to sleep.  I lay awake
thinking weak aimless stuff, going over the experiment over and over
again, or dreaming feverishly of things growing misty and vanishing
about me, until everything, the ground I stood on, vanished, and so I
came to that sickly falling nightmare one gets.  About two, the cat
began miaowing about the room.  I tried to hush it by talking to it,
and then I decided to turn it out.  I remember the shock I had when
striking a light—there were just the round eyes shining
green—and nothing round them.  I would have given it milk, but I
hadn't any.  It wouldn't be quiet, it just sat down and miaowed at the
door.  I tried to catch it, with an idea of putting it out of the
window, but it wouldn't be caught, it vanished.  Then it began
miaowing in different parts of the room.  At last I opened the window
and made a bustle.  I suppose it went out at last.  I never saw any
more of it.
</p>
            <p>“Then—Heaven knows why—I fell thinking of my
father's funeral again, and the dismal windy hillside, until the day
had come.  I found sleeping was hopeless, and, locking my door after
me, wandered out into the morning streets.”
</p>
            <p>“You don't mean to say there's an invisible cat at large!”
said Kemp.
</p>
            <p>“If it hasn't been killed,” said the Invisible Man.
“Why not?”
</p>
            <p>“Why not?” said Kemp.  “I didn't mean to
interrupt.”
</p>
            <p>“It's very probably been killed,” said the Invisible Man.
“It was alive four days after, I know, and down a grating in Great
Titchfield Street; because I saw a crowd round the place, trying to
see whence the miaowing came.”
</p>
            <p>He was silent for the best part of a minute.  Then he resumed
abruptly:
</p>
            <p>“I remember that morning before the change very vividly.  I
must have gone up Great Portland Street.  I remember the barracks in
Albany Street, and the horse soldiers coming out, and at last I found
myself sitting in the sunshine and feeling very ill and strange, on
the summit of Primrose Hill.  It was a sunny day in January,—one
of those sunny, frosty days that came before the snow this year.  My
weary brain tried to formulate the position, to plot out a plan of
action.
</p>
            <p>“I was surprised to find, now that my prize was within my
grasp, how inconclusive its attainment seemed.  As a matter of fact I
was worked out; the intense stress of nearly four years' continuous
work left me incapable of any strength of feeling.  I was apathetic,
and I tried in vain to recover the enthusiasm of my first inquiries,
the passion of discovery that had enabled me to compass even the
downfall of my father's grey hairs.  Nothing seemd to matter.  I saw
pretty clearly this was a transient mood, due to overwork and want of
sleep, and that either by drugs or rest it would be possible to
recover my energies.
</p>
            <p>“All I could think clearly was that the thing had to be carried
through; the fixed idea still ruled me.  And soon, for the money I had
was almost exhausted.  I looked about me at the hillside, with
children playing and girls watching them, and tried to think of all
the fantastic advantages an invisible man would have in the world.
After a time I crawled home, took some food and a strong dose of
strychnine, and went to sleep in my clothes on my unmade bed.
Strychnine is a grand tonic, Kemp, to take the flabbiness out of a
man.”
</p>
            <p>“It's the devil,” said Kemp.  “It's the palaeolithic in
a bottle.”
</p>
            <p>“I awoke vastly invigorated and rather irritable.  You
know?”
</p>
            <p>“I know the stuff.”
</p>
            <p>“And there was some one rapping at the door.  It was my
landlord with threats and inquiries, an old Polish Jew in a long grey
coat and greasy slippers.  I had been tormenting a cat in the night he
was sure,—the old woman's tongue had been busy.  He insisted on
knowing all about it.  The laws of this country against vivisection
were very severe,—he might be liable.  I denied the cat.  Then
the vibration of the little gas engine could be felt all over the
house, he said.  That was true, certainly.  He edged round me into the
room, peering about over his German-silver spectacles, and a sudden
dread came into my mind that he might carry away something of my
secret.  I tried to keep between him and the concentrating apparatus I
had arranged, and that only made him more curious.  What was I doing?
Why was I always alone and secretive?  Was it legal?  Was it
dangerous?  I paid nothing but the usual rent.  His had always been a
most respectable house—in a disreputable neighbourhood.
Suddenly my temper gave way.  I told him to get out.  He began to
protest, to jabber of his right of entry.  In a moment I had him by
the collar; something ripped, and he went spinning out into his own
passage.  I slammed and locked the door and sat down quivering.
</p>
            <p>“He made a fuss outside, which I disregarded, and after a time
he went away.
</p>
            <p>“But this brought matters to a crisis.  I did not know what he
would do, nor even what he had power to do.  To move to fresh
apartments would have meant delay; altogether I had barely twenty
pounds left in the world,—for the most part in the
bank,—and I could not afford that.  Vanish!  It was
irresistible.  Then there would be an inquiry, the sacking of my
room—
</p>
            <p>“At the thought of the possibility of my work being exposed or
interrupted at its very climax, I became angry and active.  I hurried
out with my three books of notes, my cheque-book,—the tramp has
them now,—and directed them from the nearest Post Office to a
house of call for letters and parcels in Great Portland Street.  I
tried to go out noiselessly.  Coming in, I found my landlord going
quietly upstairs; he had heard the door close, I suppose.  You would
have laughed to see him jump aside on the landing as I came tearing
after him.  He glared at me as I went by him, and I made the house
quiver with the slamming of my door.  I heard him come shuffling up to
my floor, hesitate, and go down.  I set to work upon my preparations
forthwith.
</p>
            <p>“It was all done that evening and night.  While I was still
sitting under the sickly, drowsy influence of the drugs that
decolourise blood, there came a repeated knocking at the door.  It
ceased, footsteps went away and returned, and the knocking was
resumed.  There was an attempt to push something under the
door—a blue paper.  Then in a fit of irritation I rose and went
and flung the door wide open.  'Now then?' said I.
</p>
            <p>“It was my landlord, with a notice of ejectment or something.
He held it out to me, saw something odd about my hands, I expect, and
lifted his eyes to my face.
</p>
            <p>“For a moment he gaped.  Then he gave a sort of inarticulate
cry, dropped candle and writ together, and went blundering down the
dark passage to the stairs.  I shut the door, locked it, and went to
the looking-glass.  Then I understood his terror.  My face was white
—like white stone.
</p>
            <p>“But it was all horrible.  I had not expected the suffering.  A
night of racking anguish, sickness and fainting.  I set my teeth,
though my skin was presently afire; all my body afire; but I lay there
like grim death.  I understood now how it was the cat had howled until
I chloroformed it.  Lucky it was I lived alone and untended in my
room.  There were times when I sobbed and groaned and talked.  But I
stuck to it.  I became insensible and woke languid in the darkness.
</p>
            <p>“The pain had passed.  I thought I was killing myself and I did
not care.  I shall never forget that dawn, and the strange horror of
seeing that my hands had become as clouded glass, and watching them
grow clearer and thinner as the day went by, until at last I could see
the sickly disorder of my room through them, though I closed my
transparent eyelids.  My limbs became glassy, the bones and arteries
faded, vanished, and the little white nerves went last.  I ground my
teeth and stayed there to the end.  At last only the dead tips of the
finger-nails remained, pallid and white, and the brown stain of some
acid upon my fingers.
</p>
            <p>“I struggled up.  At first I was as incapable as a swathed
infant,—stepping with limbs I could not see.  I was weak and
very hungry.  I went and stared at nothing in my shaving-glass, at
nothing save where an attenuated pigment still remained behind the
retina of my eyes, fainter than mist.  I had to hang on to the table
and press my forehead to the glass.
</p>
            <p>“It was only by a frantic effort of will that I dragged myself
back to the apparatus and completed the process.
</p>
            <p>“I slept during the forenoon, pulling the sheet over my eyes to
shut out the light, and about midday I was awakened again by a
knocking.  My strength had returned.  I sat up and listened and heard
a whispering.  I sprang to my feet and as noiselessly as possible
began to detach the connections of my apparatus, and to distribute it
about the room, so as to destroy the suggestions of its arrangement.
Presently the knocking was renewed and voices called, first my
landlord's, and then two others.  To gain time I answered them.  The
invisible rag and pillow came to hand and I opened the window and
pitched them out on to the cistern cover.  As the window opened, a
heavy crash came at the door.  Some one had charged it with the idea
of smashing the lock.  But the stout bolts I had screwed up some days
before stopped him.  That startled me, made me angry.  I began to
tremble and do things hurriedly.
</p>
            <p>“I tossed together some loose paper, straw, packing paper and
so forth, in the middle of the room, and turned on the gas.  Heavy
blows began to rain upon the door.  I could not find the matches.  I
beat my hands on the wall with rage.  I turned down the gas again,
stepped out of the window on the cistern cover, very softly lowered
the sash, and sat down, secure and invisible, but quivering with
anger, to watch events.  They split a panel, I saw, and in another
moment they had broken away the staples of the bolts and stood in the
open doorway.  It was the landlord and his two step-sons, sturdy young
men of three or four and twenty.  Behind them fluttered the old hag of
a woman from downstairs.
</p>
            <p>“You may imagine their astonishment on finding the room empty.
One of the younger men rushed to the window at once, flung it up and
stared out.  His staring eyes and thick-lipped bearded face came a
foot from my face.  I was half minded to hit his silly countenance,
but I arrested my doubled fist.  He stared right through me.  So did
the others as they joined him.  The old man went and peered under the
bed, and then they all made a rush for the cupboard.  They had to
argue about it at length in Yiddish and Cockney English.  They
concluded I had not answered them, that their imagination had deceived
them.  A feeling of extraordinary elation took the place of my anger
as I sat outside the window and watched these four people—for
the old lady came in, glancing suspiciously about her like a cat,
trying to understand the riddle of my behaviour.
</p>
            <p>“The old man, so far as I could understand his patois, agreed
with the old lady that I was a vivisectionist.  The sons protested in
garbled English that I was an electrician, and appealed to the dynamos
and radiators.  They were all nervous against my arrival, although I
found subsequently that they had bolted the front door.  The old lady
peered into the cupboard and under the bed, and one of the young men
pushed up the register and stared up the chimney.  One of my fellow
lodgers, a costermonger who shared the opposite room with a butcher,
appeared on the landing, and he was called in and told incoherent
things.
</p>
            <p>“It occurred to me that the radiators, if they fell into the
hands of some acute well-educated person, would give me away too much,
and watching my opportunity, I came into the room and tilted one of
the little dynamos off its fellow on which it was standing, and
smashed both apparatus.  Then, while they were trying to explain the
smash, I dodged out of the room and went softly downstairs.
</p>
            <p>“I went into one of the sitting-rooms and waited until they
came down, still speculating and argumentative, all a little
disappointed at finding no 'horrors,' and all a little puzzled how
they stood with regard to me.  Then I slipped up again with a box of
matches, fired my heap of paper and rubbish, put the chairs and
bedding thereby, led the gas to the affair, by means of an india-
rubber tube, and waving a farewell to the room left it for the last
time.”
</p>
            <p>“You fired the house!” exclaimed Kemp.
</p>
            <p>“Fired the house.  It was the only way to cover my
trail—and no doubt it was insured.  I slipped the bolts of the
front door quietly and went out into the street.  I was invisible, and
I was only just beginning to realise the extraordinary advantage my
invisibility gave me.  My head was already teeming with plans of all
the wild and wonderful things I had now impunity to do.”
</p>
         </div>
         <div n="C21" type="chapter">
            <head>In Oxford Street</head>
            <p>“In going downstairs the first time I found an unexpected
difficulty because I could not see my feet; indeed I stumbled twice,
and there was an unaccustomed clumsiness in gripping the bolt.  By not
looking down, however, I managed to walk on the level passably well.
</p>
            <p>“My mood, I say, was one of exaltation.  I felt as a seeing man
might do, with padded feet and noiseless clothes, in a city of the
blind.  I experienced a wild impulse to jest, to startle people, to
clap men on the back, fling people's hats astray, and generally revel
in my extraordinary advantage.
</p>
            <p>“But hardly had I emerged upon Great Portland Street, however
(my lodgings was close to the big draper's shop there), when I heard a
clashing concussion and was hit violently behind, and turning saw a
man carrying a basket of soda-water siphons, and looking in amazement
at his burden.  Although the blow had really hurt me, I found
something so irresistible in his astonishment that I laughed aloud.
'The devil's in the basket,' I said, and suddenly twisted it out of
his hand.  He let go incontinently, and I swung the whole weight into
the air.
</p>
            <p>“But a fool of a cabman, standing outside a public house, made
a sudden rush for this, and his extending fingers took me with
excruciating violence under the ear.  I let the whole down with a
smash on the cabman, and then, with shouts and the clatter of feet
about me, people coming out of shops, vehicles pulling up, I realised
what I had done for myself, and cursing my folly, backed against a
shop window and prepared to dodge out of the confusion.  In a moment I
should be wedged into a crowd and inevitably discovered.  I pushed by
the butcher boy, who luckily did not turn to see the nothingness that
shoved him aside, and dodged behind the cabman's four-wheeler.  I do
not know how they settled the business.  I hurried straight across the
road, which was happily clear, and hardly heeding which way I went, in
the fright of detection the incident had given, plunged into the
afternoon throng of Oxford Street.
</p>
            <p>“I tried to get into the stream of people, but they were too
thick for me, and in a moment my heels were being trodden upon.  I
took to the gutter, the roughness of which I found painful to my feet,
and forthwith the shaft of a crawling hansom dug me forcibly under the
shoulder blade, reminding me that I was already bruised severely.  I
staggered out of the way of the cab, avoided a perambulator by a
convulsive movement, and found myself behind the hansom.  A happy
thought saved me, and as this drove slowly along I followed in its
immediate wake, trembling and astonished at the turn of my adventure.
And not only trembling, but shivering.  It was a bright day in January
and I was stark naked and the thin slime of mud that covered the road
was freezing.  Foolish as it seems to me now, I had not reckoned that,
transparent or not, I was still amenable to the weather and all its
consequences.
</p>
            <p>“Then suddenly a bright idea came into my head.  I ran round
and got into the cab.  And so, shivering, scared, and sniffing with
the first intimations of a cold, and with the bruises in the small of
my back growing upon my attention.  I drove slowly along Oxford Street
and past Tottenham Court Road.  My mood was as different from that in
which I had sallied forth ten minutes ago as it is possible to
imagine.  This invisibility indeed!  The one thought that possessed me
was—how was I to get out of the scrape I was in.
</p>
            <p>“We crawled past Mudie's, and there a tall woman with five or
six yellow-labelled books hailed my cab, and I sprang out just in time
to escape her, shaving a railway van narrowly in my flight.  I made
off up the roadway to Bloomsbury Square, intending to strike north
past the Museum and so get into the quiet district.  I was not cruelly
chilled, and the strangeness of my situation so unnerved me that I
whimpered as I ran.  At the northward corner of the Square a little
white dog ran out of the Pharmaceutical Society's offices, and
incontinently made for me, nose down.
</p>
            <p>“I had never realised it before, but the nose is to the mind of
a dog what the eye is to the mind of a seeing man.  Dogs perceive the
scent of a man moving as men perceive his vision.  This brute began
barking and leaping, showing, as it seemed to me, only too plainly
that he was aware of me.  I crossed Great Russell Street, glancing
over my shoulder as I did so, and went some way along Montague Street
before I realised what I was running towards.
</p>
            <p>“Then I became aware of a blare of music, and looking along the
street saw a number of people advancing out of Russell Square, red
shirts, and the banner of the Salvation Army to the fore.  Such a
crowd, chanting in the roadway and scoffing on the pavement, I could
not hope to penetrate, and dreading to go back and farther from home
again, and deciding on the spur of the moment, I ran up the white
steps of a house facing the Museum railings, and stood there until the
crowd should have passed.  Happily the dog stopped at the noise of the
band too, hesitated, and turned tail, running back to Bloomsbury
Square again.
</p>
            <p>“On came the band, bawling with unconscious irony some hymn
about 'When shall we see his Face?' and it seemed an interminable time
to me before the tide of the crowd washed along the pavement by me.
Thud, thud, thud, came the drum with a vibrating resonance, and for
the moment I did not notice two urchins stopping at the railings by
me.  'See 'em,' said one.  'See what?' said the other.
'Why—them footmarks—bare.  Like what you makes in mud.'
</p>
            <p>“I looked down and saw the youngsters had stopped and were
gaping at the muddy footmarks I had left behind me up the newly
whitened steps.  The passing people elbowed and jostled them, but
their confounded intelligence was arrested.  'Thud, thud, thud, When,
thud, shall we see, thud, his face, thud, thud.'  'There's a barefoot
man gone up them steps, or I don't know nothing,' said one.  'And he
ain't never come down again.  And his foot was a-bleeding.'
</p>
            <p>“The thick of the crowd had already passed.  'Looky there,
Ted,' quoth the younger of the detectives, with the sharpness of
surprise in his voice, and pointed straight to my feet.  I looked down
and saw at once the dim suggestion of their outline sketched in
splashes of mud.  For a moment I was paralysed.
</p>
            <p>“'Why, that's rum,' said the elder.  'Dashed rum!  It's just
like the ghost of a foot, ain't it?'  He hesitated and advanced with
outstretched hand.  A man pulled up short to see what he was catching,
and then a girl.  In another moment he would have touched me.  Then I
saw what to do.  I made a step, the boy started back with an
exclamation, and with a rapid movement I swung myself over into the
portico of the next house.  But the smaller boy was sharp-eyed enough
to follow the movement and before I was well down the steps and upon
the pavement, he had recovered from his momentary astonishment and was
shouting out that the feet had gone over the wall.
</p>
            <p>“They rushed round and saw my new footmarks flash into being on
the lower step and upon the pavement.  'What's up?' asked some one.
'Feet!  Look!  Feet running!'  Everybody in the road, except my three
pursuers, was pouring along after the Salvation Army, and this not
only impeded me but them.  There was an eddy of surprise and
interrogation.  At the cost of bowling over one young fellow I got
through, and in another moment I was rushing headlong round the
circuit of Russell Square, with six or seven astonished people
following my footmarks.  There was no time for explanation, or else
the whole host would have been after me.
</p>
            <p>“Twice I doubled round corners, thrice I crossed the road and
came back on my tracks, and then, as my feet grew hot and dry, the
damp impressions began to fade.  At last I had a breathing space and
rubbed my feet clean with my hands, and so got away altogether.  The
last I saw of the chase was a little group of a dozen people perhaps,
studying with infinite perplexity a slowly drying footprint that had
resulted from a puddle in Travistock Square—a footprint as
isolated and incomprehensible to them as Crusoe's solitary discovery.
</p>
            <p>“This running warmed me to a certain extent, and I went on with
a better courage through the maze of less frequented roads that runs
hereabouts.  My back had now become very stiff and sore, my tonsils
were painful from the cabman's fingers, and the skin of my neck had
been scratched by his nails; my feet hurt exceedingly and I was lame
from a little cut on one foot.  I saw in time a blind man approaching
me, and fled limping, for I feared his subtle intuitions.  Once or
twice accidental collisions occurred and I left people amazed, with
unaccountable curses ringing in their ears.  Then came something
silent and quiet against my face, and across the Square fell a thin
veil of slowly falling flakes of snow.  I had caught a cold, and do as
I would I could not avoid an occasional sneeze.  And every dog that
came in sight, with its pointing nose and curious sniffing, was a
terror to me.
</p>
            <p>“Then came men and boys running, first one and then others, and
shouting as they ran.  It was a fire.  They ran in the direction of my
lodging, and looking back down a street I saw a mass of black smoke
streaming up above the roofs and telephone wires.  It was my lodging
burning; my clothes, my apparatus, all my resources indeed, except my
cheque-book and the three volumes of memoranda that awaited me in
Great Portland Street, were there.  Burning!  I had burnt my
boats—if ever a man did!  The place was blazing.”
</p>
            <p>The Invisible Man paused and thought.  Kemp glanced nervously out
of the window.  “Yes?” he said.  “Go on.”
</p>
         </div>
         <div n="C22" type="chapter">
            <head>In the Emporium</head>
            <p>“So last January, with the beginning of a snowstorm in the air
about me—and if it settled on me it would betray
me!—weary, cold, painful, inexpressibly wretched, and still but
half convinced of my invisible quality, I began this new life to which
I am committed.  I had no refuge, no appliances, no human being in the
world in whom I could confide.  To have told my secret would have
given me away—made a mere show and rarity of me.  Nevertheless,
I was half minded to accost some passer-by and throw myself upon his
mercy.  But I knew too clearly the terror and brutal cruelty my
advances would evoke.  I made no plans in the street.  My sole object
was to get shelter from the snow, to get myself covered and warm; then
I might hope to plan.  But even to me, an Invisible Man, the rows of
London houses stood latched, barred, and bolted impregnably.
</p>
            <p>“Only one thing could I see clearly before me, the cold
exposure and misery of the snowstorm and the night.
</p>
            <p>“And then I had a brilliant idea.  I turned down one of the
roads leading from Gower Street to Tottenham Court Road, and found
myself outside Omniums, the big establishment where everything is to
be bought—you know the place—meat, grocery, linen,
furniture, clothing, oil paintings even—a huge meandering
collection of shops rather than a shop.  I had thought I should find
the doors open, but they were closed, and as I stood in the wide
entrance a carriage stopped outside, and a man in uniform—you
know the kind of personage with 'Omnium' on his cap—flung open
the door.  I contrived to enter, and walking down the shop—it
was a department where they were selling ribbons and gloves and
stockings and that kind of thing—came to a more spacious region
devoted to picnic baskets and wicker furniture.
</p>
            <p>“I did not feel safe there, however; people were going to and
fro, and I prowled restlessly about until I came upon a huge section
in an upper floor containing scores and hundreds of bedsteads, and
beyond these I found a resting-place at last among a huge pile of
folded flock mattresses.  The place was already lit up and aggreeably
warm, and I decided to remain where I was, keeping a cautious eye on
the two or three sets of shopmen and customers who were meandering
through the place until closing time came.  Then I should be able, I
thought, to rob the place for food and clothing, and disguised, prowl
through it and examine its resources, perhaps sleep on some of the
bedding.  That seemed an acceptable plan.  My idea was to procure
clothing to make myself a muffled but acceptable figure, to get money,
and then to recover my books and parcels where they awaited me, take a
lodging somewhere and elaborate plans for the complete realisation of
the advantages my invisibility gave me (as I still imagined) over my
fellow-men.
</p>
            <p>“Closing time arrived quickly enough; it could not have been
more than an hour after I took up my position on the mattresses before
I noticed the blinds of the windows being drawn, and customers being
marched doorward.  And then a number of brisk young men began with
remarkable alacrity to tidy up the goods that remained disturbed.  I
left my lair as the crowds diminished, and prowled cautiously out into
the less desolate parts of the shop.  I was really surprised to
observe how rapidly the young men and women whipped away the goods
displayed for sale during the day.  All the boxes of goods, the
hanging fabrics, the festoons of lace, the boxes of sweets in the
grocery section, the displays of this and that, were being whipped
down, folded up, slapped into tidy receptacles, and everything that
could not be taken down and put away had sheets of some coarse stuff
like sacking flung over it.  Finally all the chairs were turned up on
to the counters, leaving the floor clear.  Directly each of these
young people had done, he or she made promptly for the door with such
an expression of animation as I have rarely observed in a shop
assistant before.  Then came a lot of youngsters scattering sawdust
and carrying pails and brooms.  I had to dodge to get out of the way,
and as it was, my ankle got stung with the sawdust.  For some time,
wandering through the swathed and darkened departments, I could hear
the brooms at work.  And at last a good hour or more after the shop
had been closed, came a noise of locking doors.  Silence came upon the
place, and I found myself wandering through the vast and intricate
shops, galleries and showrooms of the place, alone.  It was very
still; in one place I remember passing near one of the Tottenham Court
Road entrances and listening to the tapping of bootheels of the
passers-by.
</p>
            <p>“My first visit was to the place where I had seen stockings and
gloves for sale.  It was dark, and I had the devil of a hunt after
matches, which I found at last in the drawer of the little cash desk.
Then I had to get a candle.  I had to tear down wrappings and ransack
a number of boxes and drawers, but at last I managed to turn out what
I sought; the box label called them lambswool pants, and lambswool
vests.  Then socks, a thick comforter, and then I went to the clothing
place and got trousers, a lounge jacket, an overcoat and a slouch hat
—a clerical sort of hat with the brim turned down.  I began to
feel a human being again, and my next thought was food.
</p>
            <p>“Upstairs was a refreshment department, and there I got cold
meat.  There was coffee still in the urn, and I lit the gas and warmed
it up again, and altogether I did not do badly.  Afterwards, prowling
through the place in search of blankets—I had to put up at last
with a heap of down quilts—I came upon a grocery section with a
lot of chocolate and candied fruits, more than was good for me
indeed—and some white burgundy.  And near that was a toy
department, and I had a brilliant idea.  I found some artificial
noses—dummy noses, you know, and I thought of dark spectacles.
But Omniums had no optical department.  My nose had been a difficulty
indeed—I had thought of paint.  But the discovery set my mind
running on wigs and masks and the like.  Finally I went to sleep on a
heap of down quilts, very warm and comfortable.
</p>
            <p>“My last thoughts before sleeping were the most agreeable I had
had since the change.  I was in a state of physical serenity, and that
was reflected in my mind.  I thought that I should be able to slip out
unobserved in the morning with my clothes upon me, muffling my face
with a white wrapper I had taken, purchase, with the money I had
taken, spectacles and so forth, and so complete my disguise.  I lapsed
into disorderly dreams of all the fantastic things that had happened
during the last few days.  I saw the ugly little Jew of a landlord
vociferating in his rooms; I saw his two sons marvelling, and the
wrinkled old woman's gnarled face as she asked for her cat.  I
experienced again the strange sensation of seeing the cloth disappear,
and so I came round to the windy hillside and the sniffing old
clergyman mumbling 'Dust to dust, earth to earth,' and my father's
open grave.
</p>
            <p>“'You also,' said a voice, and suddenly I was being forced
towards the grave.  I struggled, shouted, appealed to the mourners,
but they continued stonily following the service; the old clergyman,
too, never faltered droning and sniffing through the ritual.  I
realised I was invisible and inaudible, that overwhelming forces had
their grip on me.  I struggled in vain, I was forced over the brink,
the coffin rang hollow as I fell upon it, and the gravel came flying
after me in spadefuls.  Nobody heeded me, nobody was aware of me.  I
made convulsive struggles and awoke.
</p>
            <p>“The pale London dawn had come, the place was full of a chilly
grey light that filtered round the edges of the window blinds.  I sat
up, and for a time I could not think where this ample apartment, with
its counters, its piles of rolled stuff, its heaps of quilts and
cushions, its iron pillars, might be.  Then, as recollection came back
to me, I heard voices in conversation.
</p>
            <p>“Then far down the place, in the brighter light of some
department which had already raised its blinds, I saw two men
approaching.  I scrambled to my feet, looking about me for some way of
escape, and even as I did so the sound of my movement made them aware
of me.  I suppose they saw merely a figure moving quietly and quickly
away.  'Who's that?' cried one, and 'Stop there,' shouted the other.
I dashed round a corner and came full tilt—a faceless figure,
mind you!—on a lanky lad of fifteen.  He yelled and I bowled him
over, rushed past him, turned another corner, and by a happy
inspiration threw myself flat behind a counter.  In another moment
feet went running past and I heard voices shouting, 'All hands to the
doors!'  asking what was 'up,' and giving one another advice how to
catch me.
</p>
            <p>“Lying on the ground, I felt scared out of my wits.
But—odd as it may seem—it did not occur to me at the
moment to take off my clothes as I should have done.  I had made up my
mind, I suppose, to get away in them, and that ruled me.  And then
down the vista of the counters came a bawling of 'Here he is!'
</p>
            <p>“I sprang to my feet, whipped a chair off the counter, and sent
it whirling at the fool who had shouted, turned, came into another
round a corner, sent him spinning, and rushed up the stairs.  He kept
his footing, gave a view hallo! and came up the staircase hot after
me.  Up the staircase were piled a multitude of those bright- coloured
pot things—what are they?”
</p>
            <p>“Art pots,” suggested Kemp.
</p>
            <p>“That's it!  Art pots.  Well, I turned at the top step and
swung round, plucked one out of a pile and smashed it on his silly
head as he came at me.  The whole pile of pots went headlong, and I
heard shouting and footsteps running from all parts.  I made a mad
rush for the refreshment place, and there was a man in white like a
man cook, who took up the chase.  I made one last desperate turn and
found myself among lamps and ironmongery.  I went behind the counter
of this, and waited for my cook, and as he bolted in at the head of
the chase, I doubled him up with a lamp.  Down he went, and I crouched
behind the counter and began whipping off my clothes as fast as I
could.  Coat, jacket, trousers, shoes were all right, but a lambswool
vest fits a man like a skin.  I heard more men coming, my cook was
lying quiet on the other side of the counter, stunned or scared
speechless, and I had to make another dash for it, like a rabbit
hunted out of a wood-pile.
</p>
            <p>“'This way, policeman!' I heard some one shouting.  I found
myself in my bedstead store-room again, and at the end a wilderness of
wardrobes.  I rushed among them, went flat, got rid of my vest after
infinite wriggling, and stood a free man again, panting and scared, as
the policeman and three of the shopmen came round the corner.  They
made a rush for the vest and pants, and collared the trousers.  'He's
dropping his plunder,' said one of the young men.  'He must be
somewhere here.'
</p>
            <p>“But they did not find me all the same.
</p>
            <p>“I stood watching them hunt for me for a time, and cursing my
ill-luck in losing the clothes.  Then I went into the refreshment-
room, drank a little milk I found there, and sat down by the fire to
consider my position.
</p>
            <p>“In a little while two assistants came and began to talk over
the business very excitedly and like the fools they were.  I heard a
magnified account of my depredations, and other speculations as to my
whereabouts.  Then I fell to scheming again.  The insurmountable
difficulty of the place, especially now it was alarmed, was to get any
plunder out of it.  I went down into the warehouse to see if there was
any chance of packing and addressing a parcel, but I could not
understand the system of checking.  About eleven o'clock, the snow
having thawed as it fell, and the day being finer and a little warmer
than the previous one, I decided that the Emporium was hopeless, and
went out again, exasperated at my want of success, with only the
vaguest plans of action in my mind.”
</p>
         </div>
         <div n="C23" type="chapter">
            <head>In Drury Lane</head>
            <p>“But you begin to realise now,” said the Invisible Man,
“the full disadvantage of my condition.  I had no shelter, no
covering.  To get clothing was to forego all my advantage, to make of
myself a strange and terrible thing.  I was fasting; for to eat, to
fill myself with unassimilated matter, would be to become grotesquely
visible again.”
</p>
            <p>“I never thought of that,” said Kemp.
</p>
            <p>“Nor had I.  And the snow had warned me of other dangers.  I
could not go abroad in snow—it would settle on me and expose me.
Rain, too, would make me a watery outline, a glistening surface of a
man—a bubble.  And fog—I should be like a fainter bubble
in a fog, a surface, a greasy glimmer of humanity.  Moreover, as I
went abroad—in the London air—I gathered dirt about my
ankles, floating smuts and dust upon my skin.  I did not know how long
it would be before I should become visible from that cause also.  But
I saw clearly it could not be for long.
</p>
            <p>“Not in London at any rate.
</p>
            <p>“I went into the slums towards Great Portland Street, and found
myself at the end of the street in which I had lodged.  I did not go
that way, because of the crowd halfway down it opposite to the still
smoking ruins of the house I had fired.  My most immediate problem was
to get clothing.  What to do with my face puzzled me.  Then I saw in
one of those little miscellaneous shops—news, sweets, toys,
stationery, belated Christmas tomfoolery, and so forth—an array
of masks and noses.  I realised that problem was solved.  In a flash I
saw my course.  I turned about, no longer aimless, and went—
circuitously in order to avoid the busy ways, towards the back streets
north of the Strand; for I remembered, though not very distinctly
where, that some theatrical costumiers had shops in that district.
</p>
            <p>“The day was cold, with a nipping wind down the northward
running streets.  I walked fast to avoid being overtaken.  Every
crossing was a danger, every passenger a thing to watch alertly.  One
man as I was about to pass him at the top of Bedford Street, turned
upon me abruptly and came into me, sending me into the road and almost
under the wheel of a passing hansom.  The verdict of the cab-rank was
that he had had some sort of stroke.  I was so unnerved by this
encounter that I went into Covent Garden Market and sat down for some
time in a quiet corner by a stall of violets, panting and trembling.
I found I had caught a fresh cold, and had to turn out after a time
lest my sneezes should attract attention.
</p>
            <p>“At last I reached the object of my quest, a dirty fly-blown
little shop in a byway near Drury Lane, with a window full of tinsel
robes, sham jewels, wigs, slippers, dominoes and theatrical
photographs.  The shop was old-fashioned and low and dark, and the
house rose above it for four storeys, dark and dismal.  I peered
through the window and, seeing no one within, entered.  The opening of
the door set a clanking bell ringing.  I left it open, and walked
round a bare costume stand, into a corner behind a cheval glass.  For
a minute or so no one came.  Then I heard heavy feet striding across a
room, and a man appeared down the shop.
</p>
            <p>“My plans were now perfectly definite.  I proposed to make my
way into the house, secrete myself upstairs, watch my opportunity, and
when everything was quiet, rummage out a wig, mask, spectacles, and
costume, and go into the world, perhaps a grotesque but still a
credible figure.  And incidentally of course I could rob the house of
any available money.
</p>
            <p>“The man who had entered the shop was a short, slight, hunched,
beetle-browed man, with long arms and very short bandy legs.
Apparently I had interrupted a meal.  He stared about the shop with an
expression of expectation.  This gave way to surprise, and then anger,
as he saw the shop empty.  'Damn the boys!' he said.  He went to stare
up and down the street.  He came in again in a minute, kicked the door
to with his foot spitefully, and went muttering back to the house
door.
</p>
            <p>“I came forward to follow him, and at the noise of my movement
he stopped dead.  I did so too, startled by his quickness of ear.  He
slammed the house door in my face.
</p>
            <p>“I stood hesitating.  Suddenly I heard his quick footsteps
returning, and the door reopened.  He stood looking about the shop
like one who was still not satisfied.  Then, murmuring to himself, he
examined the back of the counter and peered behind some fixtures.
Then he stood doubtful.  He had left the house door open and I slipped
into the inner room.
</p>
            <p>“It was a queer little room, poorly furnished and with a number
of big masks in the corner.  On the table was his belated breakfast,
and it was a confoundedly exasperating thing for me, Kemp, to have to
sniff his coffee and stand watching while he came in and resumed his
meal.  And his table manners were irritating.  Three doors opened into
the little room, one going upstairs and one down, but they were all
shut.  I could not get out of the room while he was there, I could
scarcely move because of his alertness, and there was draught down my
back.  Twice I strangled a sneeze just in time.
</p>
            <p>“The spectacular quality of my sensations was curious and
novel, but for all that I was heartily tired and angry long before he
had done his eating.  But at last he made an end and putting his
beggarly crockery on the black tin tray upon which he had had his
teapot, and gathering all the crumbs up on the mustard-stained cloth,
he took the whole lot of things after him.  His burden prevented his
shutting the door behind him—as he would have done; I never saw
such a man for shutting doors—and I followed him into a very
dirty underground kitchen and scullery.  I had the pleasure of seeing
him begin to wash up, and then, finding no good in keeping down there,
and the brick floor being cold to my feet, I returned upstairs and sat
in his chair by the fire.  It was burning low, and scarcely thinking,
I put on a little coal.  The noise of this brought him up at once, and
he stood aglare.  He peered about the room and was within an ace of
touching me.  Even after that examination, he scarcely seemed
satisfied.  He stopped in the doorway and took a final inspection
before he went down.
</p>
            <p>“I waited in the little parlour for an age, and at last he came
up and opened the upstairs door.  I just managed to get by him.
</p>
            <p>“On the staircase he stopped suddenly, so that I very nearly
blundered into him.  He stood looking back right into my face and
listening.  'I could have sworn,' he said.  His long hairy hand pulled
at his lower lip.  His eye went up and down the staircase.  Then he
grunted and went on up again.
</p>
            <p>“His hand was on the handle of a door, and then he stopped
again with the same puzzled anger on his face.  He was becoming aware
of the faint sounds of my movements about him.  The man must have had
diabolically acute hearing.  He suddenly flashed into rage.  'If
there's any one in this house,' he cried with an oath, and left the
threat unfinished.  He put his hand in his pocket, failed to find what
he wanted, and rushing past me went blundering noisily and
pugnaciously downstairs.  But I did not follow him.  I sat on the head
of the staircase until his return.
</p>
            <p>“Presently he came up again, still muttering.  He opened the
door of the room, and before I could enter, slammed it in my face.
</p>
            <p>“I resolved to explore the house, and spent some time in doing
so as noiselessly as possible.  The house was very old and tumbledown,
damp so that the paper in the attics was peeling from the walls, and
rat-infested.  Some of the door handles were stiff and I was afraid to
turn them.  Several rooms I did inspect were unfurnished, and others
were littered with theatrical lumber, bought second-hand, I judged,
from its appearance.  In one room next to his I found a lot of old
clothes.  I began routing among these, and in my eagerness forgot
again the evident sharpness of his ears.  I heard a stealthy footstep
and, looking up just in time, saw him peering in at the tumbled heap
and holding an old-fashioned revolver in his hand.  I stood perfectly
still while he stared about open-mouthed and suspicious.  'It must
have been her,' he said slowly.  'Damn her!'
</p>
            <p>“He shut the door quietly, and immediately I heard the key turn
in the lock.  Then his footsteps retreated.  I realised abruptly that
I was locked in.  For a minute a did not know what to do.  I walked
from door to window and back, and stood perplexed.  A gust of anger
came upon me.  But I decided to inspect the clothes before I did
anything further, and my first attempt brought down a pile from an
upper shelf.  This brought him back, more sinister than ever.  That
time he actually touched me, jumped back with amazement and stood
astonished in the middle of the room.
</p>
            <p>“Presently he calmed a little.  'Rats,' he said in an
undertone, fingers on lip.  He was evidently a little scared.  I edged
quietly out of the room, but a plank creaked.  Then the infernal
little brute started going all over the house, revolver in hand and
locking door after door and pocketing the keys.  When I realised what
he was up to I had a fit of rage—I could hardly control myself
sufficiently to watch my opportunity.  By this time I knew he was
alone in the house, and so I made no more ado, but knocked him on the
head.”
</p>
            <p>“Knocked him on the head!” exclaimed Kemp.
</p>
            <p>“Yes—stunned him—as he was going downstairs.  Hit
him from behind with a stool that stood on the landing.  He went
downstairs like a bag of old boots.”
</p>
            <p>“But—!  I say!  The common conventions of
humanity—”
</p>
            <p>“Are all very well for common people.  But the point was, Kemp,
that I had to get out of that house in a disguise without his seeing
me.  I couldn't think of any other way of doing it.  And then I gagged
him with a Louis Quatorze vest and tied him up in a sheet.”
</p>
            <p>“Tied him up in a sheet!”
</p>
            <p>“Made a sort of bag of it.  It was rather a good idea to keep
the idiot scared and quiet, and a devilish hard thing to get out
of— head away from the string.  My dear Kemp, it's no good your
sitting and glaring as though I was a murderer.  It had to be done.
He had his revolver.  If once he saw me he would be able to describe
me—”
</p>
            <p>“But still,” said Kemp, “in England—to-day.  And
the man was in his own house, and you were—well, robbing.”
</p>
            <p>“Robbing!  Confound it!  You'll call me a thief next!  Surely,
Kemp, you're not fool enough to dance on the old strings.  Can't you
see my position?”
</p>
            <p>“And his too,” said Kemp.
</p>
            <p>The Invisible Man stood up sharply.  “What do you mean to
say?”
</p>
            <p>Kemp's face grew a trifle hard.  He was about to speak and checked
himself.  “I suppose, after all,” he said with a sudden change
of manner, “the thing had to be done.  You were in a fix.  But
still—”
</p>
            <p>“Of course I was in a fix—an infernal fix.  And he made
me wild too—hunting me about the house, fooling about with his
revolver, locking and unlocking doors.  He was simply exasperating.
You don't blame me, do you?  You don't blame me?”
</p>
            <p>“I never blame any one,” said Kemp.  “It's quite out of
fashion.  What did you do next?”
</p>
            <p>“I was hungry.  Downstairs I found a loaf and some rank cheese
—more than sufficient to satisfy my hunger.  I took some brandy
and water, and then went up past my impromptu bag—he was lying
quite still—to the room containing the old clothes.  This looked
out upon the street, two lace curtains brown with dirt guarding the
window.  I went and peered out through their interstices.  Outside the
day was bright—by contrast with the brown shadows of the dismal
house in which I found myself, dazzlingly bright.  A brisk traffic was
going by, fruit carts, a hansom, a four-wheeler with a pile of boxes,
a fishmonger's cart.  I turned with spots of colour swimming before my
eyes to the shadowy fixtures behind me.  My excitement was giving
place to a clear apprehension of my position again.  The room was full
of a faint scent of benzoline, used, I suppose, in cleaning the
garments.
</p>
            <p>“I began a systematic search of the place.  I should judge the
hunchback had been alone in the house for some time.  He was a curious
person.  Everything that could possibly be of service to me I
collected in the clothes storeroom, and then I made a deliberate
selection.  I found a handbag I thought a suitable possession, and
some powder, rouge, and sticking-plaster.
</p>
            <p>“I had thought of painting and powdering my face and all that
there was to show of me, in order to render myself visible, but the
disadvantage of this lay in the fact that I should require turpentine
and other appliances and a considerable amount of time before I could
vanish again.  Finally I chose a mask of the better type, slightly
grotesque but not more so than many human beings, dark glasses,
greyish whiskers, and a wig.  I could find no underclothing, but that
I could buy subsequently, and for the time I swathed myself in calico
dominoes and some white cashmere scarfs.  I could find no socks, but
the hunchback's boots were rather a loose fit and sufficed.  In a desk
in the shop were three sovereigns and about thirty shillings' worth of
silver, and in a locked cupboard I burst in the inner room were eight
pounds in gold.  I could go forth into the world again, equipped.
</p>
            <p>“Then came a curious hesitation.  Was my appearance
really— credible?  I tried myself with a little bedroom
looking-glass, inspecting myself from every point of view to discover
any forgotten chink, but it all seemed sound.  I was grotesque to the
theatrical pitch, a stage miser, but I was certainly not a physical
impossibility.  Gathering confidence, I took my looking-glass down
into the shop, pulled down the shop blinds, and surveyed myself from
every point of view with the help of the cheval glass in the corner.
</p>
            <p>“I spent some minutes screwing up my courage and then unlocked
the shop door and marched out into the street, leaving the little man
to get out of his sheet again when he liked.  In five minutes a dozen
turnings intervened between me and the costumier's shop.  No one
appeared to notice me very pointedly.  My last difficulty seemed
overcome.”
</p>
            <p>He stopped again.
</p>
            <p>“And you troubled no more about the hunchback?” said Kemp.
</p>
            <p>“No,” said the Invisible Man.  “Nor have I heard what
became of him.  I suppose he untied himself or kicked himself out.
The knots were pretty tight.”
</p>
            <p>He became silent, and went to the window and stared out.
</p>
            <p>“What happened when you went out into the Strand?”
</p>
            <p>“Oh!—disillusionment again.  I thought my troubles were
over.  Practically I thought I had impunity to do whatever I chose,
everything—save to give away my secret.  So I thought.  Whatever
I did, whatever the consequences might be, was nothing to me.  I had
merely to fling aside my garments and vanish.  No person could hold
me.  I could take my money where I found it.  I decided to treat
myself to a sumptuous feast, and then put up at a good hotel, and
accumulate a new outfit of property.  I felt amazingly
confident—it's not particularly pleasant recalling that I was an
ass.  I went into a place and was already ordering a lunch, when it
occurred to me that I could not eat unless I exposed my invisible
face.  I finished ordering the lunch, told the man I should be back in
ten minutes, and went out exasperated.  I don't know if you have ever
been disappointed in your appetite.”
</p>
            <p>“Not quite so badly,” said Kemp, “but I can imagine
it.”
</p>
            <p>“I could have smashed the silly devils.  At last, faint with
the desire for tasteful food, I went into another place and demanded a
private room.  'I am disfigured,' I said.  'Badly.'  They looked at me
curiously, but of course it was not their affair—and so at last
I got my lunch.  It was not particularly well served, but it sufficed;
and when I had had it, I sat over a cigar, trying to plan my line of
action.  And outside a snowstorm was beginning.
</p>
            <p>“The more I thought it over, Kemp, the more I realised what a
helpless absurdity an Invisible Man was—in a cold and dirty
climate and a crowded civilised city.  Before I made this mad
experiment I had dreamt of a thousand advantages.  That afternoon it
seemed all disappointment.  I went over the heads of the things a man
reckons desirable.  No doubt invisibility made it possible to get
them, but it made it impossible to enjoy them when they are got.
Ambition—what is the good of pride of place when you cannot
appear there?  What is the good of the love of woman when her name
must needs be Delilah?  I have no taste for politics, for the
blackguardisms of fame, for philanthropy, for sport.  What was I to
do?  And for this I had become a wrapped-up mystery, a swathed and
bandaged caricature of a man!”
</p>
            <p>He paused, and his attitude suggested a roving glance at the
window.
</p>
            <p>“But how did you get to Iping?” said Kemp, anxious to keep
his guest busy talking.
</p>
            <p>“I went there to work.  I had one hope.  It was a half idea!  I
have it still.  It is a full blown idea now.  A way of getting back!
Of restoring what I have done.  When I choose.  When I have done all I
mean to do invisibly.  And that is what I chiefly want to talk to you
about now.”
</p>
            <p>“You went straight to Iping?”
</p>
            <p>“Yes.  I had simply to get my three volumes of memoranda and my
cheque-book, my luggage and underclothing, order a quantity of
chemicals to work out this idea of mine—I will show you the
calculations as soon as I get my books—and then I started.
Jove!  I remember the snowstorm now, and the accursed bother it was to
keep the snow from damping my pasteboard nose.”
</p>
            <p>“At the end,” said Kemp, “the day before yesterday,
when they found you out, you rather—to judge by the
papers—”
</p>
            <p>“I did.  Rather.  Did I kill that fool of a constable?”
</p>
            <p>“No,” said Kemp.  “He's expected to recover.”
</p>
            <p>“That's his luck, then.  I clean lost my temper, the fools!
Why couldn't they leave me alone?  And that grocer lout?”
</p>
            <p>“There are no deaths expected,” said Kemp.
</p>
            <p>“I don't know about that tramp of mine,” said the Invisible
Man, with an unpleasant laugh.
</p>
            <p>“By Heaven, Kemp, you don't know what rage is!  To have worked
for years, to have planned and plotted, and then to get some fumbling
purblind idiot messing across your course!  Every conceivable sort of
silly creature that has ever been created has been sent to cross me.
</p>
            <p>“If I have much more of it, I shall go wild—I shall start
mowing 'em.
</p>
            <p>“As it is, they've made things a thousand times more
difficult.”
</p>
            <p>“No doubt it's exasperating,” said Kemp, dryly.
</p>
         </div>
         <div n="C24" type="chapter">
            <head>The Plan That Failed</head>
            <p>“But now,” said Kemp, with a side glance out of the window,
“what are we to do?”
</p>
            <p>He moved nearer his guest as he spoke in such a manner as to
prevent the possibility of a glimpse of the three men who were
advancing up the hill road—with an intolerable slowness, as it
seemed to Kemp.
</p>
            <p>“What were you planning to do when you were heading for Port
Burdock?  Had you any plan?”
</p>
            <p>“I was going to clear out of the country.  But I have altered
that plan rather since seeing you.  I thought it would be wise, now
the weather is hot and invisibility possible, to make for the South.
Especially as my secret was known, and every one would be on the
lookout for a masked and muffled man.  You have a line of steamers
from here to France.  My idea was to get aboard one and run the risks
of the passage.  Thence I could go by train into Spain, or else get to
Algiers.  It would not be difficult.  There a man might always be
invisible—and yet live.  And do things.  I was using that tramp
as a money box and luggage carrier, until I decided how to get my
books and things sent over to meet me.”
</p>
            <p>“That's clear.”
</p>
            <p>“And then the filthy brute must needs try and rob me!  He has
hidden my books, Kemp.  Hidden my books!  If I can lay my hands on
him!”
</p>
            <p>“Best plan to get the books out of him first.”
</p>
            <p>“But where is he?  Do you know?”
</p>
            <p>“He's in the town police station, locked up, by his own
request, in the strongest cell in the place.”
</p>
            <p>“Cur!” said the Invisible Man.
</p>
            <p>“But that hangs up your plans a little.”
</p>
            <p>“We must get those books; those books are vital.”
</p>
            <p>“Certainly,” said Kemp, a little nervously, wondering if he
heard footsteps outside.  “Certainly we must get those books.  But
that won't be difficult, if he doesn't know they're for you.”
</p>
            <p>“No,” said the Invisible Man, and thought.
</p>
            <p>Kemp tried to think of something to keep the talk going, but the
Invisible Man resumed of his own accord.
</p>
            <p>“Blundering into your house, Kemp,” he said, “changes
all my plans.  For you are a man that can understand.  In spite of all
that has happened, in spite of this publicity, of the loss of my
books, of what I have suffered, there still remain great
possibilities, huge possibilities—
</p>
            <p>“You have told no one I am here?” he asked abruptly.
</p>
            <p>Kemp hesitated.  “That was implied,” he said.
</p>
            <p>“No one?” insisted Griffin.
</p>
            <p>“Not a soul.”
</p>
            <p>“Ah!  Now—” The Invisible Man stood up, and sticking
his arms akimbo began to pace the study.
</p>
            <p>“I made a mistake, Kemp, a huge mistake, in carrying this thing
through alone.  I have wasted strength, time, opportunities.
Alone—it is wonderful how little a man can do alone!  To rob a
little, to hurt a little, and there is the end.
</p>
            <p>“What I want, Kemp, is a goal-keeper, a helper, and a hiding-
place, an arrangement whereby I can sleep and eat and rest in peace,
and unsuspected.  I must have a confederate.  With a confederate, with
food and rest—a thousand things are possible.
</p>
            <p>“Hitherto I have gone on vague lines.  We have to consider all
that invisibility means, all that it does not mean.  It means little
advantage for eavesdropping and so forth—one makes sounds.  It's
of little help, a little help perhaps—in housebreaking and so
forth.  Once you've caught me you could easily imprison me.  But on
the other hand I am hard to catch.  This invisibility, in fact, is
only good in two cases: It's useful in getting away, it's useful in
approaching.  It's particularly useful, therefore, in killing.  I can
walk round a man, whatever weapon he has, choose my point, strike as I
like.  Dodge as I like.  Escape as I like.”
</p>
            <p>Kemp's hand went to his moustache.  Was that a movement downstairs?
</p>
            <p>“And it is killing we must do, Kemp.”
</p>
            <p>“It is killing we must do,” repeated Kemp.  “I'm
listening to your plan, Griffin, but I'm not agreeing, mind.  Why
killing?”
</p>
            <p>“Not wanton killing but a judicious slaying.  The point is they
know there is an Invisible Man—as well as we know there is an
Invisible Man.  And that Invisible Man, Kemp, must now establish a
Reign of Terror.  Yes—no doubt it's startling.  But I mean it.
A Reign of Terror.  He must take some town like your Burdock and
terrify and dominate it.  He must issue his orders.  He can do that in
a thousand ways—scraps of paper thrust under doors would
suffice.  And all who disobey his orders he must kill, and kill all
who would defend the disobedient.”
</p>
            <p>“Humph!” said Kemp, no longer listening to Griffin but to
the sound of his front door opening and closing.
</p>
            <p>“It seems to me, Griffin,” he said, to cover his wandering
attention, “that your confederate would be in a difficult
position.”
</p>
            <p>“No one would know he was a confederate,” said the
Invisible Man, eagerly.  And then suddenly, “Hush!  What's that
downstairs?”
</p>
            <p>“Nothing,” said Kemp, and suddenly began to speak loud and
fast.  “I don't agree to this, Griffin,” he said.
“Understand me, I don't agree to this.  Why dream of playing a
game against the race?  How can you hope to gain happiness?  Don't be
a lone wolf.  Publish your results; take the world—take the
nation at least—into your confidence.  Think what you might do
with a million helpers—”
</p>
            <p>The Invisible Man interrupted Kemp.  “There are footsteps
coming upstairs,” he said in a low voice.
</p>
            <p>“Nonsense,” said Kemp.
</p>
            <p>“Let me see,” said the Invisible Man, and advanced, arm
extended, to the door.
</p>
            <p>Kemp hesitated for a second and then moved to intercept him.  The
Invisible Man started and stood still.  “Traitor!” cried the
Voice, and suddenly the dressing-gown opened, and sitting down the
Unseen began to disrobe.  Kemp made three swift steps to the door, and
forthwith the Invisible Man—his legs had vanished—sprang
to his feet with a shout.  Kemp flung the door open.
</p>
            <p>As it opened, there came a sound of hurrying feet downstairs and
voices.
</p>
            <p>With a quick movement Kemp thrust the Invisible Man back, sprang
aside, and slammed the door.  The key was outside and ready.  In
another moment Griffin would have been alone in the belvedere study, a
prisoner.  Save for one little thing.  The key had been slipped in
hastily that morning.  As Kemp slammed the door it fell noisily upon
the carpet.
</p>
            <p>Kemp's face became white.  He tried to grip the door handle with
both hands.  For a moment he stood lugging.  Then the door gave six
inches.  But he got it closed again.  The second time it was jerked a
foot wide, and the dressing-gown came wedging itself into the opening.
His throat was gripped by invisible fingers, and he left his hold on
the handle to defend himself.  He was forced back, tripped and pitched
heavily into the corner of the landing.  The empty dressing- gown was
flung on the top of him.
</p>
            <p>Halfway up the staircase was Colonel Adye, the recipient of Kemp's
letter, the chief of the Burdock police.  He was staring aghast at the
sudden appearance of Kemp, followed by the extraordinary sight of
clothing tossing empty in the air.  He saw Kemp felled, and struggling
to his feet.  He saw him rush forward, and go down again, felled like
an ox.
</p>
            <p>Then suddenly he was struck violently.  By nothing!  A vast weight,
it seemed, leapt upon him, and he was hurled headlong down the
staircase, with a grip at his throat and a knee in his groin.  An
invisible foot trod on his back, a ghostly patter passed downstairs,
he heard the two police officers in the hall shout and run, and the
front door of the house slammed violently.
</p>
            <p>He rolled over and sat up staring.  He saw, staggering down the
staircase, Kemp, dusty and dishevelled, one side of his face white
from a blow, his lip bleeding, holding a pink dressing-gown and some
underclothing in his arms.
</p>
            <p>“My God!” cried Kemp, “the game's up!  He's gone!”
</p>
         </div>
         <div n="C25" type="chapter">
            <head>The Hunting of the Invisible
Man</head>
            <p>For a space Kemp was too inarticulate to make Adye
understand the swift things that had just happened.  The two men stood
on the landing, Kemp speaking swiftly, the grotesque swathings of
Griffin still on his arm.  But presently Adye began to grasp something
of the situation.
</p>
            <p>“He's mad,” said Kemp; “inhuman.  He is pure
selfishness.  He thinks of nothing but his own advantage, his own
safety.  I have listened to such a story this morning of brutal
self-seeking!  He has wounded men.  He will kill them unless we can
prevent him.  He will create a panic.  Nothing can stop him.  He is
going out now—furious!”
</p>
            <p>“He must be caught,” said Adye.  “That is certain.”
</p>
            <p>“But how?” cried Kemp, and suddenly became full of ideas.
“You must begin at once.  You must set every available man to
work.  You must prevent his leaving this district.  Once he gets away
he may go through the countryside as he wills, killing and maiming.
He dreams of a reign of terror!  A reign of terror, I tell you.  You
must set a watch on trains and roads and shipping.  The garrison must
help.  You must wire for help.  The only thing that may keep him here
is the thought of recovering some books of notes he counts of value.
I will tell you of that!  There is a man in your police
station—Marvel.”
</p>
            <p>“I know,” said Adye, “I know.  Those
books—yes.”
</p>
            <p>“And you must prevent him from eating or sleeping; day and
night the country must be astir for him.  Food must be locked up and
secured, all food, so that he will have to break his way to it.  The
houses everywhere must be barred against him.  Heaven send us cold
nights and rain!  The whole countryside must begin hunting and keep
hunting.  I tell you, Adye, he is a danger, a disaster; unless he is
pinned and secured, it is frightful to think of the things that may
happen.”
</p>
            <p>“What else can we do?” said Adye.  “I must go down at
once and begin organising.  But why not come?  Yes—you come too!
Come, and we must hold a sort of council of war,—get Hopps to
help—and the railway managers.  By jove! it's urgent.  Come
along—tell me as we go.  What else is there we can do?  Put that
stuff down.”
</p>
            <p>In another moment Adye was leading the way downstairs.  They found
the front door open and the policemen standing outside staring at
empty air.  “He's got away, sir,” said one.
</p>
            <p>“We must go to the central station at once,” said Adye.
“One of you go on down and get a cab to come up and meet
us—quickly.  And now, Kemp, what else?”
</p>
            <p>“Dogs,” said Kemp.  “Get dogs.  They don't see him, but
they wind him.  Get dogs.”
</p>
            <p>“Good,” said Adye.  “It's not generally known, but the
prison officials over at Halstead know a man with bloodhounds.  Dogs.
What else?”
</p>
            <p>“Bear in mind,” said Kemp, “his food shows.  After
eating, his food shows until it is assimilated.  So that he has to
hide after eating.  You must keep on beating—every thicket,
every quiet corner.  And put all weapons, all implements that might be
weapons, away.  He can't carry such things for long.  And what he can
snatch up and strike men with must be hidden away.”
</p>
            <p>“Good again,” said Adye.  “We shall have him yet!”
</p>
            <p>“And on the roads,” said Kemp, and hesitated.
</p>
            <p>“Yes?” said Adye.
</p>
            <p>“Powdered glass,” said Kemp.  “It's cruel, I know.  But
think of what he may do!”
</p>
            <p>Adye drew the air in between his teeth sharply.  “It's
unsportsmanlike.  I don't know.  But I'll have powdered glass got
ready.  If he goes too far—”
</p>
            <p>“The man's become inhuman, I tell you,” said Kemp.  “I
am as sure he will establish a reign of terror—so soon as he has
got over the emotions of this escape—as I am sure I am talking
to you.  Our only chance is to be ahead.  He has cut himself off from
his kind.  His blood be upon his own head.”
</p>
         </div>
         <div n="C26" type="chapter">
            <head>The Wicksteed Murder</head>
            <p>The Invisible Man seems to have rushed out of Kemp's house in a
state of blind fury.  A little child playing near Kemp's gateway was
violently caught up and thrown aside, so that its ankle was broken,
and thereafter for some hours the Invisible Man passed out of human
perceptions.  No one knows where he went nor what he did.  But one can
imagine him hurrying through the hot June forenoon, up the hill and on
to the open downland behind Port Burdock, raging and despairing at his
intolerable fate, and sheltering at last, heated and weary, amid the
thickets of Hintondean, to piece together again his shattered schemes
against his species.  That seems the most probable refuge for him, for
there it was he re-asserted himself in a grimly tragical manner about
two in the afternoon.
</p>
            <p>One wonders what his state of mind may have been during that time,
and what plans he devised.  No doubt he was almost ecstatically
exasperated by Kemp's treachery, and though we may be able to
understand the motives that led to that deceit, we may still imagine
and even sympathise a little with the fury the attempted surprise must
have occasioned.  Perhaps something of the stunned astonishment of his
Oxford Street experiences may have returned to him, for evidently he
had counted on Kemp's co-operation in his brutal dream of a terrorised
world.  At any rate he vanished from human ken about midday, and no
living witness can tell what he did until about half-past two.  It was
a fortunate thing, perhaps, for humanity, but for him it was a fatal
inaction.
</p>
            <p>During that time a growing multitude of men scattered over the
countryside were busy.  In the morning he had still been simply a
legend, a terror; in the afternoon, by virtue chiefly of Kemp's drily
worded proclamation, he was presented as a tangible antagonist, to be
wounded, captured, or overcome, and the countryside began organising
itself with inconceivable rapidity.  By two o'clock even he might
still have removed himself out of the district by getting aboard a
train, but after two that became impossible.  Every passenger train
along the lines on a great parallelogram between Southampton,
Manchester, Brighton, and Horsham, travelled with locked doors, and
the goods traffic was almost entirely suspended.  And in a great
circle of twenty miles round Port Burdock, men armed with guns and
bludgeons were presently setting out in groups of three and four, with
dogs, to beat the roads and fields.
</p>
            <p>Mounted policemen rode along the country lanes, stopping at every
cottage and warning the people to lock up their houses, and keep
indoors unless they were armed, and all the elementary schools had
broken up by three o'clock, and the children, scared and keeping
together in groups, were hurrying home.  Kemp's
proclamation—signed indeed by Adye—was posted over almost
the whole district by four or five o'clock in the afternoon.  It gave
briefly but clearly all the conditions of the struggle, the necessity
of keeping the Invisible Man from food and sleep, the necessity for
incessant watchfulness and for a prompt attention to any evidence of
his movements.  And so swift and decided was the action of the
authorities, so prompt and universal was the belief in this strange
being, that before nightfall an area of several hundred square miles
was in a stringent state of siege.  And before nightfall, too, a
thrill of horror went through the whole watching nervous countryside.
Going from whispering mouth to mouth, swift and certain over the
length and breadth of the county, passed the story of the murder of
Mr. Wicksteed.
</p>
            <p>If our supposition that the Invisible Man's refuge was the
Hintondean thickets, then we must suppose that in the early afternoon
he sallied out again bent upon some project that involved the use of a
weapon.  We cannot know what the project was, but the evidence that he
had the iron rod in hand before he met Wicksteed is to me at least
overwhelming.
</p>
            <p>We can know nothing of the details of the encounter.  It occurred
on the edge of a gravel pit, not two hundred yards from Lord Burdock's
Lodge gate.  Everything points to a desperate struggle,—the
trampled ground, the numerous wounds Mr. Wicksteed received, his
splintered walking-stick; but why the attack was made—save in a
murderous frenzy—it is impossible to imagine.  Indeed the theory
of madness is almost unavoidable.  Mr. Wicksteed was a man of
forty-five or forty-six, steward to Lord Burdock, of inoffensive
habits and appearance, the very last person in the world to provoke
such a terrible antagonist.  Against him it would seem the Invisible
Man used an iron rod dragged from a broken piece of fence.  He stopped
this quiet man, going quietly home to his midday meal, attacked him,
beat down his feeble defences, broke his arm, felled him, and smashed
his head to a jelly.
</p>
            <p>He must have dragged this rod out of the fencing before he met his
victim; he must have been carrying it ready in his hand.  Only two
details beyond what has already been stated seem to bear on the
matter.  One is the circumstance that the gravel pit was not in Mr.
Wicksteed's direct path home, but nearly a couple of hundred yards out
of his way.  The other is the assertion of a little girl to the effect
that, going to her afternoon school, she saw the murdered man
“trotting” in a peculiar manner across a field towards the
gravel pit.  Her pantomime of his action suggests a man pursuing
something on the ground before him and striking at it ever and again
with his walking-stick.  She was the last person to see him alive.  He
passed out of her sight to his death, the struggle being hidden from
her only by a clump of beech trees and a slight depression in the
ground.
</p>
            <p>Now this, to the present writer's mind at least, lifts the murder
out of the realm of the absolutely wanton.  We may imagine that
Griffin had taken the rod as a weapon indeed, but without any
deliberate intention of using it in murder.  Wicksteed may then have
come by and noticed this rod inexplicably moving through the air.
Without any thought of the Invisible Man—for Port Burdock is ten
miles away—he may have pursued it.  It is quite conceivable that
he may not even have heard of the Invisible Man.  One can then imagine
the Invisible Man making off—quietly in order to avoid
discovering his presence in the neighbourhood, and Wicksteed, excited
and curious, pursuing this unaccountably locomotive
object—finally striking at it.
</p>
            <p>No doubt the Invisible Man could easily have distanced his
middle-aged pursuer under ordinary circumstances, but the position in
which Wicksteed's body was found suggests that he had the ill luck to
drive his quarry into a corner between a drift of stinging nettles and
the gravel pit.  To those who appreciate the extraordinary
irascibility of the Invisible Man, the rest of the encounter will be
easy to imagine.
</p>
            <p>But this is pure hypothesis.  The only undeniable facts—for
stories of children are often unreliable—are the discovery of
Wicksteed's body, done to death, and of the blood-stained iron rod
flung among the nettles.  The abandonment of the rod by Griffin,
suggests that in the emotional excitement of the affair, the purpose
for which he took it—if he had a purpose—was abandoned.
He was certainly an intensely egotistical and unfeeling man, but the
sight of his victim, his first victim, bloody and pitiful at his feet,
may have released some long pent fountain of remorse to flood for a
time whatever scheme of action he had contrived.
</p>
            <p>After the murder of Mr. Wicksteed, he would seem to have struck
across the country towards the downland.  There is a story of a voice
heard about sunset by a couple of men in a field near Fern Bottom.  It
was wailing and laughing, sobbing and groaning, and ever and again it
shouted.  It must have been queer hearing.  It drove up across the
middle of a clover field and died away towards the hills.
</p>
            <p>That afternoon the Invisible Man must have learnt something of the
rapid use Kemp had made of his confidences.  He must have found houses
locked and secured; he may have loitered about railway stations and
prowled about inns, and no doubt he read the proclamations and
realised something of the nature of the campaign against him.  And as
the evening advanced, the fields became dotted here and there with
groups of three or four men, and noisy with the yelping of dogs.
These men-hunters had particular instructions as to the way they
should support one another in the case of an encounter.  He avoided
them all.  We may understand something of his exasperation, and it
could have been none the less because he himself had supplied the
information that was being used so remorselessly against him.  For
that day at least he lost heart; for nearly twenty-four hours, save
when he turned on Wicksteed, he was a hunted man.  In the night, he
must have eaten and slept; for in the morning he was himself again,
active, powerful, angry, and malignant, prepared for his last great
struggle against the world.
</p>
         </div>
         <div n="C27" type="chapter">
            <head>The Siege of Kemp's
House</head>
            <p>Kemp read a strange missive, written in pencil on a
greasy sheet of paper.
</p>
            <p>“You have been amazingly energetic and clever,” this letter
ran, “though what you stand to gain by it I cannot imagine.  You
are against me.  For a whole day you have chased me; you have tried to
rob me of a night's rest.  But I have had food in spite of you, I have
slept in spite of you, and the game is only beginning.  The game is
only beginning.  There is nothing for it, but to start the Terror.
This announces the first day of the Terror.  Port Burdock is no longer
under the Queen tell your Colonel of Police, and the rest of them; it
is under me—the Terror!  This is day one of year one of the new
epoch —the Epoch of the Invisible Man.  I am Invisible Man the
First.  To begin with the rule will be easy.  The first day there will
be one execution for the sake of example—a man named Kemp.
Death starts for him to-day.  He may lock himself away, hide himself
away, get guards about him, put on armour if he likes; Death, the
unseen Death, is coming.  Let him take precautions; it will impress my
people.  Death starts from the pillar-box by midday.  The letter will
fall in as the postman comes along, then off!  The game begins.  Death
starts.  Help him not, my people, lest Death fall upon you also.
To-day Kemp is to die.”
</p>
            <p>Kemp read this letter twice.  “It's no hoax,” he said.
“That's his voice!  And he means it.”
</p>
            <p>He turned the folded sheet over and saw on the addressed side of it
the postmark Hintondean, and the prosaic detail, “2d. to pay.”
</p>
            <p>He got up, leaving his lunch unfinished—the letter had come
by the one o'clock post—and went into his study.  He rang for
his housekeeper, and told her to go round the house at once, examine
all the fastenings of the windows, and close all the shutters.  He
closed the shutters of his study himself.  From a locked drawer in his
bedroom he took a little revolver, examined it carefully, and put it
into the pocket of his lounge jacket.  He wrote a number of brief
notes, one to Colonel Adye, gave them to his servant to take, with
explicit instructions as to her way of leaving the house.  “There
is no danger,” he said, and added a mental reservation, “to
you.” He remained meditative for a space after doing this, and
then returned to his cooling lunch.
</p>
            <p>He ate with gaps of thought.  Finally he struck the table sharply.
“We will have him!” he said; “and I am the bait.  He will
come too far.”
</p>
            <p>He went up to the belvedere, carefully shutting every door after
him.  “It's a game,” he said, “an odd game—but the
chances are all for me, Mr. Griffin, in spite of your invisibility.
Griffin contra mundum—with a vengeance!”
</p>
            <p>He stood at the window staring at the hot hillside.  “He must
get food every day—and I don't envy him.  Did he really sleep
last night?  Out in the open somewhere—secure from collisions.
I wish we could get some good cold wet weather instead of the heat.
</p>
            <p>“He may be watching me now.”
</p>
            <p>He went close to the window.  Something rapped smartly against the
brickwork over the frame, and made him start violently.
</p>
            <p>“I'm getting nervous,” said Kemp.  But it was five minutes
before he went to the window again.  “It must have been a
sparrow,” he said.
</p>
            <p>Presently he heard the front-door bell ringing, and hurried
downstairs.  He unbolted and unlocked the door, examined the chain,
put it up, and opened cautiously without showing himself.  A familiar
voice hailed him.  It was Adye.
</p>
            <p>“Your servant's been assaulted, Kemp,” he said round the
door.
</p>
            <p>“What!” exclaimed Kemp.
</p>
            <p>“Had that note of yours taken away from her.  He's close about
here.  Let me in.”
</p>
            <p>Kemp released the chain, and Adye entered through as narrow an
opening as possible.  He stood in the hall, looking with infinite
relief at Kemp refastening the door.  “Note was snatched out of
her hand.  Scared her horribly.  She's down at the station.
Hysterics.  He's close here.  What was it about?”
</p>
            <p>Kemp swore.
</p>
            <p>“What a fool I was,” said Kemp.  “I might have known.
It's not an hour's walk from Hintondean.  Already!”
</p>
            <p>“What's up?” said Adye.
</p>
            <p>“Look here!” said Kemp, and led the way into his study.  He
handed Adye the Invisible Man's letter.  Adye read it and whistled
softly.  “And you—?” said Adye.
</p>
            <p>“Proposed a trap—like a fool,” said Kemp, “and
sent my proposal out by a maid servant.  To him.”
</p>
            <p>Adye followed Kemp's profanity.
</p>
            <p>“He'll clear out,” said Adye.
</p>
            <p>“Not he,” said Kemp.
</p>
            <p>A resounding smash of glass came from upstairs.  Adye had a silvery
glimpse of a little revolver half out of Kemp's pocket.  “It's a
window, upstairs!” said Kemp, and led the way up.  There came a
second smash while they were still on the staircase.  When they
reached the study they found two of the three windows smashed, half
the room littered with splintered glass, and one big flint lying on
the writing table.  The two men stopped in the doorway, contemplating
the wreckage.  Kemp swore again, and as he did so the third window
went with a snap like a pistol, hung starred for a moment, and
collapsed in jagged, shivering triangles into the room.
</p>
            <p>“What's this for?” said Adye.
</p>
            <p>“It's a beginning,” said Kemp.
</p>
            <p>“There's no way of climbing up here?”
</p>
            <p>“Not for a cat,” said Kemp.
</p>
            <p>“No shutters?”
</p>
            <p>“Not here.  All the downstairs rooms—Hullo!”
</p>
            <p>Smash, and then whack of boards hit hard came from downstairs.
“Confound him! said Kemp.  “That must be—yes—it's
one of the bedrooms.  He's going to do all the house.  But he's a
fool.  The shutters are up, and the glass will fall outside.  He'll
cut his feet.”
</p>
            <p>Another window proclaimed its destruction.  The two men stood on
the landing perplexed.  “I have it! said Adye.  “Let me have a
stick or something, and I'll go down to the station and get the
bloodhounds put on.  That ought to settle him!  They're hard
by—not ten minutes—”
</p>
            <p>Another window went the way of its fellows.
</p>
            <p>“You haven't a revolver?” asked Adye.
</p>
            <p>Kemp's hand went to his pocket.  Then he hesitated.  “I haven't
one—at least to spare.”
</p>
            <p>“I'll bring it back,” said Adye, “you'll be safe
here.”
</p>
            <p>Kemp handed him the weapon.
</p>
            <p>“Now for the door,” said Adye.
</p>
            <p>As they stood hesitating in the hall, they heard one of the
first-floor bedroom windows crack and clash.  Kemp went to the door
and began to slip the bolts as silently as possible.  His face was a
little paler than usual.  “You must step straight out,” said
Kemp.  In another moment Adye was on the doorstep and the bolts were
dropping back into the staples.  He hesitated for a moment, feeling
more comfortable with his back against the door.  Then he marched,
upright and square, down the steps.  He crossed the lawn and
approached the gate.  A little breeze seemed to ripple over the grass.
Something moved near him.  “Stop a bit,” said a Voice, and
Adye stopped dead and his hand tightened on the revolver.
</p>
            <p>“Well?” said Adye, white and grim, and every nerve tense.
</p>
            <p>“Oblige me by going back to the house,” said the Voice, as
tense and grim as Adye's.
</p>
            <p>“Sorry,” said Adye a little hoarsely, and moistened his
lips with his tongue.  The Voice was on his left front, he thought.
Suppose he were to take his luck with a shot?
</p>
            <p>“What are you going for?” said the Voice, and there was a
quick movement of the two, and a flash of sunlight from the open lip
of Adye's pocket.
</p>
            <p>Adye desisted and thought.  “Where I go,” he said slowly,
“is my own business.” The words were still on his lips, when
an arm came round his neck, his back felt a knee, and he was sprawling
backward.  He drew clumsily and fired absurdly, and in another moment
he was struck in the mouth and the revolver wrested from his grip.  He
made a vain clutch at a slippery limb, tried to struggle up and fell
back.  “Damn!” said Adye.  The Voice laughed.  “I'd kill
you now if it wasn't the waste of a bullet,” it said.  He saw the
revolver in mid-air, six feet off, covering him.
</p>
            <p>“Well?” said Adye, sitting up.
</p>
            <p>“Get up,” said the Voice.
</p>
            <p>Adye stood up.
</p>
            <p>“Attention” said the Voice, and then fiercely, “Don't
try any games.  Remember I can see your face if you can't see mine.
You've got to go back to the house.”
</p>
            <p>“He won't let me in,” said Adye.
</p>
            <p>“That's a pity,” said the Invisible Man.  “I've got no
quarrel with you.”
</p>
            <p>Adye moistened his lips again.  He glanced away from the barrel of
the revolver and saw the sea far off very blue and dark under the
midday sun, the smooth green down, the white cliff of the Head, and
the multitudinous town, and suddenly he knew that life was very sweet.
His eyes came back to this little metal thing hanging between heaven
and earth, six yards away.  “What am I to do?” he said
sullenly.
</p>
            <p>“What am I to do?” asked the Invisible Man.  “You will
get help.  The only thing is for you to go back.”
</p>
            <p>“I will try.  If he lets me in will you promise not to rush the
door?”
</p>
            <p>“I've got no quarrel with you,” said the Voice.
</p>
            <p>Kemp had hurried upstairs after letting Adye out, and now crouching
among the broken glass and peering cautiously over the edge of the
study window-sill, he saw Adye stand parleying with the Unseen.
“Why doesn't he fire?” whispered Kemp to himself.  Then the
revolver moved a little and the glint of the sunlight flashed in
Kemp's eyes.  He shaded his eyes and tried to see the source of the
blinding beam.
</p>
            <p>“Surely!” he said.  “Adye has given up the
revolver.”
</p>
            <p>“Promise not to rush the door,” Adye was saying.
“Don't push a winning game too far.  Give a man a chance.”
</p>
            <p>“You go back to the house.  I tell you flatly I will not
promise anything.”
</p>
            <p>Adye's decision seemed suddenly made.  He turned towards the house,
walking slowly with his hands behind him.  Kemp watched him—
puzzled.  The revolver vanished, flashed again into sight, vanished
again, and became evident on a closer scrutiny as a little dark object
following Adye.  Then things happened very quickly.  Adye leapt
backwards, swung round, clutched at this little object, missed it,
threw up his hands and fell forward on his face, leaving a little puff
of blue in the air.  Kemp did not hear the sound of the shot.  Adye
writhed, raised himself on one arm, fell forward, and lay still.
</p>
            <p>For a space Kemp remained staring at the quiet carelessness of
Adye's attitude.  The afternoon was very hot and still, nothing seemed
stirring in all the world save a couple of yellow butterflies chasing
each other through the shrubbery between the house and the road gate.
Adye lay on the lawn near the gate.  The blinds of all the villas down
the hill-road were drawn, but in one little green summer-house was a
white figure, apparently an old man asleep.  Kemp scrutinised the
surroundings of the house for a glimpse of the revolver, but it had
vanished.  His eyes came back to Adye.  The game was opening well.
</p>
            <p>Then came a ringing and knocking at the front door, that grew at
last tumultuous, but pursuant to Kemp's instructions the servants had
locked themselves into their rooms.  This was followed by a silence.
Kemp sat listening and then began peering cautiously out of the three
windows, one after another.  He went to the staircase head and stood
listening uneasily.  He armed himself with his bedroom poker, and went
to examine the interior fastenings of the ground-floor windows again.
Everything was safe and quiet.  He returned to the belvedere.  Adye
lay motionless over the edge of the gravel just as he had fallen.
Coming along the road by the villas were the housemaid and two
policemen.
</p>
            <p>Everything was deadly still.  The three people seemed very slow in
approaching.  He wondered what his antagonist was doing.
</p>
            <p>He started.  There was a smash from below.  He hesitated and went
downstairs again.  Suddenly the house resounded with heavy blows and
the splintering of wood.  He heard a smash and the destructive clang
of the iron fastenings of the shutters.  He turned the key and opened
the kitchen door.  As he did so, the shutters, split and splintering,
came flying inward.  He stood aghast.  The window frame, save for one
cross bar, was still intact, but only little teeth of glass remained
in the frame.  The shutters had been driven in with an axe, and now
the axe was descending in sweeping blows upon the window frame and the
iron bars defending it.  Then suddenly it leapt aside and vanished.
He saw the revolver lying on the path outside, and then the little
weapon sprang into the air.  He dodged back.  The revolver cracked
just too late, and a splinter from the edge of the closing door
flashed over his head.  He slammed and locked the door, and as he
stood outside he heard Griffin shouting and laughing.  Then the blows
of the axe, with their splitting and smashing accompaniments, were
resumed.
</p>
            <p>Kemp stood in the passage trying to think.  In a moment the
Invisible Man would be in the kitchen.  This door would not keep him a
moment, and then—
</p>
            <p>A ringing came at the front door again.  It would be the policemen.
He ran into the hall, put up the chain, and drew the bolts.  He made
the girl speak before he dropped the chain, and the three people
blundered into the house in a heap, and Kemp slammed the door again.
</p>
            <p>“The Invisible Man!” said Kemp.  “He has a revolver,
with two shots—left.  He's killed Adye.  Shot him anyhow.
Didn't you see him on the lawn?  He's lying there.”
</p>
            <p>“Who?” said one of the policemen.
</p>
            <p>“Adye,” said Kemp.
</p>
            <p>“We came round the back way,” said the girl.
</p>
            <p>“What's that smashing?” asked one of the policemen.
</p>
            <p>“He's in the kitchen—or will be.  He has found an
axe—”
</p>
            <p>Suddenly the house was full of the Invisible Man's resounding blows
on the kitchen door.  The girl stared towards the kitchen, shuddered,
and retreated into the dining-room.  Kemp tried to explain in broken
sentences.  They heard the kitchen door give.
</p>
            <p>“This way,” cried Kemp, starting into activity, and bundled
the policemen into the dining-room doorway.
</p>
            <p>“Poker,” said Kemp, and rushed to the fender.  He handed a
poker to each policeman.  He suddenly flung himself backward.
</p>
            <p>“Whup!” said one policeman, ducked, and caught the axe on
his poker.  The pistol snapped its penultimate shot and ripped a
valuable Sidney Cooper.  The second policeman brought his poker down
on the little weapon, as one might knock down a wasp, and sent it
rattling to the floor.
</p>
            <p>At the first clash the girl screamed, stood screaming for a moment
by the fireplace, and then ran to open the shutters—possibly
with an idea of escaping by the shattered window.
</p>
            <p>The axe receded into the passage, and fell to a position about two
feet from the ground.  They could hear the Invisible Man breathing.
“Stand away, you two,” he said.  “I want that man
Kemp.”
</p>
            <p>“We want you,” said the first policeman, making a quick
step forward and wiping with his poker at the Voice.  The Invisible
Man must have started back.  He blundered into the umbrella stand.
Then, as the policeman staggered with the swing of the blow he had
aimed, the Invisible Man countered with the axe, the helmet crumpled
like paper, and the blow sent the man spinning to the floor at the
head of the kitchen stairs.  But the second policeman, aiming behind
the axe with his poker, hit something soft that snapped.  There was a
sharp exclamation of pain and the axe fell to the ground.  The
policeman wiped again at vacancy and hit nothing; he put his foot on
the axe, and struck again.  Then he stood, poker clubbed, listening
intent for the slightest movement.
</p>
            <p>He heard the dining-room window open, and a quick rush of feet
within.  His companion rolled over and sat up with the blood running
down between his eye and ear.  “Where is he?” asked the man on
the floor.
</p>
            <p>“Don't know.  I've hit him.  He's standing somewhere in the
hall.  Unless he's slipped past you.  Doctor Kemp—sir.”
</p>
            <p>Pause.
</p>
            <p>“Doctor Kemp,” cried the policeman again.
</p>
            <p>The second policeman struggled to his feet.  He stood up.  Suddenly
the faint pad of bare feet on the kitchen stairs could be heard.
“Yap!” cried the first policeman and incontinently flung his
poker.  It smashed a little gas bracket.
</p>
            <p>He made as if he would pursue the Invisible Man downstairs.  Then
he thought better of it and stepped into the dining-room.
</p>
            <p>“Doctor Kemp,” he began, and stopped short—
</p>
            <p>“Doctor Kemp's in here,” he said, as his companion looked
over his shoulder.
</p>
            <p>The dining-room window was wide open, and neither housemaid nor
Kemp was to be seen.
</p>
            <p>The second policeman's opinion of Kemp was terse and vivid.
</p>
         </div>
         <div n="C28" type="chapter">
            <head>The Hunter Hunted</head>
            <p>Mr. Heelas, Mr. Kemp's nearest neighbour among the villa holders,
was asleep in his summer house when the siege of Kemp's house began.
Mr.  Heelas was one of the sturdy minority who refused to believe
“in all this nonsense” about an Invisible Man.  His wife,
however, as he was to be reminded subsequently, did.  He insisted upon
walking about his garden just as if nothing was the matter, and he
went to sleep in the afternoon in accordance with the custom of years.
He slept through the smashing of the windows, and then woke up
suddenly with a curious persuasion of something wrong.  He looked
across at Kemp's house, rubbed his eyes and looked again.  Then he put
his feet to the ground, and sat listening.  He said he was damned, and
still the strange thing was visible.  The house looked as though it
had been deserted for weeks—after a violent riot.  Every window
was broken, and every window, save those of the belvedere study, was
blinded by the internal shutters.
</p>
            <p>“I could have sworn it was all right”—he looked at
his watch —”twenty minutes ago.”
</p>
            <p>He became aware of a measured concussion and the clash of glass,
far away in the distance.  And then, as he sat open-mouthed, came a
still more wonderful thing.  The shutters of the drawing-room window
were flung open violently, and the housemaid in her outdoor hat and
garments, appeared struggling in a frantic manner to throw up the
sash.  Suddenly a man appeared beside her, helping her—Dr. Kemp!
In another moment the window was open, and the housemaid was
struggling out; she pitched forward and vanished among the shrubs.
Mr. Heelas stood up, exclaiming vaguely and vehemently at all these
wonderful things.  He saw Kemp stand on the sill, spring from the
window, and reappear almost instantaneously running along a path in
the shrubbery and stooping as he ran, like a man who evades
observation.  He vanished behind a laburnum, and appeared again
clambering a fence that abutted on the open down.  In a second he had
tumbled over and was running at a tremendous pace down the slope
towards Mr. Heelas.
</p>
            <p>“Lord!” cried Mr. Heelas, struck with an idea; “it's
that Invisible Man brute!  It's right, after all!”
</p>
            <p>With Mr. Heelas to think things like that was to act, and his cook
watching him from the top window was amazed to see him come pelting
towards the house at a good nine miles an hour.  “Thought he
wasn't afraid,” said the cook.  “Mary, just come here!”
There was a slamming of doors, a ringing of bells, and the voice of
Mr. Heelas bellowing like a bull.  “Shut the doors, shut the
windows, shut everything! the Invisible Man is coming!” Instantly
the house was full of screams and directions, and scurrying feet.  He
ran to shut the French windows himself that opened on the veranda; as
he did so Kemp's head and shoulders and knee appeared over the edge of
the garden fence.  In another moment Kemp had ploughed through the
asparagus, and was running across the tennis lawn to the house.
</p>
            <p>“You can't come in,” said Mr. Heelas, shutting the bolts.
“I'm very sorry if he's after you, but you can't come in!”
</p>
            <p>Kemp appeared with a face of terror close to the glass, rapping and
then shaking frantically at the French window.  Then, seeing his
efforts were useless, he ran along the veranda, vaulted the end, and
went to hammer at the side door.  Then he ran round by the side gate
to the front of the house, and so into the hill-road.  And Mr. Heelas
staring from his window—a face of horror—had scarcely
witnessed Kemp vanish, ere the asparagus was being trampled this way
and that by feet unseen.  At that Mr. Heelas fled precipitately
upstairs, and the rest of the chase is beyond his purview.  But as he
passed the staircase window, he heard the side gate slam.
</p>
            <p>Emerging into the hill-road, Kemp naturally took the downward
direction, and so it was he came to run in his own person the very
race he had watched with such a critical eye from the belvedere study
only four days ago.  He ran it well for a man out of training; and
though his face was white and wet, his wits were cool to the last.  He
ran with wide strides, and wherever a patch of rough ground
intervened, wherever there came a patch of raw flints, or a bit of
broken glass shone dazzling, he crossed it and left the bare invisible
feet that followed to take what line they would.
</p>
            <p>For the first time in his life Kemp discovered that the hill- road
was indescribably vast and desolate, and that the beginnings of the
town far below at the hill foot were strangely remote.  Never had
there been a slower or more painful method of progression than
running.  All the gaunt villas, sleeping in the afternoon sun, looked
locked and barred; no doubt they were locked and barred—by his
own orders.  But at any rate they might have kept a lookout for an
eventuality like this!  The town was rising up now, the sea had
dropped out of sight behind it, and people down below were stirring.
A tram was just arriving at the hill foot.  Beyond that was the police
station.  Was that footsteps he heard behind him?  Spurt.
</p>
            <p>The people below were staring at him, one or two were running, and
his breath was beginning to saw in his throat.  The tram was quite
near now, and the Jolly Cricketers was noisily barring its doors.
Beyond the tram were posts and heaps of gravel—the drainage
works.  He had a transitory idea of jumping into the tram and slamming
the doors, and then he resolved to go to the police station.  In
another moment he had passed the door of the Jolly Cricketers, and was
in the blistering fag end of the street, with human beings about him.
The tram driver and his helper—arrested by the sight of his
furious haste —stood staring with the tram horses unhitched.
Further on the astonished features of navvies appeared above the
mounds of gravel.
</p>
            <p>His pace broke a little, and then he heard the swift pad of his
pursuer, and leapt forward again.  “The Invisible Man!” he
cried to the navvies, with a vague indicative gesture, and by an
inspiration leapt the excavation and placed a burly group between him
and the chase.  Then abandoning the idea of the police station he
turned into a little side street, rushed by a greengrocer's cart,
hesitated for the tenth of a second at the door of a sweetstuff shop,
and then made for the mouth of an alley that ran back into the main
Hill Street again.  Two or three little children were playing here,
and shrieked and scattered running at his apparition, and forthwith
doors and windows opened and excited mothers revealed their hearts.
Out he shot into Hill Street again, three hundred yards from the
tramline end, and immediately he became aware of a tumultuous
vociferation and running people.
</p>
            <p>He glanced up the street towards the hill.  Hardly a dozen yards
off ran a huge navvy, cursing in fragments and slashing viciously with
a spade, and hard behind him came the tram conductor with his fists
clenched.  Up the street others followed these two, striking and
shouting.  Down towards the town, men and women were running, and he
noticed clearly one man coming out of a shop-door with a stick in his
hand.  “Spread out!  Spread out!” cried some one.  Kemp
suddenly grasped the altered condition of the chase.  He stopped and
looked round, panting.  “He's close here!” he cried.
“Form a line across—”
</p>
            <p>“Aha!” shouted a voice.
</p>
            <p>He was hit hard under the ear, and went reeling, trying to face
round towards his unseen antagonist.  He just managed to keep his
feet, and he struck a vain counter in the air.  Then he was hit again
under the jaw, and sprawled headlong on the ground.  In another moment
a knee compressed his diaphragm, and a couple of eager hands gripped
his throat, but the grip of one was weaker than the other; he grasped
the wrists, heard a cry of pain from his assailant, and then the spade
of the navvy came whirling through the air above him, and struck
something with a dull thud.  He felt a drop of moisture on his face.
The grip at his throat suddenly relaxed, and with a convulsive effort
Kemp loosed himself, grasped a limp shoulder, and rolled uppermost.
He gripped the unseen elbows near the ground.  “I've got him!”
screamed Kemp.  “Help!  Help! hold!  He's down!  Hold his
feet!”
</p>
            <p>In another second there was a simultaneous rush upon the struggle,
and a stranger coming into the road suddenly might have thought an
exceptionally savage game of Rugby football was in progress.  And
there was no shouting after Kemp's cry—only a sound of blows and
feet and a heavy breathing.
</p>
            <p>Then came a mighty effort, and the Invisible Man threw off a couple
of his antagonists and rose to his knees.  Kemp clung to him in front
like a hound to a stag, and a dozen hands gripped, clutched, and tore
at the Unseen.  The tram conductor suddenly got the neck and shoulders
and lugged him back.
</p>
            <p>Down went the heap of struggling men again and rolled over.  There
was, I am afraid, some savage kicking.  Then suddenly a wild scream of
“Mercy!  Mercy!” that died down swiftly to a sound like
choking.
</p>
            <p>“Get back, you fools!” cried the muffled voice of Kemp, and
there was a vigorous shoving back of stalwart forms.  “He's hurt,
I tell you.  Stand back!”
</p>
            <p>There was a brief struggle to clear a space, and then the circle of
eager eyes saw the doctor kneeling, as it seemed, fifteen inches in
the air, and holding invisible arms to the ground.  Behind him a
constable gripped invisible ankles.
</p>
            <p>“Don't you leave go of en,” cried the big navvy, holding a
bloodstained spade; “he's shamming.”
</p>
            <p>“He's not shamming,” said the doctor, cautiously raising
his knee; “and I'll hold him.” His face was bruised and
already going red; he spoke thickly because of a bleeding lip.  He
released one hand and seemed to be feeling at the face.  “The
mouth's all wet,” he said.  And then, “Good God!”
</p>
            <p>He stood up abruptly and then knelt down on the ground by the side
of the thing unseen.  There was a pushing and shuffling, a sound of
heavy feet as fresh people turned up to increase the pressure of the
crowd.  People now were coming out of the houses.  The doors of the
Jolly Cricketers were suddenly wide open.  Very little was said.
</p>
            <p>Kempt felt about, his hand seeming to pass through empty air.
“He's not breathing,” he said, and then, “I can't feel his
heart.  His side—ugh!”
</p>
            <p>Suddenly an old woman, peering under the arm of the big navvy,
screamed sharply.  “Looky there!” she said, and thrust out a
wrinkled finger.
</p>
            <p>And looking where she pointed, every one saw, faint and transparent
as though it was made of glass, so that veins and arteries and bones
and nerves could be distinguished, the outline of a hand, a hand limp
and prone.  It grew clouded and opaque even as they stared.
</p>
            <p>“Hullo!” cried the constable.  “Here's his feet
a-showing!”
</p>
            <p>And so, slowly, beginning at his hands and feet and creeping along
his limbs to the vital centres of his body, that strange change
continued.  It was like the slow spreading of a poison.  First came
the little white nerves, a hazy grey sketch of a limb, then the glassy
bones and intricate arteries, then the flesh and skin, first a faint
fogginess and then growing rapidly dense and opaque.  Presently they
could see his crushed chest and his shoulders, and the dim outline of
his drawn and battered features.
</p>
            <p>When at last the crowd made way for Kemp to stand erect, there lay,
naked and pitiful on the ground, the bruised and broken body of a
young man about thirty.  His hair and beard were white—not grey
with age but white with the whiteness of albinism, and his eyes were
like garnets.  His hands were clenched, his eyes wide open, and his
expression was one of anger and dismay.
</p>
            <p>“Cover his face!” said a man.  “For Gawd's sake, cover
that face!” and three little children, pushing forward through the
crowd, were suddenly twisted round and sent packing off again.
</p>
            <p>Some one brought a sheet from the Jolly Cricketers; and having
covered him, they carried him into that house.
</p>
         </div>
         <div type="chapter">
            <head>The Epilogue</head>
            <p>So ends the
story of the strange and evil experiment of the Invisible Man.  And if
you would learn more of him you must go to a little inn near Port
Stowe and talk to the landlord.  The sign of the inn is an empty board
save for a hat and boots, and the name is the title of this story.
The landlord is a short and corpulent little man with a nose of
cylindrical protrusion, wiry hair, and a sporadic rosiness of visage.
Drink generously, and he will tell you generously of all the things
that happened to him after that time, and of how the lawyers tried to
do him out of the treasure found upon him.
</p>
            <p>“When they found they couldn't prove who's money was which, I'm
blessed,” he says, “if they didn't try to make me out a
blooming treasure trove!  Do I look like a Treasure Trove?  And then a
gentleman gave me a guinea a night to tell the story at the Empire
Music 'all—just tell 'em in my own words—barring one.”
</p>
            <p>And if you want to cut off the flow of his reminiscences abruptly,
you can always do so by asking if there weren't three manuscript books
in the story.  He admits there were and proceeds to explain, with
asseverations that everybody thinks he has 'em!  But bless you!  he
hasn't.  “The Invisible Man it was took 'em off to hide 'em when I
cut and ran for Port Stowe.  It's that Mr. Kemp put people on with the
idea of my having 'em.”
</p>
            <p>And then he subsides into a pensive state, watches you furtively,
bustles nervously with glasses, and presently leaves the bar.
</p>
            <p>He is a bachelor man—his tastes were ever bachelor, and there
are no women folk in the house.  Outwardly he buttons—it is
expected of him—but in his more vital privacies, in the matter
of braces for example, he still turns to string.  He conducts his
house without enterprise, but with eminent decorum.  His movements are
slow, and he is a great thinker.  But he has a reputation for wisdom
and for a respectable parsimony in the village, and his knowledge of
the roads of the South of England would beat Cobbett.
</p>
            <p>And on Sunday mornings, every Sunday morning all the year round,
while he is closed to the outer world, and every night after ten, he
goes into his bar parlour bearing a glass of gin faintly tinged with
water; and having placed this down, he locks the door and examines the
blinds, and even looks under the table.  And then, being satisfied of
his solitude, he unlocks the cupboard and a box in the cupboard and a
drawer in that box, and produces three volumes bound in brown leather,
and places them solemnly in the middle of the table.  The covers are
weather-worn and tinged with an algal green—for once they
sojourned in a ditch and some of the pages have been washed blank by
dirty water.  The landlord sits down in an armchair, fills a long clay
pipe slowly, gloating over the books the while.  Then he pulls one
towards him and opens it, and begins to study it—turning over
the leaves backwards and forwards.
</p>
            <p>His brows are knit and his lips move painfully.  “Hex, little
two up in the air, cross and a fiddle-de-dee.  Lord! what a one he was
for intellect!”
</p>
            <p>Presently he relaxes and leans back, and blinks through his smoke
across the room at things invisible to other eyes.  “Full of
secrets,” he says.  “Wonderful secrets!”
</p>
            <p>“Once I get the haul of them—Lord!
</p>
            <p>“I wouldn't do what he did; I'd just—well!” He pulls
at his pipe.
</p>
            <p>So he lapses into a dream, the undying wonderful dream of his life.
And though Kemp has fished unceasingly, and Adye has questioned
closely, no human being save the landlord knows those books are there,
with the subtle secret of invisibility and a dozen other strange
secrets written therein.  And none other will know of them until he
dies.
</p>
         </div>
         <trailer>THE END</trailer>
      </body>
  </text>
</TEI>
