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The Meditation was first published by Curll in 1710. He had apparently got a copy from his lodger. The printing here is typical of the style of the Works, with capitals for nouns, and the use of capitals and small capitals for the beginning of each paragraph giving the whole an orderly appearance. A feature of this short piece is the use of capitals and small capitals for ‘Surely Mortal Man is a Broomstick’. In the first edition they are not used for ‘Man’, and ‘Mortal’ is not there at all. The exaggerations of the typography reflect the tone of the piece.
George Faulkner (?1703-1775) was Swift’s most important publisher and editor. In his early years Swift tended to publish his major works through the London trade, but with the Drapier’s
Letters (1724) Dublin publication became more important. Faulkner, who had worked for William Bowyer in London and was a polished printer, brought out the first collected edition of the Drapier’s
Letters, as Fraud Detected, in 1725, and by 1732 was planning a subscription edition of Swift’s Works. The four volumes came out in 1735, and established Faulkner as Swift’s printer. Swift, at least to some extent, and his friends had collaborated in the edition. Faulkner continued to print Swift and to enlarge his edition, which by 1771 consisted of twenty volumes.
Faulkner did his best both to date Swift’s works and to elucidate them with footnotes. His pioneering work is of first importance both for Swift’s text and for explanatory notes. For further discussion of Faulkner, see the long note in the Gulliver’s Travels volume in the Cambridge Edition of the Works of Jonathan Swift, and Mary Pollard’s entry on him in her Dictionary.
References: The Prose Writings of Jonathan Swift, ed. Herbert Davis and others, 16 vols. (Oxford: Basil Blackwell, 1939-74), vol. i, pp. 237-40, 302; Irvin Ehrenpeis, Swift: The Man, His Works, and the Age, 3 vols. (London: Methuen, 1962-83), vol. ii, p. 91, n. 2, vol. iii, pp. 779-90; Mary Pollard, A Dictionary of Members of the Dublin Book Trade 1550-1800 (London: The Bibliographical Society, 2000); Mary Pollard, ‘George Faulkner’, Swift Studies, 7 (1992), 79-96.